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Essays on The Great Gatsby

The great gatsby essay topic examples.

Whether you want to analyze the American Dream, compare and contrast characters, vividly describe settings and characters, persuade readers with your viewpoints, or share personal experiences related to the story, these essay ideas provide a diverse perspective on the themes and complexities within the book.

Argumentative Essays

Argumentative essays require you to analyze and present arguments related to the novel. Here are some topic examples:

• 1. Argue whether the American Dream is achievable or illusory, as depicted in The Great Gatsby .
• 2. Analyze the moral ambiguity of Jay Gatsby and the consequences of his relentless pursuit of the American Dream.

Example Introduction Paragraph for an Argumentative Essay: F. Scott Fitzgerald's The Great Gatsby is a tale of ambition, decadence, and the elusive American Dream. This essay delves into the complex theme of the American Dream, exploring whether it remains attainable or has transformed into a tantalizing illusion, luring individuals like Jay Gatsby into its enigmatic embrace.

Example Conclusion Paragraph for an Argumentative Essay: In conclusion, the analysis of the American Dream in The Great Gatsby invites us to reevaluate our perceptions of success and fulfillment. As we contemplate the fate of Jay Gatsby and the characters entangled in his world, we are challenged to define our own version of the American Dream and the sacrifices it may entail.

Compare and Contrast Essays

Compare and contrast essays enable you to examine similarities and differences within the novel or between it and other literary works. Consider these topics:

• 1. Compare and contrast the characters of Jay Gatsby and Tom Buchanan, exploring their contrasting worldviews and motivations.
• 2. Analyze the similarities and differences between the portrayal of the Jazz Age in The Great Gatsby and Ernest Hemingway's The Sun Also Rises .

Example Introduction Paragraph for a Compare and Contrast Essay: The characters and settings in The Great Gatsby and other literary works offer a rich tapestry for comparison and contrast. This essay embarks on a journey to compare and contrast the enigmatic Jay Gatsby and the brash Tom Buchanan, delving into their contrasting values, aspirations, and roles within the novel.

Example Conclusion Paragraph for a Compare and Contrast Essay: In conclusion, the comparison and contrast of Jay Gatsby and Tom Buchanan illuminate the divergent paths individuals can take in pursuit of their desires. As we consider the consequences of their choices, we are prompted to reflect on the complexities of ambition and morality.

Descriptive Essays

Descriptive essays allow you to vividly depict settings, characters, or events within the novel. Here are some topic ideas:

• 1. Describe the opulent parties at Gatsby's mansion, emphasizing the decadence and extravagance of the Jazz Age.
• 2. Paint a detailed portrait of Daisy Buchanan, focusing on her beauty, charm, and the allure she holds for Gatsby.

Example Introduction Paragraph for a Descriptive Essay: The Great Gatsby immerses readers in the lavish world of the Roaring Twenties. This essay embarks on a descriptive exploration of the extravagant parties at Gatsby's mansion, capturing the opulence and hedonism of the era, as well as the illusions they create.

Example Conclusion Paragraph for a Descriptive Essay: In conclusion, the descriptive portrayal of Gatsby's parties serves as a vivid snapshot of the Jazz Age's excesses and the fleeting nature of indulgence. Through this exploration, we are reminded of the allure and transience of the materialistic pursuits that captivated the characters of the novel.

Persuasive Essays

Persuasive essays involve arguing a point of view related to the novel. Consider these persuasive topics:

• 1. Persuade your readers that Nick Carraway is the moral compass of the story, serving as the voice of reason and morality.
• 2. Argue for or against the idea that Gatsby's love for Daisy is genuine and selfless, despite his questionable methods.

Example Introduction Paragraph for a Persuasive Essay: The Great Gatsby presents a tapestry of characters with complex moral dilemmas. This persuasive essay asserts that Nick Carraway emerges as the moral compass of the story, guiding readers through the labyrinth of decadence and disillusionment in the Jazz Age.

Example Conclusion Paragraph for a Persuasive Essay: In conclusion, the persuasive argument regarding Nick Carraway's role as the moral compass underscores the importance of ethical navigation in a world characterized by excess and moral ambiguity. As we reflect on his influence, we are compelled to consider the enduring value of integrity and virtue.

Narrative Essays

Narrative essays offer you the opportunity to tell a story or share personal experiences related to the themes of the novel. Explore these narrative essay topics:

• 1. Narrate a personal experience where you encountered the allure of materialism and extravagance, similar to the characters in The Great Gatsby .
• 2. Imagine yourself as a character in the Jazz Age and recount your interactions with Jay Gatsby and Daisy Buchanan.

Example Introduction Paragraph for a Narrative Essay: The themes of The Great Gatsby resonate with the allure of a bygone era. This narrative essay delves into a personal encounter with the seductive pull of materialism and extravagance, drawing parallels to the characters' experiences in the novel.

Example Conclusion Paragraph for a Narrative Essay: In conclusion, the narrative of my personal encounter with the allure of materialism reminds us of the timeless nature of the themes in The Great Gatsby . As we navigate our own desires and ambitions, we are encouraged to contemplate the balance between aspiration and morality.

Sheik of Araby: Unveiling The Meaning Behind The Mysterious Character in The Great Gatsby

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Ambition and Control: The Complex Character of Nick Carraway in The Great Gatsby

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"The Great Gatsby": Theme and Symbols

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The Portrayal of Female Characters in F.s. Fitzgerald’s The Great Gatsby

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April 10, 1925, F. Scott Fitzgerald

Novel; Fiction, Tragedy

Jay Gatsby , Nick Carraway, Daisy Buchanan, Tom Buchanan, Myrtle Wilson, Jordan Baker, Meyer Wolfsheim, George B. Wilson, Trimalchio, Mr. Gatz

F. Scott Fitzgerald wrote "The Great Gatsby" with multiple motivations in mind. Firstly, he sought to critique the materialistic excesses and moral decay of the Roaring Twenties, a period of post-World War I prosperity. Fitzgerald aimed to expose the disillusionment and hollowness behind the glittering facade of the American Dream. Additionally, he drew inspiration from his own experiences and observations of the wealthy elite and their decadent lifestyles. Through the character of Jay Gatsby, Fitzgerald explored themes of unrequited love, longing, and the pursuit of an unattainable ideal. Ultimately, Fitzgerald's intent was to capture the essence of an era and offer a profound commentary on the human condition.

The story revolves around Jay Gatsby, a mysterious millionaire, and his pursuit of Daisy Buchanan, a married woman with whom he had a romantic past. Narrated by Nick Carraway, a young man from the Midwest, the novel delves into the opulent and extravagant lives of the wealthy elite in Long Island. As Gatsby throws lavish parties in the hope of rekindling his relationship with Daisy, the narrative explores themes of love, wealth, illusion, and the disillusionment that comes with the pursuit of the American Dream.

The American Dream , decadence, idealism, resistance to changes, social excess, caution.

The influence of "The Great Gatsby" extends far beyond its initial publication in 1925. F. Scott Fitzgerald's novel has become a literary classic, revered for its exploration of themes such as wealth, love, and the elusive American Dream. It remains relevant due to its timeless portrayal of human desires, societal decadence, and the consequences of relentless pursuit. The book's vivid characters and atmospheric prose have inspired countless writers and artists, shaping the landscape of American literature. With its commentary on the dark underbelly of the Jazz Age, "The Great Gatsby" continues to captivate readers, serving as a cautionary tale and a poignant reflection of the human condition.

1. During F. Scott Fitzgerald's lifetime, approximately 25,000 copies of the book were sold. However, since then, it has gained immense popularity, selling over 25 million copies and establishing itself as one of the most renowned American novels. 2. The Great Gatsby did not have its original title as the author considered various options, ranging from "Under the Red, White and Blue" to "The High-Bouncing Lover." These alternative titles were potentially revealing too much about the content prematurely. 3. In 1926, just a year after its publication, the book was adapted into a film, demonstrating its quick transition from page to screen. 4. Fitzgerald's cause of death is believed to have been tuberculosis rather than a heart attack. Sadly, he passed away at the age of 44. 5. The price of this famous novel at the time of its publication in 1925 was $2, representing its value in that era. 6. The Great Gatsby did not immediately receive critical acclaim upon release. However, it has since garnered recognition and praise, becoming a significant literary work.

"The Great Gatsby" has made a significant impact on various forms of media, captivating audiences across generations. The novel has been adapted into several films, with notable versions including the 1974 adaptation starring Robert Redford and the 2013 adaptation featuring Leonardo DiCaprio. These cinematic interpretations have brought the story to life visually, further immersing audiences in the opulent world of Jay Gatsby. Additionally, the novel has been referenced and alluded to in countless songs, television shows, and even video games, solidifying its cultural significance. Its themes of love, wealth, and the pursuit of the American Dream continue to resonate and inspire creative works in popular culture.

“In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since. ‘Whenever you feel like criticizing any one,’ he told me, ‘just remember that all the people in this world haven't had the advantages that you've had.’” “I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.” “Let us learn to show our friendship for a man when he is alive and not after he is dead.” “So we drove on toward death through the cooling twilight.” “I hope she'll be a fool -- that's the best thing a girl can be in this world, a beautiful little fool.”

Studying "The Great Gatsby" holds great importance due to its enduring relevance and literary significance. The novel offers profound insights into themes such as wealth, love, social class, and the corruption of the American Dream. Its exploration of the Jazz Age exposes the allure and emptiness of a materialistic society, making it a compelling study of human desires and societal decay. F. Scott Fitzgerald's masterful prose and symbolic imagery provide rich material for analyzing character development, narrative techniques, and social commentary. Moreover, delving into the novel's historical context allows for a deeper understanding of the cultural and societal shifts of the 1920s.

The inclusion of "The Great Gatsby" as an essay topic for college students stems from its exploration of themes like the American Dream, the juxtaposition of poverty and wealth, and the destructive allure of corruption. The character of Gatsby embodies the American spirit and can be paralleled to contemporary individuals fixated on materialism and fame as measures of romantic success. Furthermore, this literary masterpiece holds a significant place in American literature, as F. Scott Fitzgerald skillfully weaves socio-cultural elements into each sentence, providing a timeless portrayal of American life that resonates across generations. The choice to analyze and write about "The Great Gatsby" allows students to delve into these thought-provoking themes and examine their relevance to society.

1. Stallman, R. W. (1955). Conrad and The Great Gatsby. Twentieth Century Literature, 1(1), 5–12. (https://doi.org/10.2307/441023) 2. John Jerrim, Lindsey Macmillan, (2015). Income Inequality, Intergenerational Mobility, and the Great Gatsby Curve: Is Education the Key?, Social Forces, Volume 94, Issue 2. (https://academic.oup.com/sf/article/94/2/505/2583794) 3. Robert C. Hauhart (2013) Religious Language and Symbolism in The Great Gatsby’s Valley of Ashes, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 26:3 (https://www.tandfonline.com/doi/abs/10.1080/0895769X.2013.798233) 4. Burnam, T. (1952). The Eyes of Dr. Eckleburg: A Re-Examination of “The Great Gatsby.” College English, 14(1), 7–12. (https://www.jstor.org/stable/371821) 5. Tom Phillips (2018) Passing for White in THE GREAT GATSBY: A Spectroscopic Analysis of Jordan Baker, The Explicator, 76:3. (https://www.tandfonline.com/doi/full/10.1080/00144940.2018.1489769?scroll=top&needAccess=true&role=tab) 6. Matterson, S. (1990). The Great Gatsby and Social Class. In: The Great Gatsby. The Critics Debate. Palgrave, London. (https://link.springer.com/chapter/10.1007/978-1-349-20768-8_9) 7. Licence, A. (2008). Jay Gatsby: martyr of a materialistic society: Amy Licence considers religious elements in The Great Gatsby. The English Review, 18(3), 24+. (https://go.gale.com/ps/i.do?id=GALE%7CA173676222&sid=googleScholar&v=2.1&it=r&linkaccess=abs&issn=09558950&p=LitRC&sw=w&userGroupName=anon%7E5a84816e) 8. Khodamoradpour, Marjan and Anushiravani, Alireza, (2017) Playing the Old Tunes: A Fiskean Analysis of Baz Luhrmann's 2013 Cinematic Adaptation of the Great Gatsby. International Letters of Social and Humanistic Sciences, Volume 71. (https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3020752) 9. Anderson, H. (1968). THE RICH BUNCH IN" THE GREAT GATSBY". Southern Quarterly, 6(2), 163. (https://www.proquest.com/openview/6a9e704a476d873aada2d2529821b95a/1?pq-origsite=gscholar&cbl=2029886)

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Life in West Egg and East Egg

Resurfacing gatsby’s past, a deadly crash and a shooting, setting and historical context, publication history, legacy, and adaptations, the meaning of the great gatsby.

• When did American literature begin?
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The Great Gatsby

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The Great Gatsby , novel by F. Scott Fitzgerald , published in 1925 by Charles Scribner’s Sons. Set in Jazz Age New York , it tells the story of Jay Gatsby , a self-made millionaire, and his pursuit of Daisy Buchanan, a wealthy young woman whom he loved in his youth .

Commercially unsuccessful when it was first published, The Great Gatsby —which was Fitzgerald’s third novel—is now considered a classic of American fiction and has often been called the Great American Novel.

• Who is Jay Gatsby, and what are the parties like at his house?
• How does Tom Buchanan react to the relationship that his wife, Daisy, has with Gatsby?
• What shocking event occurs when Daisy, seated beside Gatsby, is driving his car, and how does it affect everyone involved?
• How does The Great Gatsby capture the essence of the Jazz Age?
• How did The Great Gatsby ’s popularity change over time?
• What is the significance of West Egg vs. East Egg, and which wins in the end?

These AI-generated questions have been reviewed by Britannica’s editors.

Plot summary

The Great Gatsby is narrated by Nick Carraway , a Yale University graduate from the Midwest who moves to New York after World War I to pursue a career in bonds . He recounts the events of the summer he spent in the East two years later, reconstructing his story through a series of flashbacks not always told in chronological order.

In the spring of 1922, Nick takes a house in the fictional village of West Egg on Long Island , where he finds himself living among the colossal mansions of the newly rich. Across the water in the more refined village of East Egg live his cousin Daisy and her brutish, absurdly wealthy husband Tom Buchanan. Early in the summer Nick goes over to their house for dinner, where he also meets Jordan Baker, a friend of Daisy’s and a well-known golf champion, who tells him that Tom has a mistress in New York City . In a private conversation, Daisy confesses to Nick that she has been unhappy. Returning to his house in West Egg, he catches sight of his neighbor Jay Gatsby standing alone in the dark and stretching his arms out to a green light burning across the bay at the end of Tom and Daisy’s dock.

Early in July Tom introduces Nick to his mistress, Myrtle Wilson, who lives with her spiritless husband George Wilson in what Nick calls “a valley of ashes”: an industrial wasteland presided over by the bespectacled eyes of Doctor T.J. Eckleburg, which stare down from an advertising billboard. Meeting her at the garage where George works as a repairman, the three of them go to Tom and Myrtle’s apartment in Manhattan. They are joined by Myrtle’s sister and some other friends who live nearby, and the evening ends in heavy drunkenness and Tom punching Myrtle in the nose when she brings up Daisy. Nick wakes up in a train station the morning afterward.

As the summer progresses, Nick grows accustomed to the noises and lights of dazzling parties held at his neighbor’s house, where the famous and newly rich turn up on Saturday nights to enjoy Gatsby’s well-stocked bar and full jazz orchestra. Nick attends one of these parties when personally invited by Gatsby and runs into Jordan, with whom he spends most of the evening. He is struck by the apparent absence of the host and the impression that all of his guests seem to have dark theories about Gatsby’s past. However, Nick meets him at last in a rather quiet encounter later in the evening when the man sitting beside him identifies himself as Gatsby. Gatsby disappears and later asks to speak to Jordan privately. Jordan returns amazed by what he has told her, but she is unable to tell Nick what it is.

Nick begins seeing Jordan Baker as the summer continues, and he also becomes better acquainted with Gatsby. One afternoon in late July when they are driving into Manhattan for lunch, Gatsby tries to dispel the rumors circulating around himself, and he tells Nick that he is the son of very wealthy people who are all dead and that he is an Oxford man and a war hero. Nick is skeptical about this. At lunch he meets Gatsby’s business partner Meyer Wolfsheim, the man who fixed the World Series in 1919 (based on a real person and a real event from Fitzgerald’s day). Later, at tea, Jordan Baker tells Nick the surprising thing that Gatsby had told her in confidence at his party: Gatsby had known Nick’s cousin Daisy almost five years earlier in Louisville and they had been in love, but then he went away to fight in the war and she married Tom Buchanan. Gatsby bought his house on West Egg so he could be across the water from her.

At Gatsby’s request, Nick agrees to invite Daisy to his house, where Gatsby can meet her. A few days later he has them both over for tea, and Daisy is astonished to see Gatsby after nearly five years. The meeting is at first uncomfortable, and Nick steps outside for half an hour to give the two of them privacy. When he returns, they seem fully reconciled , Gatsby glowing with happiness and Daisy in tears. Afterward they go next door to Gatsby’s enormous house, and Gatsby shows off its impressive rooms to Daisy.

As the days pass, Tom becomes aware of Daisy’s association with Gatsby. Disliking it, he shows up at one of Gatsby’s parties with his wife. It becomes clear that Daisy does not like the party and is appalled by the impropriety of the new-money crowd at West Egg. Tom suspects that Gatsby is a bootlegger, and he says so. Voicing his dismay to Nick after the party is over, Gatsby explains that he wants Daisy to tell Tom she never loved him and then marry him as though the years had never passed.

Gatsby’s wild parties cease thereafter, and Daisy goes over to Gatsby’s house in the afternoons. On a boiling hot day near the end of the summer, Nick arrives for lunch at the Buchanans’ house; Gatsby and Jordan have also been invited. In the dining room, Daisy pays Gatsby a compliment that makes clear her love for him, and, when Tom notices this, he insists they drive into town.

Daisy and Gatsby leave in Tom’s blue coupe, while Tom drives Jordan and Nick in Gatsby’s garish yellow car. On the way, Tom stops for gas at George Wilson’s garage in the valley of ashes, and Wilson tells Tom that he is planning to move west with Myrtle as soon as he can raise the money. This news shakes Tom considerably, and he speeds on toward Manhattan, catching up with Daisy and Gatsby.

The whole party ends up in a parlor at the Plaza Hotel, hot and in bad temper . As they are about to drink mint juleps to cool off, Tom confronts Gatsby directly on the subject of his relationship with Daisy. Daisy tries to calm them down, but Gatsby insists that Daisy and he have always been in love and that she has never loved Tom. As the fight escalates and Daisy threatens to leave her husband, Tom reveals what he learned from an investigation into Gatsby’s affairs—that he had earned his money by selling illegal alcohol at drugstores in Chicago with Wolfsheim after Prohibition laws went into effect. Gatsby tries to deny it, but Daisy has lost her resolve, and his cause seems hopeless. As they leave the Plaza, Nick realizes that it is his 30th birthday.

Gatsby and Daisy leave together in Gatsby’s car, with Daisy driving. On the road they hit and kill Myrtle, who, after having a vehement argument with her husband, had run into the street toward Gatsby’s passing car, thinking it was Tom. Terrified, Daisy continues driving, but the car is seen by witnesses. Coming behind them, Tom stops his car when he sees a commotion on the road. He is stunned and devastated when he finds the body of his mistress dead on a table in Wilson’s garage.

Wilson accusingly tells him it was a yellow car that hit her, but Tom insists it was not his and drives on to East Egg in tears. Back at the Buchanans’ house in East Egg, Nick finds Gatsby hiding in the garden and learns that it was Daisy who was driving, though Gatsby insists that he will say it was he if his car is found. He says he will wait outside Daisy’s house in case Tom abuses Daisy.

The next morning Nick goes over to Gatsby’s house, where he has returned, dejected . Nick advises him to go away, afraid that his car will be traced. He refuses, and that night he tells Nick the truth about his past: he had come from a poor farming family and had met Daisy in Louisville while serving in the army, but he was too poor to marry her at the time. He earned his incredible wealth only after the war (by bootlegging , as Tom discovered).

Reluctantly, Nick leaves for work, while Gatsby continues to wait for a call from Daisy. That afternoon, George Wilson arrives in East Egg, where Tom tells him that it was Gatsby who killed his wife. Wilson makes his way to Gatsby’s house, where he finds Gatsby in his pool. Wilson shoots Gatsby and then himself. Afterward the Buchanans leave Long Island. They give no forwarding address. Nick arranges Gatsby’s funeral, although only two people attend , one of whom is Gatsby’s father. Nick moves back to the Midwest, disgusted with life in the East.

Set in the Jazz Age (a term popularized by Fitzgerald), The Great Gatsby vividly captures its historical moment: the economic boom in America after World War I, the new jazz music, the free-flowing illegal liquor. As Fitzgerald later remarked in an essay about the Roaring Twenties , it was “a whole race going hedonistic, deciding on pleasure.”

According to F. Scott Fitzgerald, the 1920s witnessed “a whole race going hedonistic, deciding on pleasure.”

The brazenly lavish culture of West Egg is a reflection of the new prosperity that was possible during Prohibition , when illegal schemes involving the black-market selling of liquor abounded. Such criminal enterprises are the source of Gatsby’s income and finance his incredible parties, which are probably based on parties Fitzgerald himself attended when he lived on Long Island in the early 1920s.

The racial anxieties of the period are also evident in the novel; Tom’s diatribe on The Rise of the Colored Empires —a reference to a real book published in 1920 by the American political scientist Lothrop Stoddard—points to the burgeoning eugenics movement in the United States during the early 20th century.

Fitzgerald finished The Great Gatsby in early 1925 while he was living in France, and Scribner’s published it in April of the same year. Fitzgerald struggled considerably in choosing a title, toying with Trimalchio and Under the Red, White and Blue , among others; he was never satisfied with the title The Great Gatsby , under which it was ultimately published.

The illustration for the novel’s original dust jacket was commissioned by Fitzgerald’s editor Maxwell Perkins seven months before he was in possession of the finished manuscript. It was designed by Francis Cugat, a Spanish-born artist who did Hollywood movie posters, and depicts the eyes of a woman hanging over the carnival lights of Coney Island . The design was well-loved by Fitzgerald, and he claimed in a letter to Perkins that he had written it into the book, though whether this refers to the eyes of Doctor Eckleburg or something else is uncertain. Cugat’s painting is now one of the most well-known and celebrated examples of jacket art in American literature .

While Fitzgerald considered The Great Gatsby to be his greatest achievement at the time it was published, the book was neither a critical nor a commercial success upon publication. Reviews were mixed, and the 20,000 copies of its first printing sold slowly. It was printed one more time during Fitzgerald’s life, and there were still copies unsold from this second printing when he died in 1940.

The Great Gatsby was rediscovered a few years later and enjoyed an exponential growth in popularity in the 1950s, soon becoming a standard text of high-school curricula in the United States. It remains one of Scribner’s best sellers, and it is now considered a masterpiece of American fiction. In 2021 it entered the public domain in the United States.

There have been several film adaptations of the novel, most notably a production directed by Jack Clayton in 1974, starring Robert Redford as Gatsby, and one in 2013 directed by Baz Luhrmann , starring Leonardo DiCaprio .

Above all, The Great Gatsby has been read as a pessimistic examination of the American Dream . At its center is a remarkable rags-to-riches story, of a boy from a poor farming background who has built himself up to fabulous wealth. Jay Gatsby is someone who once had nothing but who now entertains rich and celebrated people in his enormous house on Long Island. However, even though Gatsby’s wealth may be commensurate with the likes of Tom Buchanan’s, he is ultimately unable to break into the “distinguished secret society” of those who were born wealthy. His attempt to win Daisy Buchanan, a woman from a well-established family of the American elite, ends in disaster and his death.

This tension between “new money” and “old money” is represented in the book by the contrast between West Egg and East Egg. West Egg is portrayed as a tawdry, brash society that “chafed under the old euphemisms,” full of people who have made their money in an age of unprecedented materialism. East Egg, in contrast, is a refined society populated by America’s “staid nobility,” those who have inherited their wealth and who frown on the rawness of West Egg. In the end, it is East Egg that might be said to triumph: while Gatsby is shot and his garish parties are dispersed, Tom and Daisy are unharmed by the terrible events of the summer.

The Great Gatsby is memorable for the rich symbolism that underpins its story. Throughout the novel, the green light at the end of Daisy’s dock is a recurrent image that beckons to Gatsby’s sense of ambition. It is a symbol of “the orgastic future” he believes in so intensely, toward which his arms are outstretched when Nick first sees him. It is this “extraordinary gift for hope” that Nick admires so much in Gatsby, his “heightened sensitivity to the promises of life.” Once Daisy is within Gatsby’s reach, however, the “colossal significance” of the green light disappears. In essence, the green light is an unattainable promise, one that Nick understands in universal terms at the end of the novel: a future we never grasp but for which we are always reaching. Nick compares it to the hope the early settlers had in the promise of the New World. Gatsby’s dream fails, then, when he fixates his hope on a real object, Daisy. His once indefinite ambition is thereafter limited to the real world and becomes prey to all of its corruption.

The valley of ashes—an industrial wasteland located between West Egg and Manhattan—serves as a counterpoint to the brilliant future promised by the green light. As a dumping ground for the refuse of nearby factories, it stands as the consequence of America’s postwar economic boom, the ugly truth behind the consumer culture that props up newly rich people like Gatsby. In this valley live men like George Wilson who are “already crumbling.” They are the underclasses that live without hope, all the while bolstering the greed of a thriving economy. Notably, Gatsby does not in the end escape the ash of this economy that built him: it is George Wilson who comes to kill him, described as an “ashen” figure the moment before he shoots Gatsby.

Over the valley of ashes hover the bespectacled eyes of Doctor T.J. Eckleburg, which appear on the advertising billboard of an oculist. These eyes almost become a moral conscience in the morally vacuous world of The Great Gatsby ; to George Wilson they are the eyes of God. They are said to “brood” and “[keep] their vigil” over the valley, and they witness some of the most corrupt moments of the novel: Tom and Myrtle’s affair, Myrtle’s death, and the valley itself, full of America’s industrial waste and the toiling poor. However, in the end they are another product of the materialistic culture of the age, set up by Doctor Eckleburg to “fatten his practice.” Behind them is just one more person trying to get rich. Their function as a divine being who watches and judges is thus ultimately null , and the novel is left without a moral anchor.

A Summary and Analysis of F. Scott Fitzgerald’s The Great Gatsby

By Dr Oliver Tearle (Loughborough University)

The Great Gatsby is the quintessential Jazz Age novel, capturing a mood and a moment in American history in the 1920s, after the end of the First World War. Rather surprisingly, The Great Gatsby sold no more than 25,000 copies in F. Scott Fitzgerald’s lifetime. It has now sold over 25 million copies.

If Fitzgerald had stuck with one of the numerous working titles he considered for the novel, it might have been published as Trimalchio in West Egg (a nod to a comic novel from ancient Rome about a wealthy man who throws lavish parties), Under the Red, White and Blue , or even The High-Bouncing Lover (yes, really).

How did this novel come to be so widely acclaimed and studied, and what does it all mean? Before we proceed to an analysis of Fitzgerald’s novel, here’s a quick summary of the plot.

The Great Gatsby : plot summary

Nick Carraway, the narrator of the novel, is a young man who has come to New York to work on the stock exchange. He lives on the island of West Egg, where his neighbour is the wealthy Jay Gatsby, who owns a mansion.

One evening, Nick is dining with his neighbours from East Egg, Tom and Daisy Buchanan. Tom is having an affair, and goes to answer the phone at one point; Daisy follows him out of the room, and their fellow guest, a woman named Jordan Baker, explains to Nick about Tom’s mistress.

A short while after this, Nick is with Tom when Tom sets up a meeting with his mistress, Myrtle, the wife of a garage mechanic named Wilson. Nick attends a party with Tom and Myrtle; Tom hits his mistress when she mentions Daisy’s name.

In the summer, Gatsby throws a number of lavish parties at his mansion. He meets Jordan Baker again and the two are drawn to each other. Nobody seems to know the real Gatsby, or to be able to offer much reliable information about his identity. Who is he?

Gatsby befriends Nick and drives him to New York. Gatsby explains that he wants Nick to do him a favour: Jordan Baker tells him that Daisy was Gatsby’s first love and he is still in love with her: it’s the whole reason Gatsby moved to West Egg, so he could be near Daisy, even though she’s married to Tom. Gatsby wants Nick to invite both him and Daisy round for tea.

When they have tea together, Gatsby feels hopeful that he can recover his past life with Daisy before she was married. However, he knows that Daisy is unlikely to leave Tom for him. When she expresses a dislike for his noisy parties, he scales down his serving staff at his house and tones down the partying.

When they are all at lunch together, Tom realises that Daisy still loves Gatsby. Tom goads Gatsby as he realises he’s losing his mistress and, now, his wife. While staying together in a suite at the Plaza Hotel, Daisy tells Tom that she loves both men.

On their way back home, Gatsby’s car accidentally hits and kills Myrtle Wilson, Tom’s mistress, who has rushed out into the road after her husband found out about her affair. Tom finds her body and is distraught. Nick learns that Daisy, not Gatsby, was driving the car when Myrtle was killed.

Gatsby also tells Nick that he had built himself up from nothing: he was a poor man named James Gatz who made himself rich through the help of a corrupt millionaire named Dan Cody.

The next day, Nick finds Gatsby dead in his own swimming pool: Wilson, after his wife was killed by Gatsby’s car, turned up at Gatsby’s mansion to exact his revenge. Wilson’s body is nearby in the grass. The novel ends with Nick winding up Gatsby’s affairs and estate, before learning that Tom told Wilson where he could find Gatsby so he could take revenge.

The Great Gatsby : analysis

The Great Gatsby is the best-known novel of the Jazz Age, that period in American history that had its heyday in the 1920s. Parties, bootleg cocktails (it’s worth remembering that alcohol was illegal in the US at this time, under Prohibition between 1920 and 1933), and jazz music (of course) all characterised a time when Americans were gradually recovering from the First World War and the Spanish flu pandemic (1918-20).

One reason The Great Gatsby continues to invite close analysis is the clever way Fitzgerald casts his novel as neither out-and-out criticism of Jazz Age ‘values’ nor as an unequivocal endorsement of them. Gatsby’s parties may be a mere front, a way of coping with Daisy’s previous rejection of him and of trying to win her back, but Fitzgerald – and his sympathetic narrator, Nick Carraway – do not ridicule Gatsby’s behaviour as wholly shallow or vacuous.

Fitzgerald’s choice to have a first-person narrator, rather than a more detached and impersonal ‘omniscient’ third-person narrator, is also significant. Nick Carraway is closer to Gatsby than an impersonal narrator would be, yet the fact that Nick narrates Gatsby’s story, rather than Gatsby telling his own story, nevertheless provides Nick with some detachment, as well as a degree of innocence and ignorance over Gatsby’s identity and past.

Nick Carraway is both part of Gatsby’s world and yet also, at the same time, an observer from the side-lines, someone who is not rich and extravagant as many in Gatsby’s circle are, yet someone who is ushered into that world by an enthusiastic Jay Gatsby, who sees in Carraway a man in whom he can confide.

Nevertheless, Fitzgerald deftly sets the world of West Egg, with Gatsby’s mock-chateau and swimming pool, against the rather grittier and grimier reality for most Americans at the time. If Gatsby himself symbolises the American dream – he has made himself a success, absurdly wealthy with a huge house and a whole retinue of servants, having started out in poverty – then there are plenty of reminders in The Great Gatsby that ‘the American dream’ remains just that, a dream, for the majority of Americans:

About half way between West Egg and New York the motor-road hastily joins the railroad and runs beside it for a quarter of a mile, so as to shrink away from a certain desolate area of land. This is a valley of ashes – a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air.

This is the grey, bleak, industrial reality for millions of Americans: not for them is the world of parties, quasi-enchanted gardens full of cocktails and exotic foods, hydroplanes, and expensive motorcars.

Yet the two worlds are destined to meet on a personal level: the Valley of Ashes (believed to be modelled on Corona dump in Queens, New York, and inspired by T. S. Eliot’s The Waste Land ) is where Wilson’s garage is located. The dual tragedy of Gatsby’s and Wilson’s deaths at the end of the novel symbolises the meeting of these two worlds.

The fact that Gatsby is innocent of the two crimes or sins which motivate Wilson – his wife’s adultery with Tom and Daisy’s killing of Myrtle with Gatsby’s car – hardly matters: it shows the subtle interconnectedness of these people’s lives, despite their socioeconomic differences.

What’s more, as Ian Ousby notes in his Introduction to Fifty American Novels (Reader’s Guides) , there is more than a touch of vulgarity about Gatsby’s lifestyle: his house is a poor imitation of a genuine French chateau, but he is no aristocrat; his car is ‘ridiculous’; and his very nickname, ‘the Great Gatsby’, makes him sound like a circus entertainer (perhaps a magician above all else, which is apt given the magical and enchanted way Carraway describes the atmosphere and detail at Gatsby’s parties).

And ultimately, Gatsby’s lavish lifestyle fails to deliver happiness to him, too: he doesn’t manage to win Daisy back to him, so at the same time Fitzgerald is not holding up Gatsby’s ‘success’ uncritically to us.

Is Gatsby black? Although he is known for having been played in film adaptations by Robert Redford and Leonardo DiCaprio, and the novel does not state that Gatsby is an African American, the scholar Carlyle V. Thompson has suggested that certain clues or codes in the novel strongly hint at Gatsby being a black American who has had to make his own way in the world, rising from a poor socio-economic background, and not fully accepted by other people in his social circle because of racial discrimination.

Whether we accept or reject this theory, it is an intriguing idea that, although Fitzgerald does not support this theory in the novel, that may have been deliberate: to conceal Gatsby’s blackness but, as it were, hide it in plain sight.

In the last analysis, The Great Gatsby sums up the Jazz Age, but through offering a tragedy, Fitzgerald shows that the American dream is founded on ashes – both the industrial dirt and toil of millions of Americans for whom the dream will never materialise, and the ashes of dead love affairs which Gatsby, for all of his quasi-magical properties, will never bring fully back to life.

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10 thoughts on “A Summary and Analysis of F. Scott Fitzgerald’s The Great Gatsby”

I regret the several hours wasted in slogging through this low-prole distraction.

You might want to start with something like Dick and Jane.

One of my favorite novels. I have always loved this book. No matter how may times I read it, more is revealed.

The Great Gatsby is one of my favorite novels. Thank you for the detailed analysis! I can also add that Fitzgerald includes lots of symbols in the novel. To my mind, one of the most vivid symbols is a giant billboard with the face of Doctor TJ Eckleburg which is towering over the Valley of Ashes. These eyes are watching the dismal grey scene of poverty and decay. I guess the billboard symbolizes the eyes of God staring at the Americans and judging them. In case seomeone is interested in symbols in The Great Gatsby, there is a nice article about it. Here: https://custom-writing.org/blog/symbols-in-the-great-gatsby

While I could imagine and accept a modern film version of Gatsby as black, I really can’t espouse the notion that Fitzgerald had that in mind. If you know anything about American society in the 1920s, you’d know that you didn’t have to be black or of some other minority to be outside the winner’s circle. US society may still have tons of problems accepting that all people are created equal, but back then, they weren’t even thinking about blacks et al very much. They were quite happy to ostracize Italians, Irish, Catholics, etc, without batting an eye.

This is such a widely misunderstood book, by scholars as well as regulars.

Daisy was the victim of love. She would’ve married Jay while he was in the army. Also, Jay’s so-called symbolic “reaching” is nothing more than him trying to understand self love, to attain it, to unravel the “mystery! ” of it. But he never realizes he’s totally in love with himself, which is his biggest issue other than preying on Daisy’s real love.

And Nick ” Carraway” …. Care-a-way, care-a-way… What self-appointed moral man witnesses nakedly two married plotters sceam against a neighbor they like, or any person in serious need of legal, emotion aid, AND DOES NOTHING. Yeah, care a way, Nick, just not your way! And Come On!! who the hell doesn’t judge others….that’s the ENTIRE POINT OF EVERY BOOK AND LIFE.

WHAT preyed on Gatsby preys upon every person everywhere. Influences of life and choices we make because if them. Gatsby’s such an interesting, centralized , beloved character because he represents everyone’s apparent embracement of the childhood notion, ” we can have it all and make our own consequences, and if not, let’s see if I can manipulate time successfully. Gatsby’s us the full human demonstration of self love at all costs and quite deliberately finding a way disguise and masquerade and mutate and thus deny this very fact while simultaneously trying to make it MAGICAL AND MYSTICAL.

ARTISTS, from geniuses to so-called laypeople, are all simple people with very basic emotions. That’s where ALL starts. They are not Gods, nor do they desire misunderstanding. Frankly, they just wanna see if you have any common sense. Once you get passed that, all literature resembles EVERY aspect of life.

A terrific novel and not bad adaptation as a movie by DiCaprio, I thought! While some of the comments on here are a little excessive, there is much to be said for the symbolism in the book. I rather like the fact that ‘West Egg’ and ‘East Egg’ surely hints at questioning who is the ‘good egg’ and who is ‘the bad egg’. The place names are so unusual that this must be deliberate (‘bad egg’ has been around since at least 1855) and we’re left to wonder just what is good and bad here. No character comes out smelling of roses in this story, which – for me – makes the novel utterly compelling.

Well said, Ken. It’s the subtlety of the characterisation which makes it for me – I know a lot of critics and readers praise the prose style, but I think it’s the way Fitzgerald uses Carraway’s narration to reveal the multifaceted (and complex) nature of Gatsby, Daisy, Tom, and even himself that is so masterly. I’ve just finished analysing the opening paragraphs of the novel and will post that up soon!

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The Great Gatsby Analysis

The great gatsby.

Overview | Summary  | Analysis | Characters | Themes |  Author

Read an analysis of The Great Gatsby

The Great Gatsby is a short novel, just nine chapters, each built around a party scene — though the final “party” is, of course, a funeral.

The story itself is about a poor boy from a farming background who becomes fabulously wealthy. It is also a love story. Both those stories are fascinating but perhaps, at its deepest level, it is an examination of the American Dream that reaches a pessimistic conclusion. The accumulation of great wealth and the aspiration to win the lady end in tragedy because the Dream does not live up to what it promises. The concept of money, which is at the centre of the Dream is complex. There is a tension between “old money” and “new money,” represented in the novel by the towns of East Egg where the old rich, including the Buchanans, live, and the downmarket West Egg, where Gatsby’s mansion is. In the end Gatsby is killed as a result of the events they are all involved in, and the Buchanans survive unharmed by retreating into the privileged society that will always protect them

The story is underpinned by a rich pattern of symbolism. For example, Gatsby’s ambition, both to gain Daisy’s love and to make it into a privileged social setting, is symbolised by the green light at the end of the dock at Daisy’s house.

The industrial wasteland where George and Myrtle Wilson live, known as The Valley of Ashes, is a contrast to the green light. It’s a dumping ground for the refuse of the factories that are producing the gadgets and appliances filling the homes of the post-war generation as the economy booms. Rejected, failing people like the Wilsons live there, an underclass without hope, exploited by the privileged.

The huge billboard bearing the eyes of the occulist, Dr T J Eckleburg, tower over the dump. The eyes are the moral conscience, looking down, like God, witnessing the corruption all around. On another level, they advertise another man trying to make money out of the poor people who live there.

Reading The Great Gatsby is the total reading experience. Apart from its compelling story and memorable and interesting characters, it is written in prose that is probably the finest in all American literature – before and after its publication.

Fitzgerald’s style in this novel encompasses everything that prose is capable of – not only that but at the highest level: it is sophisticated while being ironic; it’s full of metaphors and figurative imagery and all the devices of poetic language to convey its dominant tone of nostalgia and loss. Looking back from Gatsby’s death near the end of the novel, it seems to be an extended elegy for Gatsby. As narrator Nick Carraway puts it, he has told this story about a man who has gained his respect in spite of being someone “who represented everything for which I have an unaffected scorn.”

Nick describes Gatsby as elegant graceful and stylish in sentences that flow in musical cadences. Other characters are described in similar language while at the same time the author is exposing their unsavoury nature. That gives the exalted language a kind of irony and suggests ridicule rather than praise.

An example of that is the description of a Gatsby party in the language of the sophisticated, sober Nick. He describes the music, the colour, and the activity, creating a vivid, memorable picture. The guests are sophisticated people – powerful men, beautiful women, celebrities – but they become drunker and drunker, their sophistication evaporating as the night draws on. By the time the party ends many of them are blind drunk and incoherent. Their slurred and inelegant speech – “wonder’ff tell me where there’s a gas’line station” – is in great contrast to the language Nick uses to describe them:  “The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath: already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light.”

That is all one sentence, bound together by punctuation and conjunctions. It gives a vivid picture of the scene. Fitzgerald creates a strong sense of continual movement with words and phrases like” glide on,” “dissolve,” “wanderers,” “constantly changing,” “swell,” “form” – effortless movement, offering a view of youth and vitality celebrating their era, embracing it effortlessly with ceaseless motion.

The text has a highly evocative quality. Fitzgerald employs poetic devices to effect that. For example, the alliteration and repetition contribute to that in this passage where Nick and Tom meet Myrtle in the city. They are in an apartment and Nick imagines someone down below looking up at them through a window. “Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I was him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.” “Within and without,” “enchanted,” “repelled” reflect Nick’s simultaneous restlessness and fascination with New York.

Nick’s metaphorical descriptions stand in contrast to the unsophisticated speech of the vulgar characters. Wilson tells Tom about his suspicion about his wife’s infidelity. “I just got wised up to something funny …. that’s why I been bothering you about the car.”

The actual text is short, only 50,000 words, but also like poetry, it is the compression of an enormous amount of content and meaning.

Ernest Hemingway, a friend of Fitzgerald, was not very kind to him and considered his first novel, The Beautiful and Damned , as greatly inferior. The very successful Hemingway thought that Fitzgerald would never make it as a writer. But after reading The Great Gatsby he said that he now had to “try to be a good friend” to Fitzgerald, and wrote “If he could write a book as fine as The Great Gatsby I was sure that he could write an even better one”

Some would say that no American has written a better novel than The Great Gatsby .

That’s our take on The Great Gatsby themes. Make sense? Any questions? Let us know in the comments section below!

Leonardo DiCaprio plays Gatsby in the 2013 movie

Your only partially right with what the movie is trying to show us about society. You missed the whole concept of a man doing everything in his power to earn what women want from men today…status money and power but yet even when the man achieves all of this she still stays with the powerful money man who supported her because love isn’t enough for women. Sadly the ending gets even worse he gives his life protecting a women who doesn’t truly want him she only wants comfort because she is giving in to her animal nature of a weak doe over being with the man who defender her, waited for her, dedicated his life to her and in the end all the women of his dreams got him was shot in the back as she shot him in the back repeatedly this is how what men have to look forward to today in this modern broken society like the “modern” broken society depicted in the movie as you stated in your synopsis sorry I’m not the best with typing but this is the raw truth of the movie everyone has missed

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Essays About The Great Gatsby: Top 5 Examples and Prompts

The Great Gatsby is a classic American tale; if you are writing essays about The Great Gatsby, find interesting essay examples and writing prompts in our guide. 

F. Scott Fitzgerald’s The Great Gatsby (1925) revolves around a young man named Nick Carraway and his interactions with his New York neighbors, including the mysterious millionaire Jay Gatsby. Throughout the novel, Gatsby attempts to rekindle his relationship with Daisy Buchanan, a cousin of Carraway’s; along the way, he is revealed not to be who he seems. The novel is regarded as a literary masterwork due to its profound exploration of love, social class, gender, and race, among other themes. As a result, it has developed into one of the most well-known ls of all time. 

If you need to write a good essay about The Great Gatsby , look at our featured essay examples below. 

1. The Great Gatsby – Really Great by Grace Nguyen

2. five reasons ‘gatsby’ is the great american novel by deirdre donahue, 3. “the great gatsby” color analysis by kurt medina, 4.  in defense of plot: an analysis of the tension in the great gatsby by aatif rashid.

• 5. ​​Behind The Great Gatsby by William Peace

Top Writing Prompts on Essays about The Great Gatsby

1. how does the novel manifest the american dream, 2. the story behind the title, 3. compare and contrast, 4. how is new york city portrayed, 5. the great gatsby’s legacy, 6. the theme of race, 7. the theme of social class.

“Gatsby is the prime example of a person disregarding whatever morals he might have had, in order to pursue Daisy, his own personal American Dream. Consequently, his actions were reprehensible, not great. Gatsby also showed himself to be a generally dishonest person. Daisy

was married to a man named Tom. By trying to win her affections Gatsby is, in turn, adamantly trying to get Daisy to cheat on her husband.”

Nguyen writes about the novel’s titular character and how he changed himself so much for one person. This would be admirable if not because he was most enamored with Daisy’s rich life rather than her shallow character. From a working-class background, Gatsby acquired massive amounts of wealth through illegal means to match Daisy’s life, letting go of his morals to achieve his goals. In the end, Nguyen writes that Gatsby dies due to his deception. 

“One reason: It offers complicated characters who can be interpreted in fresh ways for new readers. Is Nick in love with Gatsby, as Greg Olear theorized on Salon? Could Gatsby — the other, the outsider — actually be a black man? Often dismissed as a selfish ditz, is Daisy victimized by a society that offers her no career path except marriage to big bucks?”

Donahue enumerates reasons for which The Great Gatsby is so highly regarded and considered the “great American novel.” These include an “American Dream”-type story, complex and exciting language, and most importantly, the unbelievable love story of Gatsby and Daisy. The millionaire is not motivated by greed but by love; however, he is in love with the idea of Daisy and the past in general rather than Daisy herself. 

“These colors connect the reader to the novel by making him see and feel the actual events and emotions a character has and not only an imaginative image. Gatsby’s example, which is full of lines rich of color imagery, makes the reader feel what he feels; sense what he senses; and try to be what he is. Gatsby’s figure is greatly shaped by this color imagery, validating and supporting the title of the book, colors show how great The Great Gatsby was.”

In his essay, Medina explains how Fitzgerald uses color symbolism to progress the plot and characters, using quotes from the novel as sources. For example, yellow represents Gatsby’s wealth, green symbolizes his greed and jealousy, and white symbolizes the pure, innocent idea he has of Daisy. Medina believes that these colors help readers connect more to the characters, making them feel what they feel and identify with them. 

“The central tension and conflict in the novel is not just whether Daisy will chose Gatsby or Tom but whether Nick will come to sympathize with Gatsby or not. And with this line, it’s clear that Nick does indeed sympathize with Gatsby. He realizes that old money Daisy and Tom are rotten, and that Gatsby is worth more than them. Human sympathy, thus, becomes more expansive than Nick had previously thought.”

Rashid starts off his essay by summarizing The Great Gatsby, then reveals how much of an impact tension has on the novel. Rather than the tension between Gatsby and Daisy, he believes that the tension lies in the extent to which Nick’s sympathy goes. He sympathizes greatly, going so far as to help invite people to Gatsby’s funeral (barely anyone comes, however). Rashid says this is emblematic of the “larger failures of society.”

5. ​​ Behind The Great Gatsby by William Peace

“Drawing on his own personal experience, Fitzgerald specialises in drawing characters who yearn to break into the ranks of the rich and powerful. Through his vivid depiction of the Wilsons, the unhappily married couple who run the gas station in Ash Valley, Fitzgerald captures the sense of life literally passing them by.”

Peace’s essay explores the background of Fitzgerald, the novel’s author, and how it inspired him to write it. He joined the army, fell in love with another wealthy woman named Zelda Sayre, and proposed to her; however, she rejected him, and he fell into despair. However, his later success led Zelda to accept him. Nevertheless, their relationship was rocky, as they struggled to sustain their extravagant lifestyle. Peace writes that the story, particularly the character of Daisy, is based on this period in his life. 

A significant reason for the novel’s status today is its reflection of the“American Dream” many desperately wish to achieve. Explain exactly what the American dream is and how it is represented in The Great Gatsby , particularly in the character of Gatsby. 

The title refers to Gatsby as “great”; the question is, is he truly deserving of this title? Analyze the character of Jay Gatsby, citing quotes from the novel and online sources, and determine whether you believe he is indeed “great” or not. Be sure to justify your response correctly; there is no wrong answer as long as it is well-supported. 

For your essay, compare and contrast any two characters from the novel. How are they similar? How are they different? What is their fate at the end of the story? Answer these questions in your essay and cite text evidence when analyzing a character. 

The Great Gatsby has also gained much notoriety due to its portrayal of New York City. Analyze the setting of the story and the way it is described- what is he trying to say about the city and its way of life? Compare Fitzgerald’s vision of the city to how it is seen today. 

The novel has left a longstanding impression on American literature and the world, having been adapted countless times. Write about why the novel has become a classic and how its legacy can be seen today in film, literature, television, art, and pop culture. What exactly has been its impact on society? Delve into this question in your essay to create an exciting piece of writing.

Being set in the 1920s, when racism was rife in society, The Great Gatsby is littered with racial prejudice. Discuss the presence of racism, particularly against Jewish people and African-Americans. Which characters show it? Who is the racism being subjected to? Answer these questions in your essay and use quotes to support your arguments.

The theme of social class is prevalent in the novel. Write about how Fitzgerald views the social hierarchy of the 1920s based on the novel. Keep in mind the author’s background when writing; the book is primarily based on his own experiences. 

Tip: If writing an essay sounds like a lot of work, simplify it. Write a simple 5 paragraph essay instead. If you’re stuck picking your next essay topic, check out our guide on how to write an essay about diversity .

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Most Important Themes in Great Gatsby, Analyzed

Book Guides

Need to write about a theme for a Great Gatsby assignment or just curious about what exactly a theme is? Not sure where to start? Learn here what a theme is, what the main themes in The Great Gatsby are, and what the best tips for writing about themes for your English/Language Arts class essays are.

We will also link to our specific articles on each theme so you can learn even more in-depth about themes central to Gatsby .

What Is a Theme? Why Should You Care?

First things first: what exactly is a theme? In literature, a theme is a central topic a book deals with. This central topic is revealed through plot events, the actions and dialogue of the characters, and even the narrator's tone. Themes can be very broad, like love, money, or death, or more specific, like people versus technology, racial discrimination, or the American Dream.

In short, a book's theme can usually answer the question, "what's the point of this book?". They're the "so what?" of literary analysis. Also, note that books can definitely have more than one major theme —in Gatsby we identify seven!

Knowing a book's major theme(s) is crucial to writing essays, since many assignments want you to connect your argument to a book's theme. For example, you might be asked to write an essay about a prompt like this: "How does the life of Jay Gatsby exemplify (or deconstruct) the idea of the American Dream?" This prompt has you connect specific details in Jay Gatsby's life to the larger theme of the American Dream. This is why many teachers love theme essays: because they encourage you to connect small details to big ideas!

Furthermore, the AP English Literature test always has an essay question that has you analyze some aspect of a book and then "compare it to the theme of the work as a whole." (If you want specific examples you can access the last 15 years of AP English Literature free response questions here , using your College Board account.) So this skill won't just help you in your English classes, it will also help you pass the AP English Literature test if you're taking it!

So keep reading to learn about the major themes in Gatsby and how they are revealed in the book, and also to get links to our in-depth articles about each theme.

Overview of Key Themes in The Great Gatsby

Before we introduce our seven main themes, we'll briefly describe how the story and characters suggest the major Great Gatsby themes. Remember that the story is set in the 1920s, a period when America's economy was booming, and takes place in New York: specifically the wealthy Long Island towns of West Egg and East Egg, as well as Manhattan and Queens.

As you should know from the book ( check out our summary if you're still hazy on the details!), The Great Gatsby tells the story of James Gatz , a poor farm boy who manages to reinvent himself as the fabulously rich Jay Gatsby, only to be killed after an attempt to win over his old love Daisy Buchanan . Daisy is married to Tom Buchanan , and they're both from old money, causing them to look down Gatsby's newly rich crowd (and for Tom to look down at Gatsby himself).

Meanwhile, Tom is having an affair with Myrtle Wilson , the wife of mechanic George Wilson . Through the Wilsons, we see the struggles of the working class in dismal Queens , NY. As if they didn't already have it hard enough, Myrtle is killed in a hit-and-run accident (caused by Daisy Buchanan), and George, who's manipulated by Tom to believe that Jay Gatsby was both his wife's lover and her murderer, ends up shooting Gatsby and then himself.

The whole story is told by Nick Carraway , a second cousin of Daisy's and classmate of Tom's who moves in next to Gatsby's mansion and eventually befriends Jay -- and then comes to deeply admire him, despite or perhaps because of Jay's fervent desire to repeat his past with Daisy. The tragic chain of events at the novel's climax, along with the fact that both the Buchanans can easily retreat from the damage they caused, causes Nick to become disillusioned with life in New York and retreat back to his hometown in the Midwest.

Aside from having a very unhappy ending, the novel might just ruin swimming pools for you as well.

The fact that the major characters come from three distinct class backgrounds (working class, newly rich, and old money) suggests that class is a major theme. But the rampant materialism and the sheer amount of money spent by Gatsby himself is a huge issue and its own theme. Related to money and class, the fact that both Gatsby and the Wilsons strive to improve their positions in American society, only to end up dead, also suggests that the American Dream -- and specifically its hollowness -- is a key theme in the book as well.

But there are other themes at play here, too. Every major character is involved in at least one romantic relationship , revealing that they are all driven by love, sex, and desire -- a major theme. Also, the rampant bad behavior (crime, cheating, and finally murder) and lack of real justice makes ethics and morality a key theme. Death also looms large over the novel's plot, alongside the threat of failure.

And finally, a strong undercurrent to all of these themes is identity itself: can James Gatz really become Jay Gatsby, or was he doomed from the start? Can someone who is not from old money ever blend in with that crowd? Could Gatsby really aspire to repeat his past with Daisy, or is that past self gone forever?

In short, just by looking at the novel's plot, characters, and ending, we can already get a strong sense of Gatsby's major themes. Let's now look at each of those themes one by one (and be sure to check out the links to our full theme breakdowns!).

The 7 Major Great Gatsby Themes

Money and Materialism : Everyone in the novel is money-obsessed, whether they were born with money (Tom, Daisy, Jordan, and Nick to a lesser extent), whether they made a fortune (Gatsby), or whether they're eager for more (Myrtle and George). So why are the characters so materialistic? How does their materialism affect their choices? Get a guide to each of the characters' material motivations and how they shape the novel.

Society and Class: Building on the money and materialism theme, the novel draws clear distinctions between the kind of money you have: old money (inherited) or new money (earned). And there is also a clear difference between the lifestyles of the wealthy, who live on Long Island and commute freely to Manhattan, and the working class people stuck in between, mired in Queens. By the end of the novel, our main characters who are not old money (Gatsby, Myrtle, and George) are all dead, while the inherited-money club is still alive. What does this say about class in Gatsby? Why is their society so rigidly classist? Learn more about the various social classes in Gatsby and how they affect the novel's outcome.

The American Dream : The American Dream is the idea anyone can make it in America (e.g. gain fame, fortune, and success) through enough hard work and determination. So is Jay Gatsby an example of the dream? Or does his involvement in crime suggest the Dream isn't actually real? And where does this leave the Wilsons, who are also eager to improve their lot in life but don't make it out of the novel alive? Finally, do the closing pages of the novel endorse the American Dream or write it off as a fantasy? Learn what the American Dream is and how the novel sometimes believes in it, and sometimes sees it as a reckless fantasy.

Love, Desire, and Relationships : All of the major characters are driven by love, desire, or both, but only Tom and Daisy's marriage lasts out of the novel's five major relationships and affairs. So is love an inherently unstable force? Or do the characters just experience it in the wrong way? Get an in-depth guide to each of Gatsby's major relationships.

Death and Failure: Nick narrates Gatsby two years after the events in question, and since he's obviously aware of the tragedy awaiting not only Gatsby but Myrtle and George as well, the novel has a sad, reflective, even mournful tone. Is the novel saying that ambition is inherently dangerous (especially in a classist society like 1920s America), or is it more concerned with the danger of Gatsby's intense desire to reclaim the past? Explore those questions here.

Morality and Ethics: The novel is full of bad behavior: lying, cheating, physical abuse, crime, and finally murder. Yet none of the characters ever answer to the law, and God is only mentioned as an exclamation, or briefly projected onto an advertisement . Does the novel push for the need to fix this lack of morality, or does it accept it as the normal state of affairs in the "wild, wild East"?

The Mutability of Identity: Mutability just means "subject to change," so this theme is about how changeable (or not!) personal identity is. Do people really change? Or are our past selves always with us? And how would this shape our desire to reclaim parts of our past? Gatsby wants to have it both ways: to change himself from James Gatz into the sophisticated, wealthy Jay Gatsby, but also to preserve his past with Daisy. Does he fail because it's impossible to change? Because it's impossible to repeat the past? Or both?

How to Write About The Great Gatsby Themes

So now that you know about the major themes of The Great Gatsby , how can you go about writing about them? First up: look closely at your prompt.

Sometimes an essay prompt will come right out and ask you to write about a theme , for example "is The American Dream in Gatsby alive or dead?" or "Write about the relationships in Gatsby. What is the novel saying about the nature of love and desire?" For those essays, you will obviously be writing about one of the novel's major themes. But even though those prompts have big-picture questions, make sure to find small supporting details to help make your argument.

For example, if you're discussing the American Dream and arguing it's dead in the novel, don't just make that claim and be done with it. Instead, you can explore Gatsby's past as James Gatz, George Wilson's exhausted complacency, and Myrtle's treatment at the hands of Tom as examples of how the American Dream is treated in the novel. Obviously those examples are far from exhaustive, but hopefully you get the idea: find smaller details to support the larger argument.

On the other hand, many essay prompts about Gatsby will look like a question about something specific, like a character or symbol:

• Explore Tom and Daisy as people who 'retreat into their money.'
• What does the green light at the end of Daisy's dock represent? How does its meaning change throughout the novel?
• Show how Fitzgerald uses clothing (and the changing of costumes) to tell the reader more about the characters and/or express theme(s).

These prompts are actually a chance for you to take that detailed analysis and connect it to one of the larger themes—in other words, even though the prompt doesn't state it explicitly, you should still be connecting those more focused topics to one of the big-picture themes.

For example, if you talk about Tom and Daisy Buchanan, you will definitely end up talking about society and class. If you talk about the green light, you will end up talking about dreams and goals, specifically the American Dream. And if you discuss clothing to talk about the characters, you will definitely touch on money and materialism, as well as society and class (like how Gatsby's pink suit makes him stand out as new money to Tom Buchanan, or how Myrtle adopts a different dress to play at being wealthy and sophisticated).

In short, for these more specific prompts, you start from the ground (small details and observations) and build up to discussing the larger themes, even if the prompt doesn't say to do so explicitly!

What's Next?

Now you're an expert on themes, but what about symbols? If you need to write about the important symbols in The Great Gatsby, check out our symbols overview for a complete guide.

Want a full analysis of Jay Gatsby and his backstory? Not sure how his story connects with the American Dream? Get the details here .

Want to go back to square one? Get started with Chapter 1 of our Great Gatsby plot summary.

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185 The Great Gatsby : Best Topics and Examples

Looking for some creative titles for The Great Gatsby essay? There are many themes to explore about this novel. We offer you The Great Gatsby essay examples about symbolism, character analysis, the style of the novel, and many other topics.

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The Great Gatsby, the masterpiece written by F. Scott Fitzgerald, will help you dive into the Roaring Twenties’ wealth atmosphere. This is a story of a millionaire Jay Gatsby and his passion for the beautiful Daisy Buchanan

Your professor may ask you to analyze topics such as decadence, money, American Dream, or symbolism in your The Great Gatsby Essay. But what if you have no idea what to write? Well, below, you can find some tips and essay samples that you may use to compose your papers

Tip #1. Analyze symbolism in The Great Gatsby

First, let’s define what symbolism is. According to Merriam-Webster dictionary, symbolism is “practice of using symbols, especially by investing things with a symbolic meaning or by expressing the invisible or intangible using visible or sensuous representations.” The Great Gatsby story is full of symbols. And here are just two examples of them:

• The eyes of Dr. T.J. Eckleburg painted on a billboard in the Valley of Ashes. You can find a lot of The Great Gatsby essay samples that draw the conclusion that Eckleburg represents God. However, let’s ask a few more questions. Why do these eyes have no mouth or arms, or legs? Does this mean that Eckleburg can only watch people transgressions without any ability to punish them as a God-like entity? Does this billboard mean anything?
• Use of color in Fitzgerald’s story. If you carefully read the novel, you might notice the use of a few colors throughout the book. They are green, gray, gold, and yellow. Think, what do these colors can symbolize and represent these ideas in your paper.

Tip #2. Think about point of view in The Great Gatsby

The Great Gatsby is written in the first-person point of view. Nick Carraway, one of the main characters, tells us about the life and thoughts of Gatsby. In your writing, you can imagine how different the novel would be if it were told in the third-person point of view.

You also can provide some examples if the story was told from Gatsby’s perspective.

Tip #3. Assess how the book relates to the American Dream

If you look through the vast majority The Great Gatsby essay titles, you can find out plenty of samples that address the validity of high society or the social class divide. Gatsby had achieved the American Dream by building his wealth. However, he’s still not satisfied with the shallowness of the upper class and wants something more.

In your paper, you can argue why does one can never attain the American Dream, and why dreamers always want more.

Tip #4. Analyze the characters and their relations

Fitzgerald put each character into the novel for a particular reason. And your job is to analyze what they represent and why they are in the story. For example, Tom represents evil, while Daisy represents innocence. Another aspect you should examine is relationships between Daisy and Gatsby, Tom and Daisy, Nick and Gatsby.

Tip #5. Examine the tone of the novel

When we talk about the tone of the story, we mean how the author describes the events and characters. In your paper, decide what the tone of the novel is and analyze how it affects the readers’ attitude to characters and events.

Now, check The Great Gatsby essay examples below and use the acquired ideas to write your own paper!

• Analysis of the Shirt Scene in “The Great Gatsby” Film Although the shirts mean nothing to Gatsby without Daisy, the audience watches Gatsby’s facial expression display a great deal of empathy and love whenever Daisy seems distressed, especially in this scene when she begins to […]
• Tom and Gatsby: Compare and Contrast Essay In The Great Gatsby, Fitzgerald pays attention to the relationships between both Jay Gatsby and Tom Buchanan and Daisy Buchanan. Scott Fitzgerald’s book is mainly focused on the relationship of Daisy with Gatsby and Tom, […]
• The Great Gatsby Reflection Paper Throughout the novel the major character Nick who was the narrator managed to bring out the main themes of the novel as well as developing other characters.
• Daisy Buchanan: “I Did Love Him Once, but I Loved You, Too” Another scene shows Daisy’s immoral behavior when she is in the room with Gatsby, Jordan, and Nick. This view shows Daisy’s lustful side in that she pushes Jordan to do the same and is out […]
• Autobiographical Elements in “The Great Gatsby” by F. Scott Fitzgerald’s The story is set during the roaring twenties, a period of significant social and cultural change, and it incorporates many of the author’s personal experiences, feelings, and perceptions of the time.
• The Great Gatsby: Analysis and Feminist Critique The feminist critique is an aspect that seeks to explore the topic of men domination in the social, economic, and political sectors.
• The Clock as a Symbol in “The Great Gatsby” By incorporating metaphorical elements that allude to the fleeting nature of time, “the Great Gatsby” emphasizes the idea of the futility of life and the inescapability of the past and its mistakes.
• The Great Gatsby All these characteristics of America during 1920 are evident and inherent in the main character, Jay Gatsby, in the novel The Great Gatsby. This is one of the themes in the novel The Great Gatsby.
• Daisy’s Character Study in “The Great Gatsby” The argument is that the author attempts to describe her as a pure and innocent female to ensure that the reader understands the perspective of Jay, but particular aspects of her true identity are revealed […]
• Nick as the Narrator in The Great Gatsby Therefore, his connection with the Gatsby’s story is that he is depended upon to serve as the mouthpiece of the older generation as he metaphorically transcends through time to retell the Great Gatsby tale accurately […]
• American Culture in the Novel “The Great Gatsby” In The Great Gatsby, Scott Fitzgerald documents these changes through an in-depth exploration of cultural changes such as the rise in consumerism, materialism, greed for wealth, and the culture of loosening morals in the 1920s […]
• Fairy Tale Traits in The Great Gatsby Basing on the several evident parameters, for instance, the character traits, the behavior of prince and princess, and gender distinctions amongst others, Fitzgerald’s masterwork stands out as a variation and sophisticated version of the fairy […]
• Silver & Gold: Color Symbolism in The Great Gatsby Although the color palette presented in Fitzgerald’s The Great Gatsby is rich, the problem of differing social status is most vividly described in the novel through the use of golden and silver colors that stand […]
• Female Characters in A Streetcar Named Desire & The Great Gatsby: Comparative It can be seen in the case of Stella and Daisy wherein in their pursuit of what they think is their “ideal” love, they are, in fact, pursuing nothing more than a false ideal that […]
• “The Great Gatsby” Film by Baz Luhrmann The Great Gatsby is a film that stars Jay Gatsby, Nick Carraway, Tom Buchanan, and the Southern Belle Daisy. The influence of the past comes out throughout the course of the film.
• ‘The Great Gatsby’: Tom and Blanche Like Tom, Blanche in the book of Street Car Named Desire, is loyal to her sister who is the only member of her family that we come across.
• Babylon Revisited & The Great Gatsby: Motifs & Themes When he pleads his case to the guardians of Honoria, his sister-in-law Marion, and her husband, he continually evades his escapades of the past and recounts his hard work and sincerity of the present.
• ‘The Great Gatsby’ and ‘A Streetcar Named Desire’ Literature Comparison Stella is a devoted wife struggling to make her marriage work, even though her husband Stanley, subjects her to a lot of pain and suffering.
• The Great Gatsby and Winter Dreams by Scott Fitzgerald In this analysis, the researcher will try to confirm the argument that the Great Gatsby was a continuation of the Winter Dreams.
• Why is Fitzgerald’s The Great Gatsby a Satire? Another aspect of satire in Fitzgerald’s The Great Gatsby is the wealth associated with Gatsby, as the reader observes in chapter two.
• Fitzgerald’s ‘The Great Gatsby’, Steinbeck’s ‘Of Mice and Men’ and the American Dream “The America Dream’ is a longstanding common belief of the American population that in the United States, people are free to realize the full potential of their labor and their talents and every person in […]
• Gatsby & Nick in The Great Gatsby The Great Gatsby is a novel of vibrant characters, and paradox is one of the main themes of the book. Even though Daisy and Tom are married, Nick agrees to help Gatsby be with the […]
• The American Dream in The Great Gatsby After spending some time in this neighborhood, Nick finally attends Gatsby’s exuberant parties only to realize that Gatsby organizes these parties to impress Daisy, Nick’s cousin, and wife to Tom.
• Time as a Theme in The Great Gatsby The embodiment of these negative aspects comes in the form of Gatsby and his life, which in the end is seen as hollow and empty, just as the morals and values of the characters seen […]
• Fitzgerald’s American Dream in The Great Gatsby & Winter Dreams To my mind, Winter Dream is a perfect example of the American Dream, since the main hero, Dexter, implemented each point of it, he was persistent and very hard-working, he was a very sensible and […]
• Architecture in “The Great Gatsby” by Fitzgerald From this perspective, the case of Gatsby’s mansion is a symbolic call for leaving behind the anachronistic ideas of aristocracy and embracing American ideals.
• The Great Gatsby by Fitzgerald Review Gatsby’s dream to become wealthy to gain Daisy’s attention “is simply believable and is still a common dream of the current time”. However, Gatsby is the story’s main character and is a “personification” of the […]
• Fertile Questions: “The Great Gatsby” by F. Scott Fitzgerald The two fertile questions arising from the novel are: what are political and economic impacts of the World War I? and what are the challenges faced by American students born from poor families post-World War […]
• Tom and George in Fitzgerald’s The Great Gatsby At the same time, the motives of Tom and George’s behavior differ due to their backgrounds, origins, and belonging to different social classes.
• “The Great Gatsby”: The American Dream in the Jazz Age The Jazz Age is a period in the history of the United States of America from the end of World War I to the beginning of the Great Depression due to the remarkable popularity of […]
• Women’s Role in “The Great Gatsby” by Fitzgerald Though the women in the novel are depicted as careless, treacherous, and selfish, the author uses them to underscore the power of the will to rebel against societal norms in pursuit of happiness.
• “The Great Gatsby Directed” by Baz Luhrmann This is due to the fact that the film is an indirect adaptation of Francis Scott Key Fitzgerald’s book “The Great Gatsby”.
• The Corrupted American Dream and Its Significance in “The Great Gatsby” The development of the American dream and its impact on the society of the United States is a pertinent topic of discussion for various authors.
• Jay Gatsby: The Great Fool or the Unfortunate Genius The main idea of the work is to show the unfairness of the fate of a poor young man who cannot marry the girl he loves.
• Novel Analysis: The Great Gatsby and Siddhartha Hesse’s Siddhartha seems complementary to The Great Gatsby as Brahman, the main role in Siddhartha, finds contentment in self-realization and not in money, sensuality, and love.
• “The Great Gatsby” by Scott Fitzgerald Who will take care of the dead creatures seems not to be in Tom’s order of what to bother him and together with the wife is comfortable enjoying their wealth while the creatures are rotting […]
• Characters in Fitzgerald’s “The Great Gatsby” and Angelou’s “I Know Why the Caged Bird Sings” The author presents challenges faced in the society as a result of the mixture racial and gender discrimination that a young black girl goes through in search of her dream and personal identity.
• Greene’s “Our Man in Havana” and “The Great Gatsby” by Fitzgerald It is imperative to realize that the purpose of the paper is not to carry out a critical analysis of the plays but to carry out a comparison of the attributes in which they relate […]
• What Money Cannot Buy: ‘The Great Gatsby’ Book by F. S. Fitzgerald The Great Gatsby is a book that unveils the instrumental role of the social aspect of life among people; which not only concentrates on the economic part of it.
• “The Great Gatsby” by Baz Luhrmann The filmmakers never stop depicting Gatsby’s wealth and his otherness. He throws money around and he is a topic of heated debates in the society.
• First-Person Narrative in Fitzgerald’s “The Great Gatsby,” Joyce’s “The Boarding House,” Bowen’s “The Demon Lover” In Fitzgerald’s The Great Gatsby, Joyce’s short story “The Boarding House,” and the Scottish poem The Demon Lover, the first-person narrative is used differently to achieve the authors’ objectives and create a comprehensive picture of […]
• First-Person Narrative in Bowen’s ”The Demon Lover,” Updike’s ”A&P,” Fitzgerald’s ”The Great Gatsby” In this work, the unworked, repressed experience of the First World War is personified and embodied in the image of the ghost of a person who died in this war.
• “The Great Gatsby” by Fitzgerald: Betrayal, Romance, Social Politics and Feminism This work seeks to outline the role of women in the development of the plot of the book and in relation to the social issues affecting women in contemporary society.
• Jay Gatsby, Jean Valjean and Henry Fleming: The Compare and Contrast Analyses of the Characters The way the characters of the main protagonists are revealed in the novel is one of the most important things in every piece of literature.
• “The Great Gatsby” Novel by Francis Scott Fitzgerald However, what the reader should acknowledge is that the author manages to present a wholesome and clear image of the issues and occurrences that defined the United States throughout the 1920s.
• The Great Gatsby’ by Scott Fitzgerald Literature Analysis This is one of the details that can be identified. This is one of the issues that can be singled out.
• Political Satire in American Literature Scott Fitzgerald was one of the more famous satirists of the time, particularly in his production of the work The Great Gatsby.
• The Dilemmas of the American Dream in The Great Gatsby The Great Gatsby is a story of a young man in the early twentieth century who seems to know what he wants in the way of that dream and what to do to achieve it.
• The Great Gatsby – Love, Wealth, and Illusion In the novel, the fictional village of West Egg is perhaps one of the key items that symbolize the life of the new millionaires in the city.
• Gatsby & Jean Valjean He is a mysterious person, and no one exactly knows his origins and the ways he used to acquire his fortune.
• The Ethicality of an Action Jay Gatsby As well, an action is “wrong” if it results in the opposite of happiness to the people. Mill’s utilitarian theory can be used to assess the ethically of Jay Gatsby’s action, as presented in the […]
• Francis Scott Fitzgerald & His American Dream In the novel “Tender is the Night,” Fitzgerald describes the society in Riviera where he and his family had moved to live after his misfortune of late inheritance.
• Jay Gatsby & Eponine From Les Miserables: Compare & Contrast Gatsby is the main character in the book “The Great Gatsby,” while Eponine is one of the characters in the book “Les Miserables”.
• Jay Gatsby & Gean Valjean: Characters Comparison This essay compares and contrasts the characters of Gatsby and Jean Valjean in the Les Miserable novels and films. Gatsby strikes the readers as a na ve and lovesick individual though his character is negative.
• Jay Gatsby and Valjean in ‘Les Miserables’: Comparative Valjean’s life contains a series of misfortunes in the sense that he has to hide his true identity. Most of the people in his life were there just for convenience and for the fact that […]
• The Idea of Love in The Great Gatsby and the Parallels or Contrasts That Can Be Drawn With the Presentation of Love in The Catcher in the Rye Scott Fitzgerald’s The Great Gatsby and Jerome Salinger’s The Catcher in the Rye, it is possible to state that the notion of love is presented there similarly even though the texts are absolutely different and […]
• What Are the Literary Devices Used to Create the Image of Jay Gatsby?
• Analyze How Fitzgerald Uses Imagery in the Great Gatsby
• What Do Colors Symbolize in the Great Gatsby?
• How Does Fitzgerald Use Geographical Setting to Show the Contrast Between Social Classes in the Novel?
• How Does Fitzgerald Convey a Notion of the American Dream Through Metaphors and Symbols?
• What Does the Green Light in Daisy’s Window Represent in the Great Gatsby?
• What Does the Valley of Ashes Symbolize in the Great Gatsby?
• What Role Does Nick Carraway’s Narration Play in the Story? If We Got It Through an Omniscient Third-Person Narrator, What Would We Gain or Lose?
• Could the Story Have Been Set in Other Places, Like Chicago or Los Angeles, or Were New York City and Long Island Absolutely Necessary?
• Look at the Novel’s Opening Lines. If We Accept Nick’s Advice When We Read the Story, Will Our Views of It Change? Or, in Other Words, Does Refraining From Criticism Promote Compassion?
• Is There a Hidden Meaning of the Title of the Great Gatsby? What Is It?
• How Is the Color White Used Within the Novel? When Does It Make a False Representation of Innocence? When Does It Truly Represent Innocence?
• What Is the Role of a New York Setting in the Novel’s Storyline?
• What Is the Real Meaning of ‘Great’ in the Title of the Great Gatsby?
• What Significance Do Colors Have in the Party’s Descriptions in Chapter 3?
• Elaborate on the Green Light as the Symbol of the American Dream
• What Is the Meaning of the Phrase “Can’t Repeat the Past?.. Why of Course You Can!” What Does Gatsby Really Want From Daisy?
• What Role Do the Eyes of Doctor T. J. Eckleburg Play in the Great Gatsby?
• How Is the Great Gatsby a Satirical Representation of the Society?
• Are the Rich in the Novel Really So Careless as Everyone Believes Them to Be?
• Create an Alternative Ending for the Great Gatsby. Justify Your Choice
• What Is the Relationship Between Those Born Rich and Those Who Became Rich in the Novel?
• Discuss Female Characters and Their Significance in the Great Gatsby
• Compare Gatsby and Wilson. In What Ways Are They Similar?
• Who Is the Most Responsible for Gatsby’s Death? Why Is It So?
• Why Do Tom and Daisy Stay Together at the End of the Novel?
• Does Gatsby’s Money Bring Him Real Happiness?
• Can Jay’s Feelings for Daisy in the Great Gatsby Be Considered Love?
• How Do Secondary Characters Affect the Story?
• Who Is the Real Hero in the Great Gatsby?
• Can We Call Jay Gatsby a Romantic Hero or a Villain?
• What Does Jay Gatsby Really Live For in the Novel: the Present or the Past?
• Compare Myrtle and Daisy
• What Does Tom’s Quarrel With Myrtle in Chapter 2 Tell Us About His Personality?
• Elaborate on How Both Tom and Gatsby Want to Change Not Only the Future, but the Past in Chapter 7.
• What Was Gatsby’s Power of Dreaming Like? Was Daisy a Worth Object?
• Is Anyone to Blame for Gatsby’s Death?
• Are There Any Moral Characters in the Novel?
• Can Jordan and Daisy Be Considered Perfect Role Models for the Upper Class in America? Why or Why Not?
• Is Gatsby Really Great? In What Way? How Does His Greatness Evolve as the Plot Unfolds?
• How Does Nick’s Character Change over the Course of the Great Gatsby?
• Does Gatsby Deserve the Definition of a Self-Made Man? Why or Why Not?
• What Role Does Daisy Play in the Conflict Between Gatsby & Tom?
• Describe How F.S. Fitzgerald’s Life Experiences Influenced the Great Gatsby
• What Are the Central Themes in the Great Gatsby?
• What Roles Do Fidelity and Infidelity Play in Fitzgerald’s the Great Gatsby?
• What Importance Does Sex Have in the Story?
• What Role Does Alcohol Play in the Great Gatsby by Fitzgerald?
• Did Fitzgerald Really Criticize the Idea of the American Dream in the Great Gatsby?
• Does Love Play Have Any Importance in the Great Gatsby?
• What Role Does the Relationship Between Geography and Social Values Play in the Novel?
• What Is the Meaning of Time in the Great Gatsby?
• How Do the Aristocratic East Eggers, Tom and the Sloanes, Regard Gatsby in Chapter 6? How Is Their Contempt Connected to the Theme of Social Class in the Novel?
• Analyze the Great Gatsby Through the Prism of Feminist Theory
• How Are the Themes of Kindness and Compassion Presented in the Great Gatsby?
• Describe How the Theme of Ambition Is Presented in the Novel
• Elaborate on How Fitzgerald Contrasts Education and Experience in the Great Gatsby
• Make a Critical Comparison of the Novel With the 2013 Movie
• Make a Comparison of the Novel With the 1949 Movie
• Compare the Great Gatsby Movies of 1949 and 2013
• Compare and Contrast Two Classic American Novels: The Great Gatsbyand the Grapes of Wrath
• How Are Donald Trump and the Great Gatsby’s Tom Buchanan Alike?
• Compare Miller’s Death of a Salesman and the Great Gatsby
• What Other Fictional or Non-fictional Character From a Book or Movie Can Nick Carraway Be Compared To?
• Make a Critical Comparison of the Sun Also Rises and the Great Gatsby
• Compare the Great Gatsby With a Farewell to Arms
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• What Pop Stars of Nowadays Daisy Can Be Compared To?
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• Why does Daisy cry about the shirts in chapter 5 of The Great Gatsby?
• What is Daisy’s opinion of Gatsby’s party in chapter 6?
• How does The Great Gatsby explore the ideas of illusion versus reality?
• How did Gatsby measure the success of his party in chapter 6?
• What is the true relationship between Daisy and Tom in The Great Gatsby?
• What does Gatsby tell Nick about himself and his past?
• What role do the first lines of The Great Gatsby play?
• What destroyed Gatsby’s dreams in The Great Gatsby by F. Scott Fitzgerald?
• What is the cause of the problem between Jordan and Nick?
• Describe Daisy and Gatsby’s new relationship. What is it like?
• Why does Jordan want to leave the group from East Egg?
• What does Old Money vs. New Money mean in The Great Gatsby?
• Which excerpt from The Great Gatsby is the best example of foreshadowing?
• How does Fitzgerald represent the society of his time in thenovel? Would you like to live in the Jazz Era? Why or why not?
• How does Nick describe himself at the beginning of The Great Gatsby?
• How do we know that Myrtle Wilson is not an intellectual?
• Who does the narrator think Daisy is at the end of the story?
• What role does the book “The Rise of the Colored Empires” play in The Great Gatsby?
• How is America shown in The Great Gatsby? What values do the East and the West represent?
• Why did Gatsby fail to achieve the American Dream?
• How did F. Scott Fitzgerald’s novel The Great Gatsby reflect the culture of the 1920s?
• Which excerpt from The Great Gatsby best indicates that Nick is not fully content with his life?
• What role does social class in The Great Gatsby play?
• What does Nick mean by the last line of The Great Gatsby?
• What are the main differences between The Great Gatsby book and movie?
• How does Fitzgerald provide a critical social history of Prohibition-Era America in his novel?
• How does Nick know Daisy and Tom in The Great Gatsby?
• What did Dan Cody do for Gatsby? What did Gatsby learn from him?
• How does Myrtle behave as the party progresses in chapter 2?
• Describe the meeting between Gatsby and Daisy in chapter 5. What was it like?
• How does The Great Gatsby reflect the Jazz Age?
• What were the rumors about Gatsby?
• What does The Great Gatsby’s ending mean?
• What part does social class play in The Great Gatsby?
• Why was young Gatsby drawn to Daisy?
• How does Nick describe Tom Buchanan in chapter 1?
• In The Great Gatsby, is Nick a reliable narrator?
• What is the main conflict in The Great Gatsby?
• How does Nick meet Gatsby for the first time?
• Why is Gatsby great?
• How women are portrayed in The Great Gatsby?
• Who killed Myrtle in The Great Gatsby?
• What was Jay Gatsby’s real name & background?
• How is Gatsby different from his guests?
• Who killed Gatsby and how did that happen?
• In chapter 7, why does Gatsby stop giving parties?
• Does money buy love in The Great Gatsby?
• What does “owl eyes” reveal about Gatsby’s books?
• What does Gatsby want from Daisy in chapter 6?
• How does the Narrator describe Gatsby?
• What is Gatsby doing when Nick first sees him?
• How did Gatsby get rich?
• Is The Great Gatsby about love or money?
• Why did Daisy marry Tom in The Great Gatsby?
• What role does Dan Cody’s yacht play in Great Gatsby?
• Who attended Gatsby’s funeral?
• What is the climax of The Great Gatsby?
• What is Gatsby’s real history?
• How is society shown in The Great Gatsby?
• What does “her voice is full of money” mean?
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Five Books That Changed Readers’ Minds

These titles will challenge your expectations.

This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.

Welcome back to The Daily’s Sunday culture edition.

When selecting a new book, it can be comforting to return to what’s familiar: the genres you know you love, the authors whose perspectives you share. But sometimes, the best books are the ones that challenge rather than confirm your expectations. For any reader looking to try something different, The Atlantic ’s writers and editors answer the question: What is a book that changed your mind?

Siddhartha , by Hermann Hesse

The most memorable reading moments of my life came from a period of deep change: high school. Although I loved moody English-class staples such as The Catcher in the Rye , A Separate Peace , and The Great Gatsby , the book that really cracked my brain open was Hermann Hesse’s Siddhartha . I can still see myself dog-earing and underlining the royal-blue, 160-page paperback during the summer between eighth and ninth grade. I was raised Catholic, and to the credit of my Jesuit high school, Siddhartha was required reading for all incoming freshmen. The 1922 German novel, which follows the titular character’s search for meaning, offered a glimpse into Eastern religions and could not have been further from the constraints of the Catholic Church. Thanks to the book, at age 14, I developed a genuine curiosity about the other side of the world—and above all, I learned that there was a form of spirituality available to me that didn’t require going to a physical church.

— John Hendrickson, staff writer

Panther , by Brecht Evens

Panther , by the Belgian cartoonist Brecht Evens, could be mistaken at first glance for a children’s picture book. Its early sections are appropriately whimsical: After her cat dies, Christine, a young girl who lives with her father, is visited by a talking panther. A charming, ever-morphing creature who explodes her world into color and calibrates himself carefully according to her needs, he is the consummate imaginary friend—and if the reader sometimes senses that he is something else, something wrong , they do their best to quash their unease.

I picked up Panther on a whim during the early pandemic—I liked the look of the sinuous, candy-hued panther on the cover, and I wanted something easy and adorable. So much for that: Panther was one of the most harrowing reading experiences of my adult life, a claustrophobic, slow-unspooling nightmare that jolted me out of my malaise. It challenged my conception of the medium’s boundaries, and punctured my belief in my ability to protect myself and others. Even now, thinking about it, I can feel the bile rise in my throat.

— Rina Li, copy editor

All Over but the Shoutin’ , by Rick Bragg

Like John, I’ve sourced my pick from my high-school English class. Before I read All Over but the Shoutin’ , a memoir by the Pulitzer Prize–winning journalist Rick Bragg, I didn’t care much for nonfiction writing—most of my exposure to the genre consisted of dense, stuffy textbooks and dry biographies of dead world leaders. But I’ll never forget the unfamiliar mix of emotions that seized me when I read the first page of the book’s prologue: “I used to stand amazed and watch the redbirds fight. They would flash and flutter like scraps of burning rags through a sky unbelievably blue, swirling, soaring, plummeting.”

Bragg writes about growing up poor in northeastern Alabama, the son of a woman who picked cotton and cleaned homes to give her kids a future, and a man who couldn’t step out from under the shadow of war. He introduced me to the art of creative nonfiction, challenging my early belief that lyricism could be found only in novels. This revelation set me on my current career path: Every time I read a story with sentences that sing like his, I return to that feeling of discovery.

— Stephanie Bai, associate editor

The Cultural Front: The Laboring of American Culture in the Twentieth Century , by Michael Denning

“What does it mean to labor a culture?” Michael Denning’s study of Depression-era working-class culture examines a diverse coalition of American artists, unionists, and intellectuals who toiled to answer this question after the economic upheaval of 1929. Though not its generation’s political victor, this “Popular Front” alliance communicated a lasting vision of anti-fascist social democracy using the forms of a newly minted culture machine: radio, Hollywood films, recorded sound.

Denning’s decision to decenter the role of the Communist Party distinguished The Cultural Front from other histories of Popular Front culture; his narrative makes room for those who left the party (or never claimed allegiance to it at all) but held on to a vision of political solidarity in their work. Among the more prominent figures he traces is the novelist Richard Wright. (Eighty years ago, The Atlantic published two essays by Wright—excerpts from his posthumous memoir—describing his break with institutional communism.) Wright depicted drivers, postal workers, and hotel janitors struggling to earn a living wage. “It is not Wright’s pessimism that is most striking,” Denning writes, “but his promise of community.”

— Sam Fentress, associate editor

Dominion: How the Christian Revolution Remade the World , by Tom Holland

My mother was a Reform Jew. My father grew up Southern Baptist but later became not so much an atheist as a virulent anti-theist. So, depending on which parent had my ear that day, I was raised to believe that Christianity as an ideology fit somewhere on the spectrum between “silly and wrong” and “literally the worst thing ever.” Tom Holland’s Dominion , a book about Christianity and its influence, changed my mind in several ways. First, Holland persuasively argues that the tenets of Christianity—and its emphasis on universal rights for the poor and downtrodden—were revolutionary for its time. Second, he showed me that even secular Western modernity is suffused with Christian concepts, and that ideas as opposite as “wokeness” and fundamentalism draw water from the same tributary of thought.

— Derek Thompson, staff writer

Here are three Sunday reads from The Atlantic :

• The warehouse worker who became a philosopher
• Cape Cod offers a harbinger of America’s economic future.
• Kamala Harris defines herself—but not too much.

The Week Ahead

• AfrAId , a horror film about an AI digital assistant that starts to get too involved in a family’s life (in theaters Friday)
• Season 4 of Only Murders in the Building , a comedy-mystery series about a trio of amateur podcasters who investigate murders (premieres Tuesday on Hulu)
• My Child, the Algorithm , about the writer Hannah Silva’s conversations with an AI chatbot about love, dating, and parenting (out Tuesday)

How to Solve the Summer-Child-Care Nightmare

By Elliot Haspel

To all the frantic parents who’ve survived yet another year of the summer-child-care shuffle: I salute you. It’s a well-established fact that in the United States, finding summer child care can be hell. In a nation with lengthy breaks from school—and no guaranteed paid time off from work for adults—parents are left largely on their own to cobble together camps and other, frequently expensive, arrangements … Solving this problem isn’t so complicated; it’s not like, well, trying to coordinate camp schedules.

Read the full article.

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As a Teenager in Europe, I Went to Nudist Beaches All the Time. 30 Years Later, Would the Experience Be the Same?

In July 2017, I wrote an article about toplessness for Vogue Italia. The director, actor, and political activist Lina Esco had emerged from the world of show business to question public nudity laws in the United States with 2014’s Free the Nipple . Her film took on a life of its own and, thanks to the endorsement from the likes of Miley Cyrus, Cara Delevingne, and Willow Smith, eventually developed into a whole political movement, particularly on social media where the hashtag #FreeTheNipple spread at lightning speed. The same year as that piece, actor Alyssa Milano tweeted “me too” and encouraged others who had been sexually assaulted to do the same, building on the movement activist Tarana Burke had created more than a decade earlier. The rest is history.

In that Vogue article, I chatted with designer Alessandro Michele about a shared memory of our favorite topless beaches of our youth. Anywhere in Italy where water appeared—be it the hard-partying Riviera Romagnola, the traditionally chic Amalfi coast and Sorrento peninsula, the vertiginous cliffs and inlets of Italy’s continuation of the French Côte d’Azur or the towering volcanic rocks of Sicily’s mythological Riviera dei Ciclopi—one was bound to find bodies of all shapes and forms, naturally topless.

In the ’90s, growing up in Italy, naked breasts were everywhere and nobody thought anything about it. “When we look at our childhood photos we recognize those imperfect breasts and those bodies, each with their own story. I think of the ‘un-beauty’ of that time and feel it is actually the ultimate beauty,” Michele told me.

Indeed, I felt the same way. My relationship with toplessness was part of a very democratic cultural status quo. If every woman on the beaches of the Mediterranean—from the sexy girls tanning on the shoreline to the grandmothers eating spaghetti al pomodoro out of Tupperware containers under sun umbrellas—bore equally naked body parts, then somehow we were all on the same team. No hierarchies were established. In general, there was very little naked breast censorship. Free nipples appeared on magazine covers at newsstands, whether tabloids or art and fashion magazines. Breasts were so naturally part of the national conversation and aesthetic that Ilona Staller (also known as Cicciolina) and Moana Pozzi, two porn stars, cofounded a political party called the Love Party. I have a clear memory of my neighbor hanging their party’s banner out his window, featuring a topless Cicciolina winking.

A lot has changed since those days, but also since that initial 2017 piece. There’s been a feminist revolution, a transformation of women’s fashion and gender politics, the absurd overturning of Harvey Weinstein’s 2020 rape conviction in New York, the intensely disturbing overturning of Roe v Wade and the current political battle over reproductive rights radiating from America and far beyond. One way or another, the female body is very much the site of political battles as much as it is of style and fashion tastes. And maybe for this reason naked breasts seem to populate runways and street style a lot more than they do beaches—it’s likely that being naked at a dinner party leaves more of a permanent mark than being naked on a glamorous shore. Naked “dressing” seems to be much more popular than naked “being.” It’s no coincidence that this year Saint Laurent, Chloé, Ferragamo, Tom Ford, Gucci, Ludovic de Saint Sernin, and Valentino all paid homage to sheer dressing in their collections, with lacy dresses, see-through tops, sheer silk hosiery fabric, and close-fitting silk dresses. The majority of Anthony Vaccarello’s fall 2024 collection was mostly transparent. And even off the runway, guests at the Saint Laurent show matched the mood. Olivia Wilde appeared in a stunning see-through dark bodysuit, Georgia May Jagger wore a sheer black halter top, Ebony Riley wore a breathtaking V-neck, and Elsa Hosk went for translucent polka dots.

In some strange way, it feels as if the trends of the ’90s have swapped seats with those of today. When, in 1993, a 19-year-old Kate Moss wore her (now iconic) transparent, bronze-hued Liza Bruce lamé slip dress to Elite Model Agency’s Look of the Year Awards in London, I remember seeing her picture everywhere and feeling in awe of her daring and grace. I loved her simple sexy style, with her otherworldly smile, the hair tied back in a bun. That very slip has remained in the collective unconscious for decades, populating thousands of internet pages, but in remembering that night Moss admitted that the nude look was totally unintentional: “I had no idea why everyone was so excited—in the darkness of Corinne [Day’s] Soho flat, the dress was not see-through!” That’s to say that nude dressing was usually mostly casual and not intellectualized in the context of a larger movement.

But today nudity feels loaded in different ways. In April, actor and author Julia Fox appeared in Los Angeles in a flesh-colored bra that featured hairy hyper-realist prints of breasts and nipples, and matching panties with a print of a sewn-up vagina and the words “closed” on it, as a form of feminist performance art. Breasts , an exhibition curated by Carolina Pasti, recently opened as part of the 60th Venice Biennale at Palazzo Franchetti and showcases works that span from painting and sculpture to photography and film, reflecting on themes of motherhood, empowerment, sexuality, body image, and illness. The show features work by Cindy Sherman, Robert Mapplethorpe, Louise Bourgeois, and an incredible painting by Bernardino Del Signoraccio of Madonna dell’Umiltà, circa 1460-1540. “It was fundamental for me to include a Madonna Lactans from a historical perspective. In this intimate representation, the Virgin reveals one breast while nurturing the child, the organic gesture emphasizing the profound bond between mother and child,” Pasti said when we spoke.

Through her portrayal of breasts, she delves into the delicate balance of strength and vulnerability within the female form. I spoke to Pasti about my recent musings on naked breasts, which she shared in a deep way. I asked her whether she too noticed a disparity between nudity on beaches as opposed to the one on streets and runways, and she agreed. Her main concern today is around censorship. To Pasti, social media is still far too rigid around breast exposure and she plans to discuss this issue through a podcast that she will be launching in September, together with other topics such as motherhood, breastfeeding, sexuality, and breast cancer awareness.

With summer at the door, it was my turn to see just how much of the new reread on transparency would apply to beach life. In the last few years, I noticed those beaches Michele and I reminisced about have grown more conservative and, despite being the daughter of unrepentant nudists and having a long track record of militant topless bathing, I myself have felt a bit more shy lately. Perhaps a woman in her 40s with two children is simply less prone to taking her top off, but my memories of youth are populated by visions of bare-chested mothers surveilling the coasts and shouting after their kids in the water. So when did we stop? And why? When did Michele’s era of “un-beauty” end?

In order to get back in touch with my own naked breasts I decided to revisit the nudist beaches of my youth to see what had changed. On a warm day in May, I researched some local topless beaches around Rome and asked a friend to come with me. Two moms, plus our four children, two girls and two boys of the same ages. “Let’s make an experiment of this and see what happens,” I proposed.

The kids all yawned, but my friend was up for it. These days to go topless, especially on urban beaches, you must visit properties that have an unspoken nudist tradition. One of these in Rome is the natural reserve beach at Capocotta, south of Ostia, but I felt a bit unsure revisiting those sands. In my memory, the Roman nudist beaches often equated to encounters with promiscuous strangers behind the dunes. I didn’t want to expose the kids, so, being that I am now a wise adult, I went ahead and picked a compromise. I found a nude-friendly beach on the banks of the Farfa River, in the rolling Sabina hills.

We piled into my friend’s car and drove out. The kids were all whining about the experiment. “We don’t want to see naked mums!” they complained. “Can’t you just lie and say you went to a nudist beach?”

We parked the car and walked across the medieval fairy-tale woods until we reached the path that ran along the river. All around us were huge trees and gigantic leaves. It had rained a lot recently and the vegetation had grown incredibly. We walked past the remains of a Roman road. The colors all around were bright green, the sky almost fluorescent blue. The kids got sidetracked by the presence of frogs. According to the indications, the beach was about a mile up the river. Halfway down the path, we bumped into a couple of young guys in fanny packs. I scanned them for signs of quintessential nudist attitude, but realized I actually had no idea what that was. I asked if we were headed in the right direction to go to “the beach”. They nodded and gave us a sly smile, which I immediately interpreted as a judgment about us as mothers, and more generally about our age, but I was ready to vindicate bare breasts against ageism.

We reached a small pebbled beach, secluded and bordered by a huge trunk that separated it from the path. A group of girls was there, sharing headphones and listening to music. To my dismay they were all wearing the tops and bottoms of their bikinis. One of them was in a full-piece bathing suit and shorts. “See, they are all wearing bathing suits. Please don’t be the weird mums who don’t.”

At this point, it was a matter of principle. My friend and I decided to take our bathing suits off completely, if only for a moment, and jumped into the river. The boys stayed on the beach with full clothes and shoes on, horrified. The girls went in behind us with their bathing suits. “Are you happy now? my son asked. “Did you prove your point?”

I didn’t really know what my point actually was. I think a part of me wanted to feel entitled to those long-gone decades of naturalism. Whether this was an instinct, or as Pasti said, “an act that was simply tied to the individual freedom of each woman”, it was hard to tell. At this point in history, the two things didn’t seem to cancel each other out—in fact, the opposite. Taking off a bathing suit, at least for my generation who never had to fight for it, had unexpectedly turned into a radical move and maybe I wanted to be part of the new discourse. Also, the chances of me going out in a fully sheer top were slim these days, but on the beach it was different. I would always fight for an authentic topless experience.

After our picnic on the river, we left determined to make our way—and without children—to the beaches of Capocotta. In truth, no part of me actually felt very subversive doing something I had been doing my whole life, but it still felt good. Once a free breast, always a free breast.

This article was originally published on British Vogue .

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Guest Essay

Trump Isn’t Finished

By Thomas B. Edsall

Mr. Edsall contributes a weekly column from Washington, D.C., on politics, demographics and inequality.

The damage inflicted on the nation during Donald Trump’s first term in office pales in comparison with what he will do if he is elected to a second term. How can we know this? The best evidence is Trump himself. He has repeatedly demonstrated his willingness to tear the country apart.

“Donald Trump and his MAGA supporters,” Sean Wilentz , a historian at Princeton, writes in a forthcoming article in Liberties,

have made it clear that they will not accept defeat in November any more than they did when Trump lost four years ago. They believe that Trump is the one true legitimate president, that those who refuse to accept this fundamental fact are the true deniers, and that any result other than Trump’s restoration would be a thwarting of history’s purpose and a diabolical act of treason. The authoritarian imperative has moved beyond Trumpian narcissism and the cultish MAGA fringe to become an article of faith from top to bottom inside the utterly transformed Republican Party, which Trump totally commands.

Like Wilentz, Laurence Tribe , a law professor at Harvard, does not mince words, writing by email:

All the dangers foreign and domestic posed by Trump’s cruelly vindictive, self-aggrandizing, morally unconstrained, reality-defying character — as evidenced in his first presidential term and in his unprecedented refusal to accept his 2020 electoral loss — would be magnified many times over in any subsequent term by three factors. First, he has systematically eroded the norms and the institutional guardrails that initially set boundaries on the damage he and his now more carefully chosen loyalist enablers are poised to do in carrying out the dangerous project to which they are jointly committed. Second, their failures to insulate themselves from electoral and legal constraints during the dry run of 2017-21 have led them to formulate far more sophisticated and less vulnerable plans for their second attempt at consolidating permanent control of the apparatus of our fragile republic. And third, their capture of the Supreme Court and indeed much of the federal judiciary has put in place devastating precedents like the immunity ruling of July 1 that will license a virtually limitless autocratic power — if, but only if, they are not stopped during the epic struggle that will reach one climax this Nov. 5 and another next Jan. 6.

The most important reason a second Trump term would be far more dangerous than his first is that if he does win this year, Trump will have triumphed with the electorate’s full knowledge that he has been criminally charged with 88 felonies and convicted of 34 of them (so far); that he has promised to “appoint a real special prosecutor to go after the most corrupt president in the history of the United States of America, Joe Biden, and the entire Biden crime family”; and that he intends to “totally obliterate the deep state” by gutting civil service protections for the 50,000 most important jobs in the federal work force, a central tenet of what he calls his “retribution” agenda.

Julie Wronski , a political scientist at the University of Mississippi, contended in an email:

The question is how much the Supreme Court presidential immunity decision will undermine institutional guardrails against Trump’s anti-democratic behavior. If there are no repercussions for his role in the Jan. 6 Capitol insurrection, intimidation of election officers, and casual handling of classified materials, then Trump will be emboldened to partake in such activities again. Trump has made clear that norms of governance — e.g., civility, accepting electoral defeat, and treating members of the political opposition as legitimate holders of power — do not apply to him.

While Kamala Harris has pulled even with, if not ahead of, Trump in recent polling, Republican attacks on her have yet to reach full intensity, and the outcome remains very much up for grabs.

Bruce Cain , a Stanford political scientist, voiced concerns similar to Wronski’s by email:

Trump is more erratic, impulsive, and self-interested than your average candidate and is much bolder than most in testing the boundaries of what he can get away with. In political insider lingo, he is a guy who likes to put his toes right up to the chalk line between legal and illegal activity. There is some evidence that his bad traits are getting worse with old age, but the more serious problem is the lowering of institutional and political guardrails that constrained him in the past. The decision in Trump v. the U.S. entitling a former president to “absolute immunity from criminal prosecution for actions within his conclusive and preclusive constitutional authority” and “presumptive immunity from prosecution for all his official acts” seems to me particularly problematic. The court left open the question of how to distinguish between official and unofficial acts. Trump’s personality is such that he will without doubt test the limits of this distinction.

Timothy Snyder , a historian at Yale and an expert on the regimes of Stalin and Hitler, wrote by email in reply to my inquiry: “It would be closer to the truth to think about a second Trump administration beginning from the images of Jan. 6, 2021. That is where Trump left us and that is where he would begin.”

Unlike oligarchy and tyranny, Snyder argued,

Democracy depends upon example, and Trump sets the worst possible one. He has openly admired dictators his entire life. He would encourage Xi and Putin. The Russians make completely clear that a Trump presidency is their hope for victory in Ukraine. Allowing Russia to win that war, which I think is Trump’s likely orientation, destabilizes Europe, encourages China toward aggression in the Pacific, and undermines the rule of law everywhere.

Charles Stewart , a political scientist at M.I.T., warned in an email:

A second Trump administration would escalate the threat of authoritarian governance, most notably, by sanctioning politically motivated prosecutions. Even if the courts resisted the baldest of efforts, doing so will be costly to political opponents and also continue to silence dissent among conservatives who wish to have political careers.

In 2016 and for much of his first term, major elements of the Republican Party viewed Trump with deep suspicion, repeatedly blocking or weakening his more delusional initiatives. That’s no longer the case.

“The Republican Party is fully and totally behind Trump — the epicenter of election disruption — even after two impeachments, an insurrection and a criminal conviction,” Julian Zelizer , a historian at Princeton, pointed out in an email, adding:

The support that Trump received after Jan. 6, and the entire effort to overturn the election, demonstrates that much of the G.O.P. is fine with doing this. Now that the party knows what insurrection looks like and has given its stamp of approval by nominating Trump, we know that this is officially part of the Republican playbook.

One thing is clear: Trump would assume control of the White House in 2025 with far more power and far fewer restraints than when he took office in January 2017.

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