top gun maverick movie review in tamil

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Top Gun Maverick Review: துவம்சம் செய்த டாம் க்ரூஸ்.. அதகளப்படுத்திய சாகசங்கள்.. Top Gun Maverick படம் எப்படி இருக்கு.?

Top gun maverick review in tamil: ஹாலிவுட் நடிகர் டாம் குரூஸ் நடிப்பில் வருகிற 27-ஆம் தேதி அன்று வெளியாக இருக்கும் டாப்கன் மேவ்ரிக் படம் எப்படி இருக்கிறது என்பதை இங்கு பார்க்கலாம். .

Joseph Kosinski

Tom Cruise, Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Lewis Pullman, Charles Parnell, Bashir Salahuddin, Monica Barbaro, Jay Ellis, Danny Ramirez, Greg Tarzan Davis with Ed Harris and Val Kilmer

ஸ்டண்டுகளுக்கும் சாகசங்களுக்கும் பேர் போன ஹாலிவுட் நடிகர் டாம் குரூஸ் நடிப்பில் கடந்த 1986 ஆண்டு வெளியாகி வரவேற்பை பெற்ற படம் டாப்கன். இந்தப்படத்தின் இராண்டாம் பாகமாக உருவாகியிருக்கும் திரைப்படம் தான் டாப்கன் மேவ்ரிக்.

ஆரம்ப காட்சியிலே புதிய ப்ளேன் ஒன்றை அநாசியமாக ஓட்டும் டாம், அந்த ப்ளேனுக்கு கொடுக்கப்பட்டிருக்கும் லிமிட்டை தாண்டி அதனை இயக்கி விடுகிறார். இதனால் அந்தரந்திலேயே அந்த ப்ளேன் வெடித்து சிதற, அதற்கு தண்டனையாக அவர் டாப்கன் எனப்படும் போர் விமானிகளை இயக்கும் பயிற்சி பள்ளிக்கு மாற்றப்படுகிறார். அங்கு அவருக்கு அபாயகரமான இலக்கு ஒன்று கொடுக்கப்படுகிறது.

அதனை செய்து முடிக்க, அவருக்கு பயிற்சி பள்ளியில் இருக்கும் பெஸ்ட் பைலட்கள் கொடுக்கப்படுகிறார்கள். அதில் இறந்துபோன தனது நண்பனின் மகனும் இருக்கிறான். இந்த பைலட்களை வைத்து டாம் அவருக்கு கொடுக்கப்பட்ட இலக்கை செய்து முடித்தாரா இல்லையா என்பதே டாப் கன் மேவ்ரிக்கின் கதை.

துவம்சம் செய்த டாம்

டாப் கன்னில் இருந்த டாம் க்ரூஸின் சாகசம் டாப் கன் மேவ்ரிக்கிலும் தொடர்ந்திருக்கிறது. ப்ளேனை வைத்து டாம் அந்தரத்தில் செய்யும் சாகசங்களாகட்டும், கவாஸ்கி பைக்கை முறுக்கி ஸ்பீடு ஏற்றும் காட்சிகளாட்டும், நண்பன் தன்னால் இறந்துவிட்டானே என்ற குற்ற உணர்ச்சியுடன் அவர் காட்டும் கன்ட்ரோல் எமோஷனாகட்டும், இனி ஒன்றுமே செய்ய முடியாது என்ற கட்டத்தில்.. கண்ணா 5 கிரகங்களிலும் உச்சம் பெற்ற டாம்.. எதையும் செய்வான் என நிரூபிக்கும் காட்சிகளாட்டும் எல்லாவற்றிலும் டாமுக்கே உரித்தான முத்திரை.

படத்தின் முக்கால்வாசி காட்சிகள் ஆகாயத்தில்தான் நடக்கிறது. அதனால் இதில் கேமராமேன் கிளாடியோ மிராண்டாவுக்கு எக்கச்சக்க வேலை. ஆனால் அதையெல்லாம் கனகச்சிதமாக காட்சிப்படுத்தியிருக்கிறார் கேமரா மேன் கிளாடியோ மிராண்டா. அதே போல எடி ஹாமில்டனின் எடிட்டிங்கும்  நம்மை ஃப்ரேம் ஃப்ரேம் பை ரசிக்க வைக்கிறது. பிண்ணனி இசை பல இடங்களில் அபாரமாக வொர்க் அவுட் ஆகியிருந்தாலும், சில இடங்களில் அவற்றில் இருக்கும் குறை, காட்சிகளை ரசிக்கவைப்பதற்கு பதிலாக நெழிய வைத்து விடுகிறது.

முதல் பாதி அப்படி இப்படி இருந்தாலும், இராண்டாம் பாதி ஜெட் வேகத்தில் செல்கிறது. குறிப்பாக கடைசி அரை மணி நேரம் சஸ்பென்ஸின் உச்சியில் உக்காரவைத்துவிடுகிறது டாம் மற்றும்  குழுவின் சாகசங்கள். பார்த்து பழகிய பழைய பஞ்சாங்க கதை என்றாலும் டாமின் சாகசங்களுக்காக டாப்கன் மேவ்ரிக்கை ரசிக்கலாம்.

தலைப்பு செய்திகள்

ட்ரெண்டிங் செய்திகள்

ட்ரெண்டிங் ஒப்பீனியன்

பர்சனல் கார்னர்

Movie Reviews

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In “Top Gun: Maverick,” the breathless, gravity and logic-defying “ Top Gun ” sequel that somehow makes all the sense in the world despite landing more than three decades after the late Tony Scott ’s original, an admiral refers to Tom Cruise ’s navy aviator Pete Mitchell—call sign “ Maverick ”—as “the fastest man alive.” It’s a chuckle-inducing scene that recalls one in “Mission: Impossible – Rogue Nation,” when Alec Baldwin ’s high-ranking Alan Hunley deems Cruise’s Ethan Hunt, “the living manifestation of destiny.” In neither of these instances are Cruise’s co-stars exclusively referring to his make-believe screen personas. They are also (or rather, primarily) talking about the ongoing legacy of Cruise the actor himself. 

Truth be told, our fearless and ever-handsome action hero earns both appraisals with a generous side of applause, being one of the precious remnants of bona-fide movie superstardoms of yore, a slowly dwindling they-don’t-make-'em-like-they-used-to notion of immortality these days. Indeed, Cruise’s consistent commitment to Hollywood showmanship—along with the insane levels of physical craft he unfailingly puts on the table by insisting to do his own stunts—I would argue, deserves the same level of high-brow respect usually reserved for the fully-method sorts such as Daniel Day-Lewis . Even if you somehow overlook the fact that Cruise is one of our most gifted and versatile dramatic and comedic actors with the likes of “ Born on the Fourth of July ,” “ Magnolia ,” “ Tropic Thunder ,” and “ Collateral ” under his belt, you will never forget why you show up to a Tom Cruise movie, thanks in large part to his aforesaid enduring dedication. How many other household names and faces can claim to guarantee “a singular movie event” these days and deliver each time, without exceptions?

In that regard, you will be right at home with “Top Gun: Maverick,” director Joseph Kosinski ’s witty adrenaline booster that allows its leading producer to be exactly what he is—a star—while upping the emotional and dramatic stakes of its predecessor with a healthy (but not overdone) dose of nostalgia. After a title card that explains what “Top Gun” is—the identical one that introduced us to the world of crème-de-la-crème Navy pilots in 1986—we find Maverick in a role on the fringes of the US Navy, working as an undaunted test pilot against the familiar backdrop of Kenny Loggins’ “Danger Zone.” You won’t be surprised that soon enough, he gets called on a one-last-job type of mission as a teacher to a group of recent Top Gun graduates. Their assignment is just as obscure and politically cuckoo as it was in the first movie. There is an unnamed enemy—let’s called it Russia because it’s probably Russia—some targets that need to be destroyed, a flight plan that sounds nuts, and a scheme that will require all successful Top Gun recruits to fly at dangerously low altitudes. But can it be done?

It’s a long shot, if the details of the operation—explained to the aviator hopefuls in a rather “It can’t be done” style reminiscent of “ Mission: Impossible ”—are any indication. But you will be surprised that more appealing than the prospect of the bonkers mission here is the human drama that co-scribes Ehren Kruger , Eric Warren Singer , and Christopher McQuarrie spin from a story by Peter Craig and Justin Marks . For starters, the group of potential recruits include Lt. Bradley “Rooster” Bradshaw ( Miles Teller , terrific), the son of the dearly departed “Goose,” whose accidental death still haunts Maverick as much as it does the rest of us. And if Rooster’s understandable distaste of him wasn’t enough (despite Maverick’s protective instincts towards him), there are skeptics of Maverick’s credentials— Jon Hamm ’s Cyclone, for instance, can’t understand why Maverick’s foe-turned-friend Iceman ( Val Kilmer , returning with a tearjerker of a part) insists on him as the teacher of the mission. Further complicating the matters is Maverick’s on-and-off romance with Penny Benjamin (a bewitching Jennifer Connelly ), a new character that was prominently name-checked in the original movie, as some will recall. What an entanglement through which one is tasked to defend their nation and celebrate a certain brand of American pride ...

In a different package, all the brouhaha jingoism and proud fist-shaking seen in “Top Gun: Maverick” could have been borderline insufferable. But fortunately Kosinski—whose underseen and underrated “Only The Brave” will hopefully find a second life now—seems to understand exactly what kind of movie he is asked to navigate. In his hands, the tone of “Maverick” strikes a fine balance between good-humored vanity and half-serious self-deprecation, complete with plenty of quotable zingers and emotional moments that catch one off-guard.

In some sense, what this movie takes most seriously are concepts like friendship, loyalty, romance, and okay, bromance. Everything else that surrounds those notions—like patriotic egotism—feels like playful winks and embellishments towards fashioning an old-school action movie. And because this mode is clearly shared by the entirety of the cast—from a memorable Ed Harris that begs for more screen time to the always great Glen Powell as the alluringly overconfident “ Hangman ,” Greg Tarzan Davis as “Coyote,” Jay Ellis as “ Payback ,” Danny Ramirez as “Fanboy,” Monica Barbaro as “ Phoenix ,” and Lewis Pullman as “Bob”—“Top Gun: Maverick” runs fully on its enthralling on-screen harmony at times. For evidence, look no further than the intense, fiery chemistry between Connelly and Cruise throughout—it’s genuinely sexy stuff—and (in a nostalgic nod to the original), a rather sensual beach football sequence, shot with crimson hues and suggestive shadows by Claudio Miranda . 

Still, the action sequences—all the low-altitude flights, airborne dogfights as well as Cruise on a motorcycle donned in his original Top Gun leather jacket—are likewise the breathtaking stars of “Maverick,” often accompanied by Harold Faltermeyer ’s celebratory original score (aided by cues from Hans Zimmer and Lorne Balfe ). Reportedly, all the flying scenes—a pair of which are pure hell-yes moments for Cruise—were shot in actual U.S. Navy F/A-18s, for which the cast had to be trained for during a mind-boggling process. The authentic work that went into every frame generously shows. As the jets cut through the atmosphere and brush their target soils in close-shave movements—all coherently edited by Eddie Hamilton —the sensation they generate feels miraculous and worthy of the biggest screen one can possibly find. Equally worthy of that big screen is the emotional strokes of “Maverick” that pack an unexpected punch. Sure, you might be prepared for a second sky-dance with “Maverick,” but perhaps not one that might require a tissue or two in its final stretch.

Available in theaters May 27th. 

Tomris Laffly

Tomris Laffly is a freelance film writer and critic based in New York. A member of the New York Film Critics Circle (NYFCC), she regularly contributes to  RogerEbert.com , Variety and Time Out New York, with bylines in Filmmaker Magazine, Film Journal International, Vulture, The Playlist and The Wrap, among other outlets.

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Film credits.

Top Gun: Maverick (2022)

Rated PG-13 for sequences of intense action, and some strong language.

131 minutes

Tom Cruise as Captain Pete 'Maverick' Mitchell

Miles Teller as Lt. Bradley 'Rooster' Bradshaw

Jennifer Connelly as Penny Benjamin

Jon Hamm as Vice Admiral Cyclone

Glen Powell as Hangman

Lewis Pullman as Bob

Charles Parnell as Warlock

Bashir Salahuddin as Coleman

Monica Barbaro as Phoenix

Jay Ellis as Payback

Danny Ramirez as Fanboy

Greg Tarzan Davis as Coyote

Ed Harris as Rear Admiral

Val Kilmer as Admiral Tom 'Iceman' Kazansky

Manny Jacinto as Fritz

• Joseph Kosinski

Writer (based on characters created by)

• Jack Epps Jr.

Writer (story by)

• Peter Craig
• Justin Marks
• Ehren Kruger
• Eric Warren Singer
• Christopher McQuarrie

Cinematographer

• Claudio Miranda
• Chris Lebenzon
• Eddie Hamilton
• Lorne Balfe
• Harold Faltermeyer
• Hans Zimmer

Latest blog posts

The Acolyte Sends Star Wars Into a Galaxy Far, Far In the Past

Short Films in Focus: The Year of Staring at Noses

Animation Is Slow Motion: Pablo Berger on Robot Dreams

The Unloved, Part 126: Zardoz

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Top Gun: Maverick

Where to watch.

Watch Top Gun: Maverick with a subscription on Prime Video, Paramount+, rent on Fandango at Home, or buy on Fandango at Home.

What to Know

Top Gun: Maverick pulls off a feat even trickier than a 4G inverted dive, delivering a long-belated sequel that surpasses its predecessor in wildly entertaining style.

If you loved the original -- or enjoy some good old-school action -- you need to speed your way to a screening of Top Gun: Maverick .

Critics Reviews

Audience reviews, cast & crew.

Joseph Kosinski

Capt. Pete "Maverick" Mitchell

Miles Teller

Lt. Bradley "Rooster" Bradshaw

Jennifer Connelly

Penny Benjamin

Adm. Beau "Cyclone" Simpson

Glen Powell

Lt. Jake "Hangman" Seresin

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Tom cruise in ‘top gun: maverick’: film review.

The ace fighter pilot returns 36 years after first feeling the need for speed in Joseph Kosinski’s sequel, also starring Miles Teller, Jennifer Connelly and Jon Hamm.

By David Rooney

David Rooney

Chief Film Critic

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As inescapable a pop-cultural totem as 1986’s Top Gun became, Tony Scott’s testosterone-powered blockbuster has all the narrative complexity of a music video crossed with a military recruitment reel. It’s hard to think of many more emblematic products of the rah-rah patriotism of the Reagan years, with its vigorous salute to American exceptionalism and triumph over a Cold War enemy left purposely vague — hey, don’t want to shut out a lucrative foreign market.

All that has only continued to toxify in the post-Trump age, with patriotism curdling into white supremacy. So depending on where you sit on the political spectrum, your enjoyment of Top Gun: Maverick might depend on how much you’re willing to shut out the real world and surrender to movie-star magic.

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Venue : Cannes Film Festival (Out of Competition) Release date : Friday, May 27 Cast : Tom Cruise, Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Ed Harris, Val Kilmer, Lewis Pullman, Charles Parnell, Bashir Salahuddin, Monica Barbaro, Jay Ellis, Danny Ramirez, Greg Tarzan Davis Director : Joseph Kosinski Screenwriters : Ehren Kruger, Eric Warren Singer, Christopher McQuarrie

Which this superior sequel — directed with virtuoso technical skill, propulsive pacing and edge-of-your-seat flying sequences by Joseph Kosinski — has in abundance. Every frame of Tom Cruise ’s Maverick is here to remind you, soaking up the awestruck admiration of the young hot shots ready to dismiss him as a fossil and the initially begrudging respect of the military brass who try and fail to pull the cocky individualist into line. “He’s the fastest man alive,” one of the slack-jawed hero worshippers in the control room says early on. And that’s even before he does his signature robotic “Cruise Run.”

“It’s not the plane, it’s the pilot,” we hear more than once. And Cruise leaves no question that he’s the pilot, despite hiring a pro craft team and a solid ensemble cast who were put through extensive flight training. Even the relic F-14 Tomcat, Maverick’s tactical fighter plane of choice in the first movie, gets fired up for a glory lap, a salute to aged movie stars and old technology in one. Cruise’s character is somehow positioned by Ehren Kruger, Eric Warren Singer and Christopher McQuarrie’s screenplay as simultaneously a rule-breaking rebel and a selfless saint. That makes this a work of breathtaking egomania outdone only by the fawning tone of Paramount’s press notes.

Starting when Kenny Loggins’ “Danger Zone” accompanies footage of new-generation F-18 hornets slicing through the clouds and swooping down onto an aircraft carrier amid a sea of high-fives, fist-pumps and thumbs-up, the sequel follows the original beat for beat, to a degree that’s almost comical. And yet, as formulaic as it is, there’s no denying that it delivers in terms of both nostalgia and reinvention. Mainstream audiences will be happily airborne, especially the countless dads who loved Top Gun and will eagerly want to share this fresh shot of adrenaline with their sons.

Pete “Maverick” Mitchell lives alone in a Mojave Desert hangar with a photo shrine on the wall to his former radar intercept officer and best buddy Goose, who died during a training accident in the first film. (Anthony Edwards and Meg Ryan are seen in a helpful recap framed as Pete’s tortured memories.)

Maverick zooms into the Naval base on his Kawasaki each day and continues to get his kicks as a daredevil test pilot, resisting the advancement in rank from captain that would have grounded him by now. But when his aerial showboating pisses off Admiral Cain (Ed Harris), who’s pushing to transition to drone aircrafts and make stick jockeys obsolete, Maverick gets his wings clipped.

Despite having lasted just two months as an instructor almost 30 years ago, he’s reassigned to the elite Fighter Weapons School, aka Top Gun Academy, in San Diego, which was established in 1969 to train the top 1 percent of Naval aviators. Neither Cain nor the academy’s senior officer, call sign “Cyclone” ( Jon Hamm ), wanted him for the job. But Maverick’s former rival and eventual wingman Iceman (Val Kilmer), who went on to become an admiral and command the U.S. Pacific Fleet, convinced them he was the only man who could prepare pilots for a top-secret mission.

A uranium enrichment plant has been detected on enemy soil — once again, exactly which enemy is unclear — and two pairs of F-18s need to sneak in, bomb the bejesus out of it and then get out fast, overcoming a near-impossible quick climb over rocky peaks and then surviving the inevitable blast of enemy missiles and aerial dogfights.

The candidates for that mission are “the best of the best,” former star graduates who are pretty much a repeat of the 1986 bunch aside from being more culturally diverse. There’s even — gasp! — a woman, Phoenix (Monica Barbaro). The two that matter most, though, are swaggering blowhard Hangman (Glen Powell) and Goose’s son Rooster ( Miles Teller ), still carrying around the ghost of his father and hostile to Maverick for stalling his career by taking his name off the Naval Academy list.

The Hangman-Rooster dynamic more or less mirrors the Iceman-Maverick friction from Top Gun , just as the incongruously homoerotic shirtless volleyball scene is echoed here with a rowdy team-building football game on the beach.

The only notable place where the screenwriters don’t genuflect to the original model is with Kelly McGillis’ astrophysicist and civilian Top Gun instructor Charlie, who declined a plum Washington job to stick with her man but doesn’t even rate a mention here. Instead, Maverick sparks up an old romance with Penny ( Jennifer Connelly ), a single mom with fabulous highlights. She runs a local bar — its name, The Hard Deck, doubles as a tactical plot point — which apparently puts her in an income bracket to own a sleek sailboat and drive a Porsche. (Producer Jerry Bruckheimer never met a power vehicle he didn’t love.)

Maverick’s task during training is to test the limits of the super-competitive candidates, whittling them down from 12 to six and choosing a team leader. “It’s not what I am. It’s who I am,” he says of his aviator vocation during a rare moment of self-doubt. “How do I teach that?” Anyone failing to guess who’ll land the team leader spot and who’ll be their wingman isn’t paying attention.

The simmering conflict between Maverick and Rooster — who can’t see past his resentment to perceive the protective responsibility his dad’s friend feels toward him — provides an emotional core even if the role makes scant demands on Teller’s range. But that’s true also of Connelly, Hamm and everyone else in the cast; all of them get the job done while remaining satellites that merely orbit around Cruise’s glittering Planet Alpha, eventually having to acknowledge that Maverick’s a helluva guy no matter what stunts he pulls.

The film’s most moving element comes during the brief screen time of Kilmer’s Iceman, whose health issues reflect those suffered by the actor in real life, generating resonant pathos. There’s reciprocal warmth, even love, in a scene between Iceman and Maverick that acknowledges the characters’ hard-won bond as well as the rivalry that preceded it, with gentle humor.

Kosinski (who directed Cruise in Oblivion ), the writers and editor Eddie Hamilton keep a close eye on the balance between interpersonal drama and flight maneuvers; scenes intercut between field practice and classroom discussions during which Maverick points out fatal errors on a computer simulator are particularly sharp. This is all nuts-and-bolts buildup, however, to the mission itself, in which hair-raising action, seemingly insurmountable setbacks and miraculous saves keep the tension pumped.

This is definitely a film that benefits from the Imax experience and the big-ass soundscape that comes with it. The muscular score by Harold Faltermeyer, Lady Gaga and Hans Zimmer also pulls its weight, with Gaga’s song, “Hold My Hand,” getting prime romantic placement. Musical choices elsewhere tend to lean into a retro vibe — Bowie, T. Rex, Foghat, The Who — while Teller gets to hammer the piano keys and lead a Jerry Lee Lewis sing-along that pays direct homage to his screen dad.

The most memorable part of Top Gun: Maverick — and the scenes that will make new generations swell with pride and adulation for good old American heroism — are the dogfights and tactical maneuvers of the pilots. Just as they should be. The best thing this movie does is boost visceral analog action over the usual numbing bombardment of CG fakery, a choice fortified by having the actors in the airborne cockpits during shooting.

Cinematographer Claudio Miranda’s work benefits from the technological advances of the past three decades, with camera rigs allowing for you-are-there verisimilitude. Cruise’s insistence on doing his own flying is undeniably impressive, even if the headgear’s breathing apparatus gets in the way of his trademark clenched-jaw intensity. No one is going to dispute that he works hard in this movie, justifying the labor of love. But no one is going to come out of it concerned for his self-esteem, either.

Full credits

Venue: Cannes Film Festival (Out of Competition) Distribution: Paramount Production companies: Skydance, Jerry Bruckheimer Films Cast: Tom Cruise, Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Lewis Pullman, Charles Parnell, Bashir Salahuddin, Monica Barbaro, Jay Ellis, Danny Ramirez, Greg Tarzan Davis, Ed Harris, Val Kilmer Director: Joseph Kosinski Screenwriters: Ehren Kruger, Eric Warren Singer, Christopher McQuarrie Story: Peter Craig, Justin Marks, based on characters created by Jim Cash, Jack Epps Jr. Producers: Jerry Bruckheimer, Tom Cruise, Christopher McQuarrie, David Ellison Executive producers: Tommy Harper, Dana Goldberg, Don Granger, Chad Oman, Mike Stenson Director of photography: Claudio Miranda Production designer: Jeremy Hindle Costume designer: Marlene Stewart Music: Harold Faltermeyer, Lady Gaga, Hans Zimmer Editor: Eddie Hamilton Visual effects supervisor: Ryan Tudhope Aerial coordinator: Kevin LaRosa II Casting: Denise Chamian

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Top Gun: Maverick First Reviews: The Most Thrilling Blockbuster We've Gotten in Years

Critics say the long-awaited sequel is a must-see on the big screen and not only potentially better than the original, but also one of the best tom cruise movies ever..

TAGGED AS: Action , blockbusters , Film , films , movie , movies

Tom Cruise returns to the cockpit in Top Gun: Maverick , the long-awaited follow-up to the 1986 blockbuster Top Gun . And if you’re not already feeling the need for speed — again — then you might want to reconsider, because the first reviews for this legacy sequel are clear of the danger zone. In fact, many are even calling it a better movie than the original, and maybe even one of the best Tom Cruise movies of all time.

Here’s what critics are saying about Top Gun: Maverick :

Will Top Gun fans be happy?

On the whole, this is a thrilling sequel which is bound to delight fans of the first film. – Linda Marric, The Jewish Chronicle

It’s a follow-up that will thrill every Top Gun fan. – Philip De Semlyen, Time Out

Mainstream audiences will be happily airborne, especially the countless dads who loved Top Gun and will eagerly want to share this fresh shot of adrenaline with their sons. – David Rooney, Hollywood Reporter

This follow-up, directed by Joseph Kosinski, deals in the same unexpected-itch-scratching bliss: it’s crammed with images you didn’t know you were desperate to see until the second you see them. – Robbie Collin, Daily Telegraph

In the opening moments… you don’t know if you’re watching the original 1986 Top Gun or a new one. – Brian Truitt, USA Today

Tony Scott’s admirers may miss that disreputable edge, the unrepentantly vulgar sensibility that made the original Top Gun a dreamy, voluptuous hoot. – Justin Chang, Los Angeles Times

(Photo by Scott Garfield/©Paramount Pictures)

How does it compare to the original?

Top Gun: Maverick improves on the original. It’s deeper, it’s not corny, and it has thrilling effects. – Mick LaSalle, San Francisco Chronicle

The dogfights, chases, and mid-air sequences are truly remarkable — far clearer and far more intense than anything in the original Top Gun . – Matt Singer, ScreenCrush

A superior sequel. – David Rooney, Hollywood Reporter

If Top Gun was a fun film because it invented Tom Cruise, Maverick is a great film because it immortalizes him. – David Ehrlich, IndieWire

Maverick ideally would be less formulaic – and for the record, it doesn’t quite match the magic of the OG Top Gun . – Brian Truitt, USA Today

Is it a worthy legacy sequel?

Few Hollywood reboots can boast this blend of nostalgia, freshness and adrenaline. You will want to high five someone on the way out. – Philip De Semlyen, Time Out

The film is a true legacy sequel. In the tradition of Star Wars: The Force Awakens , it’s a carefully reconstructed clone of its predecessor, tooled not only to reflect changing tastes and attitudes but the ascendancy of its star Tom Cruise to a level of fame that borders on the mythological. – Clarisse Loughrey, Independent

The sequel follows the original beat for beat, to a degree that’s almost comical. And yet, as formulaic as it is, there’s no denying that it delivers in terms of both nostalgia and reinvention. – David Rooney, Hollywood Reporter

Tom Cruise remains deeply ambivalent with the notion of passing the torch to a new generation onscreen and so Top Gun: Maverick remains focused on Maverick and his story, sometimes to the detriment of the young cast. – Matt Singer, ScreenCrush

(Photo by ©Paramount Pictures)

Is this one of the best blockbusters we’ve gotten in recent years?

Top Gun: Maverick is as thrilling as blockbusters get. – Clarisse Loughrey, Independent

Top Gun: Maverick is the most fun I’ve had watching a big dumb Hollywood blockbuster for a while. – Linda Marric, The Jewish Chronicle

Takes to the skies as no blockbuster has before. – Peter Debruge, Variety

The movie soars – a reminder of how good Hollywood can be at popcorn entertainment when it sets its mind to it (and Cruise is involved). – Philip De Semlyen, Time Out

It is unquestionably the best studio action film to have been released since 2015’s Mad Max: Fury Road . – Robbie Collin, Daily Telegraph

How does it rank against other Tom Cruise movies?

We have surely arrived at the Cruisiest film he’s yet made. – Robbie Collin, Daily Telegraph

It’s not a Tom Cruise movie so much as it’s “ Tom Cruise: The Movie .” – David Ehrlich, IndieWire

In terms of performance, this is one of Cruise’s best pictures. – Mick LaSalle, San Francisco Chronicle

It fully surrenders to the grandiose fun that’s marked the best of Cruise’s recent star vehicles. – Jake Cole, Slant Magazine

Cruise finds new ways to add depth to his signature character (sorry, Ethan Hunt) without sacrificing any of his essential qualities. – Brian Truitt, USA Today

How is Val Kilmer’s return as Iceman?

Kilmer’s brief cameo, in what has the feel of a swan song, carries far more weight than anything directly related to the story. – Jake Cole, Slant Magazine

The film’s most moving element comes during the brief screen time of Kilmer’s Iceman. – David Rooney, Hollywood Reporter

If there’s one scene that really takes your breath away, it’s his. – Brian Truitt, USA Today

In one fictional moment, he gives us something unmistakably, irreducibly real, partly by puncturing the fantasy of human invincibility that his co-star has never stopped trying to sell. – Justin Chang, Los Angeles Times

Are there any other standouts in the cast?

Miles Teller [gives] an oddly alluring performance that really shouldn’t work as well as it does. – Richard Lawson, Vanity Fair

Teller, with his best turn since Whiplash, factors in as a worthy emotional foil. – Brian Truitt, USA Today

Jennifer Connelly brings a lot to a thankless role. – Alonso Duralde, The Wrap

Does Top Gun: Maverick deliver as an action movie?

It [has] what is surely one of the most impressive plane-based action scenes ever committed to film. – Matt Singer, ScreenCrush

The real draw here is, of course, the action, and Kosinski asserts his gift for large-scale filmmaking across the film’s runtime. – Jake Cole, Slant Magazine

The commitment to filming practically-everything practically feels like the cutting-edge equivalent of Howard Hughes’ history-making Hell’s Angels . – Peter Debruge, Variety

You have a series of character-driven, heart-in-your-throat dogfights more vivid than anything in the first previous film. – David Ehrlich, IndieWire

Breathtakingly balletic, and grounded in the increasingly rare pleasure of the tangible… it’s a true feat for director Joseph Kosinski to make something this ambitious look this effortless. – Clarisse Loughrey, Independent

The action scenes [have] a breathtaking beauty and urgency: the play of light and gravity on the actors’ faces, and the way the landscapes spin and drop away balletically through the canopy glass, puts other blockbusters’ green-screened swooping to shame. – Robbie Collin, Daily Telegraph

The best thing this movie does is boost visceral analog action over the usual numbing bombardment of CG fakery. – David Rooney, Hollywood Reporter

Are there any major criticisms?

One would have appreciated a slightly more effective female-centric subplot. – Linda Marric, The Jewish Chronicle

The film, unfortunately, doesn’t extend as much of a loving hand toward the women of Top Gun . – Clarisse Loughrey, Independent

Women are few and far between, and even the more prominent ones get mostly perfunctory treatment. – Justin Chang, Los Angeles Times

It would’ve been nice to see Meg Ryan return as the widow/mom, but the rules are cruel when it comes to aging female actors. – Peter Debruge, Variety

Do we need to see this on the big screen?

This is definitely a film that benefits from the IMAX experience, and the big-ass soundscape that comes with it. – David Rooney, Hollywood Reporter

This movie needs the big screen, preferably as big as you can find. I saw it in an IMAX theater, and now I have some idea of what it would feel like to take off in a fighter pilot from an aircraft carrier. – Mick LaSalle, San Francisco Chronicle

The result is the most immersive flight simulator audiences will have ever experienced, right down to the great Dolby roar of engines vibrating through their seats. – Peter Debruge, Variety

It’s the kind of edge-of-your-seat, fist-pumping spectacular that can unite an entire room full of strangers sitting in the dark and leave them with a wistful tear in their eye. – Clarisse Loughrey, Independent

Will it leave us wanting more?

One can imagine future spinoffs involving any of these characters. – Peter Debruge, Variety

[It’s a] launching pad for a potential second or even third sequel with its young cast at the center of new adventures. – Linda Marric, The Jewish Chronicle

Top Gun: Maverick opens in theaters on May 27, 2022.

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Top Gun Maverick OTT Release Date in India

Published date : 19/dec/2022.

Tom Cruise starrer Top Gun Maverick , which is a sequel to his 1986 film Top Gun made its digital debut in India on Amazon Prime Video. The movie is currently available for rent at Rs. 119 for subscribers of the streaming platform. The movie can be watched for free from next week and the OTT release date of Top Gun Maverick has been confirmed to be December 26, 2022 [Monday]. 

A special message from the set of #MissionImpossible @MissionFilm pic.twitter.com/sfnWWluLyl — Tom Cruise (@TomCruise) December 18, 2022

Top Gun Marverick sees the return of Tom Cruise as navy captain  Pete "Maverick" Mitchell 30 years after graduating from the Top Gun academy. While he should have been atleast a '2 star admiral' in this timeframe, Maverick alludes his lack of promotion to be one of 'life's mysteries'. 

Maverick is still pushing the envelope as a top naval aviator, but must confront ghosts of his past when he leads Top Gun's elite graduates on a mission that demands the ultimate sacrifice from those chosen to fly it. 

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‘Top Gun: Maverick’ Review: Tom Cruise Takes to the Skies, Literally, in Barrier-Breaking Sequel

Reteaming with 'Oblivion' director Joseph Kosinski, the perfectionist producer-star insists on flying his own planes in this stunning follow-up.

By Peter Debruge

Peter Debruge

Chief Film Critic

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The world is not the same place it was in 1986, when “Top Gun” ruled the box office. In Ronald Reagan, America had a movie star for a president, and producers Jerry Bruckheimer and Don Simpson as its honorary ministers of propaganda. The same year that “Platoon” challenged the United States’ militaristic track record, “Top Gun” sold a thrilling if narrow-minded fantasy of American exceptionalism — of boys and their toys, of macho-man bromance and what it means to be the best. Three years after Tom Cruise flipped the bird to a Russian MiG fighter plane, the Berlin Wall fell. Two years later, the Soviet Union collapsed.

One could argue that our new, post-Cold War world didn’t need a “Top Gun” sequel. (Tom Cruise himself once insisted as much.) But one would be wrong to do so. Building on the three-parts-steel-to-one-part-corn equation that director Tony Scott so effectively set 36 years earlier, the new film more than merits its existence, mirroring Cruise’s character, Pete “Maverick” Mitchell, in pushing the limits of what the machine could do — the machine in this case being cinema, which takes to the skies as no blockbuster has before.

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Hardly anything in “ Top Gun: Maverick ” will surprise you, except how well it does nearly all the things audiences want and expect it to do. Orchestrated by Joseph Kosinski — the dynamo who collaborated with Cruise on “Oblivion” and first worked with Miles Teller on 2017’s terrific, underseen firefighter drama “Only the Brave” — to appeal to veterans and neophytes alike, this high-performance follow-up sends Maverick back to the Topgun program, where he won the heart of Charlie (Kelly McGillis) and lost best friend Goose (Anthony Edwards).

Popular on Variety

Flashbacks notwithstanding, neither of those actors is in this movie, though the screenplay — a tag-team effort between Christopher McQuarrie (Cruise’s guy), Eric Warren Singer (Kosinski’s guy) and Ehren Kruger (yikes) — just about resurrects Goose via his now-adult son, Bradley Bradshaw (Teller), call sign “Rooster.” (“Phoenix” would be more apt, but that tag goes to Monica Barbaro, playing the lone woman in this testosterone pool.) The resemblance between Rooster and his late dad is uncanny, courtesy of a goofy moustache, some hair gel and a scene in which the young pilot pounds out “Great Balls of Fire” on the Hard Deck piano, the way Goose once did.

The Hard Deck is now operated by a character from Maverick’s past, Penny Benjamin ( Jennifer Connelly ), although she was only referenced in passing before: In “Top Gun,” Maverick is chewed out by his superior officer for having “a history of high-speed passes over five air control towers — and one admiral’s daughter!” Penny is that daughter: strong, independent and responsible for a daughter of her own (not Maverick’s, and too young to be his love interest). Cruise’s character has matured on the womanizing front, and the movie provides a shallow yet satisfying romantic subplot between him and Penny, which gives him something to come home for, since his daredevil tendencies otherwise give off strong kamikaze vibes.

In theory, Maverick should have graduated Topgun and gone back to teach what he’d learned to other Navy pilots. But after losing his flying partner, the character wound up being more of a loner — or so we learn, catching up with him all these years later, working as a test pilot and stuck at the rank of captain. Following a nostalgia-baiting aircraft carrier landing montage, wherein “Top Gun” theme “Danger Zone” blazes once again, Kosinski tracks Maverick to the Mojave Desert, still living up to his nickname when he takes a multimillion-dollar piece of government equipment — a supersonic, SR-71 Blackbird-style (fictional) Darkstar jet — out for a speed test.

Showing up as none-too-amused Navy brass, Ed Harris arrives just in time to eat a face full of sand as Maverick takes off at rocket speed, gently pushing the plane to Mach 10. (As a point of reference, the F-14s seen in “Top Gun” top out around Mach 2.) It’s a glorious scene, and one that melds everything Maverick once represented with Cruise’s own off-screen personality — which also explains all the self-driven motorcycle rides. The stunt nearly gets Maverick kicked out of the Navy. His only option: Go back to the training academy, where Tom “Iceman” Kazansky (Val Kilmer) is now filling Tom Skerritt/Viper’s shoes.

The script incorporates Kilmer’s throat cancer, such that Iceman has just one scene, communicating mostly by keyboard — but it’s a smart one, paying off the way the dynamic between these two ex-rivals has evolved. Considering the importance Goose and Rooster play in this next mission, which involves a near-impossible airstrike on a uranium plant, it would’ve been nice to see Meg Ryan return as the widow/mom, but the rules are cruel when it comes to aging female actors. Meanwhile, we can talk about all the cosmetic ways Cruise and Kilmer’s faces have evolved, although there’s only one change that matters: Cruise has perfected that little jaw-clenching trick that signifies “This is a really tough call.”

He won’t get an Oscar for pantomiming such swallow-your-pride stoicism, though Cruise deserves one for everything else the role demanded of him: If the flying scenes here blow your mind, it’s because a great many of them are the real deal, putting audiences right there in the cockpit alongside a cast who learned to pilot for their parts. The idea here is that Maverick has been grounded, relegated to coaching a dozen top-of-their-class hotshots, though he takes to the skies right away, trumping all of these aces in a series of adrenaline-fueled drills. Not a one of these students is convincing as a Navy pilot, though their personalities win us over all the same (even Glen Powell’s alpha-male “Hangman,” who serves as this movie’s Iceman equivalent), and once can imagine future spinoffs involving any of these characters.

“Top Gun” has always been “The Tom Cruise Show,” and no one believes for a second that Maverick won’t maneuver his way into flying the climactic mission. But he can’t do it alone: The operation calls for perfectly coordinated teamwork among six pilots, recalling the group air battle that bonded Iceman and Maverick in the original movie.

These days, videogame-styled blockbusters rely so heavily on CGI that it’s thrilling to see the impact of gravity on actual human beings, pancaked to their chairs by multiple G-forces. Sophisticated movie magic makes their performances seamless with the exterior airborne shots, while the commitment to filming practically everything practically feels like the cutting-edge equivalent of Howard Hughes’ history-making “Hell’s Angels.” The result is the most immersive flight simulator audiences will have ever experienced, right down to the great Dolby roar of engines vibrating through their seats (while the score teases cues for Lady Gaga’s end-credits anthem “Hold My Hand”).

Early on, Ed Harris’ character warns Maverick and his team that “one day, they won’t need pilots at all,” by which he means, drone technology is not far from allowing the Navy to do all of its flying by remote control. Cinema seems to be moving in that same direction, replacing actors with digital puppets and real locations with greenscreen plates — but not if Tom Cruise has anything to do with it. Engineered to hit so many of the same pleasure points as the original, “Top Gun: Maverick” fulfills our desire to go really fast, really far above ground — what the earlier film unforgettably referred to as “the need for speed.”

Still, this buckle-up follow-up also demonstrates why we feel the need for movie stars. It goes well beyond Cruise’s rah-rah involvement in what amounts to a glorified U.S. military recruitment commercial (the 1986 film might have been as perfectly calibrated as a Swiss watch, but it wasn’t subtle about its GI Joe agenda). It’s the way we identify with the guy when he’s doing what most of us thought impossible. Turns out we need Maverick now more than ever.

Reviewed at AMC Century City 15 (Imax), May 10, 2022. In Cannes Film Festival (Out of Competition). MPA Rating: PG-13. Running time: 130 MIN.

• Production: A Paramount Pictures release of a Paramount Pictures, Skydance, Jerry Bruckheimer Films presentation of a Don Simpson/Jerry Bruckheimer production. Producers: Jerry Bruckheimer, Tom Cruise, Christopher McQuarrie, David Ellison. Executive producers: Tommy Harper, Dana Goldberg, Don Granger, Chad Oman, Mike Stenson.
• Crew: Director: Joseph Kosinski. Screenplay: Ehren Kruger, Eric Warren Singer, Christopher McQuarrie; story: Peter Craig, Justin Marks, based on characters created by Jim Cash & Jack Epps Jr. Camera: Claudio Miranda. Editor: Eddie Hamilton. Music: Lorne Balfe, Harold Faltermeyer, Hans Zimmer.
• With: Tom Cruise, Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Lewis Pullman, Charles Parnell, Bashir Salahuddin, Monica Barbaro, Jay Ellis, Danny Ramirez, Greg Tarzan Davis, Ed Harris, Val Kilmer.

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• May 30, 2024

Tamil Song Lyrics

தமிழ் பாடல் வரிகள்

Top Gun: Maverick Movie Review in Tamil – டாப் கன்: மேவ்ரிக்

By tamil song lyrics.

தமிழ் பாடல் வரிகள் இணையதளம் உங்களை வரவேற்கிறது. இந்த திரை விமர்சனம் பகுதியில் நீங்கள் டாப் கன் : மேவ்ரிக் படத்தைப் பற்றி முழு விமர்சனம் கீழே காணலாம்.

Top Gun: Maverick Movie Review in Tamil

டாப் கன்: மேவ்ரிக் திரை விமர்சனம்.

Production – ஸ்கைடோன்ஸ் மீடியா, ஜெர்ரி ப்ரூக்ஹெய்மர் பிலிம்ஸ் Director – ஜோசப் கொசின்ஸ்கி Artists – டாம் க்ரூஸ், மைல்ஸ் டெல்லர், ஜெனிபர் கான்னெலி Release Date – 27 மே 2022 Movie Running Time – 2 மணி நேரம் 12 நிமிடம்

டோனி ஸ்கார் இயக்கத்தில், டாம் க்ரூஸ், கெல்லி மெக்கில்ஸ், வால் கில்மர் மற்றும் பலர் நடித்து 1986ம் ஆண்டில் வெளிவந்த ஹாலிவுட் திரைப்படம் ‘டாப் கன்’. அப்படத்தின் தொடர்ச்சியாக 36 ஆண்டுகள் கழித்து வந்துள்ள படம் தான் ‘டாப் கன் – மேவ்ரிக்’.

ஜோசப் கொசின்ஸ்கி இயக்க, டாம் க்ரூஸ், மைல்ஸ் டெல்லர், ஜெனிபர் கான்னெலி மற்றும் பலர் இப்படத்தில் நடித்திருக்கிறார்கள். சுமார் 170 மில்லியன் யுஎஸ் டாலர் செலவில் உருவாகியுள்ள படம் இது.

டாம் க்ரூஸ் படம் என்றாலே அதிரடியான ஆக்ஷன் நிச்சயம் இருக்கும். இந்தப் படத்தில் இந்த ஆக்ஷன் அனைத்துமே அந்தரத்தில் இருக்கிறது. அதாவது வானில் போர் விமானங்களின் சாகசங்களாக இடம் பெற்றுள்ளது. இப்படத்திற்காக போர் விமானங்களை ஓட்டவும், கேமராக்களை வைத்து படமெடுக்கவும் டாம் க்ரூஸ் உள்ளிட்ட நடிகர்கள் சில மாதங்கள் பயிற்சிகளை மேற்கொண்டனர். அதற்குப் பிறகே படப்பிடிப்பில் கலந்து கொண்டனர்.

அமெரிக்க கடற்படையில் 30 ஆண்டுகளுக்கும் மேலாக பணியில் இருக்கும் விமானியான பீட் மேவ்ரிக் (டாம் க்ரூஸ்), ஒரு அதிரடி தாக்குதல் திட்டத்திற்காக இளம் திறமைசாலிகள் அடங்கிய போர் விமானிகள் குழுவுக்கு பயிற்சி அளிக்க அழைக்கப்படுகிறார். அங்கு அவரது நெருங்கிய நண்பரான மறைந்த கூஸ்–ன் மகன் பிராட்லி பிராட்ஷாவை (மைல்ஸ் டெல்லர்) சந்திக்கிறார். தாக்குதல் திட்டத்திற்கு பிராட்லியையும் சேர்க்க வேண்டுமா, வேண்டாமா என தடுமாறுகிறார் மேவ்ரிக். அதற்குக் காரணம் விமான விபத்தில் இறந்த நண்பன் கூஸ். இந்த சூழ்நிலையில் அவர் தாக்குதல் திட்டத்திற்கு யாரைத் தேர்ந்தெடுத்தார், தாக்குதல் வெற்றிகரமாக நடந்ததா இல்லையா என்பதுதான் படத்தின் மீதிக் கதை.

30 ஆண்டுகளுக்கு மேலாகியும் ஹாலிவுட்டின் அட்டகாசமான ஆக்ஷன் ஹீரோக்களில் ஒருவராக டாம் க்ரூஸ் இருக்கிறார் என்பதே அவரது ரசிகர்களுக்குக் கொண்டாட்டமாக இருக்கும். இந்த வயதிலும் 30 ஆண்டுகளுக்கு முன்னால் எப்படி ஆக்ஷன்களில் அசத்தினாரோ அதே போலவே இந்தப் படத்திலும் அசத்தி இருக்கிறார். மிகவும் மாடர்ன் ஆன போர் விமானங்களைக் கையாள்வதில் ஒரு பக்கம் ஆக்ஷன் என்றால், மற்றொரு பக்கம் தனது மறைந்த நண்பனின் மகனை இத்திட்டத்தில் ஈடுபடுத்த வேண்டுமோ என்று சென்டிமென்ட்டாக யோசிப்பதில் ஆகட்டும், இன்னொரு பக்கம் முன்னாள் காதலி ஜெனிபர் கான்னெலியுடன் ரொமான்ஸ் செய்வதில் ஆகட்டும் டாம் க்ரூஸின் நடிப்பு ‘டாப் நாட்ச்’ சொல்ல வைக்கிறது.

டாம் க்ருஸ் நண்பனின் மகனாக மைல்ஸ் டெல்லர், மைல்ஸை சீண்டிப் பார்க்கும் சக விமானியாக கிளென் போவெல், அட்மிரலாக ஜான் ஹாம் ஆகியோரும் இப்படத்தில் குறிப்பிட வேண்டியவர்கள். முதல் பாகத்தில் நடித்த வால் கில்மர் இப்படத்தில் அட்மிரல் ஆக ஒரே ஒரு காட்சியில் நடித்திருக்கிறார்.

உலக நாடுகளின் பேச்சுக்களைக் கேட்காத ஒரு நாடு யுரேனியத்தை வைத்து செய்ய நினைக்கும் பரிசோதனைக் கூடத்தை அழிப்பதற்காக டாம் க்ரூஸ் அவர் பயிற்சி தரும் மாணவர்கள் செய்யும் விமானப் பயிற்சிகள் ஒவ்வொன்றும் எப்படி படமாக்கப்பட்டது என்ற ஆச்சரியம் ஒவ்வொரு காட்சியிலும் நமக்குத் தோன்றுகிறது. இப்படத்தில் விஎப்எக்ஸ் காட்சிகள் குறைவாகத்தான் உருவாக்கப்பட்டிருக்கிறதாம். பல காட்சிகள் உண்மையான ஆக்ஷன் காட்சிகளாகவே படமாக்கப்பட்டுள்ளது.

இடைவேளை வரை கொஞ்சம் சென்டிமென்ட், வசனக் காட்சிகள், ரொமான்ஸ் என நகரும் படம் இடைவேளைக்குப் பின்னர் பரபரப்பாகி, கிளைமாக்ஸுக்கு முன்பாக சீட்டின் நுனியில் அமர்ந்து ரசிக்க வைக்கிறது. ஹாலிவுட் ஆக்ஷன் படப் பிரியர்களுக்கு இப்படம் நிச்சயம் பிடிக்கும்.

Reference:  Cinema Dinamalar

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• What is the release date of 'Top Gun: Maverick'? Release date of Tom Cruise and Miles Teller starrer 'Top Gun: Maverick' is 2022-05-27.
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"this is boring": how tom cruise changed one romantic top gun: maverick scene revealed.

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Why Top Gun: Maverick Recast Penny's Daughter

Denzel washington's next movie wraps filming with bts image, jeremy renner details bourne 5 pitch that featured matt damon team up.

• Tom Cruise thought the original version of Maverick and Penny's sailing scene in Top Gun: Maverick was " boring ."
• The scene was reshot on choppier waters to add drama and to more effectively establish Penny as a character.
• It's unclear if Penny will return in Top Gun 3 to continue the romance storyline with Maverick.

Top Gun: Maverick star Jennifer Connelly reveals the scene in the movie that had to be reshot because Tom Cruise deemed it " boring ." Directed by Joseph Kosinski, the sequel to 1986's Top Gun sees Cruise return as hotshot pilot Pete "Maverick" Mitchell, this time to train new pilots for a high-stakes mission. Although the Top Gun: Maverick reviews raved about the movie's intense aerial sequences, the romance between Maverick and Penny (Connelly) was a crucial part of the story that helped give Maverick more emotional depth.

In a recent interview with Vanity Fair , Connelly reveals that Penny and Maverick's sailboat scene in Top Gun: Maverick wasn't originally working for Cruise .

According to Connelly, Cruise decided that the scene was lacking in excitement and that it could be reshot to more effectively establish Penny as a character. Check out Connelly's full comment below:

"Originally, we shot a sailing scene in San Diego. It was a beautiful, beautiful boat. We saw dolphins. It was great. We did the scene, we’re sitting out there, and Tom goes, ‘No, this is boring.’ I was like, ‘Oh.’ [Laughs] He was like, ‘It’s not fast enough. It’s not cool enough. It’s not fast enough. I want Penny to be really strong’ and he was right. "We went to San Francisco, where it’s super windy, and it was an entirely different experience. We’re like getting soaked, and the wind. It’s so much better. And, like I was saying, we don’t have that much time with those characters to establish who they are. So a gesture like that, okay she’s sailing a boat and it’s calm and lovely versus she’s sailing this boat, and it’s this really like high-octane adrenaline experience. I think it was a great choice."

Will Penny & Maverick's Romance Storyline Continue In Top Gun 3?

There are several directions the franchise could go in.

Top Gun: Maverick was a major success both critically and commercially in 2022. It's no surprise, then, that Top Gun 3 is confirmed to be in development, with both Kosinski and Cruise expected to return. It's been reported that both Miles Teller and Glen Powell are also being eyed to return as Rooster and Hangman, respectively.

Franchise producer Jerry Bruckheimer confirmed to Screen Rant that a strong story idea is in place for Top Gun 3 , but Cruise's busy schedule might mean the film doesn't happen anytime soon.

Unfortunately, it's unclear at this early stage in development whether any other members of the Top Gun: Maverick cast will return, and that includes Connelly. The first film ends with Maverick and Penny taking a ride in Maverick's P-51 Mustang, seemingly now as a couple, but a sequel may not continue this happy ending. To add drama and conflict to the story, it's likely that Maverick and Penny's relationship won't be smooth sailing if it does return to be a focus of the next movie .

Top Gun: Maverick initially cast somebody different to play Penny's daughter, Amelia, but the actress was replaced before filming began.

It's also possible, however, that Top Gun 3 won't include Penny at all. Maverick and Penny could still be happily together in the world of the film, but the story could instead focus on fleshing out other characters' relationships. Many questions remain about the future of the franchise, but Cruise was evidently interested in making Maverick and Penny's relationship as compelling as possible in Top Gun: Maverick .

Source: Vanity Fair

Top Gun: Maverick

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Top Gun: Maverick is the sequel to the 1986 original film starring Tom Cruise as Pete "Maverick" Mitchell, a top-tier pilot in the Navy. Thirty years after the original film's events, Maverick is asked to head up a section of the TOP GUN program to embark on a dangerous mission. Things become personal when the program includes the son of Maverick's late friend, forcing him to confront his past.

Disney's New Movie Tackles a Forgotten Worldwide Phenomenon

• Collider's Perri Nemiroff sits down with producer Jerry Bruckheimer to talk about his latest collaboration with Disney, Young Woman and the Sea .
• The film tells the inspiring true tale of Trudy Ederle, the first woman to conquer the English Channel in 1926. She's played by Daisy Ridley in the movie.
• Bruckheimer also shares an exciting update on the upcoming Untitled Formula One Racing Movie starring Brad Pitt.

Jerry Bruckheimer is a legendary Hollywood producer who seems to have his thumb on the pulse of blockbuster films. There's a special magic that happens, however, when Bruckheimer teams up with Disney, resulting in epic adventures like Pirates of the Caribbean or heartwarming, inspirational classics like Remember the Titans . In their latest collaboration, with star and executive producer Daisy Ridley , Young Woman and the Sea captures both that sense of adventure and inspiration in the remarkable true story of Trudy Ederle .

"This woman was a worldwide phenomenon," Bruckheimer says of Ederle, portrayed by Ridley in the film. Young Woman and the Sea is based on the novel by Glenn Stout about Ederle who dared to brave the English Channel in the 1920s, ultimately becoming the first woman ever to successfully conquer that 21-mile swim. Buffeted by strong currents and challenged at every stroke, the Olympic swimmer set her mind on an unbelievable task and became "a trailblazer for female athletics" at a time "when they said women shouldn't be in the water."

Ahead of its theatrical release, Collider's Perri Nemiroff had the opportunity to sit down with Bruckheimer and discuss why this film, seven years in the making, was such an important story to tell. The producer shares the mantra he does business by, combining education and entertainment to make unforgettable films, like Dangerous Minds and Black Hawk Down , that celebrate extraordinary lives. In addition to Young Woman and the Sea , he also talks with Perri about Ridley as an up-and-coming producer, Brad Pitt 's untitled F1 project and why it's the Top Gun: Maverick of racing movies, and Bad Boys: Ride or Die .

Check out all of this and more in the video above or in the transcript below.

Young Woman and the Sea

The story of competitive swimmer Trudy Ederle, who, in 1926, was the first woman to ever swim across the English Channel.

Release Date May 31, 2024

Director Joachim Rnning

Cast Tilda Cobham-Hervey, Jeanette Hain, Christopher Eccleston, Stephen Graham, Daisy Ridley

Runtime 100 Minutes

Main Genre Biography

Writers Glenn Stout, Jeff Nathanson

The Secret to Jerry Bruckheimer's Success

PERRI NEMIROFF: What is something about your approach to filmmaking that's stayed the same since day one, but then can you also tell us something that you've been doing differently recently given how the industry has evolved?

JERRY BRUCKHEIMER: Nothing different. I always make movies I want to see. That's the only mantra I have. I don't know about you, I don't know what the audience likes. I have no idea. If I read something or see something or hear about something that I would like to see, I try to get it made. But I don't know, someday that's gonna all change because I'll like something nobody else will, and you'll be talking to somebody else here.

Is there anything in particular you were surprised to like and pursue recently?

BRUCKHEIMER: Well, this is one of them. I mean, you’d never think I'd make a story this emotional about this woman, but we've been doing it a lot. We like to tell stories that educate and entertain, and this is a movie that does both. We told the story Dangerous Minds about this phenomenal teacher up in Northern California who changed these kids' lives. We did Veronica Guerin , a journalist who lost her life because she was writing about drugs in Ireland. We did Remember the Titans about these two coaches that will never be forgotten, and Glory Road , the same thing. We did Black Hawk Down about those 18 men who were killed, and the parents came up to me, “Thank you so much for making the story about our sons." They’ll never be forgotten. So, those are stories. Now, Trudy is a story that nobody in this country has ever heard of. It's unbelievable.

That’s wild to me.

BRUCKHEIMER: When you see the archival footage at the end of the movie about the parade, you say, “Oh my god, this woman was a worldwide phenomenon who just completely got wiped out. ” Now we're bringing her back because women should know about her. She was a trailblazer for female athletics, for all the women today who are competing, when they said women shouldn't be in the water. It's a great story.

One of the things that I was thinking after I watched it is, this movie will inspire others to take up swimming, whether it's competitively or as a hobby. Have you ever seen a movie that's inspired you to do something or try something new?

BRUCKHEIMER: I think as a teenager, most probably yes. I don't know what that was, but I think we all get inspired by movies. Top Gun , when it came out, recruiting for the Navy went up 500%. So, we do change things for the better. I'm just thrilled that we get to entertain the audience. We say we're in the transportation business; we try to transport you from one place to another, take you away from your life for two hours, and make you feel something. That's what Young Woman in the Sea does. It makes you feel something. When you walk out, you feel better.

I can very much confirm that that was my reaction to this movie, genuinely.

Even though it seems very obvious to me why someone would adapt this story into a movie, I was reading that it took seven years to get this film off the ground. What were some of the hurdles you had to overcome to make it happen, and what would you call the game-changer that finally made the green light happen?

BRUCKHEIMER: I think it was Disney. The people at Disney. Executive Sam Dickerman and his team there really fell in love with the script, and they kept bothering us. We were at other studios, and he said, “If you ever get it out of there, please bring it to me.” He really championed it and made sure it got made and was our cheerleader throughout the whole process.

What Took So Long for 'Young Woman and the Sea' to Make Waves?

"it's a big epic look at her life and her world.".

I'm glad Disney swooped in, but why didn't that happen sooner? How did no one bite sooner?

BRUCKHEIMER: Because conventional wisdom is that sports movies just don't do well. They just don't. They're inspirational, they test well, but nobody shows up. So, we’ve got to prove them wrong, and the way you prove them wrong is by you talking about it, writing about it, and telling an audience what an extraordinary movie this is , what a great experience it is, that it’s something you have to see on a big screen. It's a big epic look at her life and her world.

Absolutely. And also, I beg to differ because you made a high-quality movie, and we also had another phenomenal female-led swimming movie that was Oscar-nominated recently. Anyone can see that there is a lot of value in this industry with these kinds of films and stories.

BRUCKHEIMER: We had a screening last night with a lot of Hollywood people there, and David O. Russell was there, and he's sitting in the audience and he says, “Oh boy, another just drama.” And then he got caught up in it and just loved the movie, and he went over to the Disney executives, “You have to keep this in theaters! This is such a good movie. You gotta let this build.” He loved it, and he's somebody who tells you he doesn't like it or if he likes it. So, he was really enthusiastic about it.

Diana Nyad was at the screening last night, and she went up to Daisy and loved the movie and thought she did an amazing job. She actually had met Trudy, so that's really interesting.

'Nyad' Review: Annette Bening and Jodie Foster Swim To Crowd-Pleasing Depths

Based on Diana Nyad's epic swim, Jimmy Chin and Elizabeth Chai Vasarhelyi's feature is a riveting sports drama.

You brought up Daisy just now, so I'll go to her next. You are one of the most prolific Hollywood producers we have. As of late, she is producing more and more, so what is something about her as a producer that you think will benefit the future of Hollywood?

BRUCKHEIMER: She has great instincts about the script. She really does. She's a good storyteller. She's very smart about her character. We spent hours and hours with her working on the script and reading things through with the rest of the cast, and she had a lot of great ideas and helped us enormously.

I like hearing that. I have all the faith in her in the world.

Brad Pitt's F1 Film Is 'Top Gun: Maverick' for Racing

I wanted to ask about an upcoming movie. Before I even say “the Untitled Formula One Racing Movie,” are we going to get a title for that soon?

BRUCKHEIMER: So far it's still F1 Untitled, but you'll have a title soon.

I'll take it. In general, I love Joseph's work, but one of my favorite things about Top Gun: Maverick is how he revolutionized the way that we photograph fighter pilot movies. Is there anything in particular he's doing on that film that will change the game in terms of how we photograph racing movies?

BRUCKHEIMER: Absolutely. The cameras on F1 , we put six cameras in the cockpit of F1, and they were about this big, now they're this big, and they couldn't move, they were stationary. Now he's got them panning. So you can be on Brad's face and pan to the car next to him. It's unbelievable what he's doing. He's got 14 different camera positions on the car. We use four at a time because we don't want to slow the cars down. Brad's been training in the cars. It's an F1 body that Joe helped design with Mercedes over an F2 engine, which is a 200-mile-an-hour engine, and Brad’s learned how to drive it. The drivers who are training him say he's a natural athlete and he's a great driver. Damson, the same thing.

We just got back from Abu Dhabi. We spent two weeks there filming. We're very fortunate, we're one of the few people that the strike hurt but not as much as other people because Joe got to direct all the stuff with the cars that initially a second unit director was going to do. So last year, we were following all the races without the actors, shooting all the car footage and the driving footage. Now we're putting our actors in the car and doing the dramatic stuff, and we go back to all the different places and film again. So, it's really exciting. It's a fabulous world. We're so lucky to be part of it. They've been great partners with us, the F1 people. Those drivers, there are only 20 of them. There’s only 10 teams, 20 guys, and they're picked by if they're a great driver — and they start when they're seven or eight years old — if they're charismatic, and if they're good looking. So you look at these young men, and they're all very handsome, but they're phenomenal drivers. They're the best drivers in the world. Just to see them go over 220 miles an hour coming around these turns and going down to 50 miles an hour, it's extraordinary, and you’re watching Brad do this. It's a world that people are going to be captivated with. Another emotional story. So, it's gonna be really good.

Oh, I believe it. I'm excited to see it. But now I'm even more excited to see the behind-the-scenes!

BRUCKHEIMER: But you have to see another one. We have Beverly Hills Cop [ Axel F ] coming out on Netflix, and then we have Bad Boys [ Ride or Die ]. Both of them are really good. We just had some previews for Bad Boys , and the reviews, fans flipped over it.

Young Woman and the Sea will open in select theaters beginning May 31 before premiering on Disney+ later this year. Click the link below for showtimes.

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Top Gun 3 Gets Disappointing Update from Producer

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Since word emerged earlier this year about Top Gun 3 's developments, fans await when the threequel starring Tom Cruise's Pete "Maverick" Mitchell will hit screens. Judging by Jerry Bruckheimer's latest comments, the next Top Gun installment won't take flight anytime soon.

Speaking with Games Radar at the premiere of Young Woman and the Sea , Bruckheimer issued a cautious progress update on Top Gun 3 . According to Bruckheimer, development remains in its early stages and fans of the action franchise must be patient. When asked if he's had conversations about the threequel with Cruse, Bruckheimer said, " We had preliminary stuff. We're not there yet. [There's] ways to go. "

Original Top Gun Star Sues Paramount Over Use of His Likeness in Maverick

One original Top Gun actor is taking Paramount to court after his likeness was featured in Top Gun: Maverick.

Paramount announced Top Gun 3 's development in January , with Cruise confirmed to return as the lead character Mitchell for the follow-up, while co-stars Glen Powell and Miles Teller will also appear. Joseph Kosinski, who helmed the most recent sequel, Maverick , is set to either direct or produce the threequel, with Bruckheimer producing alongside Cruise and David Ellison. Additionally, Ehren Kruger, who penned Maverick , will return to write the Top Gun 3 screenplay.

It's Hard to Say When Top Gun 3 Will Start Filming

Bruckheimer gave a similarly honest update about Top Gun 3 in March , claiming he and Paramount can't nail down a potential release window until Cruise's busy schedule clears up. Cruise recently inked a strategic partnership deal with Warner Bros. , allowing him to do projects on his return to the studio while continuing to work with Paramount. The legendary actor, who has been filming Mission: Impossible 8 in the U.K., will reportedly be working with the Birdman creative team for an untitled project by Warner Bros. and Legendary Entertainment.

Who Is Top Gun: Maverick’s Penny and Is She in the First Film?

Since Kelly McGillis did not return for the Top Gun sequel, producers turned to an "old flame" for Maverick's love interest, Penny Benjamin.

Maverick became a huge critical and commercial success following its 2022 release, 36 years after the original Top Gun film came out. The sequel (96% on Rotten Tomatoes) grossed $1.493 billion worldwide and won an Academy Award, among other major honors. Maverick also featured Jon Hamm , who has also expressed an interest in returning for the threequel despite not having official talks about a comeback as Vice Admiral Beau "Cyclone" Simpson.

Young Woman and the Sea is the next Bruckheimer-produced film, set for release on May 31, with the Disney biographical drama featuring Daisy Ridley as Olympic champion swimmer, Gertrude "Trudy" Ederle. Additionally, he's got a production credit on the upcoming action comedy sequel, Bad Boys: Ride or Die , with the anticipated film starring Will Smith and Martin Lawrence set for its theatrical debut on Jun. 7.

Fans can watch Maverick on Netflix or Prime Video.

Source: Games Radar

Top Gun: Maverick

After thirty years, Maverick is still pushing the envelope as a top naval aviator, but must confront ghosts of his past when he leads TOP GUN's elite graduates on a mission that demands the ultimate sacrifice from those chosen to fly it.

Glen Powell Almost Landed Josh Hartnett's Role In Oppenheimer

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• Glen Powell narrowly missed out on a part in Christopher Nolan's Oppenheimer, showcasing his rising star in Hollywood.
• Powell previously worked with Nolan on The Dark Knight Rises , despite recent missed opportunities for other projects.
• Rising star Powell's upcoming projects include Twisters and numerous other films with well-known directors in various stages of development.

Glen Powell has many upcoming roles on his slate, but the Hit Man star recently spoke about one particular part that he missed out on. Since his supporting turn in Top Gun: Maverick , Powell has become a hot commodity in Hollywood and could very well be one of his generation's most sought-after actors. That being said, the actor can't land every part out there, and he's revealing that he missed out on an opportunity to work with Christopher Nolan on his last film, Oppenheimer .

Oppenheimer

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During a chat with GQ UK , Powell revealed that he was very close to playing nuclear physicist Ernest Lawrence in Oppenheimer, a role that ultimately went to Josh Hartnett. Powell says that he missed out getting the part "by a slim margin" but did admit that he's still in touch with Nolan and has "faith that they'll get to do something together soon." Should Powell get that opportunity, it wouldn't be the first time that the actor and Nolan have worked together.

Hit Man Review: Glen Powell Goes Big in an Insane Rom-Com

Hit Man is a genuinely psychotic movie disguised as a mainstream action rom-com, with great chemistry between Glen Powell and Adria Arjona.

Glen Powell Would Work With Christopher Nolan Again

Before Powell made a big mark in the industry, the actor had a small role in Nolan's The Dark Knight Rises . The actor played a trader who has the misfortune of crossing paths with Bane (Tom Hardy) at the Gotham Stock Market. Bane ends up taking the trader's head and smashing it into a keyboard, a moment that fans have regularly pointed out after Powell began securing more movie roles. Powell doesn't mention his time doing The Dark Knight Rises in the interview, but that's surely a moment that an actor wouldn't forget.

Watching Powell's ascension has been incredible to watch. Following Top Gun: Maverick , Powell starred in Devotion and then created a big critical stir when Richard Linklater's Hit Man , a film he stars in and co-wrote, premiered at the 80th Venice International Film Festival. The movie currently holds a stellar 97 percent on Rotten Tomatoes, and it has steadily built up buzz heading into its debut on Netflix on June 7.

More success followed with the romantic comedy Anyone But You , co-starring Sydney Sweeney. While many tried to suggest a streaming release for the rom-com, Powell and Sweeney felt strongly that it should be released exclusively in theaters . It's a move that would ultimately pay off, with the film releasing in December 2023 and ending its run on $219 million globally on a slim $25 million budget.

Top Gun: Maverick Star Glen Powell Is Only Interested in One DCU Superhero Role

Top Gun: Maverick star Glen Powell is not really interested in starring as a superhero...unless it's a particular DC icon.

Powell will next be seen in Twisters , a standalone sequel to the 1996 disaster movie hit. The actor will be playing the cocky storm chaser Tyler Owens, alongside Daisy Edgar-Jones, Anthony Ramos, Brandon Perea, Maura Tierney, and Sasha Lane. Twisters hits screens on July 19. In addition, Powell's other projects in various stages of development are a remake of The Running Man by director Edgar Wright, a project with director J.J. Abrams, the revenge thriller Huntington , and a remake of Heaven Can Wait .

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Home » Box Office

Ghilli Re-Release Box Office Collection: Thalapathy Vijay Destroys Rajinikanth’s Lal Salaam, Closes As The Sixth-Highest Grosser Of 2024 In Tamil Nadu!

Thalapathy vijay destroys rajinikanth's position in the top 10 charts as ghilli re-release earns 39.58% higher than lal salaam..

It was on April 20 that Thalapathy Vijay and Trisha’s sports action film Ghilli was re-released in the cinemas, marking the 20th anniversary of the superhit film. However, no one knew that this re-release would set up a new benchmark at the box office, with the film breaking records!

Ghilli Re-Release Closing Collection

Ghilli ended its run under 30 crore at the box office but is the sixth-highest-grossing Tamil film of 2024, destroying Jayam Ravi and Rajinikanth ‘s position in the list and throwing Blue Star out of the top 10 list.

Ghilli , on the day it was re-released , crossed the 8 crore mark worldwide , creating a hysteria none had expected. The overall ticket sales for the film on the opening day touched almost 400K , which might be a synonym for phenomenal.

On the first day of its release, Ghilli Re-release surpassed many Kollywood releases of 2024 including Rebel, Kalvan, and others. It also crossed the opening day collections of many Tollywood films, including Gaami, Bheema,  Eagle , Yatra 2, The Family Star, and others.

Ghilli Re-Release – Sixth Highest Grosser

Thalapathy Vijay revamped the Tamil Box Office in 2024, giving it a reason to breathe before Tamannaah Bhatia arrived with Aranmanai 4 to destroy numbers.

Check out the top 10 highest-grossing films of 2024 in Tamil Nadu.

1. Aranmanai 4 : 63.90 crore gross 2. Manjummel Boys: 63.80 crore gross 3. Ayalaan: 54.60 crore gross gross 4. Captain Miller: 40.5 crore gross 5. Godzilla x Kong: 35.50 crore gross 6. Ghilli Re-release: 24.80 crore gross 7. Lal Salaam: 19.20 crore gross 8. Siren: 16.25 crore gross 9. Vadakkupatti Ramasamy: 14.50 crore gross 10. Singapore Saloon: 11.25 crore gross

Note: Box office numbers  are based on estimates and various sources.  Numbers have not been independently verified by Koimoi.

Check out the box office collections and verdicts of Tamil Films Of 2024 here.

For more stories and updates, stay tuned to Koimoi.

Must Read: Aavesham Box Office (After 50 Days): Fahadh Faasil Closes 37.42% Higher Than Bade Miyan Chote Miyan + Maidaan Total – 3 Reasons It Destroyed Hindi Eid Releases!

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