my favorite poet essay

Essay on “My Favourite Poet” for Kids and Students, English Essay, Paragraph, Speech for Class 8, 9, 10, 12, College and Competitive Exams.

My Favourite Poet

The literature of any language is adorned by its poetry because poetry can convey the meanings beyond word using a few words. My favorite poet is William Wordsworth, a pioneer of romantic poetry in English literature. He had the courage and conviction to break away from the set rules and regulations of classical poetry and form his own poems independently. He wrote in the language of ‘humble and rustic people’. And the poetic subjects in his poems are simple and impressive. He experienced the profundity of innocence and simplicity of children and declared ‘child is the father of man’. Nature appealed to him as a mystic and majestic presence that always casts an impact on the human mind. His poetry draws us back in the soothing lap of nature from this world of teens and travails. In his love for nature, he calls nature the ‘the nurse, the guide, the guardian of my heart/and the soul of all my moral being.’ He has this firm faith that close contact with nature can make us more human, kind, and generous to our fellow beings. His poetry is sensitive, impressive, and educative too. Among his famous poems, “The Solitary Reaper, Lines on Tintern Abbey, on Westminster Bridge and Daffodils’-I like ‘The Daffodils’, the best. In it, describing the beautiful daffodil flowers, he conveys how nature can be a perpetual source of joy and solace to the human heart. I always derive some inspiration and calm from his poetry.

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Essay on My Favourite Poet

Students are often asked to write an essay on My Favourite Poet in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on My Favourite Poet

Introduction.

My favourite poet is Robert Frost, famous for his realistic depictions of rural life.

Frost’s Work

Frost’s poems, like “The Road Not Taken”, inspire me. They reflect life’s complexities, encouraging deep thought.

Why I Admire Him

I admire Frost for his profound wisdom and ability to convey complex ideas simply, making his poetry accessible and enjoyable for all readers.

250 Words Essay on My Favourite Poet

In the realm of literature, poetry stands as a unique medium of expression, offering profound insights into the human condition. My favourite poet, T.S. Eliot, masterfully harnesses this potential, weaving intricate tapestries of thought and emotion.

The Power of Eliot’s Poetry

Eliot’s work is a testament to the power of poetic language. His poems, such as “The Waste Land” and “The Love Song of J. Alfred Prufrock,” are renowned for their depth and complexity. Through his innovative use of imagery and metaphor, Eliot explores themes of disillusionment, despair, and the search for meaning in a rapidly changing world.

Resonance with Modern Life

Eliot’s poetry resonates with me because of its relevance to modern life. His exploration of the individual’s struggle against the impersonal forces of society speaks to the alienation and anxiety that many of us experience in the contemporary world. His work serves as a mirror, reflecting our own struggles and fears.

In conclusion, T.S. Eliot’s poetry captivates me due to its depth, complexity, and relevance. His work embodies the power of poetry to articulate the human condition in all its complexity. In a world often characterized by superficiality and noise, Eliot’s poetry offers a profound and thoughtful sanctuary.

500 Words Essay on My Favourite Poet

Every individual has their own unique taste when it comes to literature and art. For me, the realm of poetry holds a special place, and within that realm, the works of William Blake shine the brightest. Blake, an English poet, painter, and printmaker, has been a constant source of inspiration and fascination for me. His profound influence on the Romantic age of literature and his ability to weave intricate emotions and thoughts into his verses make him my favourite poet.

Blake’s Unique Artistic Vision

What strikes me most about Blake is his unique artistic vision. His poetry reflects a deep connection with spirituality and human nature. He was not just a poet, but also a philosopher who explored the depths of the human psyche. His works, such as “Songs of Innocence and of Experience”, portray the contrasting states of the human soul, encapsulating the innocence of childhood and the complexities of adulthood.

His Socio-Political Relevance

Blake’s poetry is not only spiritually enlightening but also socially and politically relevant. He was a vocal critic of the oppressive societal norms and the Industrial Revolution’s negative impacts. His poem “London” from “Songs of Experience” is a vivid portrayal of the city’s dismal state during the industrial era, marked by poverty, child labour, and social injustice. This socio-political consciousness in his poetry resonates with me deeply, making his work not only timeless but also universally relevant.

Blake’s Mysticism and Symbolism

Another aspect that draws me towards Blake’s poetry is his use of mysticism and symbolism. His work is filled with religious and mythological allusions, creating a rich tapestry of meaning that invites readers to dive deeper. For instance, his epic poems “The Four Zoas” and “Jerusalem” are filled with complex allegories and symbols, reflecting his innovative and imaginative spirit. His ability to create such a vivid and mystical world through his words is truly captivating.

His Impact on Me

Blake’s poetry has had a profound impact on my understanding of literature and life. His exploration of human nature, his critique of societal norms, and his spiritual insights have shaped my perspectives and inspired me to look beyond the surface. His poems have taught me that literature is not just about beautiful words but also about deep thought, critical analysis, and emotional resonance.

In conclusion, William Blake, with his unique artistic vision, socio-political relevance, and mystic symbolism, stands as my favourite poet. His poetry, rich in thought and emotion, transcends the barriers of time and space, making him a universal poet. His works continue to inspire and enlighten, making him not just a poet of the Romantic era, but a poet for all ages.

That’s it! I hope the essay helped you.

Apart from these, you can look at all the essays by clicking here .

Essay On Rabindranath Tagore | Essay On My Favourite Poet Rabindranath Tagore in English for Students and Children

February 12, 2024 by Veerendra

Essay on Rabindranath Tagore: The National Anthem that we sing with such pride as written by Rabindranath Tagore, who was one of the most significant men and nationalists in India. He was a poet as well as a writer and had won the Nobel Prize for his piece known as “Gitanjali.” His writings are still studied by students all over the world. We have compiled some long and short essays for the use of the readers.

You can read more Essay Writing about articles, events, people, sports, technology many more.

Long and Short Essays on Rabindranath Tagore in English Language for Kids and Children

Given below is an extended essay of approximately 400-500 words and is for the students of standards 7-10 and a short piece of nearly 100-150 words for the students of standard 1-6.

Essay On Rabindranath Tagore is for the use of students in classes 7,8,9 and 10.

Long Essay on Rabindranath Tagore in English 500 words

Rabindranath Tagore is the Bard of Bengal and is hailed as one of the most prominent Indian Poets. Tagore’s intense contribution to the world of Literature earned him the prestigious Nobel Prize in Literature. His verses and proses are considered unique in their way that the readers can relate with their day to day lives.

Tagore was born in an elite family of Calcutta and was the youngest of the thirteen siblings. He was not the brightest of student during his school life, but there was always a creative spark in him, which made formal learning difficult for him, and he detested the concept of classroom schooling.

He received great classical music lessons from professional musicians, who were sent by his father. Tagore’s family had an educational bent of mind, which made him stand out of the rest.

His phenomenal talent in portraying the real state of Bengal attracted the mass. In his stories, he tried to reflect what he saw and felt instead of writing farfetched stories. He had used his writings as a weapon to break free from the shackles of the traditional society and helped to construct a modern and logical society. His work is liked and appreciated all over the world and has been translated into innumerable languages.

“Manasi” was one of his best works, which perfectly showcased who genius a writer he was. Many of his poems were a satire to the society and was written t. o raise voice against the dominating British rule. His works portray the humble life and miseries simultaneously. His genuineness was shown by the poignancy and poise writings.

Tagore was quite vocal about his views on different political movements. He was more in support of the intellectual upliftment, and his views often conflicted with Mahatma Gandhi and other eminent political leaders. Tagore was not in favor of the Swadeshi Movement, and Globalisation was something that had a significant impact on him even during the 19th century. He was so patriotic that he had returned the Honorary Knighthood award as a protesting act against the Jallianwala Bagh Tragedy.

You can read more Famous Personalities/People’s Essay writings over here.

Tagore was credited to have written the National Anthem of India. He had also written the National Anthem of Bangladesh and Sri Lanka, Aamar Shonar Bangla, and Sri Lanka Matha, respectively. He first wrote the Sri Lanka Matha and then was translated to Sinhala by his student, Ananda Samarakoon.

The dissatisfaction of the traditional education system in England inspired him to start the “Vishwabharati University” in Santiniketan, which was initially a school that offers a friendly environment for the students to study and explore their creativity. The ending of the legend’s life was painful. He was infested by 2 elongated attacks of sickness and was affected by an exhausting disorder.

Read More: Mahatma Gandhi Essay In English 150 Words

Short Essay on Rabindranath Tagore in English 250 words

Students in classes 1, 2, 3, 4, 5 and 6 can use this Essay On Rabindranath Tagore.

Rabindranath Tagore was a great Bengali poet who had upgraded Bengali Literature in commendable ways. He was the youngest son of the leader of Brahmo Samaj, Debendranath Tagore. Rabindranath Tagore wrote the National Anthem of India and two other countries. He had written famous Dramas like Visarjan and Valmiki Pratibha. Rabindranath Tagore’s short stories are the most appreciated ones, out of which The Kabuliwala is very renowned. He received the Nobel Prize for his work “Gitanjali: the song offerings.” He passed away on 8th august 1941 when the world mourned for him.

10 Lines Essay on Rabindranath Tagore in English 150 words

Rabindranath Tagore was born in the Tagore family in Mansion of Jorasanko, Calcutta, on 7th May 1861.
Tagore was an extraordinary writer who was determined to bring concrete changes in society.
During the freedom struggle, his ideologies did not match with Gandhi and many famous patriots.
He had first started the ceremony of tying the “yellow thread” to promote the idea of the fraternity during the Partition of Bengal.
Tagore was a true patriot; he had written poems and songs, which was a powerful weapon to raise voice against the British.
He was an incredible painter, artist, humanist, nationalist, author, rationalist, writer, philanthropist, and an eminent academician.
He wrote the National Anthem of India, which is Jana Gana Mana, Bangladesh, which is Aamar Shonar Bangla, and Sri Lanka which is Sri Lanka Matha.
He won the Nobel Prize in Literature in the year 1913 for his much-celebrated work, “Gitanjali: the Song Offerings.”
He was deeply disheartened about the traditional education system, which inspired him to build up an institution unlike others, and this is how the world-famous “Viswabharati University” was formed.
Tagore died on 8th August 1941, leaving behind his dramatic works and ideologies, which are to date studied by students all around the globe.

Frequently Asked Questions Essay On Rabindranath Tagore

Question 1. What was Rabindranath Tagore famous for?

Answer: Rabindranath Tagore was famous for his paintings, short stories, novels, and poems. Tagore was awarded the Nobel Prize in 1913 for Literature.

Question 2. In which year was Rabindranath Tagore born?

Answer: The Bard of Bengal, Rabindranath Tagore, was born on 7th May 1861, Calcutta.

Question 3. What are Rabindranath Tagore’s most famous short stories?

Answer: Some of Tagore’s most celebrated short stories are the Kabuliwala, the postmaster, etc.

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500 Words Essay on Allama Iqbal in English

by Cherie McCord

Allama Iqbal was undoubtedly a prestigious National hero born in Sialkot. He was an outstanding poet-philosopher and political leader. However, writing an essay on such great personalities requires enormous time and research to do complete justice. Hence, availing help from expert essay writers can make your life easier. They perform detailed research and write an essay that surely entices the readers.

500 words Complete essay on Allama Iqbal in English. You can use the Allama Iqbal essay as my favourite poet, hero, and personality as well. Allama Iqbal is the national poet of Pakistan. He was born in Sialkot in 1877. After completing his primary education in Sialkot, he moved to Lahore for further studies.

He did his MA in philosophy there and taught for some time in the GC Lahore. After that, he went to Germany for his PhD in philosophy.

At that time, English were the ruler of India. They were trying their utmost to confine Muslims to the cages of slavery and ignorance. Therefore, the situation of Muslims was pathetic during that time. They were not offered high-rank jobs in Government.

Iqbal, being a well-wisher of Muslims, tried to awaken them from the deep sleep of negligence. He used the power of poems and verses to give Muslims of the subcontinent a light of hope. He reminded them of the achievements and standards of their forefathers.

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Table of Contents

Essay on Allama Iqbal Quotes

I lead no party; I follow no leader. I have given the best part of my life to careful study of Islam, its law and polity, its culture, its history, and its literature Allama Iqbal

Nations are born in the hearts of poets, they prosper and die in the hands of politicians. Allama Iqbal

Two Nation Theory by Allama Iqbal

He also wrote letters to Quaid-e-Azam to work for his depressed nation. In his Allahabad session, he gave the solution to the problems of Muslims in the form of Two Nation Theory. He believed that Muslims are different in every aspect of life from Hindus. He suggested that Muslims should work for getting their own homeland.

Iqbal as a Poet

Iqbal was a great poet. The goal of his poetry was to remind the Muslims of their glorious history. His poetry highlighted golden Muslim traditions and achievements. Every verse by Iqbal gave Muslims a wake-up call to regain their respect. It is full of permanent national feelings.

Teachings by Allama Iqbal

He wrote poetry both in Urdu and Persian. His verses give reference to the Holy Quran. It gives a sense of spirituality and morality. In this age, Muslims need to get guidance from his poetry. He is our hero and one of the people who laid the foundation of Pakistan.

Allama Iqbal died on 21st April 1938 due to severe throat infection. May his would rest in heaven. May his words continue to inspire young generations to follow the path of self-esteem.

We hope that this essay on Allama Iqbal has provided you enough information to use it in 9th, 10th, first year and second year classes and you won’t need to ask expert essay help from someone from Write My Paper Hub for writing your own paper on similar topics.

Essay on Allama Iqbal with Quotations | My Hero in History

Essay on my hero in history – allama iqbal essay in english with quotations for 2nd year for the exams of matric, f.a, b.a and other classes.

Here is an Essay on Allama Iqbal in English with Quotations for FSC students. However, outstanding students of 10 Class, 2nd Year and graduation also can learn it by heart. Students can prepare it for the annual exams. This essay comes in exams with different names like My Hero in History, Essay on Allama Iqbal and My favourite poet. There are some more English Essays available here .

Short Essay on Allama Iqbal for 10th Class, 2nd Year and Graduation with Quotations

The Hero is “a person who is admired for having done something very brave or having achieved something great. (Cambridge Advanced Learners)

The hero is seen as a man of exceptional qualities and matchless genius. He has the potential and courage to change the fate of his nation. He is the man of strong will power, steadfastness and outstanding nerve. His inspiring personality benefits the nation in multiple ways.

“A Hero is a man who does what he can.” (Romaine Rolland)

In human history, there are countless people who served humanity with their outstanding tasks. When we talk about great personalities, various names such as Muhammad Ali Jinnah, Allama Muhammad Iqbal, Martin Luther King, Mother Theresa and much more come to mind. These people had done a lot of things for the people. who needed them. They showed their tremendous courage in banishing the various ills of society and benefitted their nations to a great deal.

“True heroism consists in being superior to the ills of life, in whatever shape they may challenge us to combat.” (Napoleon)

Among all these great men, my favourite personality is Allama Muhammad Iqbal . He is our national poet. A great poet only needs a simple verse to leave a long-lasting impression in the reader’s mind that’s why the poets attract me the most. They are said to be the disciples of God. They feel and express themselves in an unusual way. I, being fond of poetry, besides reading Urdu poets like Faiz, Firaq, Iqbal, Hafeez, Josh, Ghalib and many others, have also read Keats, Shelley, Blake, Yeats, Browning, Wordsworth and few other English poets. But Iqbal is my favourite personality> he is not only a poet, he is the leader and champion. He is a genius possessing matchless qualities in his personality.

The creator of the Idea of Pakistan, the poet of the East and champion of Islamic Philosophy was born in Sialkot on November 9th, 1877. He inherited mysticism from his father Sheikh Noor Muhammad and received his early education in his native town. After passing the intermediate examination from Murrey College, he joined Government College Lahore. He got his M.A in Philosophy with distinction and went over to England. There he did his PhD. After his return to the homeland, he settled down as a practising lawyer. But he never felt cager for this profession. He had a higher calling in view. He aimed at the regeneration of the Muslims through poetry. He believed that nothing but Islamic Principles present the real code of life, As he says:

“I lead no party, I follow no leader. I have given the best part of my life to the careful study of Islam, its law and polity, its culture, its history and its literature.”

He persuaded the Muslims of India to realize their worth and urged them to learn the lesson of “self-esteem”. He convinced the Muslims to break the chains of slavery and come out as an independent nation. He wrote various letters to Quid-e-Azam requesting him to do something for the Muslim Nation. It was he who gave an idea of Pakistan.

In 1930, he made a historic speech in which he pointed out that the Muslims are quite different in their beliefs, customs and religion from other nations. He proposed a plan of peace and happiness for Indian residents.

In his poetry, there are many references from the Holy Quran. Some critics even are of the view that Iqbal’s poetry is the true explanation of the Holy Quran. His poetry suggests that Islam is a universal religion which has the ideal guidance not only for the Muslims but also for the whole world. He urged the Muslims to rekindle the flame of faith in their heart.

“To have no faith is worse than slavery.”

There is no doubt his poetry has universality and would continue benefitting the whole world. He has provided the fantastic code of ethics in his poetry. How beautifully he delivers the idea of self-respect, ego and attainments in life.

The ultimate aim of the go is not to see something, but to be something.

If the Muslims begin to study, understand and follow his advice, they will surpass the nation and get an elevated place in this world. He is surely a hero in a true sense. He is my favourite personality. May the Muslims of this era get inspiration from his poetry and regain their lost glory.

After preparing this essay on Allama Iqbal you should go for An Essay on Ideal Teacher .

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March 28, 2018 at 6:14 am

A very good Essay on My Favourite Personality Allama Iqbal.

June 2, 2019 at 3:19 am

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October 30, 2020 at 5:50 am

That was a fantastic essay….

AZKA SOHAIL

December 4, 2020 at 11:54 am

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December 4, 2020 at 8:45 am

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February 24, 2021 at 5:19 pm

Thnk u sooooooooo very much ilmi hub fr providing such an amazing essay …😍keep up the good work and May Allah bless u ..

Hassan Tanweer

December 17, 2021 at 5:24 am

It is very helpful and easy essay for an outstanding student……Thanks alot for writing such a beautiful essay on Allama Iqbal with quotations..

May you succeed in your goals.

December 17, 2021 at 3:07 pm

AAMEEN AND SAME TO YOU.

Asma Ramzan

September 25, 2022 at 1:31 pm

Great essay and its conclusion is awesome 👍 keep up your good work

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My Favorite Poet: Emily Dickinson

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There is no information in Emily Dickinson 's poems that separates her from us. She works the seams of language through her mastery of rhetoric and poetic form. She extracts from words "amazing sense." Instead of merely referring to the experience of the writer, the poem is made to be an experience for the reader, which is precisely how she says she knows poetry in her famous remark to Higginson: "If I read a book [and] it makes my whole body so cold no fire ever can warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only way I know it. Is there any other way"

No, there isn't. Dickinson is the only poet about whom I consistently feel, "I wish I could write like that." My ambition to understand her inside out is to absorb all she can give me, but her rigorous attention to paradox and its manifold exfoliations are beyond me. The inimitable stylistic manifestation of this attention is most apparent in her usage not her vocabulary—condensing predications and changing grammatical classes of words much more than using specialized and obscure meanings of them (although there is a little of that, too) . To cite just one example: "The Daily Own - of Love/ Depreciate the Vision" (426)—as Cristanne Miller says in A Poet's Grammar —"creates a kind of parataxis, for which the reader must work out the appropriate relationship." A verb ("Own") is the subject of a sentence that also violates rules of subject-verb agreement ("The Own…Depreciate"). Dickinson makes the reader participate in the poem, to follow its twists and fill in its (sometimes unfillable) blanks. Her style is in the service of truth: truth-telling and truth-discovering: "Truth is such a rare thing it is delightful to tell it" (as Higginson reported she said to him). She jolts us with it. And she jolted herself. The knocked-off top of her head must have spent a good deal of time on the floor next to her desk. The occasional difficulty and irresolvable ambiguity of her poems is incidental to their knocking my head off, too. That difficulty is more in what is being said than in how it's being said. She is never more difficult than she has to be, but she is committed to being exactly that difficult (and that easy), and her figuration and condensation are sometimes necessarily dense and usually unusually intense.

So the so-called "enigma of Emily Dickinson" is not an enigma to me at all. Everything we need to know about her is in those 1789 poems. They are a spiritual autobiography more comprehensive than any possible narrative. They are both the product and practice of a lifetime act of love on her part, if love can be a necessary action ("My business is to love," she declared. "My business is to sing. "). Definition poems, observation-of-nature poems, arresting-moment-dramatized poems, declaration-after-experience poems, working-what-she-thinks-of-the-experience-in-the-poem poems, lyric cries, locked-up aphorisms, arguments and narratives, purposeful inconsistency, jazzing the placeholders, banging and angling language until it renders the otherwise inarticulate human feeling: the variety of the poetry she extracts from a single limited form—a liturgical form (the hymn stanza)—is astonishing. I would like to have a fraction of her focus: the most intense focus ever of any writer I know . She is a model of devotion to the practice of poetry. Writing poems for her was life-sustaining, even life-creating. It created the place in which she fully experienced her experience. What she made in her poems she used in her life. The process of writing and all it involved grew her soul. It was a spiritual discipline, the lifelong practice of a craft, and an entertainment. When after a few years out of touch, Higginson asked if she was still writing, she responded, "I have no other Playmate." The idea that either poetry or religion was separable from life was repugnant to her. Art for art's sake would have struck her as a ludicrous, debased idea. The foundation and purpose of art was moral and religious, as it was for every poet of her time except Poe, but, unlike the Victorian sages, for her the relationship between art and morality was implicit not explicit, private not social, neither pious nor privileged but enmeshed with gritty, difficult, daily life, and every crack and crease in their connections was open to exploration. I am very grateful she did this work. It is one of the greatest enrichments of my life.

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47 of Your Favorite Writers on Their Favorite Poems

The best way to celebrate national soyfoods month (wait).

It’s April, which according to Wikipedia , is Financial Literacy Month. It is also Jazz Appreciation Month, Mathematics and Statistics Awareness Month, National Volunteer Month, Arab American Heritage Month, National Grilled Cheese Month, Donate Life Month, National Pecan Month, National Soft Pretzel Month, and National Soyfoods Month. Last but not least, it is National Poetry Month. So if you are hoping to enjoy some poetry with your pecans and soft pretzels this April, but don’t know exactly where to start, we’ve got you covered with recommendations from these 47 writers you (probably) already know.

Ben Lerner:

The narrator [of 10:04 ] is both inspired and embarrassed by [Walt] Whitman’s belief that he could project himself into the future and that his poems could help form a kind of collective subject. Also Whitman sometimes flirts with the boundary between poetry and prose. And he’s a great poet of New York. And “Walt Whitman” is himself a work of fiction—a kind of silly yet messianic figure who is supposed to be able to contain multitudes. I guess my favorite poem is “ Crossing Brooklyn Ferry .”

—from a 2014 interview with McNally Jackson

Danez Smith:

Some poems never really leave you once you hear them. Ariana Brown’s “ Wolfchild ” was one of those poems for me last year. Brown speaks on black and brownness with such complexity and rawness and grace in this piece. Every time I come back to it I’m amazed how through such stunning language she creatives something so magical and clear and needed in our conversations about reimagining America and Americaness. Hella stunning, hella important, and also just a fantastic poem. I’m voting for this poem in the primaries.

—as told to HuffPost

Laura Lippman:

If we agree that Stephen Sondheim is a poet, then I pick “ Someone in a Tree ,” which encompasses all my favorite subjects — perspective, memory, who gets to tell the story. My more traditional pick would be W. H. Auden’s “ In Memory of W. B. Yeats ,” particularly for the lines about poetry flowing past the places “where executives would never want to tamper. . . . ranches of isolation . . . raw towns.” I covered poverty for The Baltimore Sun for a long time, and there was definitely a raw town vibe to that beat.

—from Lippman’s “ By the Book ” interview

Elizabeth Gilbert:

[Jack Gilbert] wrote what may be my very favorite poem, “ A Brief for the Defense ,” late in his life; there’s maturity in it no youth could ever muster. It feels like something that should be in Ecclesiastes—it’s biblical in its wisdom and scope. The poem takes on his the central trauma of human consciousness, which is: What are we supposed to do with all this suffering? And how are we supposed to live?

The first lines of the poem are:

Sorrow everywhere. Slaughter everywhere. If babies are not starving someplace, they are starving somewhere else. With flies in their nostrils.

So it begins with an admission of how devastating the world is, how unfair and how sad. He goes on to say what he’s seen from a life of watching very carefully: women at the fountain in a famine-stricken town, “laughing together between / the suffering they have known and the awfulness / in their future.” He describes the “terrible streets” of Calcutta, caged prostitutes in Bombay laughing. So there’s this human capacity for joy and endurance, even when things are at their worst. A joy that occurs not despite our suffering, but within it.

When it comes to developing a worldview, we tend to face this false division: Either you are a realist who says the world is terrible, or a naïve optimist who says the world is wonderful and turns a blind eye. Gilbert takes this middle way, and I think it’s a far better way: he says the world is terrible and wonderful, and your obligation is to joy. That’s why the poem is called “A Brief for the Defense”—it’s defending joy. A real, mature, sincere joy—not a cheaply earned, ignorant joy. He’s not talking about building a fortress of pleasure against the assault of the world. He’s talking about the miraculousness of moments of wonder and how it seems to be worth it, after all. And one line from this poem is the most important piece of writing I’ve ever read for myself:

We must risk delight. We can do without pleasure, but not delight. Not enjoyment. We must have the stubbornness to accept our gladness in the ruthless furnace of this world.

This defines exactly what I want to strive to be—a person who holds onto “stubborn gladness,” even when we dwell in darkness. I want to be able to contain both of them within me at the same time, remain able to cultivate joy and wonder even at life’s bleakest.

—from Gilbert’s “By Heart” column in The Atlantic

Julian Barnes:

A. E. Housman’s “ The Laws of God, the Laws of Man ,” otherwise known as “Last Poems XII.” This poem, written circa 1900, is about independence of mind and independence of spirit. It acknowledges, while also undermining, the powers that seek to control the individual. I particularly admire, and am moved by, that final, ironic, defiant sub-clause in the penultimate line: “if keep we can.”

—as told to The New York Times Book Review

Darryl Pinckney:

“ In Paris With You ,” by James Fenton.

—from Pinckney’s “ By the Book ” interview

Emma Donoghue:

One of the poems [my mother] used to recite to me, “ Wild Nights – Wild Nights! ”, became very important to me in my teens. I probably sought it out again once I knew that I was in love with a girl myself at 14—because there I was, in 1980s Ireland, realizing that I was a lesbian and couldn’t tell a soul. It was as if there was nobody around in Irish culture at the time who I could see myself in. So I used Emily Dickinson. On the basis of her poems and letters, it seemed like she had strong passions for women in her life as well as for men. I remember thinking, “Well, I may be a freak in my social context, but I can be like Emily Dickinson. Who needs to be normal?”

I find the poem to be viscerally expressive of romantic and erotic love. What comes across most is this sense of overwhelming yearning. It’s actually quite a demanding overture: she’s saying she wants to “moor in” somebody, a very physical and intimate image.

At the same time, you don’t know who she’s addressing—it’s very unspecific, and not just in terms of gender. It’s hard to determine the relationship between the narrator and the object of affection. Is the speaker someone who has experienced a cozy life with the beloved, and has been sadly parted from that person? Or is the narrator pining for an acquaintance from afar? “Were I with thee”—that could even be a stalker talking. It’s very ambiguous.

What makes it all work is the slight edge of hysteria edge we sense in the speaker. One minute you’re thinking oh, she’s a wonderful, romantic heroine; the next minute you’re wondering whether she’s a stalker. The slightly unhinged feel to her adds to the reader’s thrill. She appears to be offering images of safety and comfort and home, but there’s this crazy edge.

—from Donoghue’s “By Heart” essay in the Atlantic

Ta-Nehisi Coates:

For me, at this point in my life, [my favorite poem] has to be Robert Hayden’s “ Middle Passage .” It is the poem I return to over and over — both for what it says about my country, and how it says it. Hayden wrote an origin myth for America and placed it right where it belonged — in enslavement. The narrators of this myth are the enslavers themselves. The irony of our history drips from every one of their lines. “Lost three this morning,” a ship’s captain observes. “Leaped with crazy laughter / to the waiting sharks, sang as they went under.”

In poetry, Robert Morgan [deserves a greater readership]. His long poem “ Mockingbird ” is my favorite poem by a living American.

—from a 2015 interview with Glen Glazer at the NYPL

Geoff Dyer:

“ The Prelude ,” by Wordsworth, or “ Paradise Lost ,” by Milton. “The Prelude” is part of my bloodstream practically, or maybe I mean metaphorically. Obviously parts of “Paradise Lost” are a total bore, but it’s worth the slog. After reading the scene where Adam and Eve eat the apple (“Carnal desire inflaming, he on Eve / Began to cast lascivious Eyes, she him / As wantonly repaid. . . .”), it’s hard not to concur with Terence McKenna’s claim that the expulsion was the original drug bust. The end is the most beautiful thing in all of literature; as Adam and Eve leave Eden they are us. Oh, and to bring things up-to-date, I love practically every funny, crazy and profound line in “ It Is Daylight ,” by Arda Collins.

—from Dyer’s “ By the Book ” interview

Joan Didion:

“ Carrion Comfort ,” by Gerard Manley Hopkins.

—according to Guernica

Jesse Ball:

There’s a misunderstanding about what nonsensical things are—the idea that they’re just funny, and that’s the beginning and the end of it. Nonsense is not “not sense”—it operates at the edge of sense. It teems with sense—at the same time, it resists any kind of universal understanding.

I believe Carroll first wrote “ Jabberwocky ” as a stanza of Anglo-Saxon poetry. (Nonsense tends to play off and puncture some known landscape.) Here, he’s playing off the language of all these wonderful things from The Canterbury Tales to The Pearl to one of my personal favorites, Sir Gawain and the Green Knight . As well as older texts like the Exeter Book riddles. He’s tapping into those wonderfully alliterative verses, that rich history of sound, within the Old English and Middle English traditions. What comes out is this:

‘Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe.

It’s not in favor of some other sensical thing that could be said. In fact, it’s very precise. You couldn’t supply another object that would do a better job of what it’s doing in its place. The poem preserves a truth Carroll feels within himself of the sounds of those Anglo-Saxon words, their color and direction.

At the same time the poem provides this very specific insight about the sound and of Anglo-Saxon poetry, it also evades clear interpretation. Many times, when someone writes something, they hope for some precision of communication—they want to provide some precise statement that exists in one mind, and make it exist in your mind. But I think Carroll’s understanding of communication was more interesting than that. He understands that the text that you create is an object that collides with the mind with the reader—and that some third thing, which is completely unknowable, is made. He was completely content with that, and that contentment allows him to make this object “Jabberwocky” as interesting and beautiful and lovely as an object as it can be. The poem’s construction allows you to be sent somewhere along the vector of “Jabberwocky,” though no one but you can say just where.

—from Ball’s “By Heart” column in the Atlantic

Franny Choi:

If the best poems contain a transformative element, Ross Gay’s “ Small Needful Fact ” is actual magic. To me, this poem is proof of the necessity of the thought experiment as a tool for survival. And it is one of the humblest and most beautiful poems in the realm of poems addressing police violence that I have ever read. It does, I think, exactly what poems are meant to do.

Anthony Doerr:

The poem I’ve returned to most often over the past decade or so is a 39-page diamond mine called “ The Glass Essay ,” by Anne Carson. Every stanza of this masterpiece sends bolts of pleasure and recognition ricocheting through me. It’s about the speaker visiting her mother on a moor; it’s also about heartbreak, various connotations of “glass,” the Brontë family and “prisons, / vaults, cages, bars, curbs, bits, bolts, fetters, / locked windows, narrow frames, aching walls.” Who knows, maybe it’s not even a poem—maybe it’s a novel, a short story, an essay in verse? Whatever we call it, it feels to me like a thousand floodlights switching on.

Kate Atkinson:

[On Edward Thomas’s “ Adlestrop “] This is my favorite poem and the one that moves me more than any other. In June 1914 the poet Edward Thomas was traveling from Worcester to Oxford when the train he was on made an unscheduled stop—”The steam hissed. Someone cleared his throat.” Afterwards, Thomas immortalized this fleeting moment.

There are many things to love—the artlessness of the opening line, “Yes, I remember Adlestrop,” as though we had just joined a conversation that had being going on for a while. The strangely effective use of the word “unwontedly.” The sense of languid heat conjured up by the “high cloudlets” and the “meadowsweet, and haycocks dry.” At the beginning of the poem language is pared down to simplicity—”No one left and no one came / On the bare platform.” Adlestrop itself is “only the name.” But then we begin to see a progression, an expansion into something more numinous until we reach the swell of those sublime final lines as the lone blackbird begins to sing and “round him, mistier, / Farther and farther, all the birds / Of Oxfordshire and Gloucestershire.” This is when the tears come, for the transiency of all things and for the transcendent beauty of these lines.

The moment is made more poignant with hindsight, of course, for this is a lost Eden, on the cusp of Armageddon. Thomas must have sensed that too, I think. He joined the Artists Rifles and was killed at Arras in 1917 without ever seeing his poems published.

—as originally appeared on Literary Hub

Erica Jong:

“ Renascence ,” by Edna St. Vincent Millay.

—chosen and performed for Robert Pinsky’s Favorite Poem Project

Alice McDermott:

“ Dirge Without Music ,” by Edna St. Vincent Millay.

Elena Ferrante:

Amelia Rosselli (1930-96) is one of the Italian poets of the last century who pushed herself most forcefully, most painfully and most imprudently beyond the limits destiny had set for her. Among her many “superb sheets of disobedience,” I recommend Sleep (1953-66, but published in Italy in 1992), a collection of poems written in English in the grip of Italian. I especially love “Well, so, patience to our souls.” I like that word, “patience,” which, in the 10 lines that follow—in a jiffy run, as we are “left alone with our sister / navel” — is struck by aggressive verbs like run, snap, tear and ravish, and by “flaming strands of opaque red lava” while “the wind cries oof! / and goes off.”

Benjamin Percy:

“ At the Lowe’s Home Improvement Center ,” by Brian Turner.

—according to The Minnesota Daily ; hear Percy read the poem here

Michael Cunningham:

“ St. Kevin and the Blackbird ,” by Seamus Heaney.

francine j. harris:

Every semester I gather things. And there are things that I come back to, and usually the poems I keep coming back to are because I can teach them for so many different reasons. Mary Ruefle’s “ White Buttons ” [for example]: I keep teaching this poem, because there are so many reasons to teach this poem. I can teach it to talk about how images reinforce themselves over a period of time because it’s a little bit longer, so these images just develop out of thin air– almost literally- there are these text pages, these book pages, like petals, and you don’t know how it happened, right? There’s a way that the images build, and I can teach it for that. I can teach it for the associative moves she makes, like that weird move she makes where she suddenly says:

(I am sorry I did not

go to your funeral

but like you said

on the phone

an insect cannot crawl

I can teach it as a second person address, that interrupts the speaker. I can teach it for so many different reasons. One of the poems I’ve been teaching on and off for years is Yusef Komunyakaa “ You And I Are Disappearing ” for almost all of the same reasons. There are so many reasons to teach that poem: listing, cataloguing, subtext, how you can read a poem have two entirely different experiences with the poems based on your experience with the subject matter, imagery. I’m always grabbing poems for imagery. . . The funny thing is, I feel like, and maybe this is an essentialist statement, I’ll say poems today that stay with me, stay with me for the same reasons– because there’s a lot going on in them. Every time I come back to them I’m thinking of something else, something else that makes it work.

—as told to Four Way Review

Gillian Flynn:

Gwendolyn Brooks nestled into my heart when I was about 12, and she’s never been replaced. So, this is my heartbeat anthem: “ A Song in the Front Yard .” It hit me with so much impact as a quiet, shy, relentlessly pleasing junior-schooler who yearned to be so much more than that. “I’ve stayed in the front yard all my life./ I want a peek at the back./ Where it’s rough and untended and hungry weed grows./ A girl gets sick of a rose.” Whenever I’m feeing unnerved or anxious or timid, I think of that: “A girl gets sick of a rose.” Yes, exactly.

Colm Tóibín:

It seems strange now that the poem by [Elizabeth Bishop] that I liked best then [at 19] and learned by heart was “ Cirque d’Hiver, ” a poem about a “mechanical toy,” a poem with elaborate rhyme schemes and a tone close to a nursery rhyme.

Across the floor flits the mechanical toy, fit for a king of several centuries back. A little circus horse with real white hair. His eyes are glossy black. He bears a little dancer on his back.

The poem seems so determined to be jolly and inconsequential, almost jokey, that it is hard to find the undertow in it, which arises oddly from the sheer amount of time and energy spent observing this scene in such great and good-humored detail to the exclusion of all else. Somehow, I felt a sense that, in concentrating on this and this only for a long time, the poem hinted that the rest of the world could be kept away and made to seem not to matter.

—from Tóibín’s On Elizabeth Bishop

Cynthia Ozick:

“ Dover Beach ,” by Matthew Arnold. And running neck-and-neck, Shelley’s “ Ozymandias ” and Auden’s “ September 1, 1939 .” All are cutting-edge images of the 21st century so far.

—from Ozick’s “ By the Book ” interview

Sloane Crosley:

“ Tulips ,” by Sylvia Plath.

—as told to Double or Nothing

Stephen King:

My favorite poem is “ Falling ,” by James Dickey. Published in 1967, its delirious language, coupled with a clear narrative, make it a precursor to Dickey’s novel Deliverance , published three years later. The poem is audacious, sensuous and completely beautiful. It’s also as neat a parable of the human condition as has ever been written.

Junot Díaz:

“ Kingdom Animalia ,” by Aracelis Girmay. Girmay is one of my favorite poets. She blows across the islands of my soul like storm season. I remember rereading these lines shortly after I lost my sister:

Oh, body, be held now by whom you love. Whole years will be spent, underneath these impossible stars, when dirt’s the only animal who will sleep with you & touch you with its mouth.

And I was never the same.

Richard Bausch:

“ For the Last Wolverine, ” by James Dickey.

Aimee Bender:

I first heard “ The Final Soliloquy of the Interior Paramour ” [by Wallace Stevens] at a funeral. A large funeral, and a very sad one. A poet read it to the people gathered, and I found it moving, and helpful, but in a kind of inexplicable way. It’s something of an oblique poem. It concerns mystery, and its language is itself mysterious. Yet there was something in it that I sensed, even listening for the first time, about a community coming together to support this family and pay tribute to this life. . . Right away, I knew I’d want to look that poem up and spend more time with it. One line—“We say God and the imagination are one”—stuck with me especially. There’s something beautifully enigmatic about that line: It contains what feels so expansive and mysterious about the imagination to me. I love the way it treats the imagination with an almost-religious reverence.

Language is the ticket to plot and character, after all, because both are built out of language. If you write a page a day for 30 days, and you pick the parts where the language is working, plot and character will start to emerge organically. For me, plot and character emerge directly from the word—as opposed to having a light-bulb about a character or event. I just don’t work like that. Though I know some writers do, I can’t. I’ll think, oh I have an insight about the character, and when I’ll sit down to write, it feels extremely imposed and last for two minutes. I find I can write for two lines and then I have nothing else to say. For me, the only way to find something comes through the sentence level, and sticking with the sentences that give a subtle feeling that there’s something more to say. This means I’ve hit on something unconscious enough to write about—something with enough unknown in there to be brought out. On some level I can sense that, and it keeps me going.

That’s why I love Stevens’s poem, too—it sits between these great mysteries that he’s articulated without dispelling them completely. Some of those mysteries clarify, but they’re not all going to clarify. I think a good poem will always stay a little mysterious. The best writing does. The words that click into place, wrap around something mysterious. They create a shape around which something lives—and they give hints about what that thing is, but do not reveal it fully. That’s the thing I want to do in my own writing: present words that act as a vessel for something more mysterious. I know it’s working when I feel like there’s something hovering beneath it the verbal, that mysterious emotional place that Stevens wrote about.

—from Bender’s “By Heart” column in the Atlantic

J. K. Rowling:

Walt Whitman’s “ Of the terrible doubt of appearances .”

—according to The New Yorker

Donna Tartt:

Though some poems I loved when I was young have lost their sting over the years, Rimbaud’s “ The Drunken Boat ” still exhilarates me as much as it ever did; it’s a mysterious poem, difficult to translate, but every time I read it I’m astonished all over again by its glaciers and whirlwinds, its swamps and deliriums, its bursts of phosphorescence and its final, heartsick dream of Europe: a paper boat floating in a sidewalk puddle.

Maurice Sendak:

John Keats’s “ Welcome Joy, and Welcome Sorrow .” (Sendak also kept a death mask of Keats next to his bed.)

—according to The Comics Journal

Helen Macdonald:

[I admire] Milton and Shakespeare, Donne, Wordsworth, Coleridge—“ Frost at Midnight ” is my favorite poem—Auden, Frank O’Hara, Barbara Guest, John Ashbery, Peter Riley, J. H. Prynne, and R. F. Langley, who is perhaps my favorite modern poet. The Cambridge School movement influenced me a lot as a student. It taught me to be playful with language and never, ever to be afraid of difficulty.

—from Macdonald’s “ By the Book ” interview

Kaveh Akbar:

My favorite poem to teach is, I think, Russell Edson’s “ The Neighborhood Dog .” Something about it vibrates at the exact frequency of my brain. It’s just the perfect poem. It does everything I love in poems, and though I’ve taught it dozens of times to dozens of different groups of poets, I still don’t really have any idea how to talk about why it works in any sort of critically useful way. It’s actual magic.

Also, it’s important to note that the version of “The Neighborhood Dog” originally published in AGNI is a full 15% better than the weaker version Edson eventually published in the book, and in The Tunnel .

—from a 2017 interview with The Rumpus

Joyce Carol Oates:

Christopher Smart’s “ Jubilate Agno .”

Jeanette Winterson:

No one who loves poetry can have a favorite poem. There are too many, and life changes, and poems occupy us just as we occupy them. So I am going to cheat and say that for performance poetry it’s Kate Tempest’s “ Brand New Ancients .” Catch it on YouTube. She is language, passion and politics, and if that isn’t life, what is? Poetry and politics are not separate spheres. Life is connected. So I am reading Adrienne Rich right now. Try anything from The Will to Change . Engagement, activism, beauty, longing and a way to talk about those things. Poetry turbocharges language.

Jamaica Kincaid:

William Wordsworth’s “ I Wandered Lonely as a Cloud .”

E. E. Cummings:

William Wordsworth’s “ Intimations of Immortality .”

—according to Susan Cheever’s E. E. Cummings: A Life

David Mitchell:

Before I was published, when I was about 29 years old—I’m 45 now—I was looking through the poetry section in a bookshop. I found this very slim volume of poems by a man I’d never heard of before, James Wright, called This Branch Will Not Break . I flicked through it, and found a poem that is still one of the most beautiful things I’ve ever read. [“ Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota ”] I bought it, and for much of my life I’ve had a copy of the poem just above my desk, or wherever I’ve worked. Whatever else is going on in the day, my eyes can go and find this textual hammock.

For me, the poem’s chief value is as a reminder to stay inside the moment. It asks us not to let our minds rerun things that have already happened, not to trouble our head fruitlessly about things that haven’t happened yet. Inhabit the now, the poem urges— just see the beauty around you that you don’t normally see.

—from Mitchell’s “By Heart” essay in the Atlantic

Grace Paley:

“ 1919 ,” by W. B. Yeats.

Bill Bryson:

I am not a good reader of poetry, but recently I happened upon “ In Flanders Fields ,” the celebrated poem of the First World War. I had never read it all the way through and was astounded by how powerful and moving a few simple lines could be. I had always assumed that the author was British, but in fact he was a Canadian doctor named John McCrae, who wrote it just after the Second Battle of Ypres. McCrae died a short while later himself without ever seeing home again, which clearly adds to the poignancy of it.

—from Bryson’s “ By the Book ” interview

Quan Barry:

I’ve always loved the work of W.S. Merwin. As I became a more serious student of poetry, I read his body of work much more closely. It was amazing to see how he evolved from rather formal beginnings to the poet we think of today, whose unpunctuated work relies pretty heavily on the reader to pull meaning out of the text. I once saw Merwin read when I was an undergrad, and I still remember how he ended the evening with this long poem called “ Lives of the Artists ,” which is an amazing poem about the life of a Native American youth. In general, I love the collection by Merwin that contains this poem, a collection titled Travels —there’s a poem in it called “A Distance” that I adore, adore, adore. I can’t necessarily tell you what’s happening in that poem, but it ends with three questions: “what/ are you holding above your head child/ where are you taking it what does it know.”

—as told to Writer’s Bone

Louise Erdrich:

I covered the vinyl walls around my soaking bathtub with poems written in permanent marker—James Harrison’s “ Counting Birds ” is my favorite. His work is bold, consolatory; like Harrison, I wonder if there is a bird waiting for me in the onrushing clouds.

—from Erdrich’s “ By the Book ” interview

Francine Prose:

Elizabeth Bishop’s “ In the Waiting Room .”

Elizabeth Alexander:

We did a sound check [for Obama’s first inaugural] on the mother of all microphones, which carried laser-sharp sound for miles and miles without an echo. “O.K., now, read your poem,” the technician said. “I can’t do that!” I exclaimed, and then, out of nowhere, “It’s bad luck!” “O.K., O.K.,” the man said. “Say something else.” So I recited my favorite poem by my favorite poet, the bard of Chicago’s South Side, Miss Gwendolyn Brooks. I was certain she would have been the one to have written and read a poem for Obama if she had been living.

I recited “ kitchenette building ,” the first poem in her first collection, A Street in Bronzeville , from 1945. It is about how people who feel themselves at the mercy of inequitable circumstance experience hope. “We are things of dry hours and the involuntary plan,” the poem opens, then builds into a meditation on how people fight to make space for their dreams despite privation and difficult circumstance. “Could a dream send up through onion fumes / its white and violet[?]” she asks. It is one answer to Langston Hughes’s concept of the dream deferred, expressed in his poem “ Harlem ,” in which he wonders what happens when opportunity is unmet too long and injustice prevails:

Does it stink like rotten meat? Or crust and sugar over— like a syrupy sweet?

Maybe it just sags, like a heavy load.

Or does it explode?

These poets are some of America’s pithiest great philosophers. As I spoke Brooks’s lines, I saw people among the many milling tourists and inaugural-goers on the Mall stop and listen to her arresting words, cast in the shape of a poem.

—from Alexander’s essay in The New Yorker

Jacqueline Woodson:

“ You Don’t Miss Your Water ,” by Cornelius Eady, is a poem I return to when I’m stuck as a writer. The depth of emotion in this very short poem speaks not only to Eady’s amazing voice as a writer but to everything so many of us know about the complicated relationship between adult child and dying parent. Even when this poem is very far away from what I’m writing, it serves to remind me how much emotion matters in story.

Robert Pinsky:

“ Incantation ,” by Czeslaw Milosz.

—chosen and performed for his own Favorite Poem Project

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Writingskills

Paragraph on ‘My Favourite Poet’

My favourite poet.

William Wordsworth

Poetry is the song of our life. Various English poets have penned their inner feelings of life through their poetry. I love English poetry, and William Wordsworth is my favourite poet. His poetry has a mysterious and soothing effect. He gave a blow to the artificial tastes. Wordsworth was born in 1870 at a little village named Cockermouth.

Wordsworth inherited a deep love for the countryside and Nature from his ancestor. He developed intimacy and sympathy with the moods of Nature in childhood. He spent a greater part of his daily life in the company of Nature. He enjoyed the beautiful spots, the flowing of rivers and the majesty of mountains. He became a real lover and worshipper of Nature as he sees in man. He creates a spiritual relationship between Nature and Man. To him, nothing in Nature is trivial. He believed Nature never betrays the heart that loves her. Nature is not merely sensuous; it is a physical as well as spiritual entity. To Wordsworth Nature is intelligent, meaningful and profound. It gives knowledge to man and it also teaches moral truth. The poet identifies God and Nature as one.

Also Read : Paragraph on My Favourite Author

Wordsworth is also a poet of man. Along with Nature, he is also interested in the rustic life. His poetry represents the qualities of strength, endurance, simplicity, courage and hope of common people.

Wordsworth’s love for Nature is nowhere found among any other poets or writers and so instead of calling his name, we call him as the Nature’s poet or the Poet priest of Nature.

Paragraph on A Book Fair

Paragraph On ‘My Aim In Life’

Saturday 17 October 2015

My favorite poet - allama iqbal | english essay pdf read online and download.

About Maher Afrasiab

Hello, I am Maher Afrasiab a founder of Ratta.pk and some other websites. I have created ratta.pk to promote the eductaion in Pakistan. And to help the students in their studies. Find me on Facebook: @Maher Afrasiab

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My Favourite Personality Allama Iqbal Essay in English

Allama iqbal is my favourite personality.

Hero is man of outstanding character and matchless genius. He must be a man of unique qualities. though the Muslim History is full of great men, my hero in history is Allama Iqbal. I think, he is really a man worthly of the title ‘Hero’.

Allama Iqbal was born in Sialkot in 1877. He came to Lahore for learning after completing his primary education. At that time the English were the rules of India. They were very cunning. They did not like the Muslims. They tried their best to keep the Muslims backward and ignorant. Iqbal, who was a great well-wisher of the Muslims, tried to awaken the Muslims from their sleep of ignorance through his poetry. He wrote a number of poems and verses to make the Muslims realize their negligence. He taught them a lesson of ‘self-esteem’. He made them realize the achievements of their forefathers. He wrote many letters to the Qauid-e-Azam to urge him to work for his nation.

In the session of Muslim League at Illahabad in 1930, he suggested the solution to the discontent of India. He showed a sure way of peace and happiness for the people living in India. Iqbal’s speech demonstrates his concern for his nation. He said that the Muslims were different in their religious, beliefs and traditions from the other nations living in the sub-continent . He said that the concept of nationality of the Muslims is quite different from those of other nations of the world. He said that India be divided into two nation states. The territories of the Muslims majority should be made a new Muslim state.

Iqbal was a great Muslim poet. His poetry was aimed at teaching the Muslims what they had forgotten. It was a lesson of their golden traditions and matchless achievements. He wrote his poetry urging the Muslims to break the slavery chain. His poetry is a permanent source of joy and inspiration for the Muslims. It is full of national feeling and sentiments.

Iqbal’s poetry places him in the sky of immortal fame high among the stars. he wrote poetry both in Urdu and Persian. Many reference to the Holy Quraan can be found in his poetry. Some critics go even to the extent that his poetry is the true explanation of the Holy Quraan. It elevates us spiritually and morally.

In this age when the Muslims are being insulted and crushed throughout the world, it is necessary that we should get guidance and inspirational from his poetry. If we study his poetry and follow his advice, we will surely regain our lost glory. His poetry is not for one time. It is for everyone and for every age. What a perfect code of ethics and morality his poetry is! May the Muslims of today read his poetry and get an urge to gain their golden past. Aameen!

Essay on Allama Iqbal for Class 9, 10 in English, Urdu
Allama Muhammad Iqbal | Poet of The East

7 thoughts on “My Favourite Personality Allama Iqbal Essay in English”

I simply must tell you that you have an excellent and unique article that I really enjoyed reading.

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Great post. I am facing a couple of these problems.

Nice but this essay is not best for higher classes

Or kia chahye bhai

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Mashallah Great and very easy But found in Last day of my Preparation 20/6/2022 12 Class

Tackling the Personal Essay: Tips from a Notre Dame Admissions Counselor

Published: August 30, 2024

Author: Zach Klonsinski

If you ask almost any admissions professional which part of reading applications is their favorite, it’s likely their answer will be a resounding, “The essays!” Essays are where we get to engage with students’ hopes, fears, dreams, life experiences (and more) in their authentic voice. We are humbled every year getting to “meet” all the incredible young people who are applying to Notre Dame through their essays!

Tackling the Personal Essay: Tips from a Notre Dame Admissions Counselor graphic

Yet, writing an essay introducing yourself can be really hard. Maybe you’ve never done so before, or you haven’t for a really long time, and often it will seem really awkward. That’s OK!

It feels hard because it is–or at least it can be.

Don’t worry, though! I love sharing tips with applicants about the personal essay that will hopefully help you see it as an opportunity to learn more about yourself and then share that discernment with the colleges who will be fortunate enough to receive your application!

Getting started

The easiest way to get started is by simply brainstorming! I love using pen and paper (I’m anti-pencil, though I realize that may be a divisive opinion). The physical materials help me feel less constrained by technology, though you may find the technology comforting.

Use bulleted lists or short phrases to capture ideas, life experiences, values, and more. Every day, set aside five minutes to write about yourself or your college discernment process without stopping to think. Where does your mind lead you when you get out of your own way?

Ask your friends and family to help you identify values that are important to you or things that make you.. well… you! Often it’s easier to highlight and say nice things about someone else than it is ourselves, so lean on those who know you well!

Group these collective nuggets to see if any patterns or stories emerge. Do you see any prompts on your application that align with your brainstorming? The Common Application, for example, has seven to choose from, including a make your own prompt! Start writing on one that makes you pause, as that means you might have something to say! Don’t be afraid to go longer than your word count or to use an atypical form of writing.

While that specific level of chaos may not work for you, I always recommend staying away from sentences and avoiding constraining yourself while writing because…

Editing is more than spelling and grammar!

When we want to “edit” something, it can be tempting to start–and just as quickly end–with spell check. (Yes, your essay should have proper spelling and grammar, but please know we are not reading your essay with a red pen “grading” every single comma.)

What is far more important–though also far more intimidating–is your essay’s content.

What really improved my writing actually had nothing to do with me–rather, it was finding trusted editors to give me honest and constructive feedback. While it’s tempting to have your best friend or family member read your essay, I’ve found my best editors possess a strong rhetorical mind, ask thoughtful questions, and are not afraid to tell me when something isn’t working the way I think it is.

This may describe someone close to you, but maybe not. Maybe there’s a classmate or teacher who you have always admired, even if you don’t know them that well. Editing is an incredibly vulnerable process; don’t be afraid to lean into that vulnerability! I promise that a strong editor who works with your voice and style–rather than rewriting your essay how they would have–will help bring forth an authentic essay you didn’t even realize you could write!

Speaking of, authenticity will lead to your best essay

The best application essay is the one that helps us get to know you. Period. Full stop. Any topic can be a good topic, any topic can be a bad topic. At the end of the day, the topic you choose to write about is only a gateway to help us get to know you!

Let’s think of it another way. Say you printed out your essay at your school, without your name or other identifying information on it, and someone who knows you picked it up and read it. If they said, “I bet this is (your name)’s essay,” I can already tell you’re on the right track. There’s something truly you about it!

Where can I find more about writing application essays?

I’m so glad you asked! On our On-Demand Sessions webpage , you can find a number of helpful recorded sessions from our College Application Workshop series. One of them, co-presented by yours truly, is called “Crafting the Perfect College Essay”. My colleague Maria Finan and I present our own tips and tricks for about 20 minutes and then take questions from a virtual audience for the remainder of the 45 minute session. I invite you to check it out, as well as the other sessions we have recorded!

Ready to Write Your App Essays? Advice from an Admissions Counselor on the Notre Dame Supplement

Zach Klonsinski is a senior assistant director with the Office of Undergraduate Admissions.

He is the regional counselor for Minnesota, Missouri (Kansas City), Wisconsin, Rwanda, Kenya, France, Portugal, Spain, Andorra, Monaco, and China - Beijing

Read Zach's profile.

WESLEY BANKS

11 of My Favorite Poems from The Top 500 of All-time

by Wesley Banks | Follow Him on Instagram Here

Tomorrow is National Poetry Day , and believe it or not, poetry was one of the first forms of writing I ever picked up.

During my first few years of college I always had a book of poetry with me. I loved Richard Wilbur, Pablo Neruda, Rainer Maria Rilke, and William Carlos Williams.

But for some reason, years ago, I stopped writing and reading poetry altogether. So, for the last 20 days I’ve been reading 25 poems a day from Poem Hunter’s Top 500 poems list. (Note: I have no idea how they determined the “Top 500,” so I’m just going with it for now)

Below you’ll find my favorite poems on the list, along with a few extras I wish were included.

Unbelievable

If by Rudyard Kipling
The Tyger by William Blake
Love’s Philosophy by Percy Bysshe Shelley

Still amazing

Caged Bird by Maya Angelou
Invictus by William Ernest Henly
Television by Roald Dahl
A Poison Tree by William Blake
O Captain! My Captain! by Walt Whitman
Why Do I Love You Sir by Emily Dickinson
We Real Cool by Gwendolyn Brooks
We Wear The Mask by Paul Laurence Dunbar
The Panther by Rainer Maria Rilke

Should have been in the Top 500

Children by Khalil Gibran
Tonight I Can Write The Saddest Lines by Pablo Neruda
The Red Wheelbarrow by William Carlos Williams

What about you?

When was the last time you read a poem?

What’s your favorite poem?

Let me know in the comments below.

About Wesley Banks

Wesley Banks is an author, professional engineer, world traveler, and dog lover. His latest novel Faith In Every Footstep is now available . Be sure to check him out on Instagram .

Come Behind The Scenes With Me

April 4, 2017 at 6:28 am

You have a great taste in poetry! I just love most of the poems too, especially The Tyger and Oh, Captain! My Captain! I wonder if you like Russian poets such as Alexander Pushkin, Mikhail Lermontov? It seems to me you can appreciate the beauty of To The Clouds by Lermontov https://keytopoetry.com/mikhail-yuryevich-lermontov/poems/to-the-clouds/ ? The poem is my favourite.

December 4, 2019 at 8:16 pm

The moon in the bureau mirror looks out at a million miles and perhaps at herself, though she never ever smiles.

Elizabeth Bishop

I ran with my memory earlier and got it incorrect. Not happy.

More About Me

I’m a writer, engineer, world traveler, and dog lover. This blog is where I share the journey of my stories that eventually turn into books. To find out more about me, read my full bio or come chat with me on Instagram .

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My Favorite Poet Essay & Paragraph

Modern educated and thoughtful people read poetry and enjoy the beauty of art. It is very common that every reader of poetry chooses a poet as his favorite poet. That is why ‘Who is your favorite poet’ is a frequently asked question. Students also face this question in their exams. So, here is a bunch of essays and paragraphs about your favorite poet.

My Favorite Poet Essay

By: Haque , Words: 400; For class 9-10/SSC

Introduction: My favorite poet is Kazi Nazrul Islam. He is the rebel poet of Bengali literature. He is one of the greatest poets of Bangladesh.

Why He is My Favorite Poet: When I go through his poems, I feel joy. His “Agni Bina”, “Bisher Banshi”, “Jugabani”, “Rikter Bedan”, etc. are my favorite readings. His works inspired all to fight against all evils. His works inspired us in our liberation struggle.

Early Life: Kazi Nazrul Islam was born on the 11th Jaistha, 1306 B. S. in the village Churulia of Burdwan in West Bengal. He lost his father at an early age. He got his religious lessons in the village Maktab. He passed the lower primary examination with credit. Even in his boyhood, he could write poems. He joined the village “Letto” party which entertained the villagers with various performances. He composed songs and theatrical booklets for them. For the poverty of his family, he had to take up the job of a primary school teacher.

Nazrul was a boy of an adventurous spirit. When he was 12 years old, he fled away to Asansol. He worked in a baker’s shop. Later on, he was taken to a village of Mymensingh by a Muslim Sub-inspector of police. He got himself admitted into the Darirampur High School.

Joining Army: The first World War broke out. He gave up his studies, joined the Bengal Regiment, and went to the war. For his bravery in war, he was promoted to Havildar.

Literary Activities: Even in army life, he did not stop his literary composition. After the war, he came back to Calcutta and devoted himself to literary works. His remarkable poem ‘Bidrohi’ was first published in a weekly magazine called ‘Bijli’. His most famous works are ‘Agni Bina’, ‘Bisher Banshi’, ‘Dolanchapa’, ‘Sarbahara’, ‘Bandhanhara’, ‘Rkter Bedan’, etc. He was put to jail for writing ‘Agni Bina’. But he did not stop writing. He composed many verses and prose in the jail. Nazrul was not only a poet but also a great singer. He wrote many patriotic and Islamic songs. As a poet and singer, he has hardly any equal.

Poet of Freedom: Nazrul devoted his mighty pen to the cause of the country. He was a poet of oppressed people.

His Death: In 1942, he was attacked with an incurable disease of the brain. Since then he remained silent. He died on 29th August 1976 in Dhaka. He was buried by the Dhaka University mosque. But he lives in his works.

Essay on My Favorite Poet (Robert Frost), 500 Words

By: Haque | For SSC/GCE A-Level/High School students

Write a short essay on your favorite poet. Explain why he is your favorite poet by referring to his early life and career, Creativity and Genius, Excellence in Poetry and how he portrayed nature and life in his poetry.

Introduction

Poetry is a form of art that uses language to create an emotional response in the reader or listener. My favorite poet is Robert Frost, an American poet who is well known for his use of nature and rural life in his works. In this essay, I will explain the reasons why Robert Frost is my favorite poet.

Early Life and Career

Robert Frost was born on March 26, 1874, in San Francisco, California. He spent his early years in Lawrence, Massachusetts, where he began writing poetry. After high school, he attended Dartmouth College but left after only two months. He then worked a series of odd jobs before moving to England in 1912, where he published his first collection of poems, “A Boy’s Will,” in 1913. This was followed by “North of Boston” in 1914, which included his most famous poem, “The Road Not Taken.”

Use of Nature

Robert Frost is well known for his use of nature in his poetry. He often used rural life and the natural world as a metaphor for the human experience. His poems often depict the beauty and harshness of nature and how it can affect human emotions. For example, in his poem “Birches,” Frost writes about how he used to climb birch trees as a child and how it was a way for him to escape the harsh realities of life.

Creativity and Genius

Robert Frost’s creativity and genius are evident in his poetry. His use of language, symbolism, and imagery is unparalleled. He was able to create vivid images in the minds of his readers with his words. His poems often have multiple layers of meaning, and it is up to the reader to decipher the true meaning. His ability to convey complex emotions and ideas in simple language is what sets him apart from other poets.

Excellence in Poetry

Robert Frost is considered one of the greatest poets in American literature. He won four Pulitzer Prizes for his poetry, and his work has been studied and analyzed by scholars and students for decades. His poetry has been an inspiration for many poets and writers, and his influence can be seen in the works of many contemporary writers.

Robert Frost is my favorite poet because of his use of nature, his creativity and genius, and his excellence in poetry. His poetry has the ability to touch the hearts and minds of his readers and transport them to a world of natural beauty and human experience. His work will continue to inspire and influence poets and writers for generations to come.

My Favorite Poet Paragraph, 100 Words

By: Haque , For class 7-8/JSC, 15-02-’23

Rabindranath Tagore is my favorite poet. He is considered to be the greatest Bengali writer of all time. Tagore is not just a poet, he is a great writer with many talents. He was a playwright, a novelist, a short story writer, a critic, a painter, an essayist, and a philosopher. He started writing in his childhood and continued it till his death. Due to his contribution, Bengali literature has gained worldwide recognition. All his compositions are extraordinary and incomparable, yet I especially like his poems the most. His poetry echoes the deepest emotions of the human mind. I find my own portrait in his poems. That is why Rabindranath is my favorite poet.

Check out: 300+ Essays & Paragraphs in English

About the Author

A teacher, writer and blogger, started allparagraph noting students search online for paragraphs on various topics, short and simple essays , edifying stories and other materials of study . In composing these lessons we have tried to use as simple language as possible, keeping young students in mind. If you find any text inappropriate, please let us know so we can make it more useful through necessary corrections and modifications. Thank you!

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What Phil Donahue Meant to Me

The iconic daytime television host redefined the genre, letting the audience participate for the first time..

This transcript was created using speech recognition software. While it has been reviewed by human transcribers, it may contain errors. Please review the episode audio before quoting from this transcript and email [email protected] with any questions.

From “The New York Times,” I’m Michael Barbaro. This is “The Daily.”

Today, a tribute to Phil Donahue, the King of Daytime Talk, from me.

It’s Friday, August 30.

On the inside.

For clothes that —

Tristan lost —

That bold three detergent plus fabric softener.

[THEME MUSIC]

From NBC News, this is “Today.”

When I was growing up, there were four television shows that I watched religiously. The “Today” show —

I love that Wayne Gretzky. And his wife, the doll, too. And their children are really cute.

— because Matt and Katie were pure magic together on that set.

[CLOCK TICKING]

“60 Minutes —”

How cigarettes can destroy people’s lives.

— because nobody has ever told stories like that on network TV.

You think that I don’t trust my husband?

“General Hospital —”

I do trust my husband. He loves me. And we’re married and we’re happy. And there’s nothing that you, or Miranda, or anyone is ever going to do to change that

— because all of us have a guilty pleasure. And finally, “The Phil Donahue Show.”

Now, why Donahue?

Your parents do not know that you lead this double life. You leave the apartment after they’ve gone to sleep. Is that right?

Yes. Good. That’s a good answer, yes.

Well, I mean, they have no idea. Or I sleep at other people’s houses.

Why was I, why were millions of other Americans drawn to this middle-aged host of a daytime talk show?

You dress up like this because first of all, it’s fun, and hey —

This guy with a helmet of gray hair and, what always seemed to me anyway to be the world’s longest, slimmest microphone —

As far as songs go, every song is a message.

— who sprinted around his studio in a beige three-piece suit.

— message of “Goodnight, Irene?” The lyrics were, “Irene, goodnight, Irene.”

She’s talking about my song.

It never really occurred to me to try and answer that question. Donahue has been off the air now for more than 20 years. He’s no longer a household name. The culture has kind of forgotten him.

But then a few days ago, he died at the age of 88. And suddenly, I wanted to know, what had it been about Donahue?

[UPBEAT MUSIC]

I logged on to YouTube and I started to watch his show again.

Because he’s kind of been an imposter.

Why should I? Why should I love the Lord? Why should anybody else love the Lord? What does the Lord ever done for any of us?

First, I don’t know.

And I was right back in my childhood basement with the gray commercial carpet and the exposed pipes.

— and so on. And if you’re married, you can’t have the job because you might have children. And if you have children, you can’t have the job because they might get sick and you’d have to take care of them. If you didn’t, you’d be a bad mother. I mean, any condition of being a female still may be used against you, no matter what.

And what I remembered right away was Donahue’s extraordinary intellectual range.

135,000 citizens were displaced because of the explosion at Chernobyl. And some of them lived here.

One day, he’d interview a presidential candidate.

Throughout this imperfect part of your marriage, did you ever separate, you and Hillary?

No, that’s none of your business if we did. [APPLAUSE]

The next, an activist.

If we don’t put a halt to this new kind of nuclear war fighting, which we’re moving into, we are going to guarantee that we have a nuclear war.

The day after that, a celebrity.

Please welcome the Divine Miss M, here’s Bette Midler. [APPLAUSE]

An illiterate adult —

You came out of the closet, so to speak, two years ago?

October 16. And no one knew except my wife.

— who somehow had outwitted his college professors and his bosses, and still couldn’t read at the age of 45, despite having a big corporate job.

And I might add that I am healing, as we all are healing from the trauma of being an illiterate in this dominant literate society.

It must be terrifying.

Now, remember, this is daytime talk at a time when daytime talk didn’t really exist. Donahue is competing with soap operas and game shows. And his show was the exact opposite of all of that escapism. It was the AIDS crisis —

To what? That we don’t have to worry about catching AIDS in the air.

Right, AIDS is not transmitted by casual contact. It never has and it probably never will be.

It was the hardcore scene in New York. He devoted an entire episode to that.

Yeah, well, share with us some of the feelings that make you feel comfortable in this group.

Well, people are always seeming to try to tell us what to do, where to go, how to talk, how to walk, what to wear. And we’re just trying to say that maybe there’s an alternative to what is set before us, and told, dictated to us. We’re saying maybe there’s —

And it was this incessant curiosity about ideas and motivations, why people did what they did, why they believed what they believed, what made people who they are.

But that doesn’t quite explain why I think so many of us were watching Donahue. It was this thing he did on top of all of that. It was how he treated his audience. Now remember, until this point, a studio audience was basically an inanimate object.

Mike, you know about the evil presence in my office, right?

Of course I do, Paul. She’s standing right next to you.

Good afternoon.

They laughed, sometimes literally on a laugh track.

They clapped in unison. They were basically a prop.

Let me go out in the audience and get some observations. Now, what do you think of all this business of student protest, for example, Columbia, Berkeley, and other —

But in Donahue’s hands, the audience became just as important as the guest on the stage.

Yes, ma’am.

I think there’s racism everywhere. And you cannot pinpoint it on a particular race, but it depends on the individual. And I think that as long as we keep calling people Black and white, that’s when the racism is going to continue.

I know you want to counter.

Well, as soon as that happens, you let me know, OK?

We’re not making the —

And this wasn’t an accident. This was quite deliberate. Donahue made the audience central to the show from the very beginning. And he talked about how it happened, and why it happened in interviews.

Welcome to “Speaking Freely.” I’m Ken Paulson. It’s a pleasure to welcome Phil Donahue.

And he liked to tell the story of how the show’s origins in Dayton, Ohio, forced him to do it.

We tried to get movie stars. Everybody but us had movie stars. We would call movie stars and they’d say, Dayton? That’s the Soapbox Derby. I said, no, that’s Akron. Dayton is —

He could never persuade big-name guests to come to Dayton. So he gravitated to issues.

We discovered that issues would keep us on the air. Issues.

And when it came to issues, it turned out that the most interesting perspectives were not his.

And suddenly, the audience is starting to ask better questions than I was during the commercials. And I got up one day and walked out. And we realized now that if it hadn’t been for that, we probably would not have survived. I just don’t think you can sell two talking heads in front of a curtain for very long.

Now you tell me.

And so slowly but surely, he started to turn his microphone and his show over to his audience.

And people’s hands were going up all over. And I couldn’t get to them fast enough.

And since this was the 1960s and the 1970s, and it was in the middle of men’s workday, turning his microphone over to the audience really meant turning his microphone and eventually his show over to women.

Sexism was rampant at the time. The mantra in the television game was the only thing women care about is covered dishes, needlepoint, and children, and mothering, that’s all. And we came along and it was clear that behind this stereotype were thinking, live human beings who wanted to get in the act, who had something to say, who wanted to kick tires, who wanted to get mad, who were mad at doctors for patronizing them. And we exploited all this to our own advantage.

So in the relative obscurity of Dayton, Ohio, Donahue was undertaking a pretty radical experiment in the history of television. He was asking women what they thought. And he was taking their lives and their needs very seriously.

We are inside an abortion clinic in Chicago. The patient with her back to the camera, is in the first trimester of an unwanted pregnancy.

He televised an abortion.

Our patient, having been told what to expect, walks to the treatment room where she meets the doctor for the first time. The medical term for this abortion is vacuum aspiration curettage.

He televised a tubal ligation surgery.

You can put the baby on your breast.

He televised a child’s birth.

She is big. [CHATTER]

Of course, not all his gestures towards women were super high-minded.

What’s up, ladies? For those of you that prefer Italian men, one of Houston’s top models, Mr. GQ himself, the Italian Stallion.

There were the episodes about male strippers where these guys came out on the set, took off all their clothes, and the women went wild.

(SINGING) Wake up in a city that —

And Donahue made very clear that those pitches came from the women on his staff, not him.

Then there’s this moment in an episode in 1979 —

Here’s a woman who’s read by millions around the world. She may be our most debated philosopher.

— where all of these puzzle pieces of what made Donahue Donahue come together — his curiosity, his female audience, and these feminist ideas that his show so often probed.

A warm human being who has a lot to say and comes straight at everything she says. I am pleased to present Ayn Rand. Miss Rand.

It was an interview with the writer Ayn Rand.

So your view is if we all became more comfortable with our natural tendencies, that is to say, selfishness, there would be less horror, less war, less Hitler.

There wouldn’t be any.

And just think about that for a moment. Ayn Rand, one of the great public intellectuals of her era or really any era, this champion of rational selfishness and capitalism unbound on daytime television.

So with the more selfish we are, the more tranquil and peaceful the world in which we live?

And more benevolent toward other people, if we are rationally selfish.

And this moment starts, as so many great Donahue moments do, with a question from the audience.

Miss Rand, in your novels portray very strong women. I was wondering why you think in the world we don’t have strong women leaders?

Because if you’re speaking about women’s liberation, that whole movement, it’s a very false and phony issue.

And Rand responds by basically casting doubt on the whole movement for women’s rights.

Women are human beings, so they need leaders, just like men. They need leaders who are men or women, as the leaders have earned.

And then Donahue jumps in.

Well, but the point is that women feel because of the cultural inhibitors that have been placed on women, some sort of woman leadership is needed.

And he asks Ayn Rand how she thinks that women can get ahead. For him, this avowed feminist, the answer seems pretty obvious. What’s needed is a formal, sustained effort to advocate for women’s equality.

You can do it only by education. You do it by spreading the right idea that women, intellectually, are not the inferior of men.

Of course not.

Physically, they certainly are.

That’s what feminists are doing. They’re standing up and educating.

But Rand totally rejects that.

They are asking for government power and government handouts. They go around depriving men of jobs because you have to have quotas of so many women.

But their point is that they have been denied jobs all these years.

Donahue wants to talk about systemic barriers. Rand wants to talk about hard work.

Well, what should they do, be nice little girls and not say anything and stay home and break bread?

Well, what should they do?

Go into any career of their choice, except longshoreman or professional football player as they’re trying today.

And fight for their career as every man has to fight.

In her mind, women simply have to prove themselves one by one. And in Rand’s telling, in any reasonable, logical, free market economy, talented women will eventually just rise. It will happen.

All you have to do is show your ability. And if someone is prejudiced and doesn’t hire you, the intelligent employer will.

But then, as the conversation keeps going, this heady, fascinating back and forth about feminism and capitalism, something really interesting happens when another woman in the audience asks Rand a question.

Fifteen years ago, I was impressed with your books and I sort of felt that your philosophy was proper. Today, however, I’m more educated, and I find that if a company —

This is what I don’t answer.

But wait a minute, you haven’t heard the question yet.

And when Rand responds —

She’s already estimated her position and my work, incidentally, displaying the quality of her brain. If she says today, she is more educated.

I am more educated now than I was 15 years ago when I was in high school, before I went to college, before I read the newspaper.

I’m not interested in your biography.

She is exceptionally dismissive of this woman.

Let her make her point.

It’s very basic. If a company is permitted to do what it wants to do, like IT —

Donahue tries to create some space for this audience member to speak, but —

Can we encourage you to make a contribution to that observation?

I will not answer anyone who is impolite, but to assure you —

She wasn’t impolite.

I do not sanction impoliteness. And I am not the victim of hippies.

Rand’s disdain completely overpowers everything.

If anyone else wants to ask the same question politely, I’ll be delighted to answer.

But there was nothing impolite. You are punishing this woman for the vigor and energy that she brought to the dialogue. And that’s not fair to her. This is the kind of woman we spend a long time trying to attract to our television audience.

And what I realized was that this was a moment that could only happen on “Donahue.” It was a moment that I don’t think ever would have happened if it were just Donahue and Ayn Rand sitting on stage talking to one another. I don’t think Rand would have been that rude to this powerful TV host. She would only act that way toward an ordinary person.

What you get, because of this complicated ecosystem that Donahue has created, is this totally unfiltered version of this intellectual titan. And it’s pretty ugly. And while you’re watching this happen, you start to wonder what truly animates Ayn Rand. Is it this ruthless, uncompromising philosophy at the center of her best-selling books or is it maybe that she just doesn’t like other people?

Whatever was really going on here, it is revealing, it is messy, it is unexpected, and it is fantastic television. And all of it was orchestrated by this guy, Philip John Donahue, whose biography in no way prepares you for this kaleidoscopic, boundary-pushing national conversation that he invited the country to have day after day for 30 years.

And we’ll be back in just a moment.

Who was Phil Donahue?

My father always had a job. I was born in 1935. His unemployment preceded my birth.

He felt the Depression?

Oh, yes, my parents did. Absolutely.

He was born six years after the Great Depression into an Irish Catholic family in Cleveland. His dad sold furniture. His mom sold shoes.

I worked for the nuns for $0.50 an hour when I was 10 -, 12-years-old.

He went to a Catholic day school and later a Catholic college. And in his telling, Catholicism was the scaffolding for his entire way of thinking.

I had 16 years of Catholic education. I had most of the answers. Who made me? God made me. Why did God make me? I knew the answers to the toughest questions. And then in the ‘60s, everything started to fall apart.

And then he starts to rethink everything, especially his relationship with the Church.

We began to realize that we really did have two Americas, a Black one and a white one. And the liberal guilt, my conscience began to manifest itself. And I began to question the answers that had been given. And suddenly, my mind was racing, I guess I’d have to say.

He gets really mad at his local diocese, which is building a fancy new cathedral where he thinks it’s least needed.

Who else would spend a million dollars on a building that is used about four and a half hours a week.

And he begs the church, instead, to put that money into inner city Catholic schools.

And suddenly we were saying, hold it, hold it, now, we’ve been listening to you. Now, you listen to us.

But the church leaders ignore him.

The church was built at a cost of a million dollars, including a bell tower. It is centrally air conditioned. It stands today in Centerville, Ohio, I think, as a very hard cold monument to what churches are everywhere, almost always dark and empty.

And when he loses that battle to the Church, the Church loses him.

By the time he enters broadcasting, Donahue strongly identifies with the powerless —

Don’t talk about subsidizing the farmer. The man that printed the box made more than the man that grew the corn.

— farmers —

In our lifetime, we’ve traveled in a corridor of fear.

— gay men —

Fear of employers finding out, fear of fellow employees, fear of landlords, fear of the family. But we finally have decided, at our respective ages, to put that aside and to tell the world about our relationship and that we’re very proud of it.

— Black women —

You’re not surprised that there’s not a greater participation of women of color in the women’s movement?

Oh, there are huge numbers of women of color involved in the women’s movement. It’s just that we don’t get the media. This is a real treat for us. [LAUGHING]

— and sees his job as challenging the rich and the powerful.

Why couldn’t the millions of men, women, and children who are Arab and who find themselves in this desperate conflict and look around wondering where peace will be, why can’t they be angry with you for your characterization of them, your roundhouse criticism of them?

That sensibility is a through line across every episode of his show. And you really see it in an interview that he did in 1987 —

Are you 40?

— with a young Donald Trump.

You’re a star, Mr. Trump, and you’re a businessman. And you do not run away from publicity.

Trump is flying high. His first book, “The Art of the Deal,” has just come out. But Donahue keeps bringing the conversation back to the little guy.

Well, this is interesting, because as you know, you’re the fat cat developer and you know the book on you is that you throw little, old ladies who can’t afford the rent out of the apartment.

I don’t think that’s the book of me, if you want to know.

He wants to point it down to the street, not up at Trump’s penthouse in Trump Tower.

Your father, was there a lawsuit that you didn’t have enough Blacks or he didn’t have enough Blacks in his project? And that upset you.

I didn’t like it because it wasn’t fact. And I decided to fight it.

And at one point, Donahue reads from a passage in Trump’s book —

“The fact was that we did rent to Blacks in our buildings. What we didn’t do was rent to welfare cases, white or Black.”

— in which Trump says that he would never rent a unit in one of his buildings to anybody on welfare.

“I watched what happened when the government came after Samuel LeFrak, another builder, and he caved in and started taking welfare cases. They virtually ruined his building.”

[RUBBING HANDS]

Donahue, at this moment, dramatically rubs his hands together as if preparing to go into battle.

Isn’t that, aren’t you pretty close here to looking like an insensitive guy from atop your Trump Tower looking down on the Wollman Rink over the vast holdings of your own empire? Shouldn’t we have just a little more understanding from a man of your influence and wealth on the issue of making New York livable for all of us, safety on the subway.

Absolutely.

Then we can’t continue to give you guys these big tax breaks. And that would go for —

And Trump does what we all now to be his go-to move when somebody tries to hold him accountable —

So when everybody else in the city gets it, but Donald Trump, when Koch and the administration tries to stop Donald Trump. And I don’t say, give me the tax breaks. I say, don’t give everyone else the tax breaks.

— he makes himself the victim.

No, I’m honest. Hey, I’m not running for anything, Phil. I’m not running for office. I don’t have to lie in a book. I want to tell the facts, OK?

And toward the end of the episode, as always —

You keep saying you’re not running for office, but why don’t you?

The most prescient questions come from the women in the audience.

No, I wouldn’t want to run for mayor of New York. I’d like to see somebody talented do that. But I really have no intention of running for mayor. Thank you.

But you definitely are a political person, whether you run for office by what everything that you say and do points in that direction.

You know what it is? I don’t like being taken advantage of, OK?

They saw Trump’s future even before Trump did. By the late 1980s, “The Phil Donahue Show” was a bona fide hit. It’s syndicated across the country. And the wait time for tickets to be in his studio audience is an astonishing 18 months. And this success opens up an entirely new genre of TV. Copycats are popping up across the daytime schedule.

Sound scary? Well, the mother is on today’s show say they are terrified of their own children.

Sally Jessy Raphael, Maury Povich —

You are not the father!

— Geraldo Rivera, Jerry Springer.

You have a secret to tell him.

And your secret is?

I’m a man, Jerry. [AUDIENCE EXCLAIMS]

And most important of all —

You get a car! You get a car! You get a car!

— Oprah, who told Donahue that —

If it wasn’t for Phil Donahue, there would never have been an “Oprah Show.”

— her career would not have been possible if it weren’t for him.

Well. [CHUCKLES]

This is a full, full, full circle for me.

Well, we’ve watched “Oprah.” As you’ve soared, there is no other single human being who has done with this media what Oprah has done. My Cubs cap is off to you.

Oprah aside, the shows that follow Donahue, his illegitimate children as he called them, were nowhere near as thoughtful as his show was. But Donahue steadfastly refused to criticize them. And he was asked to criticize them all the time.

You talked about being a naughty show. But it is a far cry from what you see today on television. Are you comfortable with where it’s gone?

Well, it’s hard for me to be uncomfortable with what’s happening on television today because I’ve been preached to so much in the 29 years I was on the air. I mean, there were viewers who got messages from God to get me off the air. There were people who felt that the United States of America was going to hell, and Phil Donahue was leading it there with atheists and doing shows like the “March on Skokie by Nazis.” We had Nazis on our program.

When people say, what do I think of this or that program? I’m a little bit hesitant. I don’t want to. I feel the shows not worthy of consideration will fall of their own weight. We don’t want a bunch of white men, and that’s usually what it winds up being, behind closed doors deciding what you and I should see.

Because for him, TV belonged in the hands of the viewer. Good, bad, smart, stupid, Ayn Rand, or in-studio surprise paternity tests, they all had their place, because the alternative was undemocratic.

And one of the main bulwarks against somebody assuming power, who knows what’s good for you, is a free press and unfettered speech by the citizenry, allowing all of us to be heard. We are looking for a cacophony of voices, not a well-trained choir.

But eventually, after three decades, that cacophony overtook Donahue. The viewers were voting and they were no longer voting for him. And his show ended its run in 1996. He briefly tried to make a comeback in the early 2000s with a reboot of “The Donahue Show” on MSNBC.

The antiwar movement is heating up.

Resist the war!

But all of his antiestablishment instincts ran up against the cruel realities of cable news after the September 11 terror attacks. At a time when almost everybody else in TV news seemed to be beating the drums of war, Donahue very loudly questioned the coming US invasion of Iraq.

This is an email from Michael. I’m 17. I’m the person the Bush administration wants to hold a rifle and go off and kill Iraqis. I would like to know why? Is that too much to ask?

And to hear him tell it, his bosses at MSNBC were not interested in a cacophony of voices. They wanted a well-trained choir.

It really is funny almost, when you look back on how the management was just frozen by the antiwar voice. We were scolds. We weren’t patriotic. American people disagreed with us. And we weren’t good for business.

And his show was canceled after just seven months.

[SOMBER MUSIC]

As it happens, the year he went off the air for good was the year that I began my career in journalism. And when I think about Phil Donahue now and I try to answer that question of why I was always so drawn to his work, it’s all right there in his show. He respected his audience. He never talked down to them.

He sought out nuance wherever he could find it. He forced us way outside our comfort zones. And he challenged us to see ourselves and our neighbors in a new and more generous light.

[FANFARE BRASS MUSIC]

A few months before Donahue died back in May, President Biden invited him to the White House to receive the Presidential Medal of Freedom, the country’s highest civilian honor.

And before social media and clickbait news, Phil Donahue broadcast the power of personal stories in living rooms all across America. He helped change hearts and minds through honest and open dialogue. Over the course of a defining career in television, through thousands of daily conversations, Phil Donahue steered the nation’s discourse and spoke to our better angels. I wish you were still speaking there, pal. You made a big difference.

And for once, Phil Donahue, now seated in a wheel chair, didn’t say a word.

[SERENE MUSIC]

We’ll be right back.

Here’s what else you need to know today.

Madam Vice President, Governor Walz, thank you so much for sitting down with me.

In her first extended interview since becoming the Democratic nominee, Vice President Kamala Harris, joined by her running mate Tim Walz, was pushed by CNN to explain positions she had taken during her first run for president in 2020, but has since backed away from, including banning fracking and decriminalizing illegal border crossings.

There was a debate. You raised your hand when asked whether or not the border should be decriminalized. Do you still believe that?

I believe there should be consequence. We have laws that have to be followed and enforced, that address and deal with people who cross our border illegally. And there should be consequence.

Harris insisted that despite shifting stances on specific policies, her core beliefs have remained the same.

How should voters look at some of the changes that you’ve made in your policy? Is it because you have more experience now and you’ve learned more about the information? Is it because you’re running for president in a Democratic primary? And should they feel comfortable and confident that what you’re saying now is going to be your policy moving forward?

Dana, I think the most important and most significant aspect of my policy perspective and decisions is my values have not changed.

Today’s episode was produced by Michael Simon Johnson, Shannon Lin, Stella Tan, and Asthaa Chaturvedi. It was edited by Michael Benoist, contains original music by Marion Lozano and Dan Powell, and was engineered by Chris Wood. Our theme music is by Jim Brunberg and Ben Landsverk of Wonderly.

That’s it for “The Daily.” I’m Michael Barbaro. See you on Tuesday after the holiday.

Apple Podcasts
Google Podcasts

Hosted by Michael Barbaro

Produced by Michael Simon Johnson Shannon M. Lin Stella Tan and Asthaa Chaturvedi

Edited by Michael Benoist

Original music by Marion Lozano and Dan Powell

Engineered by Chris Wood

Listen and follow ‘The Daily’ Apple Podcasts | Spotify | Amazon Music | YouTube | iHeartRadio

Phil Donahue, the game-changing daytime television host, died last week at 88. Mr. Donahue turned “The Phil Donahue Show” into a participation event, soliciting questions and comments on topics as varied as human rights and orgies.

Michael Barbaro explains what Phil Donahue meant to him.

On today’s episode

Michael Barbaro , host of ‘The Daily’ for The New York Times.

In an old photograph, a young Phil Donahue is standing among an audience holding up a microphone and smiling. He is wearing a suit.

Background reading

An obituary for Mr. Donahue , who died last week at 88.

Here are 3 episodes that explain Mr. Donahue’s daytime dominance.

There are a lot of ways to listen to The Daily. Here’s how.

We aim to make transcripts available the next workday after an episode’s publication. You can find them at the top of the page.

The Daily is made by Rachel Quester, Lynsea Garrison, Clare Toeniskoetter, Paige Cowett, Michael Simon Johnson, Brad Fisher, Chris Wood, Jessica Cheung, Stella Tan, Alexandra Leigh Young, Lisa Chow, Eric Krupke, Marc Georges, Luke Vander Ploeg, M.J. Davis Lin, Dan Powell, Sydney Harper, Michael Benoist, Liz O. Baylen, Asthaa Chaturvedi, Rachelle Bonja, Diana Nguyen, Marion Lozano, Corey Schreppel, Rob Szypko, Elisheba Ittoop, Mooj Zadie, Patricia Willens, Rowan Niemisto, Jody Becker, Rikki Novetsky, Nina Feldman, Will Reid, Carlos Prieto, Ben Calhoun, Susan Lee, Lexie Diao, Mary Wilson, Alex Stern, Sophia Lanman, Shannon Lin, Diane Wong, Devon Taylor, Alyssa Moxley, Olivia Natt, Daniel Ramirez and Brendan Klinkenberg.

Our theme music is by Jim Brunberg and Ben Landsverk of Wonderly. Special thanks to Sam Dolnick, Paula Szuchman, Lisa Tobin, Larissa Anderson, Julia Simon, Sofia Milan, Mahima Chablani, Elizabeth Davis-Moorer, Jeffrey Miranda, Maddy Masiello, Isabella Anderson, Nina Lassam and Nick Pitman.

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Tackling the Personal Essay: Tips from a Notre Dame Admissions Counselor

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