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The Old Man and the Sea

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The Old Man and the Sea , short heroic novel by Ernest Hemingway , published in 1952 and awarded the 1953 Pulitzer Prize for fiction. It was his last major work of fiction. The story centres on an aging fisherman who engages in an epic battle to catch a giant marlin .

The central character is an old Cuban fisherman named Santiago, who has not caught a fish for 84 days. The family of his apprentice, Manolin, has forced the boy to leave the old fisherman, though Manolin continues to support him with food and bait. Santiago is a mentor to the boy, who cherishes the old man and the life lessons he imparts. Convinced that his luck must change, Santiago takes his skiff far out into the deep waters of the Gulf Stream , where he soon hooks a giant marlin . With all his great experience and strength, he struggles with the fish for three days, admiring its strength, dignity, and faithfulness to its identity; its destiny is as true as Santiago’s as a fisherman. He finally reels the marlin in and lashes it to his boat.

However, Santiago’s exhausting effort goes for naught. Sharks are drawn to the tethered marlin, and, although Santiago manages to kill a few, the sharks eat the fish, leaving behind only its skeleton. After returning to the harbour, the discouraged Santiago goes to his home to sleep. In the meantime, others see the skeleton tied to his boat and are amazed. A concerned Manolin is relieved to find Santiago alive, and the two agree to go fishing together.

The Old Man and the Sea contains many of the themes that preoccupied Hemingway as a writer and as a man. The routines of life in a Cuban fishing village are evoked in the opening pages with a characteristic economy of language. The stripped-down existence of the fisherman Santiago is crafted in a spare, elemental style that is as eloquently dismissive as a shrug of the old man’s powerful shoulders. With age and luck now against him, Santiago knows he must row out “beyond all people,” away from land and into the Gulf Stream , where one last drama would be played out, in an empty arena of sea and sky.

Hemingway was famously fascinated with ideas of men proving their worth by facing and overcoming the challenges of nature. When the old man hooks a marlin longer than his boat, he is tested to the limits as he works the line with bleeding hands in an effort to bring it close enough to harpoon . Through his struggle, Santiago demonstrates the ability of the human spirit to endure hardship and suffering in order to win. It is also his deep love and knowledge of the sea, in its impassive cruelty and beneficence, that allows him to prevail. The essential physicality of the story—the smells of tar and salt and fish blood, the cramp and nausea and blind exhaustion of the old man, the terrifying death spasms of the great fish—is set against the ethereal qualities of dazzling light and water, isolation, and the swelling motion of the sea. And through it all, the narrative is constantly tugging, unreeling a little more, and then pulling again, all in tandem with the old man’s struggle. It is a story that demands to be read in a single sitting.

The Old Man and the Sea was an immediate success and came to be regarded as one of Hemingway’s finest works. It was cited when he won the Nobel Prize for Literature in 1954. A hugely popular film adaptation starring Spencer Tracy was released in 1958.

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The Old Man and The Sea‎

Introduction the old man and the sea  ‎, summary of the old man and the sea  ‎.

When the day breaks, other fishermen gather around his boat to see the giant skeleton. At first, they do not believe Santiago would have caught. Pedrico, a local, gets the head of the fish, while other fishermen feel sorry for the old man for having lost such a great prize. However, the boy only cries for the old man for having exhausted himself without getting that prize home. Finally, Santiago dreams of baseball as well as African beaches with lions while he is asleep in his hut.

Major Themes in The Old Man and The Sea  ‎

Major characters in the old man and the sea  ‎, writing style of the old man and the sea  ‎ ‎, analysis of literary devices in the old man and the sea  ‎, related posts:, post navigation.

78 The Old Man and the Sea Essay Topic Ideas & Examples

🏆 best the old man and the sea topic ideas & essay examples, 📌 most interesting the old man and the sea topics to write about, 👍 good research topics about the old man and the sea, ❓ old man and the sea essay questions.

• Hemingway’s Code Hero in The Old Man and the Sea. Traits & Definition To solve the misconception, Hemingway sets in with his The Old Man and the Sea, featuring Santiago, an aged angler and an epitome of code heroes.
• Human Victory in “The Old Man and the Sea” by Hemingway “[…] he wrote about pity: about something somewhere that made them all: the old man who had to catch the fish and then lose it, the fish that had to be caught and then lost, […]
• Friendship in The Old Man and The Sea The book was the last published during the author’s lifetime, and some critics believe that it was his reflection on the topics of death and the meaning of life.
• The Old Man and the Sea by Hemingway In The Old Man and the Sea, Hemingway reveals his conception of heroism not as a measure of the glory and recognition his character receives, but instead in the determination of the struggle.
• “The Old Man and the Sea”: Unlucky but Undefeated The main character of Hemingway’s book The Old Man and the Sea is a person with great experience in life and in his work but he does not seem to be lucky; this is where […]
• The Old Man and the Sea It can also be stated that the novel itself has distinct religious overtones as evidenced by Santiago’s reference to the crucifixion in the scene where the sharks came to eat the body of the marlin.
• Don Quixote Comparison to Movie “The Old Man and the Sea” Both stories, The Old Man and the Sea and Don Quixote have a number of common features as they are based on all those characteristics inherent to men who are challenged the world they live […]
• The Need of Being Versed in Country Things and “The Old Man and the Sea”
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• The Resilience of the Human Spirit in “The Old Man and the Sea” by Ernest Hemingway
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• The Similarities and Differences of the Old Man, the Boy, and the Sea in in “The Old Man and the Sea”
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• The Character Santiago in Hemingway’s “The Old Man and the Sea”
• Comparison of Tom in “Uncle Tom’s Cabin” and Santiago in “The Old Man and the Sea”
• The Different Perspectives on “The Old Man and the Sea”
• The Dangerous Yet Rewarding Road to Success as a Fisherman in “The Old Man and the Sea” by Ernest Hemingway
• How Does “The Old Man and the Sea” Prompt the Audience to View the Human Condition?
• How Is Luck Important to Santiago and Manolin in “The Old Man and the Sea”?
• What Does Hemingway Convey About Success in “The Old Man and the Sea”?
• Why Did Santiago Loose the Prize He Was After in “The Old Man and the Sea”?
• How Are the Nightly Precautions Santiago Takes With His Fishing Equipment Both Realistic and Optimistic in “The Old Man and the Sea”?
• Is Santiago a Prideful Man in “The Old Man and the Sea”?
• How Does Santiago Embody Hemingway’s Ideals for Manhood in “The Old Man and the Sea”?
• What Is the Main Conflict in “The Old Man and the Sea”?
• Is Santiago Successful as a Fisherman in “The Old Man and the Sea”?
• Why Won’t Santiago Borrow Money in “The Old Man and the Sea”?
• How Does Hemingway Imply That Santiago Is a Christ-Like Figure in “The Old Man and the Sea”?
• What Is Santiago’s View of His Sinfulness in “The Old Man and the Sea”?
• How Is the Figure of Joe Dimaggio Used to Emphasize Santiago’s Respect for Nature in “The Old Man and the Sea”?
• Is the Old Man Right to Kill the Marlin in “The Old Man and the Sea”?
• What Significance Do the Lions on the Beach Have for the Old Man in “The Old Man and the Sea”?
• How Is Santiago Characterized Early in “The Old Man and the Sea”?
• What Is the Relationship Between Santiago and Manolin in “The Old Man and the Sea”?
• How Is Santiago Separated From or Different From the Other Fishermen in “The Old Man and the Sea”?
• What Do Santiago and Manolin Pretend in “The Old Man and the Sea”?
• How Is Santiago’s House Described in “The Old Man and the Sea”?
• What Are Santiago’s Feelings for Creatures of the Sea Including the Birds in “The Old Man and the Sea”?
• Why Does Santiago Call the Sea “La Mar” in “The Old Man and the Sea”?
• Why Doesn’t Santiago Worry About Talking to Himself in “The Old Man and the Sea”?
• Is the Ending of “The Old Man and the Sea” Hopeful or Discouraging?
• In What Ways Are the Fish and Santiago Alike in “The Old Man and the Sea”?
• What Do the Sharks in “The Old Man and the Sea” Symbolize?
• Why Does Santiago Say the Fish Is More Noble Than He in “The Old Man and the Sea”?
• How Does Santiago Feel About the Marlin in “The Old Man and the Sea”?
• How Does Hemingway Stress the Endurance of Santiago in “The Old Man and the Sea”?
• What Does Santiago Conclude Even When Things Are Hopeless in “The Old Man and the Sea”?
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Home — Essay Samples — Literature — The Canterbury Tales — The Old Man From The Pardoner’s Tale: Symbolism and Significance

The Old Man from The Pardoner's Tale: Symbolism and Significance

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The inevitability of death, a moral guide, the destructive nature of greed, bibliography.

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The Old Man and the Sea

By ernest hemingway, the old man and the sea themes.

Hemingway spends a good deal of time drawing connections between Santiago and his natural environment: the fish, birds, and stars are all his brothers or friends, he has the heart of a turtle, eats turtle eggs for strength, drinks shark liver oil for health, etc. Also, apparently contradictory elements are repeatedly shown as aspects of one unified whole: the sea is both kind and cruel, feminine and masculine; the Portuguese man of war is beautiful but deadly; the mako shark is noble but cruel. The novella's premise of unity helps succor Santiago in the midst of his great tragedy. For Santiago, success and failure are two equal facets of the same existence. They are transitory forms which capriciously arrive and depart without affecting the underlying unity between himself and nature. As long as he focuses on this unity and sees himself as part of nature rather than as an external antagonist competing with it, he cannot be defeated by whatever misfortunes befall him.

Triumph over crushing adversity is the heart of heroism, and in order for Santiago the fisherman to be a heroic emblem for humankind, his tribulations must be monumental. Triumph, though, is never final, as Santiago's successful slaying of the marlin shows, else there would be no reason to include the final 30 pages of the book. Hemingway vision of heroism is Sisyphean, requiring continuous labor for essentially ephemeral ends. What the hero does is to face adversity with dignity and grace, hence Hemingway's Neo-Stoic emphasis on self-control and the other facets of his idea of manhood. What we achieve or fail at externally is not as significant to heroism as comporting ourselves with inner nobility. As Santiago says, "[M]an is not made for defeat....A man can be destroyed but not defeated" (103).

Hemingway's ideal of manhood is nearly inseparable from the ideal of heroism discussed above. To be a man is to behave with honor and dignity: to not succumb to suffering, to accept one's duty without complaint and, most importantly, to display a maximum of self-control. The representation of femininity, the sea, is characterized expressly by its caprice and lack of self-control; "if she did wild or wicked things it was because she could not help them" (30). The representation of masculinity, the marlin, is described as "great," "beautiful," "calm," and "noble," and Santiago steels himself against his pain by telling himself to "suffer like a man. Or a fish," referring to the marlin (92). In Hemingway's ethical universe, Santiago shows us not only how to live life heroically but in a way befitting a man.

While important, Hemingway's treatment of pride in the novella is ambivalent. A heroic man like Santiago should have pride in his actions, and as Santiago shows us, "humility was not disgraceful and it carried no loss of true pride" (14). At the same, though, it is apparently Santiago's pride which presses him to travel dangerously far out into the sea, "beyond all people in the world," to catch the marlin (50). While he loved the marlin and called him brother, Santiago admits to killing it for pride, his blood stirred by battle with such a noble and worthy antagonist. Some have interpreted the loss of the marlin as the price Santiago had to pay for his pride in traveling out so far in search of such a catch. Contrarily, one could argue that this pride was beneficial as it allowed Santiago an edifying challenge worthy of his heroism. In the end, Hemingway suggests that pride in a job well done, even if pride drew one unnecessarily into the situation, is a positive trait.

Hemingway draws a distinction between two different types of success: outer, material success and inner, spiritual success. While Santiago clearly lacks the former, the import of this lack is eclipsed by his possession of the latter. One way to describe Santiago's story is as a triumph of indefatigable spirit over exhaustible material resources. As noted above, the characteristics of such a spirit are those of heroism and manhood. That Santiago can end the novella undefeated after steadily losing his hard-earned, most valuable possession is a testament to the privileging of inner success over outer success.

Being heroic and manly are not merely qualities of character which one possesses or does not. One must constantly demonstrate one's heroism and manliness through actions conducted with dignity. Interestingly, worthiness cannot be conferred upon oneself. Santiago is obsessed with proving his worthiness to those around him. He had to prove himself to the boy: "the thousand times he had proved it mean nothing. Now he was proving it again. Each time was a new time and he never thought about the past when he was doing it" (66). And he had to prove himself to the marlin: "I'll kill him....in all his greatness and glory. Although it is unjust. But I will show him what a man can do and what a man endures" (66). A heroic and manly life is not, then, one of inner peace and self-sufficiency; it requires constant demonstration of one's worthiness through noble action.

Santiago as Christ

Manolin has an almost religious devotion to Santiago, underscored when Manolin begs Santiago's pardon for his not fishing with the old man anymore. Manolin says, "It was Papa made me leave. I am a boy and I must obey him," to which Santiago replies, "I know... It is quite normal. He hasn't much faith" (10). Manolin's father forced his son to switch to a more successful boat after 40 days had passed without a catch for Santiago; this is the amount of time Jesus wandered in the desert, tempted by Satan.

Just as Christ resisted the temptation of the devil, Santiago resists the temptation of giving in to his exhaustion as he battles the marlin. "It was a great temptation to rest in the bow and let the fish make one circle by himself without recovering any line." But he is committed to beating the fish, to proving his strength is more steadfast, thinking, "He'll be up soon and I can last. You have to last. Don't even speak of it."

The Old Man and the Sea Questions and Answers

The Question and Answer section for The Old Man and the Sea is a great resource to ask questions, find answers, and discuss the novel.

The Old Man and the Sea, Part 2

Worthiness is an important themes in the second part of the story, Being heroic and manly are not merely qualities of character which one possesses or does not. One must constantly demonstrate one's heroism and manliness through actions conducted...

Describe santiago

Santiago is the protagonist of the novella. He is an old fisherman in Cuba who, at the beginning of the book, has not caught anything for eighty-four days. The novella follows Santiago's quest for the great catch that will save his career....

Who is manolin

Manolin is Santiago's only friend and companion. Santiago taught Manolin to fish, and the boy used to go out to sea with the old man until his parents objected to Santiago's bad luck. Manolin still helps Santiago pull in his boat in the evenings...

Study Guide for The Old Man and the Sea

The Old Man and the Sea study guide contains a biography of Ernest Hemingway, quiz questions, major themes, characters, and a full summary and analysis.

• About The Old Man and the Sea
• The Old Man and the Sea Summary
• Character List

Essays for The Old Man and the Sea

The Old Man and the Sea essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of The Old Man and the Sea by Ernest Hemingway.

• Hemingway’s Fight with Old Age
• A Different Outlook on Christian Symbolism in Hemingway’s The Old Man and the Sea
• Santiago: Transcending Heroism
• Chasing Fish: Comparing The Ultimate Goals Found in "The Old Man and The Sea" And "Dances with Wolves"
• Hemingway the Absurdist

Lesson Plan for The Old Man and the Sea

• About the Author
• Study Objectives
• Common Core Standards
• Introduction to The Old Man and the Sea
• Relationship to Other Books
• Bringing in Technology
• Notes to the Teacher
• Related Links
• The Old Man and the Sea Bibliography

Wikipedia Entries for The Old Man and the Sea

• Introduction

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A massive drone attack walloped the military command center Russia is using to wage its war against Ukraine on Saturday.

The overnight barrage destroyed ammunition plants and fuel depots in Russia’s Belgorod, Kursk, and Rostov regions.

Among the successful targets was the Morozovsk airfield, where Russia keeps its fighter-bomber jets. The Russian airfield has played a crucial role in the Kremlin’s operations against Ukraine.

Some of Russia’s anti-aircraft defense systems were also disabled on Saturday by Ukrainian-launched missiles.

Russia also lost its B-237 Rostov-on-Don attack submarine, which was sunk Saturday outside Sevastopol in Ukrainian bomb strikes.

Ukraine’s Ministry of Defense noted on X the sub was now resting at “the bottom of the Black Sea.”

Russia also launched drones overnight, with 24 of the 29 being taken out by Ukrainian forces.

Separately, the United Kingdom’s Defense Intelligence Agency’s latest report said Russia is losing more than infrastructure and war machinery — its also still losing an eye-popping number of men in the brutal battles in eastern Ukraine.

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The average daily casualty rate in July was 1,140, which is down from a staggering 1,262 a day in May , the UK agency said.

The report suggests the death count dip could be connected to “Russian forces consolidating positions on the Kharkov axis” in the eastern region.

The report further cites an effective Ukrainian defense and the poor training of Russian soldiers for the drop.

Defense Intelligence Agency officials expect the daily casualty count will remain at slightly over 1,000 through this month.

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