write an essay on dialogue

Verify originality of an essay

Get ideas for your paper

Cite sources with ease

How to Write Dialogue in an Essay: Usage, Formatting, Punctuation Rules

Updated 09 Jul 2024

From narrative essays, personal reflections, psychology simulation reports, and English literature writing and scholarships, using dialogue in an essay can dramatically change a student’s chances of delivering a successful paper. However, there are specific rules that have to be considered. Many U.S. college students have failed such essays due to not learning how to write dialogue in an essay. Our writing guide provides clear definitions, cases of usage, formatting cases with examples, and MLA and APA dialogue rules that have to be known. Thankfully, once these rules are mastered, chances of getting low grades are really low! For best grades, consider turning to one of our creative  essay writers at EduBirdie to receive plagiarism-free and unique papers.

Essay Dialogue Definition & Purpose

As most might remember from school, dialogue represents a special literary device that helps writers to portray a conversation with two or more individuals involved. Dialogue in an essay can be implemented when writing fiction or nonfiction narrative work. As an example, working with (or citing) movies, plays, books or reports, its usage may even become obligatory for greater effect. However, one should not mistake dialogue with academic research necessity to directly quote from journals, books or any other sources.

The most crucial rule isn’t to confuse direct quotes with dialogues, which is a major mistake that most college students make. The main difference lies not only in formatting rules but in purpose. The purpose of dialogue is to be a part of a particular story, adding a creative or emotionally-charged touch. Unlike direct quotes that have the purpose of supporting claims made by an author word by word, they differ by primary intention.  

When Dialogue is Used in an Essay and Why

Naturally, cases of dialogue usage differ from paper to paper, yet the majority of writing assignments that include dialogue have a creative nature. It’s so because narration always tells a story and adds literary devices to support settings, writing style, and imagery. Psychological element of perception is extremely important, therefore, each sentence has to be creative. Dialogue in an essay adds power to imagery by allowing the target audience to live through the effect of an actual presence and character of the people involved.

Various dialogue simulations in Business Management, Education, or Psychology university assignments can require creative thinking, yet when students have to work on argumentative or persuasive essays, it’s recommended to use direct quoting instead to make argumentation reliable. Since our claim has to be strong or even supported by a source, citing an existing source is correct in such cases.

Likewise, students working on expository essays explain the mechanics of certain facts by providing definite facts. The general rule for understanding whether dialogue fits in your paper is to think about the importance of direct claims. If no claim has to be made, creative use of conversation is allowed. It helps to relate stories, knowledge, and the feeling of belonging to an audience.

For example, when one has to present conversations with friends or work colleagues, writing an argumentative paper, it is recommended to use direct quotes, marking it as "Personal Interview" or "Personal Conversation", when citing. College professors expect students to have objectivity and a correct attitude that shows a scientific approach. Turning to a dialogue essay is acceptable in narration or when the writer has to be reflective. Writing dialogue in an essay can be challenging, especially for legal topics, which is why utilizing a law essay writing service can help ensure your dialogue is clear, precise, and correctly formatted.

Approach this task as a report on speech, where there’s no need to include all details. Recreating it from one's memory, the writer uses dialogue to add depth, emotional background, or mood to explain the provided story's content. Remember that conversation has to capture the reader's attention, explain settings, and be realistic enough.

Try our all-in-one writing tool

• Check grammar, readability, and plagiarism
• Cite sources & rephrase text automatically

How to Format Dialogue in an Essay

The most challenging part is how to format dialogue in an essay, yet with basic rules explained, it will not seem too difficult!

Note: Our writing guide focuses on U.S. English rules of grammar, which means that it’s always better to check twice due to possible differences in your country.

• Apply double quotation marks when signifying that character uses speech

For example: When I failed college exams, my mother told me, "You should try harder, son."

• When using quotes in quotes, use single quotation marks

As shown below: "I recall watching Colbert Report episode that said 'Politics and religion do not mix' and feeling amazed," the course instructor said.

• If conversation extends across more than one paragraph, implement quotation marks right where each paragraph starts. However, closing double quotes can only be implemented when character’s speech reaches its end

See this example: James smiled and said, "It might be difficult at first. If we choose another approach for mediation, we won't be concerned about privacy. Still, third party presence might irritate people like John and Mike. Let's hope it works out."

Another important issue that should be considered by students learning how to put dialogue in an essay relates to correct punctuation. We will use correct and incorrect examples for clearer referencing.

- If your used speech quotation locates at sentence end, always implement full stop. It should be inside inverted commas, as in here:  

Wrong use: His mother exclaimed, "Do your college homework right now, please".

Correct use: An old man commented, "This essay is worth gold."

- Speaking of questions or use of exclamation signs, there’s a rule that states if it’s related to character’s words, they should be placed inside quotation.

Incorrect: Johnny shouted, "This is against the rules"!

Correct: Linda commented, "Sounds right to me!"

- If quote belongs to another greater sentence that represents question or contains an exclamation in it, punctuation marks go beyond speech being marked.

Wrong quotation example: What would you think when professor says, "Have you seen additional grading rubric?"

Proper way: What did you do when your father shouted, "Where is Andrew"?

- If intended speech tag appears before you implement a quote, it is necessary to make it separate, therefore, writers put comma before quotation mark.

Wrong: His sister said, "I'm going to John's graduation tonight."

Correct: Mr. Brown said, "Essay writing online is possible".

- Now if conversation element appears after quotation marks, correct way is to place comma inside replica’s mark. Like this:

"Just make sure my tea is hot", my brother warned me as I went outside.

- Finally, if there is interruption in a phrase, it is necessary to put comma after the first part of used phrase. As explanatory part finishes (who speaks), comma is used once again. See our example:

"Not exactly," Tom said in teary voice, "It's plain wrong to think so."

Read also: To be confident in the explanatory part, read our guide about  how to write an explanatory essay

Now that we know how to quote dialogue in an essay, let us proceed with APA and MLA formatting peculiarities!

Read also: How to Write Dates with Commas Correctly?

Dialogue Formatting in APA and MLA essay formats

MLA formatting:

• Place dialogue in new paragraph, even if speech is really small.
• Use commas to separate speech tags.

He said, "Oh, dear! I think we forgot to invite Jamie."

• If character's speech is more than one paragraph, start every paragraph with inverted commas.
• Remember that final quotation mark is placed at paragraph's end.

During his graduation, he said, "I did not think that Social Psychology is right for me, but then I started working part-time at our local shelter. It was a time changing experience! "Thanks to my college professors, my parents, everyone who has made it possible today."

How to quote a conversation in an essay APA format:

• In APA format , if character in speech uses not much text, the same paragraph contains dialogue tags and quotes.
• Commas are used for dialogue tags separation as well as quoting.

Laura said, "I'm feeling tired. Can you help me with my assignment?"

• If speech is more than 40 words, inverted commas should be at the beginning of every paragraph, as well as at conversation's end.

During our meeting, he said, "Nothing can be as damaging as working at college assignments few hours before deadline." "No proofreading is done when student is always hurrying up. I recommend online writing services if one absolutely needs professional help and has no time."

• If your dialogue involves more than two people, each person has his or her own paragraph in essay text.

"Ashley Construction Group. How can I help you?" She said. "Stella? I think John asked you to text him this morning. Could you?" He exclaimed.

Get your paper in 3 hours!

• Customized writing: 100% original, personalized content.
• Expert editing: polished, standout work.

✔️ Zero AI. Guaranteed Turnitin success.

Choose Affordable Essay Writing Help!

According to our writing experts at EduBirdie, the most crucial part of successful dialogue essay is proofreading. Having this fact in mind, we offer affordable proofreading services online along with plagiarism-free papers within specified deadlines. Turning to our writing services, one can be assured that dialogue essay received is top-notch!

Here is what makes our service unique and tailored to individual needs:  

• Choose from list of writers based on credentials, essays completed, and subject
• Writing process involves direct contact with assigned writer
• 24/7 service support online
• Papers are proofread and free from plagiarism
• Essay templates, format checking, proofreading, logic, grammar check involved
• Free, unlimited essay revisions
• Even complex deadlines can be met timely
• Flexible prices
• Payment is released to writer only when you are fully satisfied

Was this helpful?

Thanks for your feedback, related blog posts, diversity essay: effective tips for expressing ideas.

In today's interconnected and rapidly evolving world, the importance of diversity in all its forms cannot be overstated. From classrooms to workpla...

Learn how to write a deductive essay that makes you proud!

Learning how to write a deductive essay may sound like a challenging task. Yet, things become much easier when you master the definition and the ob...

Learn how to write an extended essay correctly

This helpful article will provide all the necessary information to show you how to write an extended essay without mistakes. You will learn about a...

Join our 150K of happy users

• Get original papers written according to your instructions
• Save time for what matters most

How to Format Dialogue: Complete Guide

Dialogue formatting matters. Whether you’re working on an essay, novel, or any other form of creative writing. Perfectly formatted dialogue makes your work more readable and engaging for the audience.

In this article, you’ll learn the dialogue formatting rules. Also, we’ll share examples of dialogue in essays for you to see the details.

What is a Dialogue Format?

Dialogue format is a writing form authors use to present characters' communication. It's common for play scripts, literature works, and other forms of storytelling.

A good format helps the audience understand who is speaking and what they say. It makes the communication clear and enjoyable. In dialogue writing, we follow the basic grammar rules like punctuation and capitalization. They help us illustrate the speaker’s ideas.

General Rules to Follow When Formatting a Dialogue

Dialogue writing is an essential skill for both professionals and scholars . It shows your ability to express the issues and ideas of other people in different setups. The core rules of formatting are about punctuation. So, below is a quick reminder on punctuation marks’ names:

And now, to practice.

Please follow these rules for proper dialogue formatting:

•  Use quotation marks. Enclose the speaker’s words in double quotations. It helps readers distinguish between a character’s speech and a narrator’s comments.
•  Place punctuation inside quotation marks. All punctuation like commas, exclamations, or interrogation marks, go inside the double quotations.
•  Keep dialogue tags behind quotation marks. A dialogue tag is (1) words framing direct speech to convey the context and emotions of a conversation. For example, in (“I can’t believe this is you,” she replied.), the dialogue tag is “she replied.”
•  Use an ellipsis or em-dashes for pauses or interruptions. To show interruptions or pauses, end phrases with ellipses inside quotations. Em-dashes go outside quotations. No other extra marks are necessary here.
•  Remember a character’s voice.  Ensure that each character’s phrases reflect their background and personality.

5 More Rules to Know (+ Examples of Dialogue)

For proper formatting of dialogue in writing, stick to the following rules:

1. Each speaker’s saying comes in a new paragraph

Begin a new paragraph whenever a new character starts speaking. It allows you to differentiate speakers and make their conversation look more organized. (2)

“Has Mr. de Winter been in?” I said.    “Yes, Madam,” said Robert; “he came in just after two, and had a quick lunch, and then went out again. He asked for you and Frith said he thought you must have gone down to see the ship.”    “Did he say when he would be back again?” I asked.    “No, Madam.” — from Rebecca by Daphne du Maurier

2. Separate dialogue tags with commas

When using dialogue tags ( e.g., “she said,” “he replied,”), separate them with commas. 

For example:

“You’ve got to do something right now , ” Aaron said , “Mom is really hurting. She says you have to drive her to the hospital.” “Actually, Dad , ” said Caleb, sidling in with his catalog , “There’s someplace you can drive me, too.” “No, Caleb.” — from The Corrections by Jonathan Franzen

3. When quoting within dialogue, place single quotes

If a character cites somebody or something while speaking, we call it a reported dialogue. In this case, use single quotations within double ones you place for a direct speech. It will help readers see that it’s a quote.

John started to cry. “When you said, ‘I never wanted to meet you again in my life!’ It hurts my feelings.”

4. You can divide a character’s long speech into paragraphs

Dialogue writing is different when a person speaks for a longer time. It’s fine to divide it into shorter paragraphs. Ensure the proper quotation marks placing:

 The first quotation mark goes at the beginning of the dialogue. Each later paragraph also starts with it until that direct speech ends.

 The second quotation mark — the one “closing” the monologue — goes at the dialogue’s end.

Josphat took a deep breath and began. “ Here’s the things about lions. They’re dangerous creatures. They only know how to kill. Have you ever seen a lion in an open area? Probably not. Because if you had you’d be dead now. “ I saw a lion once. I was fetching firewood to cook lunch. All of a sudden I found myself face to face with a lion. My heart stopped. I knew it was my end on earth. If it wasn’t the poachers we wouldn’t be having this talk. ”

Yet, you can keep a long text as a whole by adding some context with dialogue tags. Like here:

As you can see, there’s no quotation mark at the end of the paragraph in red. It’s because the next “Ha! ha!” paragraph continues the character’s speech.

5. Use action beats

Describe actions to provide context and keep readers engaged. Help them “hear” your characters. Punctuation also helps here: exclamation (!) or interrogation with exclamations (?!) demonstrate the corresponding tone of your narrative.

He slammed the door and shouted , “I can’t believe you did that ! “

Mistakes to Avoid When Formatting Dialogue

A good dialogue is a powerful instrument for a writer to show the character’s nature to the audience. Below are the mistakes to avoid in formatting if you want to reach that goal.

 So, please don’t :

• Allow characters to speak for too long. Writing long paragraphs will bore the reader, making them skip through your speech. Short but sweet talk is the best. When writing, aim to be brief, dynamic, and purposeful. If your character speaks too much, generating opinion essays , ensure this speech makes sense and serves a bigger purpose.
• Overburden dialogue with exposition.  Avoid telling the story background or building sophisticated words in your characters’ speeches. Instead, reveal the narrative content in small bursts and blend it around the rest of the prose. Convey it through your character’s actions and thoughts rather than summaries and explanations.
• Create rhetorical flourishes. Make your characters sound natural. Let them speak the way they’d do if they were real people. Consider their age, profession, and cultural background — and choose lexical items that fit them most.
• Use repetitive dialogue tags. Constant “he asked” and “she said” sounds monotonous. Diversify your tags: use power verbs, synonyms, and dialogue beats.

Frequently Asked Questions by Students

How to format dialogue in an essay.

Formatting a dialogue in an essay is tricky for most students. Here’s how to do it: Enclose the speaker’s words with double quotations and start every other character’s line from a new paragraph. Stick to the citation styles like APA or MLA to ensure credibility. 

How to format dialogue in a novel?

 A dialogue in a novel follows all the standard rules for clarity and readability. Ensure to use attributions, quotation marks, and paragraph format. It makes your dialogue flow, grabbing the reader’s attention.

How to format dialogue in a book?

Dialogue formatting in a book is critical for storytelling. It helps the audience distinguish the hero’s words. Follow the general rules we’ve discussed above:

Use double quotations and isolate dialogue tags with commas. Remember to place the discussion in blocks for better readability.

How to format dialogue between two characters?

A two-character dialogue offers the best way to prove successful formatting skills. Ensure you use action beats, quotations, and attribution tags. It allows readers to follow the conversation and understand it better.

What is the purpose of dialogue in a narrative essay?  

Dialogue writing is the exchange of views between two or more people to reach a consensus. It reveals the character’s attitude and argumentation. Last but not least, it helps convey the descriptive nature of your narrative essay.

References:

• https://valenciacollege.edu/students/learning-support/winter-park/communications/documents/WritingDialogueCSSCTipSheet_Revised_.pdf
• https://www.ursinus.edu/live/files/1158-formatting-dialogue
• Essay samples
• Essay writing
• Writing tips

Recent Posts

• Writing the “Why Should Abortion Be Made Legal” Essay: Sample and Tips
• 3 Examples of Enduring Issue Essays to Write Yours Like a Pro
• Writing Essay on Friendship: 3 Samples to Get Inspired
• How to Structure a Leadership Essay (Samples to Consider)
• What Is Nursing Essay, and How to Write It Like a Pro

• Short Stories
• Writing Tips
• Fantasy Writing
• Worldbuilding
• Writing Classes
• Writing Tools
• Progress Report

A Complete Guide To Writing Dialogue

One of the writer’s most effective tools is dialogue. A story with little or no conversation between characters can sometimes make the eyelids flicker. Too much may leave the reader breathless. Writing dialogue is tough and a skill that takes time to master. 

However, there are plenty of useful tips, tools and methods to help you learn how to write dialogue in a story and how to format it too.

And for your benefit, you can find them all in this comprehensive guide.

Below, you can find the definition of dialogue, tags and formatting guidelines and a discussion on the different ways characters speak and converse.

And you can also find plenty of illuminating dialogue examples to help you gain a clear understanding of the mechanics and how you can apply it to our own writing.

You can jump through this guide by clicking below:

Choose A Chapter

What is dialogue, how to format dialogue.

• Should I Use ‘Said’ And Asked?

How To Write Dialogue Between Two Characters

How to write dialogue readers love, how to write internal dialogue, an exercise on how to write dialogue in a story, good dialogue examples from fiction, technical writing tip – how does dialogue impact the pacing of a story, how do you edit dialogue, take part in our survey on writing dialogue.

Dialogue is defined as a conversation between two or more characters , particularly in the context of a book, film or play.

Specific to writing, dialogue is the conversation between characters.

A n author may use dialogue to provide the reader with new information about characters or the plot, delivered in a more natural way. They may also utilise it to speed up the pace of the story.

As we’ll see below, there seems to be one pervading guideline when it comes to writing great dialogue and that is clarity reigns supreme.

What Is Internal Dialogue?

Internal dialogue is that which happens within a character’s mind . This can sometimes be reflected in fiction with the use of italics. For example:

I hope they don’t come down here, Mycah thought.

Internal dialogue is a great way of delving deeper into a character’s mind and perspective and is a powerful weapon when it comes to characterization. We explore it in more detail below.

Writers have different stylistic preferences when it comes to dialogue. Below, we’ll take a look at some of the best practices and common literary conventions, such as the use of a dialogue tag and quotation marks. 

Using Quotation Marks

If sticking to the principle of clarity reigns supreme, then for me, using double quotation marks is the most effective way of communicating dialogue.

They’re universally recognised as a means of conveying dialogue, and they stand out more on the page in contrast to single quotation marks. There are more reasons for using them, however, and that involves a criqute of the single quotation mark.

Writing Dialogue With Single Quotation Marks

This does come down to a matter of style.

The best format I’ve found, and by best I mean the approach readers find clearest, is to use speech marks (“) as opposed to a single apostrophe (‘).

If, for instance, a character is speaking and quotes someone else, single quotation marks can be used within the speech marks, therefore avoiding any confusion, for example:

  “I can’t believe she called me ‘an ungrateful cow.’ She’s got some nerve.”

Format Dialogue On A Single Line

Another helpful approach to help maintain clarity is to begin a piece of dialogue on a new line whenever a new character speaks. For instance:

“Who was at the door?” Nick asked. “A couple of Mormons,” Sarah said.

Adding Dialogue Tags

Dialogue tags are simply a piece of prose that follows a piece of speech that identifies who spoke. You can see it in the example above featuring Nick and Sarah.

You can use a dialogue tag in lots of useful ways. For example body language.

If a character reacts to something another character says or does, to maintain clarity, pop the reaction on a new line, followed by dialogue. So for example:

“We’re all sold out,” Dan said. Jim sighed. “Have you not got any in the back?”

Do You Always Need To Use Dialogue Tags?

Something I’ve noticed some of my favourite writers doing—James Barclay and George R.R. Martin, in particular—is, when possible, avoid using an attribution altogether. Less is more, as they say. If just a couple of people are talking, it may already be clear from the voices and language of the characters who exactly is speaking.

Again, to aid clarity, if there are a number of people involved in a conversation, it helps to use an attribution whenever a different character speaks. Nobody wants to waste time re-reading passages to check who’s speaking. I don’t enjoy it and I’m sure others don’t either.

Repetitive use of attribution may grate on a reader. It can suggest a lack of trust in them to follow the story. It helps when editing to look for moments where it’s unclear who’s speaking and if necessary add an attribution.

A brief point on the styles of attribution. If you read a lot, you may notice some writers prefer the order “John said,” and some prefer “said John”. Sanderson is of the view that the character’s name should come first because that’s the most important bit of information to the reader. But the likes of Tolkien adopted the latter version. It’s all personal preference. Why not mix and match?

Should I Use “Said” And “Asked”?

When it comes to the questions I often see asked on how to write dialogue, this is perhaps the most common.

An attribution, also known as an identifier or tag, is the part of the sentence that follows a piece of dialogue. For example: “John said.” In his creative writing lectures, Brandon Sanderson shares a few useful tips.

• Try to place the attribution as early as possible to help make it clear in the reader’s mind who is speaking. This can be done mid-sentence, such as: “I don’t fancy that,” Milo said. “What else do you have?” Breaking away like this works well if a character is going to be speaking for a few lines or paragraphs. You can also use an attribution before the dialogue, though there’s something about this that I find jarring. Used sparingly it works well, but too often just seems annoying and archaic. It’s all personal preference though.
• Try using beats, but not too many. What’s a beat? A beat is a reaction to something said or done. So for example facial expressions like frowning, smiling, narrowing of the eyes, biting of the lip, and hand gestures such as pointing, clenching fists, and fidgeting. And then you’ve got physical movements, like pacing up and down, smashing a glass, punching a wall.
• Don’t worry about using ‘said’ and ‘asked’. To the reader, these words are almost invisible. What they care about is who exactly is speaking.
• When a character first speaks refer to them by name, but after that, it’s fine to refer to them as he or she, provided they’re still the one speaking. It’s even desirable to use the pronoun; repeating a name over and over can irritate a reader.

Remember the overarching principle for when it comes to writing dialogue: clarity reigns supreme. Using ‘said’ and ‘asked’ is often the clearest way of getting your point across.

What To Use Instead Of Said In Dialogue

Remember, there’s no problem with using the word ‘said’ after a piece of dialogue. But if you find when reading your piece aloud that the repeated use jars, especially in a dialogue-rich scene, you may want to mix things up.

Using words other than ‘said’ can help to characterize too—everybody reacts differently to things and those reactions reveal a lot about a person.

So, here’s a list of twenty words that you can use instead of ‘said’ when writing dialogue:

• Pointed out
• Interrupted

So, let’s take a look at how to write dialogue between two characters. If you’d rather have a visual explainer, check out this informative video below.

A useful distinction to make is between everyday dialogue and the dialogue we find in fiction.

The chatter we hear in real life is full of rambling, repetitive sentences, grumbles, grunts, ‘erms’ and ‘ahs’, with answers to questions filled with echoes (repeating a part of the question posed, e.g. “How are you?” asked A. “How am I?” B answered).

When we think of the dialogue we read in books, it contains little of the things we find in these everyday exchanges. According to Sol Stein, there’s a reason for this—it’s boring to read.

If it holds no relevance to the story, we don’t care if a character’s cat prefers to eat at your neighbour’s house instead of your own, or if they think their nail job isn’t worth the money they paid, or if they think the window cleaner isn’t cleaning their windows. There are some snippets we overhear on the street that are interesting—an unusual name, a section of a story we want to know more about. Rare diamonds in a mine miles deep. I’ve fallen into the trap of trying to achieve realistic dialogue and it makes for drawn-out scenes and boring exchanges.

According to Stein, dialogue ought not to be a recording of actual speech, but rather a semblance of it.

What is this semblance of dialogue why should we try and achieve it?

So, how do we write  good  dialogue?

When we scrutinise a person as they’re talking (all the boring stuff aside) we discover a lot about their character: who they are, what they believe in, and sometimes, if they reveal them, their motives. We glean all this from word choice, sentence structure, choice of topic, their behaviour as they say something.

It’s these little details we as writers must dig for, so when it comes to writing our own dialogue, we can use them to help characterise our own characters and, if possible, develop the plot. The key to mastering dialogue , according to Stein, is to factor in both characterisation and plot.

How do we do it? Let’s look at some dialogue writing examples:

Milford:                       How are you? Belle:                            How am I? I’m fine. How are you? Milford:                       Well thanks. And the family? Belle:                            Great

I had to stop myself from stabbing my eyes out with my pen. This example is mundane, riddled with echoes, and gives us no imagery about the characters involved. How about this version?

Milford:                        How are you? Belle:                            Oh, I’m sorry, didn’t see you there. Milford:                        Is this a bad time? Belle:                            No, no. Absolutely not.

See the difference? Milford asks Belle a question, which Belle doesn’t answer. This is an example of oblique dialogue . It’s indirect, evasive, and creates conflict.

It’s a great tool for when it comes to looking at how to write dialogue in a story using different approaches. Our character is not getting answers. Oblique language helps to reveal a bit about the characters and the plot, namely that Belle could be a bit shifty and up to something unsavoury.

Writing Realistic Dialogue

When it comes to knowing how to write natural dialogue, the question to ask yourself is whether or not this style is going to fit your story.

Natural dialogue suits some stories wonderfully. However, it can also work against your story, maybe confusing things for your readers or making it too difficult to read.

When it comes to writing natural dialogue, it’s important to bear in mind the principles discussed here. Give your conversations purpose, make them oblique or intriguing, and don’t give information up cheaply.

You can achieve this in a natural or more casual or informal style.

If you’re looking for more visual tips and advice on writing dialogue, check out this excellent video below:

Say It Aloud

When you’ve written a piece of dialogue, one of the best and simplest techniques to check how it works is to say it out loud.

In doing so you’ll get a sense of how natural it is or whether it jars, or even if it’s cringy or cliche—we’ve all been there.

If you don’t feel comfortable speaking it aloud, you can use a Text to Voice function, like on a website like Natural Readers which allows you to paste in text and then have it read it back to you (it’s free).

Add Slang From Your World

An effective way to write good dialogue that not only characterizes and drives the plot but adds to your world, is to use slang or world-specific references. This can be particularly useful in the fantasy and sci-fi genres .

For example, in my novel  Pariah’s Lament , I refer to the world in place of phrases that refer to our own. So instead of “What in the world was that?” I’d say something like “What in Tervia was that?”

Small Talk And Hellos And Goodbyes

As a general rule, there’s no need to include small talk, hellos and goodbyes. The reader isn’t really too bothered about these niceties. They just want to get to the action, the conflict.

You can brush over things like small talk and hellos with short descriptions in your prose writing . For instance:

Stef and John stepped into the room. A sea of smiling faces welcomed them and before they knew it, they were shaking hands and embracing. “I wasn’t expecting such a warm welcome,” Stef said. “It’s like they have no idea what we’ve done,” John replied. “Maybe they don’t.” “Or maybe they do, and it’s all a ruse.” Stef looked at him a moment, thoughtful. “You’re getting paranoid.”

See here how the hellos were glided by and we’re straight into more interesting dialogue? You can also cut back on the odd superfluous dialogue tag too if it doesn’t add to your story.

Give Your Characters Their Own Voice

A character’s voice is an important factor in dialogue. Nobody speaks in the same way. Some people have lisps, some people say their ‘r’s’ like ‘w’s’, some people don’t enunciate properly, say words differently, speak in accents, and have a nasal twang. There are so many variables.

Introducing these features to some or all of your characters can help to make them more memorable and distinct.

How To Write Dialogue For A Drunk Character

When we’re writing our stories it’s likely that some of our characters may become intoxicated with alcohol or drugs. This creates the question in a writer’s mind, how do you write dialogue for a drunk character?

We can fall into the trap of spelling out the words that they try to say, factoring in the slurs, the missed words and the mispronunciations. The problem this can create is that it can go against our overarching principle of clarity reigns supreme.

Dialogue that’s too difficult to read can cause frustration in the reader. They may get fed up and stop reading altogether—the last thing we want.

The best technique is to provide a description of how the person is talking. Describe how they slur their words, how certain letters sound in their drunken state and so on. Including body language in this will help a great deal too. You can then write dialogue in a more natural and understandable way.

The same applies to the likes of writing stuttering in dialogue. It can be very frustrating for a person to listen to a person with a stutter. To include it in your writing can cause problems too. So again one of the best solutions is to describe the stutter first and then write dialogue naturally.

Hopefully, these tips will help you with how to write dialogue for our intoxicated characters.

An Author May Use Dialogue To Provide The Reader With Information, But Don’t Info Dump

An author may use dialogue to provide the reader with useful information. However, if done incorrectly it can have a negative effect.

In his book The First Five Pages , Noah Lukeman says that one of his biggest reasons for rejecting a manuscript is the use of informative dialogue. In other words, using dialogue as a means for conveying information, or info-dumping . He says it suggests the writer is lazy, too unimaginative to convey the information in a subtler way. If you’d like to learn more about avoiding info dumps, check out my guide on natural worldbuilding .

Sometimes dialogue will give us no information at all. Sometimes snippets. Often if you overhear a conversation between two people you’ll find you understand little of what they discuss. It’s the little details they reveal that are most interesting. Take the example of someone mentioning they went to the hospital. The person they’re with may know why they went, but you don’t. Give the reader pieces of the giant puzzle and leave them wanting more.

Lukeman suggests a few solutions to mend instances of informative dialogue. One is to highlight pieces of dialogue that merely convey information and do not reveal or suggest the character’s personality or wants. Break them apart and find a way to let them trickle into the story.

Understanding how to write internal dialogue can prove a key weapon in your writing arsenal.

This style of dialogue can be employed effectively in scenes or stories focused on lone characters. It can break up the monotony of long paragraphs of exposition, which provides welcome relief to readers. Unlike other forms, you don’t need to use a dialogue tag as such.

There are a couple of common ways that you can employ internal dialogue in writing:

• The first option is to italicise the comments made by your character internally. For example: “A door downstairs slammed shut.  It’s not windy tonight. How the hell could that have happened?” The main idea here is that the italicised words make it clear to the reader that this is internal dialogue.
• Another option is to write internal dialogue as you would normal dialogue, with speech marks. The difference is what follows that passage of conversation. Usually, it’s something like, “I really do need to get that fixed,” Halle thought to herself. Here, you simply identify that the dialogue was spoken in the mind and not aloud.

As for which is best for how to write effective dialogue for internal thoughts, it’s all a matter of style. However, my personal preference is using italics. To me, it’s just clearer to readers, and that’s the main aim. So that is how to write internal dialogue.

As a little exercise, try and think of some oblique responses to the following line. I’ll give you an example to start. Remember to factor in Stein’s key ingredients— characterisation and plot:

            Exercise: “You’re the most beautiful woman I’ve ever seen.”

            Example: “Did you say the same thing to that blonde girl behind the bar?”

In this example of how to write dialogue, we get a response that avoids answering the statement. She could quite easily turn around and say “Thank you,” but that’s boring. Instead, we’re wondering about this man and what he’s about, and a bit more about the woman too, namely that she’s observant.

Let’s take a look at some good dialogue examples from some of the finest pieces of fiction to grave our bookshelves:

Dialogue Example #1 “The Silence of the Lambs” by Thomas Harris

“Good morning, Dr. Lecter. How are you feeling?”

“Better than your last visit, Clarice. Shall I have a chair brought in for you?”

“No thank you, I’d rather stand.”

“Please, sit. That’s better. You know, you remind me of someone. A young man I met long ago. He was a student like yourself, with a quick mind and a charming smile. I wonder what became of him.”

“I don’t know, Dr. Lecter. I’m here to ask you about Buffalo Bill.”

Dialogue Example #2 “The Catcher in the Rye” by J.D. Salinger

“You’re lucky. You’re really lucky. You know that, don’t you?” I said.

“Don’t worry about me,” Sally said. “I’ll be all right. I’m serious.”

“I know you will,” I said. “That’s why I’d like to talk to you for just a minute. This is no kidding. You’re going to have to have yourself a grand time this summer. Especially this summer. Have yourself a real need. Because you’re going to go to a lot of parties, and some of them are going to be quite grim, and you’re going to need that need.”

“I know I will,” Sally said. “Don’t worry about me.”

“I know you will,” I said. “But do it anyway. Do it for me. Okay?”

Dialogue Example #3 “To Kill a Mockingbird” by Harper Lee

“Atticus, are we going to win it?”

“No, honey.”

“Then why-“

“Simply because we were licked a hundred years before we started is no reason for us not to try to win,” Atticus said.

One of the most important things to know when it comes to looking at dialogue is the impact it has on pacing.

Dialogue has a knack for increasing the pace and moving the story forward. Readers can find themselves tearing through pages laden with dialogue. As if with all tools of the craft, it pays to know how best to use it. Literary agent Noah Lukeman said a writer must learn how to use restraint when it comes to dialogue, “to sustain suspense and let a scene unfold slowly.”

Again, it’s all a matter of preference.

It’s one thing to know how to write dialogue, it’s another to know how to edit it.

For sound editing advice a good person to turn to is a master editor. In his book on the craft of writing, Sol Stein provides a very helpful checklist when going over passages of conversation:

• What is the purpose of this exchange? Does it begin or heighten an existing conflict, for example?
• Does it stimulate curiosity in the reader?
• Does it create tension?
• What is the outcome of the exchange? Builds to a climax, or a turn of events in the story, or a change in relationship with the speakers?
• Has the correct dialogue tag been used for each character, one that enhances the tale.

One additional step Stein recommends is reading dialogue aloud in a monotone expression. Listen to the meaning of the words in your exchanges.

“What counts is not what is said but the effect of what it means… The reader takes from fiction the meaning of words. And above all, they take the emotion that meaning generates.”

So these are a few things that I’ve found helpful when it comes to writing dialogue. As we’ve seen, an author may use dialogue to provide the reader with interesting information, delivered in a compelling and intriguing way.

Perhaps the most important advice I’ve taken away from them all is to always maintain clarity while using obliqueness to give dialogue that snappy, enticing edge. It’s easier said than done, mind.

Learn More About Creative Writing

Before I leave you, I wanted to point you in the direction of some other guides I think you may find useful.

• Great Examples Of The 5 Senses In Writing – if you’d like to learn how to enrich your prose with vivid descriptions, this guide holds the answers.
• Men Writing Women – this guide can be important when it comes to writing dialogue. It’s vital to take these key considerations into account when writing characters of different genders.
• More Dialogue Writing Examples   from Florida Gulf Coast University, with useful advice on making the best use of a dialogue tag

For more writing tips and guides , head here. Or you can find lots of links on all types of creative writing topics on my home page . Thanks for reading this guide on how to write dialogue that readers will love.

• Recent Posts

• Adjectives That Start With ‘R’ - August 12, 2024
• Adjectives That Start With A – Mega List With Definitions - August 3, 2024
• Adjectives That Start With F – With Definitions - August 1, 2024

richiebilling

About author, related posts, adjectives that start with 'r', adjectives that start with a - mega list with definitions, adjectives that start with f - with definitions.

I think crafting one’s own “book on writing” is a great exercise for any writer, regardless of whether or not they want to publish it. The act itself is a great way to organize one’s thoughts and ideas about writing, and compare one’s existing ideas to those one may encounter through others (books, blogs, interviews, etc.). I don’t know if mine will ever be fit for publication, but I find it very helpful to write such things down, instead of worrying about whether or not I’ll remember it.

Definitely! That’s one of the main reasons I’m doing it. We’ve got nothing to lose!

Mmm. And writing it out, organizing it, really helps us retain it afterwards. I feel like I rarely need to consult my notes, but the act of writing them out really helps.

• Pingback: A Fantasy Writers’ Handbook by Richie Billing @Magpie_Richie #Spotlight #BookPromo – Chat About Books
• Pingback: Great Examples Of The 5 Senses In Writing | Richie Billing
• Pingback: How To Edit A Novel - Richie Billing
• Pingback: What Is Foreshadowing In A Story? [Definition and Examples] - Richie Billing
• Pingback: The Best Show Don't Tell Examples For Writers - Richie Billing

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Save my name, email, and website in this browser for the next time I comment.

Notify me of follow-up comments by email.

Notify me of new posts by email.

This site uses Akismet to reduce spam. Learn how your comment data is processed .

Read my debut fantasy novel, Pariah’s Lament

Sign Up For Free Stories!

Email address

Read my guide to writing fantasy, A Fantasy Writers’ Handbook

Fantasy Castle: Gallery, Blueprints And Ideas

Medieval castles: a complete guide, quick links.

• Get In Touch
• Reviews And Testimonials
• Editorial Policy
• Terms Of Service
• Privacy Policy
• Cookies Policy
• Equality, Diversity And Inclusivity (EDI) Policy
• Affiliate Marketing Policy
• Payment Information

Follow On Social Media

Forgot your password?

Lost your password? Please enter your email address. You will receive mail with link to set new password.

Back to login

No thanks, close this box

Looking to publish? Meet your dream editor, designer and marketer on Reedsy.

Find the perfect editor for your next book

1 million authors trust the professionals on Reedsy. Come meet them.

Guides • Perfecting your Craft

Last updated on Sep 21, 2023

How to Write Fabulous Dialogue [9 Tips + Examples]

About tom bromley.

Author, editor, tutor, and bestselling ghostwriter. Tom Bromley is the head of learning at Reedsy, where he has created their acclaimed course, 'How to Write a Novel.'

Good dialogue isn’t about quippy lines and dramatic pauses.

Good dialogue is about propelling the story forward, pulling the reader along, and fleshing out characters and their dynamics in front of readers. Well-written dialogue can take your story to a new level — you just have to unlock it.

In this article, I’ll break down the major steps of writing great dialogue, and provide exercises for you to practice your own dialogue on.

Here's how to write great dialogue in 9 steps:

1. Use quotation marks to signal speech

2. pace dialogue lines by three , 3. use action beats , 4. use ‘said’ as a dialogue tag  , 5. write scene-based dialogue, 6. model any talk on real life , 7. differentiate character voices, 8. "show, don't tell" information in conversation , 9. delete superfluous words, which dialogue tag are you.

Find out in just a minute.

Alfred Hitchcock once said, “Drama is life with all the boring bits cut out.”

Similarly, I could say that good dialogue in a novel is a real conversation without all the fluff — and with quotation marks. 

Imagine, for instance, if every scene with dialogue in your novel started out with:

'Hey, buddy! How are you doing?"

“Great! How are you?""

'Great! Long time no see! Parking was a nightmare, wasn’t it?"

Firstly, from a technical perspective, the quotation marks are inconsistent and incorrectly formatted. To learn about the mechanics of your dialogue and how to format it, we also wrote this full post on the topic that I recommend reading.

Secondly, from a novel perspective, such lines don’t add anything to the story. And finally, from a reading perspective, your readers will not want to sit through this over and over again. Readers are smart: they can infer that all these civilities occur. Which means that you can skip the small talk (unless it’s important to the story) to get to the heart of the dialogue from the get-go.  

For a more tangible example of this technique, check out the dialogue-driven opening to Barbara Kingsolver's novel, Unsheltered .

Screenwriter Cynthia Whitcomb once proposed an idea called the “Three-Beat Rule.” What this recommends, essentially, is to introduce a maximum of three dialogue “beats” (the short phrases in speech you can say without pausing for breath) at a time. Only after these three dialogue beats should you insert a dialogue tag, action beat, or another character’s speech.

Here’s an example from Jane Gardam’s short story, “Dangers”, in which the boy Jake is shooting an imaginary gun at his grandmother:

In theory, this sounds simple enough. In practice, however, it’s a bit more complicated than that, simply because dialogue conventions continue to change over time. There’s no way to condense “good dialogue” into a formula of three this, or two that. But if you’re just starting out and need a strict rule to help you along, then the Three-Beat Rule is a good place to begin experimenting.

FREE COURSE

How to Write Believable Dialogue

Master the art of dialogue in 10 five-minute lessons.

Let’s take a look at another kind of “beats” now — action beats.

Action beats are the descriptions of the expressions, movements, or even internal thoughts that accompany the speaker’s words. They’re always included in the same paragraph as the dialogue, so as to indicate that the person acting is also the person speaking.

On a technical level, action beats keep your writing varied, manage the pace of a dialogue-heavy scene, and break up the long list of lines ending in ‘he said’ or ‘she said’.

But on a character level, action beats are even more important because they can go a level deeper than dialogue and illustrate a character’s body language.

When we communicate, dialogue only forms a half of how we get across what we want to say. Body language is that missing half — which is why action beats are so important in visualizing a conversation, and can help you “show” rather than “tell” in writing.

Here’s a quick exercise to practice thinking about body language in the context of dialogue: imagine a short scene, where you are witnessing a conversation between two people from the opposite side of a restaurant or café. Because it’s noisy and you can’t hear what they are saying, describe the conversation through the use of body language only.

Remember, at the end of the day, action beats and spoken dialogue are partners in crime. These beats are a commonly used technique so you can find plenty of examples —  here’s one from  Never Let Me Go  by Kazuo Ishiguro . 

If there’s one golden rule in writing dialogue, it’s this: ‘said’ is your friend.

Yes, ‘said’ is nothing new. Yes, ‘said’ is used by all other authors out there already. But you know what? There’s a reason why ‘said’ is the king of dialogue tags: it works.

Pro-tip: While we cannot stress enough the importance of "said," sometimes you do need another dialogue tag. Download this free cheatsheet of 270+ other words for said to get yourself covered!

FREE RESOURCE

Get our Dialogue Tag Cheatsheet

Upgrade your dialogue with our list of 270 alternatives to “said.”

The thinking goes that ‘said’ is so unpretentious, so unassuming that it focuses readers’ attention on what’s most important on the page: the dialogue itself. As writer Elmore Leonard puts it: 

“Never use a verb other than ‘said’ to carry dialogue. The line of dialogue belongs to the character; the verb is the writer sticking his nose in. But ‘said’ is far less intrusive than ‘grumbled,’ ‘gasped,’ ‘cautioned,’ ‘lied.’”

It might be tempting at times to turn towards other words for ‘said’ such as ‘exclaimed,’ or ‘declared,’ but my general rule of thumb is that in 90% of scenarios, ‘said’ is going to be the most effective dialogue tag for you to use while writing dialogue.

So now that we have several guidelines in place, this is a good spot to pause, reflect, and say that there’s no wrong or right way to write dialogue. It depends on the demands of the scene, the characters, and the story. Great dialogue isn’t about following this or that rule — but rather learning what technique to use when . 

If you stick to one rule the whole time — i.e. if you only use ‘said,’ or you finish every dialogue line with an action beat — you’ll wear out readers. Let’s see how unnaturally it plays out in the example below with Sophie and Ethan: 

All of which is to say: don’t be afraid to make exceptions to the rule if the scene asks for it. The key is to know when to switch up your dialogue structure or use of dialogue tags or action beats throughout a scene — and by extension, throughout your book.

Tell us about your book, and we'll give you a writing playlist

It'll only take a minute!

Dialogue isn’t always about writing grammatically perfect prose. The way a person speaks reflects the way a person is — and not all people are straight-A honor students who speak in impeccable English. In real life, the way people talk is fragmented, and punctuated by pauses.

That’s something that you should also keep in mind when you’re aiming to write authentic dialogue.

It can be tempting to think to yourself, “ Oh, I’ll try and slip in some exposition into my dialogue here to reveal important background information.” But if that results in an info-dump such as this — “ I’m just going to the well, Mother — the well that my brother, your son, tragically fell down five years ago ” — then you’ll probably want to take a step back and find a more organic, timely, and digestible way to incorporate that into your story.

Kay Adams is Michael’s date at his sister’s wedding in this scene. Her interest in his family is natural enough that the expository conversation doesn’t feel shoehorned in. 

A distinctive voice for each character is perhaps the most important element to get right in dialogue. Just as no one person in the world talks the same as each other, no one person in your book should also talk similarly.

To get this part of writing dialogue down pat, you need to start out by knowing your characters inside out. How does your character talk? Do they come with verbal quirks? Non-verbal quirks?

Jay Gatsby’s “old sport,” for example, gives him a distinctive, recognizable voice. It stands out because no one else has something as memorable about their speech. But more than that, it reveals something valuable about Gatsby’s character: he’s trying to impersonates a gentleman in his speech and lifestyle.

Likewise, think carefully about your character’s voice, and use catchphrases and similar quirks when they can say something about your character. 

Which famous author do you write like?

Find out which literary luminary is your stylistic soulmate. Takes one minute!

“Show, don’t tell” is one of the most oft-repeated rules in writing, and a conversation on the page can be a gold mine for “showing.”

Authors can use action beats and descriptions to provide clues for readers to read between the lines. Let’s revisit Sophie and Ethan in this example:

While Sophie claims she hasn’t been obsessing over this project all night, the actions in between her words indicate there’s nothing on her mind  but  work. The result is that you show , through the action beats vs. the dialogue, Sophie being hardworking—rather than telling it.

Show, Don't Tell

Master the golden rule of writing in 10 five-minute lessons.

As always when it comes to writing a novel: all roads lead back to The Edit, and the dialogue you’ve written is no exception.

So while you’re editing your novel at the end, you may find that a “less is more” mentality will be helpful. Remember to cut out the unnecessary bits of dialogue, so that you can focus on making sure the dialogue you  do  keep matters. Good writing is intentional and purposeful, always striving to keep the story going and readers engaged. The importance lies in quality rather than quantity. 

One point I haven’t addressed yet is repetition. If used well (i.e. with clear intention), repetition is a  literary device  that can help you build motifs in your writing. But when you find yourself repeating information in your dialogue, it might be a good time to revise your work. 

For instance, here’s a scene with Sophie and Ethan later on in the story: 

As I’ve mentioned before, good dialogue shows character — and dialogue itself is a playground where character dynamics play out. If you write and edit your dialogue with this in mind, then your dialogue will be sharper, cleaner, and more organic. 

I know that writing dialogue can be intimidating, especially if you don’t have much experience with it. But that should never keep you from including it in your work! Just remember that the more you practice — especially with the help of these tips — the better you’ll get.

And once you’re confident with the conversational content you can conjure up, follow along to the next part of our guide to see how you can punctuate and format your dialogue flawlessly .

Join a community of over 1 million authors

Reedsy is more than just a blog. Become a member today to discover how we can help you publish a beautiful book.

Catch your errors

Polish your writing in Reedsy Studio, 100% free.

1 million authors trust the professionals on Reedsy. Come meet them.

Enter your email or get started with a social account:

• Grammar Checker
• Paraphrasing Tool
• Critique Report
• Writing Reports
• Learn Blog Grammar Guide Community Events FAQ
• Grammar Guide

How to Write Dialogue in a Narrative Paragraph

By Hayley Milliman

What is Dialogue?

How to write dialogue, how to punctuate your dialogue, periods and commas, question marks and exclamation points, final thoughts.

Dialogue is the written conversational exchange between two or more characters.

Conventional English grammar rules tell us that you should always start a new paragraph when someone speaks in your writing.

“Let’s get the heck out of here right now,” Mary said, turning away from the mayhem.

John looked around the pub. “Maybe you’re right,” he said and followed her towards the door.

Sometimes, though, in the middle of a narrative paragraph, your main character needs to speak.

Mary ducked away from flying fists. The fight at the pub was getting out of control. One man was grabbing bar stools and throwing them at others, and while she watched, another one who you could tell worked out regularly grabbed men by their shirt collars and tossed them out of the way. Almost hit by one flying person, she turned to John and said, “Let’s get the heck out of here right now.”

In my research, I couldn’t find any hard and fast rules that govern how to use dialogue in the middle of a narrative paragraph. It all depends on what style manual your publisher or editorial staff follow.

For example, in the Chicago Manual of Style , putting dialogue in the middle of paragraphs depends on the context. As in the above example, if the dialogue is a natural continuation of the sentences that come before, it can be included in your paragraph. The major caveat is if someone new speaks after that, you start a new paragraph and indent it.

On the other hand, if the dialogue you’re writing departs from the sentences that come before it, you should start a new paragraph and indent the dialogue.

The fight at the pub was getting out of control. One man was grabbing bar stools and throwing them at others, and another one who you could tell worked out regularly grabbed men by their shirt collars and tossed them out of the way.

Punctuation for dialogue stays consistent whether it’s included in your paragraph or set apart as a separate paragraph. We have a great article on how to punctuate your dialogue here: Where Does Punctuation Go in Dialogue?

It’s often a stylistic choice whether to include your dialogue as part of the paragraph. If you want your dialogue to be part of the scene described in preceding sentences, you can include it.

But if you want your dialogue to stand out from the action, start it in the next paragraph.

Dialogue is a fantastic way to bring your readers into the midst of the action. They can picture the main character talking to someone in their mind’s eye, and it gives them a glimpse into how your character interacts with others.

That said, dialogue is hard to punctuate, especially since there are different rules for different punctuation marks—because nothing in English grammar is ever easy, right?

We’re going to try to make this as easy as possible. So we’ll start with the hardest punctuation marks to understand.

For American English, periods and commas always go inside your quotation marks, and commas are used to separate your dialogue tag from the actual dialogue when it comes at the beginning of a sentence or in the middle. Here are a few examples:

Nancy said, “Let’s go to the park today since the weather is so beautiful.”

“Let’s go to the park today since the weather is so beautiful,” she said.

“Let’s go to the park today,” she said, “since the weather is so beautiful.”

British English puts the periods and commas inside the quotation marks if they’re actually part of the quoted words or sentence. Consider the following example:

• She sang “Somewhere Over the Rainbow”, the theme song from The Wizard of Oz.

In the above example, the comma after “Rainbow” is not part of the quoted material and thus belongs outside the quotation marks.

But for most cases when you’re punctuating dialogue, the commas and periods belong inside the quotation marks.

Where these punctuation marks go depends on the meaning of your sentence. If your main character is asking someone a question or exclaiming about something, the punctuation marks belongs inside the quotation marks.

Nancy asked, “Does anyone want to go to the park today?”

Marija said, “That’s fantastic news!”

“Please say you’re still my friend!” Anna said.

“Can we just leave now?” asked Henry.

But if the question mark or exclamation point is for the sentence as a whole instead of just the words inside the quotation marks, they belong outside of the quotes.

Does your physical therapist always say to his patients, “You just need to try harder”?

Do you agree with the saying, “All’s fair in love and war”?

Single Quotation Marks

Only use single quotation marks for quotes within quotes, such as when a character is repeating something someone else has said. Single quotes are never used for any other purpose.

Avery said, “I saw a sign that read ‘Welcome to America’s Greatest City in the Midwest’ when I entered town this morning.”

“I heard Mona say to her mom, ‘You know nothing whatsoever about me,’ ” said Jennifer.

Some experts put a space after the single quote and before the main quotation mark like in the above example to make it easier for the reader to understand.

Here’s a trickier example of single quotation marks, question marks, and ending punctuation, just to mix things up a little.

• Mark said, “I heard her ask her lawyer, ‘Am I free to go?’ after the verdict was read this morning.”

Perfectly clear, right? Let us know some of your trickiest dialogue punctuation situations in the comments below.

Are you prepared to write your novel? Download this free book now:

The Novel-Writing Training Plan

So you are ready to write your novel. excellent. but are you prepared the last thing you want when you sit down to write your first draft is to lose momentum., this guide helps you work out your narrative arc, plan out your key plot points, flesh out your characters, and begin to build your world. .

Be confident about grammar

Check every email, essay, or story for grammar mistakes. Fix them before you press send.

Hayley Milliman

Hayley is the Head of Education and Community at ProWritingAid. Prior to joining this team, Hayley spent several years as an elementary school teacher and curriculum developer in Memphis, TN. When Hayley isn't hunched over her keyboard, you can find her figure skating at the ice rink or hiking with her dog.

Get started with ProWritingAid

Drop us a line or let's stay in touch via :

Improve your writing in one of the largest and most successful writing groups online

Join our writing group!

How to Write Dialogue: Rules, Examples, and 8 Tips for Engaging Dialogue

by Fija Callaghan

You’ll often hear fiction writers talking about “character-driven stories”—stories where the strengths, weaknesses, and aspirations of the central cast of characters stay with us long after the book is closed. But what drives character, and how do we create characters that leave long-lasting impressions?

The answer lies in dialogue : the device used by our characters to communicate with each other. Powerful dialogue can elevate a story and subtly reveal important information, but poorly written dialogue can send your work straight to the slush bin. Let’s look at what dialogue is in writing, how to properly format dialogue, and how to make your characters’ dialogue the best it can be.

What is dialogue in a story?

Dialogue is the verbal exchange between two or more characters. In most fiction, the exchange is in the form of a spoken conversation. However, conversations in a story can also be things like letters, text messages, telepathy, or even sign language. Any moment where two characters speak or connect with each other through their choice of words, they’re engaging in dialogue.

Why does dialogue matter in a story?

We use dialogue in a story to reveal new information about the plot, characters, and story world. Great dialogue is essential to character development and helps move the plot forward in a story.

Writing good dialogue is a great way to sneak exposition into your story without stating it overtly to the reader; you can also use tools like dialect and diction in your dialogue to communicate more detail about your characters.

Through a character’s dialogue, we can learn about their motivations, relationships, and understanding of the world around them.

A character won’t always say what they mean (more on dialogue subtext below), but everything they say will serve some larger purpose in the story. If your dialogue is well-written, the reader will absorb this information without even realizing it. If your dialogue is clunky, however, it will stand out and pull your reader away from your story.

Rules for writing dialogue

Before we get into how to make your dialogue realistic and engaging, let’s make sure you’ve got the basics down: how to properly format dialogue in a story. We’ll look at how to punctuate dialogue, how to write dialogue correctly when using a question mark or exclamation point, and some helpful dialogue writing examples.

Here are the need-to-know rules for formatting dialogue in writing.

Enclose lines of dialogue in double quotation marks

This is the most essential rule in basic dialogue punctuation. When you write dialogue in North American English, a spoken line will have a set of double quotation marks around it. Here’s a simple dialogue example:

“Were you at the party last night?”

Any punctuation such as periods, question marks, and exclamation marks will also go inside the quotation marks. The quotation marks give a visual clue to the reader that this line is spoken out loud.

In European or British English, however, you’ll often see single quotation marks being used instead of double quotation marks. All the other rules stay the same.

Enclose nested dialogue in single quotation marks

Nested dialogue is when one line of dialogue happens inside another line of dialogue—when someone is verbally quoting someone else. In North American English, you’d use single quotation marks to identify where the new dialogue line starts and stops, like this:

“And then, do you know what he said to me? Right to my face, he said, ‘I stayed home all night.’ As if I didn’t even see him.”

The double and single quotation marks give the reader clues as to who’s speaking. In European or British English, the quotation marks would be reversed; you’d use single quotation marks on the outside, and double quotation marks on the inside.

Every speaker gets a new paragraph

Every time you switch to a new speaker, you end the line where it is and start a new line. Here are some dialogue examples to show you how it looks:

“Were you at the party last night?” “No, I stayed home all night.”

The same is true if the new “speaker” is only in focus because of their action. You can think of the paragraphs like camera angles, each one focusing on a different person:

“Were you at the party last night?” “No, I stayed home all night.” She raised a single, threatening eyebrow. “Yeah, I wasn’t feeling that well, so I just stayed in and watched Netflix instead.”

If you kept the action on the same line as the dialogue, it would get confusing and make it look like she was the one saying it. Giving each character a new paragraph keeps the speakers clear and distinct.

Use em-dashes when dialogue gets cut short

If your character begins to speak but is interrupted, you’ll break off their line of dialogue with an em-dash, like this:

“Yeah, I wasn’t feeling that well, so I just stayed in and—” “Is that really what happened?”

Be careful with this one, because many word processors will treat your em-dash like the beginning of a new sentence and attach your closing quotation marks backwards:

“Yeah, I wasn’t feeling that well, so I just stayed in and—“

You may need to keep an eye out and adjust as you go along.

In this dialogue example, the new speaker doesn’t lead with an em-dash; they just start speaking like normal. The only time you’ll ever open a line of dialogue with an em-dash is if the speaker who’s been cut off continues with what they were saying:

“Yeah, I wasn’t feeling that well, so I just stayed in and—” “Is that really what happened?” “—watched Netflix instead. Yes, that’s what happened.”

This shows the reader that there’s actually only one line of dialogue, but it’s been cut in the middle by another speaker.

Each line of dialogue is indented

Every time you give your speaker a new paragraph, it’s indented from the left-hand side. Many word processors will do this automatically. The only exception is if your dialogue is opening your story or a new section of your story, such as a chapter; these will always start at the far left margin of the page, whether they’re dialogue or narration.

Long speeches don’t use use closing quotation marks until the end

Most writers favor shorter lines of dialogue in their writing, but sometimes you might need to give your character a longer one—for instance, if the character speaking is giving a speech or telling a story. In these cases, you might choose to break up their speech into shorter paragraphs the way you would if you were writing regular narrative.

However, here the punctuation gets a bit weird. You’ll begin the character’s dialogue with a double quotation mark, like normal. But you won’t use a double quotation mark at the end of the paragraph, because they haven’t finished speaking yet. But! You’ll use another opening quotation mark at the beginning of the subsequent paragraph. This means that you may use several opening double quotation marks for your character’s speech, but only ever one closing quotation mark.

If your character is telling a story that involves people talking, remember to use single quotation marks for your dialogue-within-dialogue as we looked at above.

Sometimes these dialogue formatting rules are easier to catch later on, during the editing process. When you’re writing, worry less about using the exact dialogue punctuation and more about writing great dialogue that supports your character development and moves the story forward.

How to use dialogue tags

Dialogue tags help identify the speaker. They’re especially important if you have a group of people all talking together, and it can get pretty confusing for the reader trying to keep everybody straight. If you’re using a speech tag after your line of dialogue—he said, she said, and so forth—you’ll end your sentence with a comma, like this:

“No, I stayed home all night,” he said.

But if you’re using an action to identify the person speaking instead, you’ll punctuate the sentence like normal and start a new sentence to describe the action taking place:

“No, I stayed home all night.” He looked down at his feet.

The dialogue tags and action tags always follow in the same paragraph. When you move your story lens to a new person, you’ll switch to a new paragraph. Each line where a new person speaks propels the story forward.

When to use capitals in dialogue tags

You may have noticed in the two examples above that one dialogue tag begins with a lowercase letter, and one—which is technically called an action tag—begins with a capital letter. Confusing? The rules are simple once you get a little practice.

When you use a dialogue tag like “he said,” “she said,” “he whispered,” or “she shouted,” you’re using these as modifiers to your sentence—dressing it up with a little clarity. They’re an extension of the sentence the person was speaking. That’s why you separate them with a comma and keep going.

With an action tag , you’re ending one sentence and beginning a whole new one. Each sentence represents two distinct moments in the story. That’s why you end the first sentence with a period, and then open the next one with a capital letter.

If you’re not sure, try reading them out loud:

“No, I stayed home all night,” he said. “No, I stayed home all night.” He looked down at his feet.

Since you can’t hear quotation marks out loud, the way you say them will show you if they’re one sentence or two. In the first example, you can hear how the sentence keeps going after the dialogue ends. In the second example, you can hear how one sentence comes to a full stop and another one begins.

But what if your dialogue tag comes before the dialogue, instead of after? In this case, the dialogue is always capitalized because the speaker is beginning a new sentence:

He said, “No, I stayed home all night.” He looked down at his feet. “No, I stayed home all night.”

You’ll still use a comma after the dialogue tag and a period after the action tag, just like if you’d separate them if you were putting your tag at the end.

If you’re not sure, ask yourself if your leading tag sounds like a full sentence or a partial sentence. If it sounds like a partial sentence, it gets a comma. If it reads like a full sentence that stands on its own, it gets a period.

External vs. internal dialogue

All of the dialogue we’ve looked at so far is external dialogue, which is directed from one character to another. The other type of dialogue is internal dialogue, or inner dialogue, where a character is talking to themselves. You’ll use this when you want to show what a character is thinking, but other characters can’t hear.

Usually, internal dialogue will be written in italics to distinguish it from the rest of the text. That shows the reader that the line is happening inside the character’s head. For example:

It’s not a big deal, she thought. It’s just a new school. It’ll be fine. I’ll be fine.

Here you can see that the dialogue tag is used in the same way, just as if it was a line of external dialogue. However, “she thought” is written in regular text because it’s not a part of what the character is thinking. This helps keep everything clear for the reader.

In your story, you can play with using contrasting internal and external dialogue to show that what your characters say isn’t always what they mean. You may also choose to use this internal dialogue formatting if you’re writing dialogue between two or more characters that isn’t spoken out loud—for instance, telepathically or by sign language.

8 tips for creating engaging dialogue in a story

Now that you’ve mastered the mechanics of how to write dialogue, let’s look at how to create convincing, compelling dialogue that will elevate your story.

1. Listen to people talk

To write convincingly about people, you’ll first need to know something about them. The work of great writers is often characterized by their insight into humanity; you read them and think, “Yes, this is exactly what people are like.” You can begin accumulating your own insight by listening to what real people say to each other.

You can go to any public place where people are likely to gather and converse: cafés, art galleries, political events, dimly lit pubs, bookshops. Record snippets of conversation, pay attention to how people’s voices change as they move from speaking to one person to another, try to imagine what it is they’re not saying, the words simmering just under the surface.

By listening to stories unfold in real time, you’ll have a better idea of how to recreate them in your writing—and inspiration for some new stories, too.

2. Give each spoken line a purpose

Here is something that actors have drilled into their heads from their first day at drama school, and writers would do well to remember it too: every single line of dialogue has a hidden motivation. Every time your character speaks, they’re trying to achieve something, either overtly or covertly.

Small talk is rare in fiction, because it doesn’t advance the plot or reveal something about your characters. The exception is when your characters are using their small talk for a specific purpose, such as to put off talking about the real issue, to disarm someone, or to pretend they belong somewhere they don’t.

When writing your own dialogue, ask yourself what the line accomplishes in the story. If you come up blank, it probably doesn’t need to be there. Words need to earn their place on the page.

3. Embrace subtext

In real life, we rarely say exactly what we really mean. The reality of polite society is that we’ve evolved to speak in circles around our true intentions, afraid of the consequences of speaking our mind. Your characters will be no different. If your protagonist is trying to tell their best friend they’re in love with them, for instance, they’ll come up with about fifty different ways to say it before speaking the deceptively simple words themselves.

To write better dialogue, try exploring different ways of moving your characters around what’s really being said, layering text and subtext side by side. The reader will love picking apart the conversation between your characters and deducing what’s really happening underneath (incidentally, this is also the place where fan fiction is born).

4. Keep names to a minimum

You may notice that on television, in moments of great upheaval, the characters will communicate exactly how important the moment is by saying each other’s names in dramatic bursts of anger/passion/fear/heartbreak/shock. In real life, we say each other’s names very rarely; saying someone’s name out loud can actually be a surprisingly intimate experience.

Names may be a necessary evil right at the beginning of your story so your reader knows who’s who, but after you’ve established your cast, try to include names in dialogue only when it makes sense to do so. If you’re not sure, try reading the dialogue out loud to see if it sounds like something someone would actually say (we’ll talk more about reading out loud below).

5. Prune unnecessary words

This is one area where reality and story differ. In life, dialogue is full of filler words: “Um, uh, well, so yeah, then I was like, erm, huh?” You may have noticed this when you practiced listening to dialogue, above. We won’t say there’s never a place for these words in fiction, but like all words in storytelling, they need to earn their place. You might find filler words an effective tool for showing something about one particular character, or about one particular moment, but you’ll generally find that you use them a lot less than people really do in everyday speech.

When you’re reviewing your characters’ dialogue, remember the hint above: each line needs a purpose. It’s the same for each word. Keep only the ones that contribute something to the story.

6. Vary word choices and rhythms

The greatest dialogue examples in writing use distinctive character voices; each character sounds a little bit different, because they have their own personality.

This can be tricky to master, but an easy way to get started is to look at the word choice and rhythm for each character. You might have one character use longer words and run-on sentences, while another uses smaller words and simple, single-clause sentences. You might have one lean on colloquial regional dialect, where another sounds more cosmopolitan. Play around with different ways to develop characters and give each one their own voice.

7. Be consistent for each character

When you do find a solid, believable voice for your character, make sure that it stays consistent throughout your entire story. It’s easy to set a story aside for a while, then return to it and forget some of the work you did in distinguishing your characters’ dialogue. You might find it helpful to write down some notes about the way each character speaks so you can refer back to it later.

The exception, of course, is if your character’s speech pattern goes through a transformation over the course of the story, like Audrey Hepburn in My Fair Lady . In this case, you can use your character’s distinctive voice to communicate a major change. But as with all things in writing, make sure that it comes from intention and not from forgetfulness.

8. Read your dialogue out loud

After you’ve written a scene between two or more characters, you can take the dialogue for a trial run by speaking it out loud. Ask yourself, does the dialogue sound realistic? Are there any moments where it drags or feels forced? Does the voice feel natural for each character? You’ll often find there are snags you miss in your writing that only become apparent when read out loud. Bonus: this is great practice for when you become rich and famous and do live readings at bookshops.

3 mistakes to avoid when writing dialogue

Easy, right? But there are also a few pitfalls that new writers often encounter when writing dialogue that can drag down an otherwise compelling story. Here are the things to watch out for when crafting your story dialogue.

1. Too much exposition

Exposition is one of the more demanding literary devices , and one of the ones most likely to trip up new writers. Dialogue is a good place to sneak in some information about your story—but subtlety is essential. This is one place where the adage “show, don’t tell” really shines.

Consider these dialogue examples:

“How is she, Doctor?” “Well Mr. Stuffington, I don’t have to remind you that your daughter, the sole heiress to your estate and currently engaged to the Baron of Flippingshire, has suffered a grievous injury when she fell from her horse last Sunday. We don’t need to discuss right now whether or not you think her jealous maid was responsible; what matters is your daughter’s well being. As to your question, I’m afraid it’s very unlikely that she’ll ever walk again.” Can’t you just feel your arm aching to throw the poor book across the room? There’s a lot of important information here, but you can find subtler ways to work it into your story. Let’s try again: “How is she, Doctor?” “Well Mr. Stuffington, your daughter took quite a blow from that horse—worse than we initially thought. I’m afraid it’s very unlikely that she’ll ever walk again.” “And what am I supposed to say to Flippingshire?” “The Baron? I suppose you’ll have to tell him that his future wife has lost the use of her legs.”

And so forth. To create good dialogue exposition, look for little ways to work in the details of your story, instead of piling it up in one great clump.

2. Too much small talk

We looked at how each line of dialogue needs a specific purpose above. Very often small talk in a story happens because the writer doesn’t know what the scene is about. Small talk doesn’t move the scene along unless it’s there for a reason. If you’re not sure, ask yourself what each character wants in this moment.

For example, imagine you’re in an office, and two characters are talking by the water cooler. How was your weekend, what did you think of the game, how’s your wife doing, are those new shoes, etc etc. Can’t you just feel the reader’s will to live slipping away?

But what about this: your characters are talking by the water cooler—Character A and Character B. Character A knows that his friend is inside Character B’s office looking for evidence of corporate espionage, so A is doing everything he can to stop B from going in. How was your weekend, what did you think of the game, how’s your wife doing, are those new shoes, literally anything just to keep him talking. Suddenly these benign little phrases have a purpose.

If you find your characters slipping into small talk, double check that it’s there for a purpose, and not just a crutch to keep you from moving forward in your scene. When writing dialogue, Make each line of dialogue earn its place.

3. Too much repetition

Variation is the spice of a good story. To keep your readers engaged, avoid using the same sentence structure and the same dialogue tags over and over again. Using “he said” and “she said” is effective and clear cut, but only for about three beats. After that, try switching to an action tag instead or letting the line of dialogue stand on its own.

You can also experiment with varying the length of your sentences or groupings of sentences. By changing up the rhythm of your story regularly, you’ll keep it feeling fresh and present for the reader.

Effective dialogue examples from literature

With all of these tips and tricks in mind, let’s look at how other writers have used good dialogue to elevate their stories.

Eleanor Oliphant is Completely Fine , by Gail Honeyman

“I’m going to pick up a carryout and head round to my mate Andy’s. A few of us usually hang out there on Saturday nights, fire up the playstation, have a smoke and a few beers.” “Sounds utterly delightful,” I said. “What about you?” he asked. I was going home, of course, to watch a television program or read a book. What else would I be doing? “I shall return to my flat,” I said. “I think there might be a documentary about komodo dragons on BBC4 later this evening.”

In this dialogue example, the author gives her characters two very distinctive voices. From just a few words we can begin to see these people very clearly in our minds—and with this distinction comes the tension that drives the story. Dialogue is an excellent place to show your character dynamics using speech patterns and word choices.

Pride and Prejudice , by Jane Austen

“My dear Mr. Bennet,” said his lady to him one day, “have you heard that Netherfield Park is let at last?” Mr. Bennet replied that he had not. “But it is,” returned she; “for Mrs. Long has just been here, and she told me all about it.” Mr. Bennet made no answer. “Do you not want to know who has taken it?” cried his wife impatiently. “You want to tell me, and I have no objection to hearing it.” This was invitation enough. “Why, my dear, you must know, Mrs. Long says that Netherfield is taken by a young man of large fortune from the north of England; that he came down on Monday in a chaise and four to see the place, and was so much delighted with it, that he agreed with Mr. Morris immediately; that he is to take possession before Michaelmas, and some of his servants are to be in the house by the end of next week.”

In this famous dialogue example, the author illustrates the relationship between these two characters clearly and succinctly. Their dialogue shows Mr. B’s stalwart, tolerant love for his wife and Mrs. B’s excitement and propensity for gossip. The author shows us everything we need to know about these people in just a few lines.

Dinner in Donnybrook , by Maeve Binchy

“Look, I thought you ought to know, we’ve had a very odd letter from Carmel.” “A what… from Carmel?” “A letter. Yes, I know it’s sort of out of character, I thought maybe something might be wrong and you’d need to know…” “Yes, well, what did she say, what’s the matter with her?” “Nothing, that’s the problem, she’s inviting us to dinner.” “To dinner?” “Yes, it’s sort of funny, isn’t it? As if she wasn’t well or something. I thought you should know in case she got in touch with you.” “Did you really drag me all the way down here, third years are at the top of the house you know, I thought the house had burned down! God, wait till I come home to you. I’ll murder you.” “The dinner’s in a month’s time, and she says she’s invited Ruth O’Donnell.” “Oh, Jesus Christ.”

This dialogue example is a telephone conversation between two people. The lack of dialogue tags or action tags allows the words to come to the forefront and immerses us in their back-and-forth conversation. Even though there are no tags to indicate the speakers, the language is simple and straightforward enough that the reader always knows who’s talking. Through this conversation the author slowly builds the tension from the benign to the catastrophic within a domestic setting.

Compelling dialogue is the key to a good story

A writer has a lot riding on their characters’ dialogue, and learning how to write dialogue is a critical skill for any writer. When done well, it can leaves a lasting impact on the reader. But when dialogue is clumsy and awkward, it can drag your story down and make your reader feel like they’re wasting their time.

But if you keep these tips in mind, listen to dialogue in your everyday life, and practice , you’ll be sure to create realistic dialogue that brings your story to life.

Get feedback on your writing today!

Scribophile is a community of hundreds of thousands of writers from all over the world. Meet beta readers, get feedback on your writing, and become a better writer!

Join now for free

Related articles

What is Dialect in Literature? Definition and Examples

What is Alliteration? Definition, examples and tips

Dialogue Tag Format: What are Speech Tags? With Examples

How to Write a Sex Scene

Nonfiction Writing Checklist for Your Book

What is a Writer’s Voice & Tips for Finding Your Writing Voice

Writing Dialogue [20 Best Examples + Formatting Guide]

Have you ever found yourself cringing at clunky dialogue while reading a book or watching a movie? I know I have.

It’s like nails on a chalkboard, completely ruining the experience. But on the flip side, well-written dialogue can transform a story. It’s the magic that makes characters leap off the page, immersing us in their world.

As a writer, I’m fascinated by the mechanics of great dialogue.

So here are 20 of the best examples of writing dialogue that brings your story to life.

Example 1: Dialogue that Reveals Character

Table of Contents

One of the most powerful functions of dialogue is to shed light on your characters’ personalities.

The way they speak – their word choice, tone, even their hesitations – can tell us so much about who they are. Check out this example:

“Look, I ain’t gonna sugarcoat this,” the detective growled, his knuckles whitening as he gripped the chair. “You were spotted leaving the scene, and the murder weapon’s got your prints all over it.”

Without any lengthy description, we get a sense of this detective as a no-nonsense, direct type of guy.

Example 2: Dialogue that Builds Tension

Dialogue can become this amazing tool to ratchet up the tension in a scene.

Short, clipped exchanges and carefully placed silences can leave the reader on the edge of their seat.

Here’s how it might play out:

“Do you hear that?” Sarah whispered. “Hear what?” A scratching noise echoed from the attic. Sarah’s eyes widened. “It’s coming back.”

The suspense is killing me just writing that!

Example 3: Dialogue that Drives the Plot

Conversations aren’t just about characters sitting around and chatting.

Great dialogue should actively push the story forward. It can set up a conflict, reveal key information, or change the course of events.

Take a look at this:

“I’ve made my decision,” the king declared, the crown heavy on his brow. “We go to war.”

A single line, and the whole trajectory of the story shifts.

Formatting Tips: The Basics

Now, before we get carried away, let’s cover some essential dialogue formatting rules.

Think of these as the grammar of a good conversation.

• Quotation Marks:  Yep, those little squiggles are your best friend. They signal to the reader: “Hey! Someone’s talking!”
• New Speaker, New Paragraph:  Whenever a different character starts talking, give them a new paragraph. It’s all about keeping things easy to follow.
• Dialogue Tags:  These are the little phrases like “he said” or “she replied.” Use them, but try not to overuse them. A well-placed action beat can often do a better job of showing who’s speaking.

Example 4: Dialogue that Creates Humor

Dialogue can be ridiculously funny when done well.

The key? Snappy exchanges, playful misunderstandings, and just a dash of absurdity. Consider this:

“I saw the weirdest thing at the grocery store today,” Tom said, “A woman arguing with a head of lettuce.” “Was she winning?” Lily asked, a grin playing on her lips.

You can almost hear the deadpan delivery, can’t you?

Example 5: Dialogue that Shows Relationships

The way characters speak to each other says a ton about the dynamics between them.

Is there warmth, hostility, an underlying power struggle? Dialogue can paint a crystal-clear picture. Imagine this exchange:

“You didn’t do the dishes again?” Sarah sighed, hands planted on her hips. “Aw, c’mon babe. I was busy,” Mike whined, avoiding her gaze.

We instantly sense the long-suffering tone from Sarah and the playful guilt from Mike.

Example 6: Dialogue with Subtext

The most interesting dialogue often has layers. What the characters say might not be exactly what they mean.

This is where subtext comes in – the unspoken thoughts and feelings bubbling beneath the surface.

Take this snippet:

“It’s a nice ring,” Emily said, her voice flat. “You don’t like it?” Mark’s brow furrowed. Emily shrugged. “It’s fine.”

Is Emily truly indifferent? Or is she masking disappointment, perhaps a sense of something not being quite right? Subtext makes us read between the lines.

Formatting Tips: Getting Fancy

Now, let’s spice things up with a few more advanced formatting tricks:

• Ellipses (…):  These little dots are perfect for showing a character trailing off, hesitating, or searching for words. Example: “I…I don’t know what to say.”
• Em Dashes (—):  These guys can interrupt a thought or indicate a sudden change in direction. Example: “I was going to apologize, but then — well, you’re still being a jerk.”
• Internal Dialogue:  Instead of quotation marks, sometimes you’ll want to italicize a character’s inner thoughts. Example:  Why did I say that? I’m such an idiot.

Cautionary Note

It’s important to remember: dialogue shouldn’t feel like an interrogation. Avoid rigid “question-answer, question-answer” patterns. Real conversations flow and meander naturally.

Example 7: Dialogue with Dialects and Accents

Regional dialects and accents can bring so much flavor to your characters, but it’s a delicate balance.

You want to add authenticity without it becoming a caricature or making it hard to understand.

Here’s a subtle example:

“Well, I’ll be darned,” drawled the farmer, squinting at the sky. “Looks like a storm’s brewin’.”

Notice how just a few word choices and a slight change in pronunciation hint at the speaker’s background.

Example 8: Dialogue in Groups

Writing conversations with more than two people can get chaotic fast. The key is clarity.

Here are a few tips:

• Strong Dialogue Tags:  Sometimes, you need to be more specific than just “he said” or “she said”. Example: “Don’t be ridiculous,” scoffed Sarah.
• Action Beats:  Break up chunks of dialogue with actions that show who’s speaking. Example: Tom slammed his fist on the table. “I won’t stand for this!”

Example 9: Dialogue Over the Phone (or Other Technology)

Conversations where characters aren’t physically together pose unique challenges.

You can’t rely on body language cues. Instead, focus on conveying tone and potential misunderstandings.

For instance:

“Hello?” Sarah’s voice crackled through the phone. A long pause. “Sarah, is that you?” “Mom? Why are you whispering?”

Instantly there’s a sense of distance and something not being quite right.

Example 10: Inner Monologue with a Twist

We often think of internal dialogue as a single character reflecting, but sometimes our inner voices can argue.

This can be a powerful way to showcase internal conflict.

Here’s how it might look:

You should just tell him how you feel, one voice chimed. Are you crazy? the other shrieked back. He’ll never feel the same way .

This creates a vivid picture of a character torn between opposing desires.

Example 11: Dialogue With a Manipulative Character

Manipulative characters often use language as a weapon.

They might use guilt trips, flattery, or veiled threats to get what they want.

Consider this:

“After everything I’ve done for you…” The old woman sighed, a flicker of disappointment in her eyes. “Well, I guess I shouldn’t expect gratitude.”

Notice how she doesn’t directly ask for anything, instead hinting at a debt, leaving the listener feeling uneasy and obligated.

Example 12: Dialogue Across Time Periods

If you’re writing historical fiction or anything with time travel elements, you’ll need to capture the distinct speech patterns of different eras.

Imagine this exchange:

“Gadzooks! What manner of contraption is this?” The Victorian gentleman exclaimed, staring in bewilderment at the smartphone. “It’s a phone,” the teenager replied, barely suppressing a laugh. “Let me show you.”

This little snippet highlights the potential for both humor and linguistic challenges when worlds collide.

Formatting Tip: Dialogue Without Tags

Sometimes, for a rapid-fire or dreamlike effect, you might want to ditch the “he said” or “she asked” altogether.

It’s a bold move, but it can be effective if done sparingly.

Check this out:

“Where are you going?” “Away.” “When will you be back?” “I don’t know.” “Please don’t leave me.”

This creates a sense of urgency, the raw exchange forcing us to focus solely on the words themselves.

Example 13: Dialogue that Shows Transformation

A great way to showcase how a character develops is through shifts in how they speak.

Maybe they become bolder, quieter, or their vocabulary changes.

Let’s see an example:

Scene 1: “I-I don’t know,” Emily whimpered, cowering in the corner. Scene 2 (Later in the story): “That’s it. I’m not taking this anymore!” Emily declared, her chin held high.

The dialogue itself reflects her transformation from victim to someone ready to stand up for herself.

Example 14: Dialogue that’s Just Plain Weird

It’s okay to get strange sometimes.

Absurdist humor or unsettling conversations can add a unique flavor to your story. Just be sure it fits the overall tone.

“Do you believe in cucumbers?” the man asked, his eyes wide and unblinking. “Excuse me?” “Cucumbers, my dear. Agents of the underground vegetable kingdom.”

This immediately creates a sense of oddness and perhaps a touch of unease. Is this guy crazy, or is there something more going on?

Example 15: Dialogue with a Purpose

Remember, good dialogue isn’t just about being entertaining.

It should move your story along. Here are some functions dialogue can serve:

• Providing Exposition:  Sometimes, you need to inform the reader of backstory or world-building details. Trickle information through natural conversation rather than an information dump.
• Foreshadowing:  Subtle hints within a conversation can foreshadow future events or create a sense of unease for the reader.
• Revealing a Twist:  A single line of dialogue can completely flip the script and reframe everything that came before.

Example 16: Dialogue with Non-Verbal Elements

So much of communication happens beyond just words.

Sighs, laughs, and gestures can add richness to dialogue on the page.

“I’m fine,” she said, crossing her arms and looking away.

Notice how the body language contradicts her words, hinting at inner turmoil.

Example 17: Silence as Dialogue

Sometimes, what isn’t said is the most powerful thing of all.

A pregnant pause or a character refusing to speak can convey volumes.

Imagine this:

“So, will you help me or not?” Tom pleaded. Sarah stared at him, her lips a thin line. Finally, she turned and walked away.

The lack of a verbal response speaks louder than any words could.

Example 18: Dialogue With Humorous Effect

A well-timed O.S. voice can deliver a funny remark or punchline, undercutting the seriousness of a scene or taking a moment in an unexpected comedic direction.

INT. CLASSROOM – DAY The teacher drones on about the causes of the American Revolution, his voice as dull as the worn textbook in front of him. KEVIN tries to stifle his yawns, failing miserably. STUDENT (O.S.) Is he ever going to stop talking? My brain just turned to mush. Snickers ripple through the class. The teacher pauses, a look of annoyance flickering across his face. Kevin shoots a desperate look towards the source of the O.S. voice.

• Timing is everything. The best comedic O.S. lines act as a witty reaction to something else happening in a scene. The student’s comment comes right as Kevin’s boredom peaks.
• Subverting expectations is funny. The audience expects the scene to continue with a stern reprimand for speaking out of turn, but the script doesn’t give us that. This leaves room for further humor.
• Consider the tone of the voice – sarcastic, matter-of-fact, or outright whiny? This adds to the comedic effect.

Example 19: Dialogue With Unexpected Reveals

Think of this as a surprise twist using O.S. dialogue.

The audience (and maybe even some characters) are led to believe one thing, only for an O.S. voice to reveal something completely unexpected, shifting the scene’s dynamic.

INT. POLICE INTERROGATION ROOM – NIGHTDETECTIVE HARRIS paces in front of a nervous SUSPECT. Photos of the crime scene are scattered on the table. HARRIS Don’t lie to me! We’ve got witnesses who saw you at the scene. SUSPECT I – I swear, I had nothing to do with it! I was… I was with my girlfriend. Harris leans in, a triumphant glint in her eyes. She claps her hands sharply, startling the suspect. WOMAN (O.S.) That’s a lie! He was nowhere near me last night! The suspect whips around. His face pales as we hear the sound of the interrogation room door swinging open…

• The power lies in the build-up. The initial dialogue and the characters’ reactions should lead the audience to believe one outcome, making the O.S. interruption all the more impactful.
• Consider who speaks the O.S. line. Is it someone the audience recognizes, or a totally new character whose identity becomes a new mystery?
• Play with the proximity of the voice. Is it right outside the room, adding to the dramatic reveal as the door opens, or is it more distant – perhaps a voice over an intercom – for an even more unsettling effect?

Example 20: Dialogue With a “Haunted” Feeling

Explanation: O.S. can be used to create an eerie or unsettling atmosphere, particularly in horror or psychological thrillers. This could be unexplained voices, creepy whispers, or sounds that hint at a supernatural (or simply unnerving) presence.

INT. OLD MANSION – NIGHTSARAH explores the abandoned mansion, flashlight cutting through the thick dust. Cobwebs cling to every surface. A faint WHISPER drifts through the air, seeming to come from everywhere at once. Sarah freezes. VOICE (O.S.) Get out… leave this place… Sarah’s breath catches in her throat. She hesitantly follows the direction of the voice, her flashlight beam trembling.

• Less is more. The vaguer and more inexplicable the O.S. voice, the more chilling it becomes.
• Layer sounds for a full creepy effect. Combine whispers with unexpected bangs, creaks, or the faint sound of footsteps following behind Sarah.
• Play with audience expectations. If the script initially leads the audience to think the house is merely abandoned, the O.S. voices become that much more terrifying.

Here is a good video about writing dialogue:

Additional Dialogue Tips & Tricks

• Read Your Dialogue Aloud:  This is the best way to catch awkward phrasing or unnatural rhythms. Our ears often pick up on what our eyes might miss.
• Less is More:  Don’t feel the need to have every single interaction be profound. Sometimes a simple “Hey” or “Thanks” can do the job just fine.
• Eavesdrop:  Paying attention to real-life conversations is fantastic research. Note the pauses, the filler words, the way people interrupt each other.

Final Thoughts: Writing Dialogue

Phew! We did it!

Does that feel like a solid collection of dialogue examples? We haven’t covered absolutely every scenario, but I hope these illustrate the vast potential within dialogue to bring your stories to life.

Read This Next:

• How To Use Action Tags in Dialogue: Ultimate Guide
• How Do Writers Fill a Natural Pause in Dialogue? [7 Crazy Effective Ways]
• Can You Start a Novel with Dialogue?
• How To Write A Southern Accent (17 Tips + Examples)
• How to Write a French Accent (13 Best Tips with Examples)

Guide to Writing a Dialogue in an Essay

Composing a dialogue is one of the most intricate parts of essay writing. Many students instantly realize that crafting a good dialogue within the context of a story takes a lot of time and requires more work that simply describing the events. And that’s not surprising as a dialogue should not simply present the direct quotations from different characters but bring the story to life.

If you are unsure about how to use dialogue in your essay, read on. Let’s figure out the main rules and standards together!

Moving the Story Forward

The main role of a dialogue is to help the story move forward by presenting conversations and thoughts. You can use a dialogue to speed up the pace of your essay if you feel that the narration slows it down or you can use it as a break between the long and overwhelming paragraphs. When writing conversations, you need to remember a few important things:

• Dialogues move the action, set the scene, explain the descriptions and predict the reactions and activities. They can do all these things at once, so don’t use the conversations to just convey the information.
• Remind yourself of the character’s voice to write a dialogue that sounds like a real speech . You may even use some grammatical mistakes to show the realistic conversation but make sure that you keep the balance between the actual talk and readability.
• Always use the speech as a characterization tool. From your words, a reader should understand a lot about the character: morality, background, appearance, etc.

To advance the story, your dialogues should sound natural, not forced, and clear. At the same time, the conversations have to convey the characters’ emotions and show the reader how they interact with each other.

Using Thoughts in Dialogue

Using thoughts and memories in the conversation can also show the important details of your story. This indirect dialogue is another way to change ideas without the quotations. You may also use a combination of direct and indirect dialogue for emphasis. It looks like this:

Billy and I moved on to the next painting. “That’s the ugliest thing I’ve ever seen.” He curled his lip in disgust. Well, I thought he was the ugliest thing I’d ever seen, and told him so. “And also, you stink. But most of all, your taste in art stinks.”

To reveal emotions and thoughts, you need to use the sensory details: tasting, smelling, hearing, seeing. Try to show what is going on, don’t tell. Thus, your essay will be more realistic and engaging for your reader.

Formatting Your Dialogue

The right format and style are key to the successful dialogue. Correct punctuation, tags and paragraphs are even more significant than the quotations themselves. Without following the main rules, it would be hopelessly confusing to understand who is speaking. Therefore, make sure that you format your dialogue accordingly.

Rule 1: Punctuation goes inside quotations.

“I’ll call you tomorrow!” Anna screamed.

Make sure to use two quotation marks for speech and one mark for speech within the speech. Even such a small thing as using the quotation marks can poorly reflect on your essay .

Rule 2: A new speaker – a new line.

If you have several characters in your essay, it’s important to know who is speaking. With the line break, your reader won’t be confused.

“I wish I could fly,” John said longingly. “Why don’t you grow wings, then?” Sarah snapped back.

If there is the action connected with a character, describe it in the same paragraph, then start a new line.

Rule 3: Break up dialogue in two parts.

It’s annoying to wait until the end of a speech to put a dialogue tag because it is unclear for a long time who is speaking. That’s why is it better to write the first thought, place a comma and tag, and then continue the dialogue.

“I can’t believe I failed the exam,” said Ben. “I studied and studied, but somehow I choked and left most of it blank.”

As you see, all dialogues follow a simple guideline. Keep the main rules in mind and start writing a dialogue to convey your message!

Related Posts

WAIT! Do you need help with your essay?

Enter your email to get 15% off your first order.

The discount is in your inbox.

How to Write Dialogue in an Essay: Perfect Writing Guide

Writing essays is a part of every student’s life. The tool that can be useful for all composition genres with no limitations is dialogue. Typically, article writing at school and college is related to informative or argumentative intentions.

Dialogues can be included in reflective or narrative texts and creative assignments, such as screenplays. Likewise, if your paper is more on the argumentative side, you may include a dialogue when transcribing an extract from an interview to reinforce your thesis.

To get the highest mark for your paper, it is crucial to know how to write a dialogue in an essay. Keep reading this article to find out how to add it to your paper, whether for academic, informative, or creative purposes.

Usage of Dialogues in Essays

Over our educational years at school and university, we are taught to compose argumentative, narrative, informative, creative, and expository essays. Writing becomes a skill we need to develop to be successful when composing a report.

Quote, text line, or dialogue represents two or more characters talking, and can turn a dull paper into an easy-going and fun learning experience.

And just like when watching a movie, dialogues will have us more engaged in discovering the ending of the tale. Moreover, you will have a strong thesis for persuasive essay texts by including dialogues in them. How is this accomplished?

Dialogue serves more than just fiction, as we stated earlier. They transform information into a fluid and rhythmic piece of writing, providing data on an actual scenario portrayed as a conversation. This results in a direct and captivating piece that will teach and entertain the reader. That sounds like a win-win situation, right?

How to Format Dialogue in an Essay?

Here you will encounter some of the essential rules in terms of punctuation and formatting that should be followed when writing effective dialogue in your article so that it is read naturally. If you are unsure of your profile essay writing skills, keep reading this page to get accurate and precise information for composing your best paper.

• How to add dialogue in an essay: you can either use double quotation marks to indicate what someone said, or start in a new line using a Dash followed by the actually spoken phrase every time a new character speaks. This demonstrates that dialogue conversations have started.

“Elisa gave me this purse for my birthday.”

—Elisa gave me this purse for my birthday.

—It looks good on you.

—Thank you, I like it a lot.

• If you are quoting already, use single quotation marks to add another quotation within. This is useful when you depict someone describing a certain circumstance that happened to them.

“He was eating lunch next to me when Tom came by and yelled, ‘let’s go outside,’ so we went.”

• Make sure to use closing quotation marks when the character finishes talking. If dashes are used instead, end that person’s speech with a complete stop, showing that a dialogue has ended.

“I took my cat to the Vet last night to get a shot. He is alright now.”

• When a character is quoted, exclamation and question marks should be placed inside the quotation marks. If the exclamation or quotation marks refer to the greater sentence, not the quotation itself, place them outside the quotation marks.

My niece screamed, “let’s play hide and seek!”. What was your reaction when your niece screamed, “let’s play hide and seek”?.

• Do not add a period if the character pauses in the speech; in this case, write the speech, then use a comma to include a remark and add another comma before the last part of said speech.

“I couldn’t finish the presentation tonight,” he said with a tired voice, “I will tomorrow.”

• If a quote is too long, for example, longer than a paragraph in the essay, you can break it into two sections to make it easier to read. Such a situation is frequent when you write a narrative text. This type of assignment is often given to college and high school students. And it’s one of the most difficult tasks. If you need more confidence in your composition writing skills but still want to get a great mark and impress your teacher, we recommend you to buy narrative essays from professional writers. They will definitely know how to deal with complicated quotes. Here you can see an example of how a big direct quote was shortened to create a new paragraph for the text:

“Christmastime at work is very intense, and we work long shifts. Last year, we launched fifteen new products so that they were sold out during Christmastime. Luckily, it was a success. Our most popular items were: a Christmas cookie-scented candle, a new edition of the traditional elf-pet costume, and a unique knife that cuts the turkey easily and evenly.

I tried the candle immediately and loved the scent; my sister dressed her dog and three cats as elves, poor things, but she looked amused, and my mom tried the turkey knife; she genuinely said it was the best she could use to cut the turkey.”

How to Write Dialogue in an Essay?

Knowing how to put dialogue in your essay will allow you to bring out your creative side while mastering the skill of showing rather than telling. If you want to know particular features of  writing a good process essay , read to master how to write a dialogue and search for relevant sentences. Also, you’ll need to craft coherent paragraphs, use speech tags and be aware of the format and punctuation rules when writing dialogue in your paper.

Common Dialogue Mistakes to Avoid

Mistakes are easy to make when we need to learn the rules of correct essay writing, so pay attention to the most common mistakes to avoid delivering an enjoyable and compelling text.

One of the most frequent mistakes students make when they need to learn how to put dialogue in an essay is confusing dialogue with citations. The latter is adequate when directly referencing, word-by-word, other authors to support statements previously made regarding a particular topic. At the same time, dialogues are supposed to deliver information by being creative and motivating the reader to relate to a life situation described in the dialogue.

Citation: also known as direct quotes, is information written by an author and referenced to support a claim.

Dialogue: a speech between two or more characters, often portrayed to captivate the reader, and what is used is only a part of a greater conversation.

Other mistakes to avoid in your text:

• Providing too many details and unnecessary talk can be counterproductive. Keep it simple.
• Repeating information from one word to another. Describe it in your own words or show it through dialogue formatting. This will make the topic more interesting as the teacher will use their imagination. If you need help with how to do it properly, we recommend asking for help from a specialized platform, such as Edusson.com . Here you will find professional writers who will write your article quickly, plagiarism-free papers with high quality, and at a reasonable price.
• Using more dialogue tags than required can distort the readability of the conversation.
• Mentioning the characters’ names often, which only happens in real talk, decreases credibility.
• Incorrect use of opening quotation marks.

Some types of articles would benefit from dialogues to bring more dynamics into them. Check to avoid the mistakes we presented to you, compose creatively, and most importantly, just as dialogue tells a story. It describes a scenery that will make the reader learn through real-life association, so use dialogue when you think it will add value to the text.

Example of Dialogue in an Essay

Here we will give you examples of how to add dialogue to an essay:

Do thorough research on the topic by looking up reliable sources Use an online plagiarism checker to ensure that your paper is unique Explain the purpose of your study, providing supporting arguments, examples, and close by validating the thesis mentioned at the beginning. If the topic you are writing about is rather technical, define the meaning of its relevant vocabulary Teach the reader, do not assume they know everything. Otherwise, they wouldn’t come to read Verify that your composition is cohesive and informative Finally, read both your text and dialogue out loud to check they are coherent and eloquent.

Knowing these dialogue rules, you are ready to write with confidence! Whether you are writing for college, creating a dialogue for fun, or just eager to learn about this topic, you already know the essentials of how to write a dialogue in your essay with the correct format and punctuation rules. Additionally, if you are ever in need of professional help for your writing, you can always opt to pay to write an essay to ensure that you are submitting a well-written, high-quality paper.

Related posts:

• 6 Step Process for Essay Writing
• How to Write a Diagnostic Essay (Without Fail)
• How to Write a Rhetorical Analysis Essay
• Footnotes 101: A Guide to Proper Formatting

Improve your writing with our guides

How to Write a Scholarship Essay

Definition Essay: The Complete Guide with Essay Topics and Examples

Critical Essay: The Complete Guide. Essay Topics, Examples and Outlines

Get 15% off your first order with edusson.

Connect with a professional writer within minutes by placing your first order. No matter the subject, difficulty, academic level or document type, our writers have the skills to complete it.

100% privacy. No spam ever.

• Appointments, Policies, and FAQ
• Graduate Writing Consultants
• Undergraduate Writing Consultants
• ESL Students
• Handouts & How-To’s
• Useful Links
• Resources for Instructors
• University Writing Program
• Writers Across Campus
• Writing Consultants
• Resources for Students

Tips on Writing Effective Dialogue

Don’t try too hard.

As ornate and complex as your exposition might be, don’t over think the dialogue. Sure, you might have certain characters that speak in riddles, or use scientific terms frequently, whatever it is, it’s a quirk, not the norm. People generally speak very simply, very straight forward. So if all of your characters speak without contractions or only use words longer than eight letters, you might want to rethink things.

Be real but don’t be boring.

Hellos, goodbyes, every day redundancies are implied. Don’t waste your time–or your reader’s–going through all the hellos, goodbyes, and I love yous. This applies to ums, uhs, likes, etc. No one wants to read that. These parts of speech have their place, absolutely, but don’t crowd your dialogue with them because you think it will sound more natural or authentic.

Punctuation is your friend.

It seems like no big deal, but punctuation can change the way a line reads. Its adds and takes away emphasis. First, you should know how to use your punctuation correctly, but once you have a good grasp, play around with it. Here’s an example: “Stop…” versus “Stop!” Moving commas and periods around changes the way a line reads just as much as ending punctuation does.   Here’s another example: “Get. Away. From. Me.” versus “Get away from me!” The use of periods between each word implies a very intentional force. The reader isn’t thinking these observations consciously in their mind, but they will read it differently if you change the punctuation.

Use Interruptions.

Go observe a conversation and take note of how many times someone interrupts someone else. It might seem rude, but that’s just how conversation works, it means all the parties involved are engaged in what’s happening. Characters can interrupt for an array of reasons including: disagreement with the speaker, a sense of urgency, feeling they already know what the character is going to say, excitement. The list goes on. Interruptions also keep your dialogue quick, and the reader will wonder how 50 pages flew by. Interruptions can additionally be useful for a change of subject, scene transition, and giving adequate “page time” to each of your characters. Interruptions can also be used to illustrate power dynamics, gender dynamics, age dynamics, you name it. The more characters you have, the more interruptions there should be.

There is such a thing as saying too much.

This is important both to the exposition and to action. It’s tempting to have your characters tell the audience the whole backstory. But it’s too convenient. Give your readers some credit, if you do it because it’s easy, they will know. Along the same lines, they don’t want to know everything all at once. Mystery is great. Your character might allude to events from their past but not outright state what they’re referring to: “Remember what happened to Dan last month?” “Oh, yes. Poor thing.” Your readers will keep reading to find out what happened to Dan, so down the line when you reveal what it is, they will feel satisfied, and hopefully, come to understand your story better in some way. You may also have your characters refer to a person or a place frequently, like, “The Lake” and every character knows what they’re talking about, but the reader doesn’t. Use that to your advantage. The easy guess is that “The Lake” is a lake, but what if it’s an underground fight club? That draws the reader in. As for action, it’s pretty simple. A character doesn’t need to say, “I’m going to cut the ham and make a sandwich” and then they cut the ham and make a sandwich. Actions speak louder than words.

Sometimes not saying something says it more clearly.

By this, I mean use subtext! Oftentimes people won’t say what they really mean, but they will imply it. A character might want to say “I love you,” but a lot of people are allergic to “I love you”. Instead, they might say, “I made you dinner.” It shows they care. Or maybe, “That song came on the radio today and it made me think of you.” Or, “Don’t leave, please.” The dialogue underneath is way more interesting than what is on the surface. In real life people hardly ever say what they mean, so why should your characters, right? When does, “Fine” ever mean fine? Not saying something can also apply to silence. Sometimes saying the wrong thing is great, but sometimes saying nothing is better.

Say it aloud.

It may sound dumb but do it. Just read your dialogue aloud to yourself (it’s actually beneficial to read all your writing aloud). The best way to tell if something sounds unnatural is to see how it feels in your mouth. Even better, have a friend read it aloud to you (or a tutor in the writing center!). Then you get to hear it and see if there are places where your reader stumbles or where something just isn’t working.

• Tips for Organizing an Argumentative Essay
• Setting Up an Effective Argument for a CC Paper
• How to Write an Effective Introduction in the...
• be_ixf; php_sdk; php_sdk_1.4.26
• https://www.valpo.edu/writingcenter/resources-for-students/handouts/writing-effective-dialogue/

• AI Essay Writer
• Paraphraser
• Citation Generator Tool
• AI Text Summarizer
• AI Research Tool
• AI PDF Summarizer
• Outline Generator
• Editing Writing Tools
• Essay Grader
• July 26, 2024
• Post a Comment

A Guide on How to Write Dialogue in an Essay

Ever find yourself reading an essay and feeling like it’s missing a bit of flair? Adding dialogue can be just the thing to bring your writing to life. For students and aspiring writers, knowing how to naturally implement dialogue in essays can make a significant difference. Let’s look closer into the rules on how to quote dialogue in an essay, formatting requirements, and general writing recommendations that will make your writing stand out!

Dialogue - Definition & Types

Dialogue is a conversation between two or more characters. It’s a way to convey thoughts, feelings, and actions through spoken words, making the narrative more dynamic and realistic. In essays, dialogue can be used to provide evidence, illustrate a point, or bring a story to life.

Types of Dialogue

• Example: "I can't believe we won the game!" she exclaimed.
• Example: She said that she couldn’t believe they had won the game.

Direct dialogue is more vivid and engaging, while indirect dialogue is useful for summarizing conversations without going into detail.

There are also two other types of dialogues: inner and outer. The first one is when the characters are basically talking with themselves, while the second – is when they are talking to the audience or other persona. The type of dialogue to include mostly depends on the purpose with which you decided to write such a conversation into your essay in the first place.

How to Format Dialogue in an Essay: General Rules

Writing a dialogue is not so tricky when you get accustomed to it. It is also much easier when you follow all the main rules. 

Always enclose spoken words in quotation marks.  Each speaker gets their own paragraph, even if they’re only saying one word. For example, “Where are we going?” she asked. “To the park,” he replied . 

Indent these paragraphs, unless it’s the start of a chapter or after a scene break. 

When it comes to formatting dialogue, punctuation is key. Commas and periods should be placed inside the quotation marks. For example: “Let’s go,” she said. 

Question marks and exclamation points can go inside or outside the quotation marks depending on the sentence. For instance, if the punctuation is part of the dialogue, it goes inside: “Are you coming?” he asked.  

If it’s part of the overall sentence, it goes outside: Did he really say, “I’ll be there”? 

Use single quotation marks for a quote within a quote. For example: “I heard him say, ‘I’ll be there soon,’” she recounted.

Additionally, when you have multiple characters speaking, it’s important to make sure each voice is distinct and recognizable. This can be achieved through word choice, sentence structure, and even punctuation. For instance, a character who is nervous might speak in short, choppy sentences, while a more confident character might use longer, flowing sentences. 

Lastly, be mindful of the pacing of your dialogue. Rapid exchanges can create a sense of urgency or tension, while longer, more reflective dialogue can slow the pace and allow for deeper exploration of themes or character development. And make sure the dialogue adds value to your essay by supporting your argument or adding depth to your story.

How to Put Dialogue in an Essay: Step-by-Step Process

Now, as we got the basics out of the way, we can move on to writing. To make the process less chaotic and simpler to manage, you can follow the steps below.

• Identify the Purpose Determine why you are including dialogue. Is it to support a point, provide evidence, or add a narrative element? Example: To show a character’s change in attitude, you might include a conversation where they express their new viewpoint.
• Set the Scene Give context to the dialogue. Who is speaking? Where are they? What is happening around them? Example: As the rain poured outside, Jane turned to Mark and said, “We need to talk about what happened.”
• “I’ve been thinking,” Jane began, “about what you said yesterday.”
• Mark looked away, his expression unreadable. “And?”
• Add Dialogue Tags Use tags like “he said” or “she asked” to clarify who is speaking. Example: “I’m not sure if it’s the right decision,” she admitted.
• Review and Edit Make sure the dialogue is clear, concise, and relevant to your essay.

Tips and Tricks for Writing an Effective Dialogue

Writing dialogue that feels authentic and engaging requires a mix of creativity and attention to detail. One of the most important aspects is to make characters sound like real people, which means breaking grammatical rules occasionally. People don’t always speak in complete sentences or use proper grammar, so letting your characters do the same can make them more relatable. For instance, breaking sentences with periods can emphasize emotions, like in: “I. Want. That. PUPPY!!!” Morgan exclaimed. 

This technique forces the reader to pause at each word, conveying the character's excitement. 

However, readability is still important. If the dialogue is too jumbled, it will confuse readers. Even when characters use poor grammar, proper punctuation helps make their speech clearer. Take this example: “Because no,” she said into the phone. “I need a bigger shed to store all my stuff in . . . yeah, no, that’s not gonna work for me, I told you what I need and now you gotta make it happen.”

*Pro tip here: read your dialogue aloud to see if it flows naturally like a normal conversation or if it sounds robotic/too literary.

When editing dialogue, cut out the small talk and filler words that don’t add to the story. Dialogue should characterize individuals, define relationships, and advance the plot. For instance, characters in TV shows rarely say “good-bye” when hanging up because it doesn’t contribute to the storyline. Additionally, varying dialogue tags can help convey the tone but don’t overdo it. Basic tags like “said” often work best, but occasionally using tags like “shouted” or “whispered” can add nuance. Unconventional tags like “laughed”, though, should be used sparingly to avoid distracting the reader.

Each character should have a unique voice, which can be achieved through distinct vocabulary, speech patterns, and reactions. Consistency is key, and any changes in a character’s voice should be intentional and fit the narrative. Reading dialogue out loud can help identify any unnatural phrasing or inconsistencies. 

Writing dialogue in an essay might seem tricky at first, but with these tips and rules, you’ll be able to add engaging and effective conversations to your writing. Remember to keep it relevant, follow the formatting rules, and use dialogue to improve your narrative (and not just to add the word count). Practice makes perfect, so don’t be afraid to experiment and see what works best for your style.

How to write dialogue in an essay example?

To write dialogue in an essay, you should start by identifying the purpose of the dialogue. Once you have the purpose, set the scene by providing context about who is speaking, where they are, and what is happening around them. Write the dialogue using quotation marks to enclose the spoken words and start a new paragraph each time a different character speaks. For example: “I’ve been thinking,” Jane began, “about what you said yesterday.” Mark looked away, his expression unreadable. “And? ”

What are the 5 rules of writing dialogue?

When writing dialogue, the key rules to remember include:

• putting spoken words in quotation marks, 
• starting a new paragraph for each new speaker, 
• placing punctuation inside the quotation marks, 
• making sure the dialogue adds value to your essay, 
• and making each character’s voice distinct and recognizable through word choice and sentence structure.

How do you write a dialogue?

Begin by determining the purpose of the dialogue in your essay. Set the scene to provide context for the conversation, then write the dialogue itself using quotation marks. Each new speaker should start a new paragraph. Use dialogue tags sparingly to avoid confusion about who is speaking, and incorporate action beats to add context and depth. Finally, review and edit the dialogue to ensure clarity and relevance.

What is an example of a dialogue?

An example of a dialogue could be a conversation between two characters discussing their plans. For instance: “Are you coming to the party tonight?” Sarah asked, her eyes lighting up with excitement. “I’m not sure,” John replied, glancing at his watch. “I have a lot of homework to finish.” 

This exchange illustrates how dialogue can be used to convey information and reveal character traits.

Related Post

How to Write Song Titles in Essays: A Comprehensive Guide

• August 13, 2024

How to Make a Cover Page for an Essay: Best Practices

• August 9, 2024

How to Make an Essay Shorter: Editing Techniques

• July 31, 2024

Are you ready to write top-quality essay with Textero?

Boost Your Essay Writing Skills and Achievements with Textero AI

• No credit card required to start
• Cancel anytime
• 4 different tools to expolore

Save time. Get inspired.

Improve Your Academic Writing Skills and Performance With Textero AI. Discover your ultimate go-to assistant for academic writing. Use the power of AI to overcome writer's block, find new ideas, and elevate your writing experience with Textero.io.

© 2024 Textero by AHelp. All rights reserved.

• Essay Expanding Tool
• Literature Review Tool
• Thesis Generator Tool
• Sentence Rewriting Tool
• Persuasive Essay Generator
• Expository Essay Generator
• Write my Paper
• AI Homework Helper
• Narrative Essay Generator
• Reference Finder Tool
• Essay Title Generator
• Essay Topic Generator
• Essay Idea Generator
• Sentence Expander
• Paragraph Expander

• Privacy Policy
• Terms & Conditions
• Cancelation Policy
• Affiliate Program
• Affiliate Program Terms
• Academic Integrity Statement

Latest Portfolio

How to Write a Movie Title in an Essay: Expert Tips for Students

Need Any Help? Or Looking For an Agent

• Learning Tips
• Exam Guides
• School Life

How to Write Dialogue in an Essay: and Present Characters

• by Joseph Kenas
• January 5, 2024
• Writing Tips

Using dialogue in an essay comes with several benefits. It is a great strategy to reinforce the atmosphere to help the reader make judgments concerning the surroundings. In this guide, we explain how to write a dialogue in an essay and present it well.

A dialogue sets the mood by creating a picture in the audience’s mind. Furthermore, the dialogue makes the story advance by developing characters. 

Why Include a Dialogue in an Essay?

The dialogue is necessary for an essay to restore the dynamics to enhance the pace of the story. A dialogue can transmit simple lines that it may be hard for you to explain the same things step by step.

Besides, dialogue offers information that the reader will use to sense the information concerning the relationship between personalities, characters, and their moods. Again, dialogue offers the right information about the plot by justifying certain information. 

We include dialogue in an essay is to create suspense. The characters involved can overshadow future events and by creating hints to make the reader wonder what would happen next. That can be real if there is a great danger or conflict ahead. 

Finally, we involve dialogue in an essay, to sum up, offstage business. The writer would want to avoid the language that makes one feel that the same writing was reporting. It is a new way of allowing characters to interact with each other. 

How to Write Dialogue in an Essay

Dialogue is the style where the author of an essay uses different characters that engage in a conversation. Before you use the dialogue in any essay you should consider the following aspects: 

1. Structure

The purpose of dialogue in an essay is to express opinions.

For example, if you identify the topic and collected useful information to support your thesis, you can present your dialogue in the introduction with the main characters.

You can begin by providing brief descriptions of personal convictions. 

Unlike other different writing in specific research papers, avoid including direct quotes. However, you can include people’s ideas or theories without quoting them directly. 

As you write dialogue in an essay, you do not have to face the challenge of being creative. The only savior is to enhance your imaginative skills. 

4. Characters 

Dialogue should include a minimum of at least two characters to help in exposing the two sides of a particular situation. The best standard is to use a simple technique like involving the two characters.

5. Arguments 

The writer can employ two ways when communicating the arguments. The initial method is using an en bloc. Here, the method allows you to offer all the arguments in a single paragraph. Another method is indicating your point by using different paragraphs. This method is more preferable since the audience can follow you on every point. 

How to Punctuate a Dialogue in the Essay 

A dialogue is a significant part of your essay work to relay information and reveal characters. However, you must follow certain rules to make your essay flow well. 

1. Use commas and quote marks 

It is the first rule when you are writing dialogue in an essay.

Let the quotation marks surround your dialogue and let the comma end it.

You should identify the speaker as you end with a dialogue tag. For example: “This is my favorite cloth,” said Mary. 

2. New Paragraph for New Speakers 

You should create another paragraph every time you have a new speaker. The paragraph should begin with a new line. For example:

“This is my favorite meal”, says Mary.

“It was an exciting experience”, says Job. 

3. A Period inside a Quotation Marks 

It is agreeable to use a comma inside the quotation marks if the sentences end with dialogue tags. You can introduce a period within your quotation marks if you are not using the dialogue tags. 

Writing a good Dialogue between Characters 

Learning how to place dialogue between the characters is a piece of cake if you know the purpose of it. You can use the following principles 

• Be realistic: It is not advisable to use difficult or scientific words to cause the average reader to understand your points. As you write the dialogue, it is key to reread it to know how it sounds. 
• Set your characters: It is important to set characters just like in movies. Begin by setting the scene with characters and describe where the dialogue is taking place. It aids the readers to have clear pictures of what is ahead. 
• Natural Flow: Allow the dialogue to flow naturally. You can do so by placing yourself in the character’s shoe to understand how you could react given the stage. Such an approach assists you in making the essay to flow seamlessly. 
• Don’t overuse it: Dialogue can be a great essay tool that can transform the essay into a play script. However, use it moderately to keep the flow. 
• Purpose: It is vital to give the dialogue a purpose. This purpose should affect all the characters that you will be involving. 
• Human Characters: Let the characters have human emotions and feelings. That should involve both the characters and the narrator. It is vital for the reader to know the mood and the tone of the dialogue. 

What to Avoid 

• Avoid quoting things that do not relate to the context. Before you make any quote in the dialogue, you should analyze and confirm that the impression relates to the essay truly. 
• Avoid too long quotes in the essay. Short quotes are engaging while too long ones may confuse the reader. 
• You should not quote every part of your essay as it becomes boring. Furthermore, such an approach reduces the originality of the essay. It shows that you lack imaginative skills to keep your essay moving. 

However, writing video essays can be an excellent way of presenting a dialogue because you can set your scripts for every character in the conversation.

Tips on How to Write Dialogues

1. purpose of dialogues.

First on our list is to give your dialogue a purpose. It should not appear as only a decoration or as a way of filling out the pages. Any meaningless conversion makes the essay boring and redundant. 

The role of dialogue should be to advance a story or reveal something. Furthermore, it should evoke the reader’s emotion and enhance anticipation. 

2. Make the Dialogue Natural 

Allow the dialogue to look like a natural conversation. It should not sound as if it was an artificial creation. You can make it real by focusing on how you relate with your family members as you react to something in life. 

3. Use Tags Wisely 

Being unique is good but do not forget to act real. Avoid using anything and take away the reader’s attention from the dialogue. Avoid such words, declared, indicated, announced, etc. 

4. Use Sub Text 

When using natural conversations, many would want to avoid saying things as they are explicit. One may use hints or allusions to pass the message. In this example, “Going somewhere?” The reader would understand that you are not going somewhere. 

5. Speak in Character

How one speaks will reveal the personality. The dialogue will enhance the depth of how a specific character reacts to certain situations.

As such, the reader can tell if the character is shy, sarcastic, jealous, or mean. You use certain scenes to build the character and present them to the audience as you want them to appear. 

6. Read it Loud

As you complete writing your dialogue essay, it is vital to read it aloud to discover how it sounds in your ears. Alternatively, you can involve a colleague who can read it aloud for you.

If you are hearing it. You can determine if it is flowing naturally or not. You can still know if it is interesting and well written.

Joseph is a freelance journalist and a part-time writer with a particular interest in the gig economy. He writes about schooling, college life, and changing trends in education. When not writing, Joseph is hiking or playing chess.

Skip to Content

Other ways to search:

• Events Calendar

Want to write a college essay that sets you apart? Three tips to give you a head start

1. Keep it real. It’s normal to want to make a good impression on the school of your choice, but it’s also important to show who you really are. So just be yourself! Compelling stories might not be perfectly linear or have a happy ending, and that’s OK. It’s best to be authentic instead of telling schools what you think they want to hear.

2. Be reflective . Think about how you’ve changed during high school. How have you grown and improved? What makes you feel ready for college, and how do you hope to contribute to the campus community and society at large?

3. Look to the future. Consider your reasons for attending college. What do you hope to gain from your education? What about college excites you the most, and what would you like to do after you graduate? Answering these questions will not only give colleges insight into the kind of student you’ll be, but it will also give you the personal insight you’ll need to choose the school that’s right for you.

Have questions about college prep? We're here to help.

Written by CU Boulder Office of Admissions

• College-Prep

The University of Colorado does not discriminate on the basis of race, color, national origin, sex, age, pregnancy, disability, creed, religion, sexual orientation, gender identity, gender expression, veteran status, political affiliation, or political philosophy. All qualified individuals are encouraged to apply. You may  view the list of ADA and Title IX coordinators  and  review the Regent policy .

As a student or prospective student at CU Boulder, you have a right to certain information pertaining to financial aid programs, the Clery Act, crime and safety, graduation rates, athletics and other general information such as the costs associated with attending CU Boulder. To view this information visit  colorado.edu/your-right-know .

Apply for Admission

Visit Campus

Support CU Boulder

• Safety & Health Services
• COVID-19 Information
• Campus Communications
• Emergency Alert System
• New Student & Family Programs

Getting Around

• Campus Events
• Parking & Transportation
• Visit Information

Information for

• Faculty & Staff
• Journalists

Initiatives

• Business & Industry Collaborations
• Diversity, Equity & Inclusion
• Free Speech
• Innovation & Entrepreneurship
• Public & Outreach Programs
• Sustainability
• Understanding Your Cost of Attendance

Here Are The Colleges With The Most 2024 Olympic Medals—And What To Know About Them

• Share to Facebook
• Share to Twitter
• Share to Linkedin

PALO ALTO, CA - OCTOBER 2: A general view of Hoover Tower through the arches of the Main Quadrangle ... [+] on the campus of Stanford University before a college football game against the Oregon Ducks on October 2, 2021 played at Stanford Stadium in Palo Alto, California. (Photo by David Madison/Getty Images)

The 2024 Paris Olympic Games, which concluded this week, showcased not only the incredible talents of athletes from around the world, but also the American universities where many of them trained for their successes. From exceptional programs in swimming and gymnastics to track and field, certain colleges have consistently produced Olympians who go on to achieve extraordinary success—both during and after their collegiate careers.

Whether you hope to join the ranks of Olympic athletes or simply dream of donning your school colors and cheering your classmates on to gold, here’s what you need to know about the U.S. colleges and universities whose athletes took home the most medals in Paris this summer:

Stanford University

Number of Medals: 39

Notable Athletes: Brody Malone (Gymnastics), Asher Hong (Gymnastics), Katie Ledecky (Swimming)

What to know about the school: Stanford University is known as one of the most prestigious universities in the nation; it is consistently ranked as a top ten school by U.S. News and World Report , ranking third in 2024. But academics is not the only area in which Stanford excels. With a litany of Olympic champions, the university has made a name for itself with student-athletes. Prior to this Olympic Games, the school boasted 296 medals from 177 medalists, including Katie Ledecky , the most decorated American female athlete in history. This summer marked a record-breaking year for Stanford athletics, taking home the most medals of any university and breaking their all-time record for most medals won in a single Olympic Games.

Harris Will Propose $25,000 In Down Payment Aid For First-Time Homebuyers As Part Of Economic Agenda

Today’s nyt mini crossword clues and answers for friday, august 16, thursday, august 15. russia’s war on ukraine: news and information from ukraine.

University of California, Berkeley

Number of Medals: 23

Notable Athletes: Ryan Murphy (Swimming), Abbey Weitzel (Swimming), Jack Alexy (Swimming)

What to know about the school: UC Berkeley, also known as Cal, is another highly ranked institution for both academics and athletics. With an impressive array of over 300 degree programs across 15 colleges and schools, the university offers a rich and diverse environment where students are encouraged to explore, innovate, and challenge themselves—whether in the classroom, on the field, or in the pool. The school’s athletic program, particularly in swimming, has produced numerous Olympians and medalists. This year, the school sent 59 athletes to the Games and earned 23 medals; tying with its already existing record of 23 medals. This number brings the school to 246 all-time Olympic medals, with 126 golds.

University of Texas, Austin

Number of Medals: 16

Notable Athletes: Scottie Scheffler (Golf), Ryan Crouser (Shot Put), Julien Alfred (Track & Field), Kevin Durant (Basketball)

What to know about the school: Established in 1883 , UT Austin has grown into a leading public research university with a diverse student body of over 50,000 students from all 50 states and 130 countries. The university has a vibrant sports culture that has consistently produced dozens of top-tier athletes. While the university has a history of Olympic excellence, with 162 athletes having earned 156 medals prior to this summer, the Paris Olympics saw a historic delegation from the school, with 30 UT-affiliated athletes competing. UT saw particular success in Track & Field, with the talents of Julien Alfred and Ryan Crouser captivating viewers from around the world.

University of Southern California

Number of Medals: 15

Notable Athletes: Rai Benjamin (Track & Field, formerly UCLA), Anna Cockrell (Track & Field)

What to know about the school: The University of Southern California holds the record for the most Olympic medals won by any U.S. institution, having earned 326 medals prior to the 2024 Olympic Games. This summer, USC saw particular success in water polo, with USC-affiliated athletes winning gold, silver, and bronze for Spain, Australia, and the U.S.A., respectively. The Trojan spirit , characterized by a deep sense of community and loyalty, permeates every aspect of campus life at USC, encouraging students to excel not only in their academic pursuits but also in their personal, professional, and athletic development.

University of California, Los Angeles

Number of Medals: 14

Notable Athletes: Jordan Chiles (Gymnastics), Tom Daly (Diving)

What to know about the school: The #1 ranked public university in the nation according to U.S. News & World Report , the University of California, Los Angeles (UCLA) is a highly sought-after institution for its academics—but UCLA is also an athletic powerhouse, boasting 284 Olympic medals in total. In addition to the high-profile wins of Jordan Chiles (who announced her intention to return to UCLA to compete following the Olympics) and Tom Daly, UCLA also saw Olympic success in Track & Field and water polo.

University of Virginia

Notable Athletes: Kate Douglass (Swimming), Gretchen Walsh (Swimming)

What to know about the school: Consistently ranked in the Top 5 athletic standings in the NCAA and with 750 student athletes competing on 27 varsity teams, University of Virginia is a hub for excellence both on and off the field. UVA is yet another U.S. school to dominate in the pool during the 2024 Olympic Games, taking home three gold medals in the women’s 4x100 meter relay, one in the mixed 4x100 meter relay, and another in the 200 meter breaststroke. In total, 11 of the 14 medals earned by Cavalier athletes were in swimming events. Given that UVA-affiliated athletes earned 10% of the medals won for Team U.S.A. during the Games, this summer is likely to boost the university’s recruiting efforts—particularly drawing new students into the pool.

• Editorial Standards
• Reprints & Permissions

• Share full article

Advertisement

Supported by

Guest Essay

Thailand’s Royal Spell Has Been Broken

By Pavin Chachavalpongpun

Mr. Chachavalpongpun is a professor of Thai politics.

On the surface, Thailand appears to be stuck in a never-ending cycle.

Elections are held in which voters voice increasingly clear demands for change, only for those to be denied by the royalist old guard that has dominated my country for generations. Each of the past several elections, going back to 2005, has resulted in the winning party being denied its right to form a government or overthrown in a military coup or otherwise removed from office.

So when Thailand’s Constitutional Court last week ordered the dissolution of the country’s most popular political party — the pro-reform Move Forward Party, which won last year’s national election on a platform of curbing royal prerogatives — it seemed like the latest chapter in a normalized process of political stagnation.

But in reality what we are seeing is the beginning of the end for the Thai royalty’s once-commanding hold over its subjects, which could mean great change ahead for a traditional kingdom at the center of Southeast Asia.

The court decision is not a sign of the strength of the conservative establishment but of its weakness, a last-gasp attempt by the old guard to cling to an outdated status quo despite demands for change by millions of politically literate young Thais.

The Move Forward Party called for several reforms in the run-up to last year’s vote, including a reduction in the entrenched political power of the Thai military, the ruling establishment’s frequent enabler that has ousted elected governments in several coups over the years. But the party’s main objective was the reform of Thailand’s lèse-majesté laws. Enshrined as Article 112 of the country’s criminal code, they make it a crime to defame certain members of the royal family and are designed to protect the throne’s prerogatives. Many Thais have come to view them as an anachronistic impediment to Thailand’s development as a modern, democratic nation — and a major factor behind its persistent political instability.

Move Forward won the most seats of any party in the May 2023 elections, posing a dire threat to the crown. The conservative establishment, which is centered on the throne and the army, maneuvered to form a government that froze Move Forward out of power. Last week’s court decision was the final blow: The party, which had been accused of violating the Constitution with its call for lèse-majesté reform, was dissolved, and key members, including its leader, Pita Limjaroenrat, were barred from politics for 10 years. Thailand is essentially back where it started in 2020, when the same court dissolved Move Forward’s predecessor, the Future Forward Party , after it also achieved a strong election showing on reform demands. Thousands of Thais took to the streets of Bangkok to protest that decision.

We are having trouble retrieving the article content.

Please enable JavaScript in your browser settings.

Thank you for your patience while we verify access. If you are in Reader mode please exit and  log into  your Times account, or  subscribe  for all of The Times.

Thank you for your patience while we verify access.

Already a subscriber?  Log in .

Want all of The Times?  Subscribe .

The Economic Times daily newspaper is available online now.

Independence day 2024: simple essay writing tips and samples for school and college students.

Independence Day 2024 Essay Tips: Celebrated annually on August 15th, India's Independence Day in 2024 marks 77 years since gaining freedom from British rule in 1947. The day features flag hoisting, patriotic songs, and cultural performances. Schools and public institutions commemorate the event, highlighting the contributions of freedom fighters and fostering national pride.

Independence Day 2024 Essay Writing Tips

Independence day 2024: sample essays, read more news on.

(Catch all the Business News , Breaking News , Budget 2024 Events and Latest News Updates on The Economic Times .)

Subscribe to The Economic Times Prime and read the ET ePaper online.

These cars aren’t really Toyota’s own, but account for 50% of its India sales

A list of 15 stocks that FPIs are buying amid an expensive market

Remember the July 19 global computer outage? Turns out Microsoft made just one error. And it wasn’t something technical.

LIC policy holders beware: Why assigning your policies to a company can be troublesome

Assam holds a cautionary tale for the student leaders of Bangladesh

Stock Radar: Insurance stocks look attractive; Max Financial Services could hit fresh 52-week highs

Find this comment offensive?

Choose your reason below and click on the Report button. This will alert our moderators to take action

Reason for reporting:

Your Reason has been Reported to the admin.

To post this comment you must

Log In/Connect with:

Fill in your details:

Will be displayed

Will not be displayed

Share this Comment:

Uh-oh this is an exclusive story available for selected readers only..

Worry not. You’re just a step away.

Prime Account Detected!

It seems like you're already an ETPrime member with

Login using your ET Prime credentials to enjoy all member benefits

Log out of your current logged-in account and log in again using your ET Prime credentials to enjoy all member benefits.

To read full story, subscribe to ET Prime

₹34 per week

Billed annually at ₹2499 ₹1749

Super Saver Sale - Flat 30% Off

On ET Prime Membership

Unlock this story and enjoy all members-only benefits.

Offer Exclusively For You

Save up to Rs. 700/-

ON ET PRIME MEMBERSHIP

Get 1 Year Free

With 1 and 2-Year ET prime membership

Get Flat 40% Off

Then ₹ 1749 for 1 year

ET Prime at ₹ 49 for 1 month

Freedom Offer

Get flat 20% off on ETPrime

90 Days Prime access worth Rs999 unlocked for you

Exclusive Economic Times Stories, Editorials & Expert opinion across 20+ sectors

Stock analysis. Market Research. Industry Trends on 4000+ Stocks

​Get 1 Year Complimentary Subscription of TOI+ worth Rs.799/-​

Stories you might be interested in