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The Eduqas Art and Design A Level has been designed to provide engaging and innovative creative learning experiences, where art, craft and design practice is meaningfully integrated with theoretical knowledge and understanding. In this A Level Art and Design course, learners are given opportunities to develop a broad foundation of critical, practical and theoretical skills. Overall, the course fosters a holistic understanding of a range of practices and contexts across visual arts, crafts and design fields, culminating in greater specialism and achievement. We provide a range of digital resources for both learners and educators, including A Level Art and Design past papers, downloadable guides and training events. Simply click across to the relevant field in the menu above.
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Subject: Art and design
Age range: 16+
Resource type: Unit of work
Last updated
13 August 2020
A* sample essay of A2/ A-Level Art Essay, which goes alongside coursework. This student focuses on the theme of sunlight and researches into historic and contemporary artists throughly. Exam board: AQA
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Please note the maximum number of courses you can apply for is 3. If you wish to apply for more please contact our admissions team .
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Start Date: 2nd September 2024 Code: PFFB02088
Duration: 2 Years Full-time Start date: 2nd September 2024 End date: 5th June 2026 Information Event: Yes
Course fee: FREE ( Eligibility criteria may apply )
This course is ideal for people seeking a career in Art and Design. Across the year, our students will learn the core elements of art and design including Graphic Design; Product Design; Drawing skills; Critical & Contextual Awareness; and Investigation of materials, techniques & processes in 2D & 3D. The course will focus on exploring the visual arts in practical ways, to provide the learner with the skills that are needed to operate in a modern commercial environment. So there will be an emphasis on developing drawing, photography and software skills as well as 3D design techniques in a range of contexts. The course will also focus on practical working methods, such as effective research and decision-making techniques, to create an awareness of modern, professional creative industry production processes, from initial brief and concept right through to final product design and manufacture. The course will also help learners to develop presentation & communication skills essential within the contemporary art and design world & creative industries in general.
Although this qualification will award the student with a Level 3 Diploma in Art & Design, students who successfully complete all modules will have the opportunity to enrol on a second year of the course to potentially achieve an extended diploma.
Trostan Avenue --> Trostan Avenue Building Trostan Avenue Ballymena BT43 7BN 0333 034 8197
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All full-time students at Northern Regional College have the opportunity to improve their English, Maths and ICT skills and gain qualifications. The qualification you take will depend on the qualification you already have. If you do not have a grade C or above in GCSE English, Maths or ICT, you MUST complete Essential Skills; this will form a compulsory part of your timetable. If you are planning to go on to further study (for example university), please check if a GCSE qualification (rather than Essential Skills Level 2 equivalent) is required. For those who have a GCSE grade D in Maths or English, we offer a GCSE fast-track course.
Last Updated on April 2, 2023
These last few weeks I have been fortunate enough to write about three amazing A Level Art portfolios. This is the second of the three: a comprehensive and well-executed A2 Painting project (AQA A Level Fine Art) awarded 100%. It was completed by Claire Lynn, while she was a student at Carmel Sixth Form Catholic College , Merseyside, England.
READ NEXT: How to make an artist website (and why you need one)
Claire’s initial ideas are explored through photography, with a time lapse/open shutter and a 50mm lens. A Level Art teachers (and examiners) often worry about the use of photographs within Painting folios, particularly when it involves drawing from second-hand imagery. Claire’s portfolio, however, demonstrates how photographic works can be integrated with outstanding success. Not only are the photographs her original works (rather than sourced of the internet or cut from magazines, for example, which would be frowned upon in almost all circumstances), but the camera has been used as a tool to manipulate composition, exploring transparency and overlays through double exposures – effects which are critical in her subsequent drawings and paintings. Even better, Claire’s photographs are not merely snapshots to draw from; they are beautiful, well-composed images in their own right.
Showing an exceptional level of skill, Claire continues to investigate her topic (distortion of form) through a large number of smaller drawings. She conducts extensive experimentation with media, producing charcoal, graphite, and biro pen drawings. These monochromatic drawings are rich and full of tone: black, whites and a multitude of greys (or colour) in between.
With backgrounds frequently omitted (allowing the focus to be upon the intertwined figures that slip and merge into one other) Claire paints and draws on range of surfaces, including newspaper and mixed media collages. She produces gauche and acrylic paintings and paints and draws on acetate (clear plastic) overlays to further explore transparency.
As Claire develops and refines her ideas, she learns from digital photographer Idris Khan ; line drawings by Dryden Goodwin ; blurred paintings by Gerhard Richter ; portraits by Shawn Barber ; and, for painterly treatment of human skin, Jenny Saville .
While Claire’s technical skill is excellent, it is her intriguing and original take on portraiture and innovative compositions that really sets this portfolio apart.
The multi-layered artworks suggest a relationship between the subject and the way they view themselves; the alter ego and the burden of the other self. Serene and somehow hopeful, the multiple expressions capture a moment in time that writhes and wriggles a little; as if a collection of frozen stills in a video frame. The works tell you much more about a person than you would ever know from a conventional single-image portrait. They give us a story.
This is one of those rare portfolios where the development journey is so beautiful and thorough: exactly as you wish it would be. So many students produce scattered, incoherent portfolios: here you have an A Level Art submission that is substantial and carefully sequenced: it can only be the result of a fantastic student meeting a great teacher. In depth and speaking volumes, this A Level project will be a valuable learning tool for many students and teachers to come.
Claire’s project is accompanied by an outstanding A Level Art journal. There is no tacky decoration on the pages: effort has been placed into the work alone: a sincere and aesthetically joyful investigation.
I first discovered Claire’s work while perusing the Asia Region Art Educators website, where I stumbled across the beautiful images that her teacher Martin Cockram (an A Level Art moderator and examiner) had uploaded. Martin was kind enough to share these with me, along with several other stunning images of her work.
More of Claire’s A Level Art journal pages are available for viewing here in this article about A Level Art sketchbooks .
Amiria has been an Art & Design teacher and a Curriculum Co-ordinator for seven years, responsible for the course design and assessment of student work in two high-achieving Auckland schools. She has a Bachelor of Architectural Studies, Bachelor of Architecture (First Class Honours) and a Graduate Diploma of Teaching. Amiria is a CIE Accredited Art & Design Coursework Assessor.
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Cambridge international as & a level art & design (9479).
You can download one or more papers for a previous session. Please note that these papers may not reflect the content of the current syllabus.
This is only a selection of our papers. Registered Cambridge International Schools can access the full catalogue of teaching and learning materials including papers from 2018 through our School Support Hub .
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Course description.
This exciting short course at London College of Fashion aims to guide students through a modern interpretation of classic tailoring techniques.
During the course, students gain an insight into the fundamentals of well-crafted garments and build their understanding of traditional structuring and fabric manipulation techniques.
Through a combination of lectures, examples and practical exercises, students learn about balancing patterns, adjusting fit with working toiles, internal structuring, stitching techniques and fabric manipulation, amongst many other skills.
By the end of the course, students should be able to use fabric manipulation and pressing techniques to vastly improve the fit and function of garments.
Course outcomes
By the end of the course students should:
Who should attend this course?
This course is aimed at anyone who wants to gain a more dynamic understanding of how to finely tailor and craft garments. This includes designers and those in the fashion/costume industries, pattern cutters/garment makers or anyone looking to achieve a higher level of clothing development, fit and finish.
While this course is open to all levels, it will be an advantage to have some prior experience in pattern cutting, draping and sewing, both by hand and machine.
Level: all levels welcome
Please note: this course is for students aged 18 and older
Clear, easy to understand lessons:
Experience life on campus:
A certificate of completion and a digital badge
Topics covered:
Required materials:
Optional extra materials:
This inspiring short course at London College of Fashion guides students through a modern interpretation of classic tailoring techniques.
Students explore traditional structuring and fabric manipulation techniques through a series of lectures and practical exercises.
College: London College of Fashion
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Further AS Level Art Coursework examples and case studies will be added here over the coming months. This article relates to CIE AS Coursework, Component 2, 9704 A Level Art and Design - the International version of A Levels, assessed by the University of Cambridge. Information is sourced from the CIE A Level Art and Design syllabus.
Example Candidate Responses - Component 3 14 Cambridge International AS & A Level Art & Design (9704) How the candidate could have improved their coursework The candidate could have improved their coursework through stronger analysis of the experimentation an d more in-depth exploration of the final idea.
A Level Art & Design Past Papers for AQA, Edexcel, OCR, WJEC Eduqas. Clear and structured resources to guide you through key topics.
A Level Art sketchbook page by Nikau Hindin. 1. Select an original, personally relevant, visually complex, readily-available A Level subject or theme that can sustain your interest for a year (see the accompanying guide: how to select a good A Level Art theme); 2. Complete 4-10 drawings of your chosen topic in your A Level Art Sketchbook, using ...
Not available to private candidates. The Cambridge International A Level Art and Design syllabus considers expression and communication. Learners gain an understanding of visual perception and aesthetic experience, and the ways in which art and design creates a language of its own. Most of the work for this syllabus is practical or studio based ...
Written by an experienced teacher and Coursework assessor, this article contains help, ideas and guidance for CIE A2 Art & Design students who are working on their A Level Art Coursework projects. As part of their A Level Art Coursework, students must submit: 1 x project (a two or three-dimensional final work, maximum weight 4.5kgs and maximum ...
An educational resource from Student Art Guide: http://www.studentartguide.com/featured/a-level-art-design-coursework-as-paintingThis outstanding AS Art Cour...
Throughout the A-level Art and Design course we actively encourage diversity in all its many shapes, forms and practice and our specification is designed to give ... We aim to exemplify and encourage as many examples of different working practice and approaches as well as new, innovative and challenging responses through the
6 Cambridge International AS & A Level Art & Design (9704) Coursework Example Candidate Response 1 Moderator comments The candidate has used a range of media to record their observations. These studies demonstrate a very good ability to use the visual elements such as tone, shape, form, colour and texture to communicate their observations.
a stimulus or issue. a design brief or problem. a task which specifies an image, object or other outcome to be achieved. There is synoptic assessment in both components of the A-level that provide stretch and challenge opportunities for students as follows: In Component 1, students develop work based on an idea, issue, concept or theme leading ...
Here is just one example spider diagram, just on simple drawing: Once you have given a simple written description of what the maker of the work did, with which materials, get onto trying the very same materials yourself, to capture the process! Insights Your Own Opinions AndIdeas Observed. Your personal responses to the Art/Design work….
This article relates to preparing for the Personal Study, an important aspect of A level Art & Design. It has been written (and updated) with the following intentions: To shed some light on what the Personal Study actually is (although the official line from Edexcel can be found here - other exam boards available).; To provide students with practical advice for writing their essay - developing ...
601/4456/7. Specification. Planning resources. Teaching resources. Assessment resources. Key dates. Our vibrant and dynamic A-level Art and Design builds on the GCSE specification to offer exciting opportunities for higher education and inspire a life-long interest in, and enjoyment of, the arts.
Areas of study include environmental design, jewellery design and product design. • Art, craft and design: this broad based course allows you to draw from two areas of study from fine art, graphic communications, photography, textile design and three-dimensional design. - please check with your teacher which titles are available for you to ...
A-Level Art and Design is a comprehensive course crucial to developing a student's creativity, critical thinking, and visual communication skills. It is an initial starting point for students passionate about fine art, graphic communication, textile design, and more. The course encourages independent thought and personal expression, making it essential for those aspiring to careers in creative ...
A Level. AS Level. Our A Level Art and Design qualification develops students' understanding of the value of art and design as well as their own skills and creativity. Its seven specialisms cover the breadth of art and design, both traditional and digital, to suit students' particular skills and interests. Specification code: H600—H606.
This Personal Study by CIE A2 Level Art and Design student Alice Ham, from ACG Parnell College, shows a cleverly selected quote alongside images by New Zealand charcoal artist Liam Gerrard. Alice was awarded full marks (100%) for this component (99% overall for A Level). A carefully composed Personal Study page for 9704 CIE Art and Design. 3.
Here are some interesting and diverse themes to consider for your A-level art project: Theme ideas: Decay and Renewal: Depict the contrasts of environments, exploring the decay of older structures and the emergence of modern architecture. Environmental Awareness: Raise awareness about environmental issues through your art.
Cambridge International AS & A Level Design & Technology 9705. Coursework Handbook - Example coursework. Select activity A range of coursework submissions (for both compon... A range of coursework submissions (for both components) for this Syllabus have been included here along with a breakdown of the marks awarded, and a moderator commentary ...
In this A Level Art and Design course, learners are given opportunities to develop a broad foundation of critical, practical and theoretical skills. Overall, the course fosters a holistic understanding of a range of practices and contexts across visual arts, crafts and design fields, culminating in greater specialism and achievement. ...
A-Level Art Sample Essay. Subject: Art and design. Age range: 16+. Resource type: Unit of work. File previews. pdf, 866.25 KB. A* sample essay of A2/ A-Level Art Essay, which goes alongside coursework. This student focuses on the theme of sunlight and researches into historic and contemporary artists throughly. Exam board: AQA.
This course is ideal for people seeking a career in Art and Design. Across the year, our students will learn the core elements of art and design including Graphic Design; Product Design; Drawing skills; Critical & Contextual Awareness; and Investigation of materials, techniques & processes in 2D & 3D. The course will focus on exploring the visual arts in practical ways, to provide the learner ...
Distortion of Form: A Level Art Sketchbook, Preparation and Final Piece. These last few weeks I have been fortunate enough to write about three amazing A Level Art portfolios. This is the second of the three: a comprehensive and well-executed A2 Painting project (AQA A Level Fine Art) awarded 100%. It was completed by Claire Lynn, while she was ...
Stay up to date. The Cambridge International A Level Art and Design syllabus considers expression and communication. Learners gain an understanding of visual perception and aesthetic experience, and the ways in which art and design creates a language of its own.
In this course, you'll be introduced to visual and audio development for games. You'll learn about 3D models, animation, visual effects (VFX), and sound effects (SFX). This course covers a variety of art-related topics that will help in your process to design, prototype, and better visualize new ideas.
This includes designers and those in the fashion/costume industries, pattern cutters/garment makers or anyone looking to achieve a higher level of clothing development, fit and finish. While this course is open to all levels, it will be an advantage to have some prior experience in pattern cutting, draping and sewing, both by hand and machine ...