can a research paper have personal experience

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Using Evidence: Common Knowledge & Personal Experience

Common knowledge & personal experience.

Scholarly writing primarily relies on academic research as evidence. However, all writers bring previous knowledge to their writing, and Walden writers in particular might have years of experience in their field that they bring to their classroom writing. How to incorporate common knowledge and professional experience can cause confusion, since incorporating them inappropriately can create unintentional plagiarism .

• Writing About Common Knowledge & Personal Experience (video transcript)

Common Knowledge

Common knowledge is information or ideas that are widely known, accepted, and found in multiple places. Common knowledge is context dependent, meaning that something might be common knowledge to one audience but not another audience. If you are paraphrasing common knowledge , you do not need to cite that statement.

Let us look at a few statements and consider their context to see when they might be considered common knowledge:

Always consider your context and the audience you are writing for when determining whether a statement is common knowledge. Accidentally including a statement without a citation because you think it might be common knowledge can result in unintentional plagiarism . Ask your faculty if you are not sure, as your faculty can help guide you on what your audience is for an assignment and whether a statement is common knowledge for that audience.

Professional Experience

Many Walden students come with years of experience in their field, and you may find yourself writing about and researching topics you have engaged with in the past. The passion for and experience with the topics you are studying is one great advantage Walden students have.

Professional experience can cause a problem when students rely too heavily on their experience with a topic in their scholarly writing. Scholarly writing is meant to be informed by and supported by academic research, and so professional experience should not be the primary evidence you use for your ideas in your scholarly writing.

In fact, relying on professional experience too much or not clarifying when you are using professional experience in your scholarly writing can lead to questions about plagiarism. If you are writing a paper about handwashing practices for nurses, and throughout your paper you do not cite any sources, your faculty my interpret this lack of citations as passive plagiarism : Your faculty may think that you’re using evidence from sources but you just didn’t cite those sources. Although you know these ideas are based on your professional experience, your faculty may not, leading to confusion and possible misunderstandings.

We know that how and when to incorporate professional experience can be confusing if you are new to academic writing, and often students do not realize their approach could cause confusion. To avoid these issues and possible misunderstandings around plagiarism, we recommend three strategies:

• Use and Cite Evidence : Ensure you are adequately supporting your scholarly writing with academic evidence that is cited.
• Contextualize Professional Experience: If you do use professional experience to support your ideas, make it clear from context that you are doing so. Use phrasing like, “In my experience as a teacher…” or “I have found in my 10 years at my organization…” . These signal phrases help the reader know that the ideas that follow are based on your professional experience.
• Contact Your Faculty: Contact your faculty if you are not sure if professional experience is appropriate to use in your assignment or how to do so. Professional experience is more appropriate in some assignments more than others (e.g., a reflection paper versus a literature review). Your faculty can best guide you on how and when to include professional experience.

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How do I cite personal experiences in APA format?

Personal experiences and knowledge generally do not need to be cited in an APA references page or within the body (in-text citation) of your paper. Personal experience and knowledge is part of your voice; it is what you bring to your paper.  If you use personal knowledge that is unusual or to make a statement that someone might question, however, you will want to find research to back your knowledge up. Read more in our answer on self-citing .

Personal communications . Frequently confused with personal knowledge and experience are personal communications (any information that is not retrievable, such as phone conversations, interviews, email, memos, and personal letters). Personal communications (interviews, conversations) need to be cited in-text, but not in the reference list. Click here to learn more.

• Last Updated Apr 05, 2024
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• Answered By Kerry Louvier

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Doing Research in Counselling and Psychotherapy

Student resources, using personal experience as a basis for research: autoethnography.

Autoethnography is quite different from other genres of research, in being based in first-person writing and reflection on personal experience. Carrying out an autoethnographic study not only has the potential to contribute to the research literature – it can also be highly personally meaningful, and provide a distinctive vantage point from which it is possible to see other types of research in a fresh way.

To appreciate what is involved in autoethnographic research it is necessary to try it out on yourself. This set of reflexive writing tasks provide suggestions about how to make a start with this kind of process. It is not necessary to complete all the writing exercises, or to begin with the first one – better to scan through the options and engage with the ones that strike a chord.

Articles on ethical issues in autoethnographic research are available in the Chapter 5 section of these online resources.

Papers on engaging in autoethnographic inquiry

These papers on psychotherapeutic topics illustrate different styles of autoethnographic inquiry, and different writing techniques. When reading them, make notes about those elements of each paper that could be usefully incorporated into your own study, and these elements that would be inappropriate.

Douglass, B.G. & Moustakas, C. (1985) Heuristic inquiry: the internal search to know.  Journal of Humanistic Psychology, 25, 39 – 55. 

Heuristic inquiry was an important precursor of autoethnography – this article highlights aspects of the study of personal experience that are not always given enough emphasis in the contemporary autoethnographic literature

Chang, H. (2016). Autoethnography in health research: growing pains? Qualitative Health Research, 26, 443 – 451. 

A useful discussion of current trends in autoethnography

Harder, R., Nicol, J. J., & Martin, S. L. (2020). " The power of personal experiences": post-publication experiences of researchers using autobiographical data.  The Qualitative Report , 25(1), 238 – 254.

Autoethnographic work is personally highly revealing – this study explores how experienced autoethnographic researchers evaluate the impact this has had on them​  

Wall, S. (2006) An autoethnography on learning about autoethnography.  International Journal of Qualitative Methods,  5, 146 – 160.

Wall, S. (2008) Easier said than done: writing an autoethnography.  International Journal of Qualitative Methods,  7, 38 – 53. 

Many researchers have found these papers – which tell the story of conducting an autoethnographic study – useful in terms of their own development

Exemplar autoethnographic articles

Asfeldt, M., & Beames, S. (2017). Trusting the journey: Embracing the unpredictable and difficult to measure nature of wilderness educational expeditions.  Journal of Experiential Education , 40(1), 72 – 86.

Brooks, C.F. (2011). Social performance and secret ritual: battling against Obsessive-Compulsive Disorder.  Qualitative Health Research, 21, 249 – 261.

Fox, R. (2014). Are those germs in your pocket, or am I just crazy to see you? An autoethnographic consideration of obsessive-compulsive disorder.  Qualitative Inquiry , 20(8), 966 – 975.

Matthews, A. (2019). Writing through grief: Using autoethnography to help process grief after the death of a loved one.  Methodological Innovations , 12(3), 1 –10 .

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

11 Weaving Personal Experience into Academic Writing

Marjorie Stewart

“Warp and Weft” uses the metaphor of weaving to demonstrate one way of using personal and narrative writing within academic essays. Rather than debate whether narrative is appropriate for academic writing, it addresses the question of when is it appropriate and how it can be done effectively, focusing on helping writers decide when the use of personal experience is appropriate for their purpose, how to make personal experience and narrative pull its weight in the essay, and how the ability to incorporate personal experience can translate into the ability to incorporate research.

The essay is structured as an example of the use of personal experience as well as a how-to guide. “Warp and Weft” contains a discussion of three students who incorporated narrative in their essays in three ways: as a structural frame, as an example when the research topic and personal experience overlap, and as a tool for discovery. Students will benefit from the peer-written examples as well as the use of the personal in the essay itself.

Like many students, I worked my way through college with a retail job. [1] I was luckier than many of my classmates: I found a job at a hip little boutique called Rebecca: A Gallery of Wearable Art in the trendy part of town. We carried many styles of hand-made clothing, jewelry, and accessories, but our most important merchandise was that made by Rebecca herself. Rebecca was a weaver who made hand-woven clothing and scarves. Her loom took up half of the back room and she wove while I waited on customers. When one fabric came off the loom, Anne, the seamstress, would begin to cut and sew while Rebecca set up the loom for the next design. She created her patterns then transferred them into a computer program that told her how to thread the yarn onto the loom to produce the pattern. She threaded the warp, the yarn that runs lengthwise, onto the loom. The weft (formerly known as woof) was placed on bobbins that fed the shuttle. The act of weaving was moving the shuttle with the weft through the warp to create the weave.

So what, you might well ask. So what does this have to do with writing?

Many of you have been taught not to use the word “I” in your academic writing; not to include anything that does not directly relate to that mysterious thing called a “thesis statement;” and not to include anything personal in your writing. The opening of this essay has broken all of those so-called rules – it contains a personal story, told in the first person, that at first glance seems unrelated to the topic of writing. However, in this essay, I – yes, “I” – am here to help you step away from those rules and to use personal stories effectively in your academic writing.

The first consideration is whether using personal narrative is appropriate for your project. My story of working in Rebecca’s shop is useful here – it is intended to attract the attention of the readers and to establish and explain the extended metaphor of weaving. However, if I were writing an essay for my art history class about the evolution of weaving techniques and equipment, my story would seem out of place, as I only have experience with one step in that evolution, and that experience is of an observer rather than a participant.

Your composition professor will likely talk to you about the rhetorical situation of any piece of writing. Stated simply (perhaps too simply), the rhetorical situation – the writer, the audience, and the purpose of the writing – affects the way the message is presented. In my hypothetical art history essay, the narrative would confuse the reader as to the purpose of the project and distract from the actual message of the paper. Often in writing classes it seems that your audience is specifically your professor and secondarily, perhaps, your classmates. Given the essays you will read about in this chapter, imagine the larger audiences that the student writers might have been addressing. Consider carefully whether personal narrative belongs in papers you are writing for history, biology, or business classes.

In addition to your specific rhetorical situation, of course, you should always comply with your professors’ guidelines for each assignment. “No first-person narratives” is a clear statement that personal stories are not appropriate in that classroom.

However, once you have established that your narrative is appropriate for your purpose and audience, what next? It is my purpose to help you incorporate narrative effectively, and to do that, I will use examples from three of my students in a first-year course, a course designed to help writers bridge the gap between high school and college writing. I am also using the example of this essay itself. Consider my story about Rebecca. I am using her weaving, her design of warp and weft, as a metaphor for the kind of writing this essay is going to talk about. I will also use the story as a frame – talking about weaving in the introduction, the conclusion, and perhaps in the transitions.

Personal Story As Frame

Using a personal story as a frame for your essay can be an effective way to draw your reader into your ideas and then to help them reinterpret those ideas in the end. Perhaps, like me, you’re working in a retail job. Perhaps it’s in a big box store instead of my artsy boutique, and you’re wondering if you’d be happier somewhere else, or you’re thinking, please, hand-woven clothing? You sell electronics, important, functional electronics.

Just as I began with the story of my time at Rebecca, Lynn Z. Bloom began a conference presentation with a story from her classroom, and then commented, “Such stories, even brief ones, make us want to hear more, and to tell our own right back. They get us where they live. All writing is personal, whether it sounds that way or not, if the writer has a stake in the work” (1). One of my goals in telling the story of Rebecca is to make you want to hear more, and to make you want to tell your own. The human mind is a giant filing cabinet of stories, and when you hear one, you go to the appropriate file drawer – in this case R for Retail Employment – and pull out your own.

There are many stories in that drawer, however, and it’s important that you choose the right ones. Because my metaphor of writing as weaving is central to my topic, I haven’t included lots of other great stories that came out of my time at Rebecca. I didn’t talk about the great gyros we used to get from Mike and Tony’s across the street, or about how the changing nature of the neighborhood made Rebecca worry whether she had chosen the right location for the store, or about the great artists who came in for trunk shows of their work. I focused on the loom, the weaving. And as the framework for this essay, I consider the story of the loom to be the warp, the yarn threaded on the loom in advance. I will thread my shuttle with the examples of my students’ writing and weave them through.

The first example, Callie Harding’s “The Life of a Choir Director’s Child,” does the opposite. Her topic – the need for better education about religion in America – is the warp, and her childhood stories are woven though to show the reader how this topic became so important to her. Her stories give the readers context and help them connect with her.

Personal Story as Context

Telling a personal story can help your reader understand why you are writing about the topic you have chosen, and why you have come to care so deeply about it. Callie’s childhood experience of travelling from church to church where her parents worked as choir directors gave her an understanding of many religions, and she uses those stories to show how that has helped her be a more compassionate, thoughtful, and sensitive person.

Her paper starts this way:

When I was a child, I didn’t spend much time on playgrounds or with the backyard swing set. I didn’t look forward to dance class or soccer practice every week. Instead, most of my time was spent in the pews of a church with a My Little Pony figure that was weaving its way through a jungle of hymnals and pew Bibles. My playground was a cathedral with the somewhat harmonious voices from the volunteer choir echoing off the stone floor over the magnificent pipe organ. At the front of the choir was either my mother or father . . . Yes, I was the child of choir directors. (Harding 1)

Callie goes on to explain that her family moved from a non-denominational Christian church to a Jewish synagogue; the First Church of Christ, Scientist; a Catholic Church, and finally, a small Lutheran church. “What religion are we?” she asks. This is how she tries to answer her question:

My mother spent a while with the Hindu faith before marrying my father and converting to Mormonism. We are also deeply into our Native American background and practice their cultural and religious ceremonies. Add the fact that we had many friends from many religions and cultures and you can tell that I had one of the most openly religious households on the block. (Harding 1-2)

Callie then moves very nicely into her research on how to encourage religious tolerance through education. She contrasts her experience in a fundamentalist Christian high school to a school district in Modesto, California where all ninth graders take a semester-long world religion course. She writes about the importance of helping all children understand and celebrate diversity of religion and points to her own experiences as an example of the positive effect this has on them. As part of her research, Callie interviewed her mother about her diverse upbringing. While her mother called it a “happy accident,” she also explained to Callie how she stood up to her very Mormon father to make sure Callie and her sister were free to find their own beliefs.

As I was studying Callie’s essay, I took three highlighters and circled each paragraph: pink for Callie’s personal story; yellow for Callie’s presentation and discussion of her research, and green for the information from her interview with her mother. This is the result:

• Paragraphs 1-3 – Callie’s personal story
• Paragraphs 4-6 – discussion of research
• Paragraph 7 – Callie’s story
• Paragraphs 8-9 – discussion of research
• Paragraph 10 – Callie’s interview with her mother
• Paragraph 11 – Callie’s story
• Paragraph 12 – Callie’s interview with her mother
• Paragraphs 13-14 – Callie’s personal story

It wasn’t until I did that exercise with the markers that I realized how smoothly Callie had incorporated the three elements of her writing. As I’ve done in this essay, Callie framed her story with the personal. She also used it within the essay to focus and reflect on her research findings. Marking your essay the same way can help you see if you have the right balance between the personal and the more traditionally academic portions of your paper.

While Callie used her personal stories to provide context to the issue of religion in education, she also used her own background to show herself as an example of someone for whom a broad religious education proved beneficial. In “A Life Lost,” student Melynda Goodfellow used her personal story as an example.

Personal Story as Example

Melynda chose to write about teen suicide, certainly an important topic, but one that far too often leads to a patchwork of statistics and distant narratives, more a report than an essay with heart. Sadly, Melynda had reason to care deeply about her topic: her cousin Jared killed himself with an overdose of prescription pain medication.

Melynda started her essay with a simple story of a typical Friday night, getting ready to go the high school football game, where her brother would be playing in the band. This night, however, was special, because her cousin had just moved into town and her boyfriend would be meeting him for the first time. Choosing to open with a typical activity – going to the football game – but giving it special meaning was particularly effective for Melynda. I encourage writers to ask themselves the first Passover question: Why is this night different from all other nights? This is the question asked by the youngest child at the beginning of the Seder to start telling the story of the Passover. It also serves the beginning writer well: If this night, this football game, isn’t special in any way, then it isn’t the story to use in your essay. Melynda’s football game is different from all others because her cousin will be there to meet her boyfriend.

Although the atmosphere is festive, Melynda shows us with foreshadowing that this is not a typical Friday night lights story. She writes that Jared moved because “he wanted to get away from the lifestyle that he was living back home. He wanted a kind of fresh start.” She connects herself to the characters of her brother and her cousin through the band: she had been in band, her brother is performing with the band at the football game, and her cousin is excited about returning to school and joining the band himself. Throughout the narrative part of her essay, Melynda shows Jared as sad and desperate, yet looking forward to his fresh start.

Melynda tells the story in a straightforward, chronological way from the evening of the football game through her cousin’s death and funeral. Her use of personal experience is different from mine and Callie’s because the majority of her paper is that narrative. The structure of her paper is very different: where Callie went back and forth between the story and the research, Melynda began with the story and introduced the research at the end. The first three pages of Melynda’s six-page essay are the story of her friendship with Jared that fall, and how she becomes his confidant. Pages four and five are the story of how she heard of his death. It is only at the end of her essay that she introduces the statistics that show that suicide is “the third leading cause of death in people ages 15 to 24” (Goodfellow 6). Her conclusion, shortly after that statistic, reads:

I never in a million years would have thought something like this would happen in my family. I knew that mental health problems run in the family, but I believed everyone knew where to get help. We knew that suicide wasn’t an option and that we had each other if nothing else. As tragic as it may sound, this event brought our whole family back together. Any quarrels or grudges anyone had seemed to dissipate that day. Ironically, one of the things that Jared wanted the most was for the family to just forget their differences and get along. (Goodfellow 9)

This ending refocuses Melynda’s readers on the personal meaning of the impersonal statistic.

In his book Living the Narrative Life: Stories as a Tool for Meaning Making , Gian Pagnucci writes, “I think, actually, that stories can help us get at the truth even if there isn’t a firm truth to be had.” (51) And in Writing to Change the World , Mary Phipher says:

Research shows that storytelling not only engages all of the senses, it triggers activity on both the left and the right sides of the brain . . . . People attend, remember, and are transformed by stories which are meaning-filled units of ideas, the verbal equivalent of mother’s milk. (11)

Melynda works at getting at the true story of her cousin’s death, making meaning of it, even though there is no firm truth or solid meaning to be had there. The truth she arrives at, however, is more powerful than the “just the facts” approach because the story lingers with her readers in a way statistics can’t.

Another thing Melynda does that makes her essay different from mine, and Callie’s, is her inclusion of dialogue. I think she makes especially good use of it in her essay, something that is often difficult for writers at all levels. Here she shows us how she learned of Jared’s death:

“What is it?” I said when I picked the phone up. “It’s about time you answered your phone! I’ve been calling you for over an hour,” my mom said. “Well?” “It’s Jared. He’s in the hospital. He overdosed.” “Oh, my God . . . Is he okay? I’ll be right there. I’m leaving work now.” “No. Don’t come here. There’s nothing you can do. He’s dead.” (Goodfellow 4)

Recreating dialogue can be challenging – a year after her cousin’s death, can Melynda be certain that these were the exact words that she and her mother spoke? Probably not, but she can show her readers the tension in the moment – her mother’s anger that she didn’t pick up, her desire to be with Jared, and her mother’s postponing of the awful news. Dialogue also can be used to pick up the pace of the story – the light look of it on the page helps readers’ eyes move over it quickly, getting a lot of information from a few carefully-chosen words.

There are significant structural differences between Melynda’s essay and Callie’s. Callie’s is split almost evenly between personal experience and research; Melynda’s is about 85% personal story. The third student, Ethelin Ekwa, uses personal story in an even larger portion of her essay, which is entitled “Ethelin Ekwa: An Autobiography.” Although the title might lead you to believe that the essay is only, or just, or simply, personal narrative, Ethelin uses the story of her life to explore her ethnic heritage, her life as a single mother, and her determination to make the most of her artistic and musical talents. She tells the story of her life as a way of understanding her place in the world at the time of the writing.

Personal Story as Discovery

Ethelin’s essay can be seen as an example of Donald M. Murray’ beliefs about writing: “We write to think – to be surprised by what appears on the page; to explore our world with language; to discover meaning that teaches us and may be worth sharing with others …. . . we write to know what we want to say.” (3). Although my students always write multiple drafts of all of their essays, Ethelin wrote more than usual – at least four significant revisions before the final draft that she submitted in her portfolio. She was a frequent visitor at our writers’ center as she worked through the paper. Somewhere in an intermediate draft, she found her frame: a quotation from Ani Difranco’s song “Out of Habit:” “Art is why I get up in the morning.” That idea led her Ethelin to her conclusion: “I cannot imagine a day without the ability to create in unconventional ways” (Ekwa 9). In the eight and a half pages in between, she tells the story of her life.

In Callie and Melynda’s essays, there is a very clear separation between personal experience, research material, and the writers’ commentary on those elements. The weaving, to continue the metaphor, is done in larger blocks of color. Ethelin’s essay has a more subtle pattern. Every paragraph contains some detail of her life – where she was born, who her parents were, where she lived – but also has a reference to her life-long desire to be an artist. She talks about her work as a writer and poet; as a singer and musician; and as a photographer and visual artist.

Ethelin’s background is intriguing – her parents moved from Cameroon, West Africa to France and then to Texas, where she was born, the youngest of five children. She has lived in Europe and Africa, and she went to school in France and Cameroon. Here is how she introduces herself in the second paragraph:

My birth name is Ethelin Ekwa. I am also known as Obsolete by my artist friends and as Krysty by my close personal friends. I am an artist, a mother, a photographer and a lover of all things. I am an American-born citizen with Cameroonian and French origins. I am 30 years old and I currently reside in North Braddock. (Ekwa 1)

Ethelin’s identity is tied to her arts from the very beginning, and every story from her life is wrapped around those arts. When, at 22, she becomes a single mother, her priorities change, but she never gives up: “When I got pregnant, I put singing, painting, and drawing on hold . . . I had more pressing matters to take care of and there just was not time for art” (Ekwa 3). Soon, though, she tells us that she made a new friend who introduced her to digital photography, and by the time her daughter was two years old, she had her own photography business up and running.

While Melynda chose one special night to tell about at the start of her essay, Ethelin chose many events from her life, all of them important, life-changing events. Reading Ethelin’s essay, I can almost see Rebecca’s shuttle flying back and forth across the loom, the turn at each side another event that pulls Ethelin back into the world of art. When the weaver turns the shuttle at the edge of the warp, the weft creates a finished edge that prevents the fabric from fraying or unraveling called a selvage. The turns in Ethelin’s story create a sense that her life, which is sometimes unplanned and chaotic, still has something that keeps it from unraveling, and that something is her artistic nature.

Tying Up Loose Ends

The examples from my students’ essays can help you understand how to use personal experience in your academic writing. But how do you know when to use it? When is it acceptable and appropriate? Gian Pagnucci asserts, “Narrative ideology is built on a trust in confusion, a letting go of certainty and clarity that can ultimately lead to understanding” (53); that stories have a “piercing clarity” (17), and that “the drive to narrate experience is, if not instinctive, then at the very least quintessentially human” (41). He also warns that the academic world is not always welcoming of personal experience. I know many of my colleagues are not willing to trust in confusion – their entire careers, and even their lives, have been built on the quest for knowledge and certainty.

If your composition professor has asked you to read this chapter, it’s a pretty safe bet that you may use personal experiences in your writing for that class. Even in that setting, however, there are times when it is more effective than others. Using the examples of the essays I’ve quoted from and the guidelines given in the beginning of this chapter, here are some tips on when to use your personal experience in your essays:

• When, like Callie and Melynda, your experiences have inspired a passionate opinion on your topic
• When, like Ethelin, your personal experiences constantly point back to your central idea
• When, like me, your personal experiences provide a strong and extended metaphor for your subject
• When, like all of the writers, your personal experience provides a structure or framework for your essay

The expression “tying up the loose ends” comes from weaving and other fabric arts. When the yarn in the shuttle is changed, the new yarn is tied to the old at the selvage. Those threads are later woven into the fabric so that they don’t show, and so that the connection is tight. When your rough draft is done, it’s time to take the fabric off the loom and make sure your weave is tight. At that point, ask yourself these questions to be sure you are using your experience appropriately and effectively in your essay:

• What percentage of your essay is personal experience, and how does that match up with the nature of the assignment? Callie’s essay was written in response to an assignment that required more research than the one Ethelin was responding to, so it included less personal writing.
• Have you included only the personal stories that directly relate to your topic, your attitude towards your topic, or your controlling idea?
• Are your selvages tight? Do the moves you make between personal story and research and analysis make sense, or is the fabric of your essay likely to unravel?
• Is the resulting pattern appropriate to your project? Are you working in large blocks of color, like Callie and Melynda, or the subtler tweed of Ethelin’s essay?

I started this essay in Rebecca’s shop and tried to weave the metaphor inspired there through this essay. In the process, I realized another advantage to using personal stories in academic writing: I hadn’t thought about Rebecca and Anne, about Mike and Tony’s gyros, about the bright creative atmosphere in the gallery and in the neighborhood for a long time. Accessing those stories from the filing cabinet in my brain was inspirational. My stories from Rebecca are mostly fun or funny. Your stories, like mine and the writers quoted here, are a mix of light and dark, funny and serious. I encourage you to open the file cabinet and find the stories that will make your readers remember similar times.

Works Cited

Bloom, Lynn Z. “That Way Be Monsters: Myths and Bugaboos about Teaching Personal Writing.” CCCC 51st Annual Meeting, Minneapolis, MN, Apr. 2000.

DiFranco, Ani. “Out of Habit.” Ani DiFranco , Righteous Babe Records, 1990. Ekwa, Ethelin. “Ethelin Ekwa: An Autobiography.” 3 Aug. 2009. Composition and Language I, Art Institute of Pittsburgh, student paper.

Goodfellow, Melynda. “A Life Lost.” 3 Aug. 2009. Composition and Language I, Art Institute of Pittsburgh, student paper.

Harding, Callie. “The Life of a Choir Director’s Child.” 3 Aug. 2009. Composition and Language I, Art Institute of Pittsburgh, student paper.

Murray, Donald M. A Writer Teaches Writing . Rev. 2nd ed. Cengage, 2003.

Pagnucci, Gian. Living the Narrative Life: Stories as a Tool for Meaning Making . Heinemann, 2004.

Pipher, Mary. Writing to Change the World . Riverhead Books, 2006.

Teacher Resources for Weaving Personal Experience into Academic Writing by Marjorie Stewart

Overview and teaching strategies.

This essay is useful for faculty teaching the research-based essays that are frequently the concentration in a second semester composition course in a two-term first year writing sequence. Instructors who encourage a personal connection to the research topic will find this essay helpful in guiding students as to when and how they might use their personal narratives in their academic research essays.

The questions below are designed to stimulate discussion and to move students from thinking academically about this genre to delving into their own lives for experiences they are inspired to research and learn more.

Often the attitude towards personal narrative, held by teachers and students alike, is that it is a beginning genre and an ice breaker that is designed as a stepping stone to real or more important ways of writing. This essay instead subscribes to the theory that personal narrative is, as Gian Pagnucci says, “if not instinctive, then at the very least quintessentially human” (41). My experience working with students on this kind of essay is that they are eager to both tell their own stories and to research the issues that inform those stories.

• Marjorie Stewart claims that our minds are filing cabinets of stories. Do her stories, or the stories of her students, remind you of stories of your own? How does this chain of stories help us make sense of our experiences?
• Has there ever been a time when you wanted to include personal experience in a writing project but were discouraged or forbidden to by an instructor? Why did you feel the story was important? What might have motivated the instructor?
• Are their personal stories you are eager to include in an essay? What about stories that you would be uneasy revealing? How do you, and how do other writers, decide which stories they wish to share?
• Work with an essay, either assigned in class or one you are familiar with in which the author uses personal experience. Compare it to an article on the same topic with no personal writing. Which do your respond to more, and why? Does the personal writing help you understand the writer, or does it get in the way of your intellectual understanding of the topic?

Essay Resources

If you have a favorite example of a well-mixed narrative research essay, by all means, use it. If you are using a book with good examples, you might assign one as companion reading to “Warp and Weft.” I also recommend many essays published as creative nonfiction, especially those from The Creative Nonfiction Foundation, at creativenonfiction.org. One of my favorites is “Rachel at Work: Enclosed, A Mother’s Report” by Jane Bernstein, published in Creative Nonfiction and anthologized in their collection True Stories, Well Told .

• This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0) and are subject to the Writing Spaces Terms of Use. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/ , email [email protected] , or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. To view the Writing Spaces Terms of Use, visit http://writingspaces.org/terms-of-use . ↵

Weaving Personal Experience into Academic Writing Copyright © 2020 by Marjorie Stewart is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License , except where otherwise noted.

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1 Introduction

How do we know what we know, and how is that knowledge valued? Why is some knowledge deemed more valuable or valid than others? What if a person has multiple degrees, or even a university education? Is their knowledge more valuable? What if a person has not been formally trained on research methodologies? Do the person’s personal lived experiences still have value in their own academic research?

These were questions that arose in class discussions among undergraduates and a graduate student instructor in the context of learning about international justice mechanisms and the admissibility of evidence in international court proceedings, where we discussed hierarchies of truth and knowledge. We were wrestling with questions about the possibility of an objective truth, reliability of eyewitness and survivor testimony, and what justice means and to whom.

Out of these discussions, we realized how limited conventional citation guidelines were in recognizing and validating the full range of knowledge and experience students wanted and needed to bring to their research papers for the class. While academia has a strong tradition of in-depth interviews with “research subjects” in ethnographic research and autoethnography as an autobiographical form of writing and research, we wanted to acknowledge and address the power imbalance in these accepted forms of research. Ethnographic (or qualitative), interpretivist research is often seen as less objective or “valid” in disciplinary debates, whereas quantitative, positivist work is often seen as more objective and “pure.” [1] This hierarchy of knowledge production reinforces colonial practices, and western, white epistemologies.

We wanted to raise up the value and validity of personal interviews which we define as more informal conversations with friends, family, and neighbors, for example: the story that has been told around your dinner table for generations, or stories neighbors and family friends have shared for as long as you can remember. This type of “interview” is really more of a conversation and can be rich with context and cultural meaning, and deeply personal. These interviews are closely aligned with lived experience. The “interviewer” is in a unique position to be able to speak to this rich context in ways that more traditional ethnographic interviews by outsiders are not able to.

Similarly, we wanted to uplift and validate personal experiences beyond the traditional uses in autoethnographic research. This was motivated by Emily’s experience as a teaching assistant. She was grading a student’s paper about Latin America and the student failed to provide a citation for a historical event that was described in the paper. According to the grading rubric and conventional expectations, the student was supposed to lose points on the assignment. However, after speaking with the student, Emily learned that the student had lived through the event themselves. The expectation was that the student find a secondary or other primary source to cite, other than their own lived experience or those of their community. There was no convention for them to cite their own personal knowledge even though they lived through it. External sources were valued higher than the student’s own lived, embodied knowledge.

In order to address these concerns, we the authors created a set of guidelines for students to cite their own personal experience and personal interviews in academic research papers that allows for the inclusions of more diverse forms of knowledge production. While there are still arguably some concerns with the convention of citations in general, we wanted to give students and educators practical tools to adapting existing academic practices and expectations to include these traditionally less-valued forms of knowledge production and acknowledge the value of the lived experiences of students and their communities. We wanted to give students the opportunity to center their own knowledge and experience, as well as that of their community.

The first set of guidelines were used in 2018, created in direct response to student’s needs to cite personal experience and family interviews in their research papers. After the course,  Emily, the instructor, interviewed several of the students who used the citation guidelines for feedback and recruited 2 students (Emma and Jake) who had an interest in continuing to develop the guidelines, forming the team that continued to work for the next 4 years to create additional iterations of the guidelines, conduct interviews with students and professors, and search for additional research on development of citation guidelines. Through encouragement of several professors and research librarians, we decided to create this e-book to share the guidelines open source, providing an important tool for students, as well as a starting point for others to continue building, improving, and drawing from our work through a Creative Commons license. More traditional publishing platforms proved to be too limited, closed, and inflexible to meet our needs.

Our hope is that this guide to citing personal experience and interviews meets our goal of supporting students to produce their own knowledge, as well as honoring the academic value of their lived experience and the experiences of their families and communities. Through the use of a set of guidelines we created for students to cite personal experience and interviews, we found students self-reported increase in engagement and success in academic assignments. We propose this set of guidelines as an important practical tool for critical, feminist, and anti-racist pedagogy, as well as a method for teaching ethical research.

Scholars across disciplines are moving toward challenging the status quo in classrooms, and in research. In recent years, the movement to engage in anti-racist pedagogy has strengthened as the United States wrestles with legacies of colonization and racism which continue to permeate our ways of life in this country. Kyoko Kishimoto writes of the need for the practical application of critical race theory, not simply about what is taught in the classroom, but how it is taught. Kishimoto argues that anti-racist, feminist, and critical pedagogy “critique positivist assumptions of knowledge, of an objective universal truth which fails to acknowledge embedded Eurocentrism and male privilege.” [2]

Alongside the movement for anti-racist pedagogy, Indigenous ways of knowing have always challenged these ideas. It is inherent in Indigenous cultural practices like oral and embodied histories. The Indigenous Studies discipline challenges the traditional, rigid separation of “the researcher” and “research subjects.” Instead of the strict boundaries in research, scholars call for collaborative research that values diverse forms of knowledge production, and partnership. Kimberly TallBear writes about this approach as “standing with.” As TallBear argues, “standing with” seeks to build relationship based out of mutual care and concern. [3]

Broader discussion of citations guidelines for scholars has been actively developing. There are more tools now in 2022 than when we originally started this project back in 2018. Most disciplines encourage and value boundaries and distance between the researcher and the researched. [4] Further, researchers are discouraged from studying issues related to their own community. [5] However, there is a movement within Indigenous Studies and critical theory that values diverse forms of knowledge production. [6] There is a movement in various disciplines to value connections between researchers and communities, and collaborative projects. [7] There is an extensive body of literature that argues for a breakdown of this barrier as a way to decolonize research. [8] Some scholars write about the politics of citation, encouraging more inclusive and diverse conversations in the academe. [9] Scholars in education studies and critical pedagogy write about rethinking-knowledge production and citations as a way to address equity and racism. [10]

These guidelines explain and provide examples of how to cite personal experience, the proper structure of the citation, adapted from Chicago, APA, and MLA citation formats, and additional reading suggestions. This guide also provides information about how to cite personal interviews and conversations, including the importance of obtaining consent from the person you are interviewing. These guidelines are proposed in an effort to move toward decolonizing the classroom in a practical way by making space for diverse forms of knowledge production by people who have lived experiences in the contexts we study, but also to make space for the forms of knowledge production that students–along with their communities and families–create as valuable parts of their research.

Through a collaborative process of implementation and evaluation of the use of the guidelines, four outcomes emerged: students consider their own relationship to their research whether or not they use the guidelines; students think critically about all sources, not just those they cite; students bring their own passion and knowledge into the classroom; and students report increased engagement and success in class. As a result, we hope that the use of these guidelines, which foster student knowledge production and deep engagement with course material, can be an important way to decolonize the classroom, bring a diversity of voices into the classroom, and serve as an important tool for critical, feminist, and anti-racist pedagogy.

In the following sections, we will explain how we developed the guidelines and evaluated their impact on students’ academic research and assignments. We will also discuss our suggestions for using the guidelines based on student feedback, as well as areas for further research.

• Willard, Emily, doctoral dissertation program, class discussions, conversations with professors and classmates. University of Washington, Seattle, WA, 2015-2020. ↵
• Kishimoto (2018), p. 541 ↵
• TallBear (2014) ↵
• Emerson, Fretz, and Shaw (1995); Gerring (2012) ↵
• Willard, Emily, doctoral dissertation program, class discussions, conversations with professors and classmates. University of Washington, Seattle, WA, 2015-2020 ↵
• Kovach (2009); Tuhiwai-Smith (2012); Stoler (2006); Thomas (2015); Strega and Brown (2015) ↵
• Bishop (1998); Moses et al (1984); Baumann (2019). ↵
• Audra Simpson (2007), Stuart Hall (1996) ↵
• Mott and Cockyane (2017); Tuck, Yang, and Gaztambide-Fernández (2015) ↵
• Kindon and Ellwood (2009); Kishimoto (2018); Trott, McMeeking, and Weinberg (2019); Cammarota and Romero (2009) ↵

Our Voices: A Guide to Citing Personal Experience and Interviews in Research Copyright © 2023 by Emily Willard is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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12 Weaving Personal Experience into Academic Writing

Marjorie Stewart

Marjorie Stewart’s essay “Weaving Personal Experience into Academic Writing” comes from the book Writing Spaces: Readings on Writing, Volume 3 . Stewart uses the metaphor of weaving to demonstrate one way of using personal and narrative writing within academic essays. Rather than debate whether narrative is appropriate for academic writing, it addresses the question of when is it appropriate and how it can be done effectively, focusing on helping writers decide when the use of personal experience is appropriate for their purpose, how to make personal experience and narrative pull its weight in the essay, and how the ability to incorporate personal experience can translate into the ability to incorporate research.

The essay is structured as an example of the use of personal experience as well as a how-to guide. It contains a discussion of three students who incorporated narrative in their essays in three ways: as a structural frame, as an example when the research topic and personal experience overlap, and as a tool for discovery. Students will benefit from the peer-written examples as well as the use of the personal in the essay itself.

This reading is available below and as a PDF .

“Warp and Weft” uses the metaphor of weaving to demonstrate one way of using personal and narrative writing within academic essays. Rather than debate whether narrative is appropriate for academic writing, it addresses the question of when is it appropriate and how it can be done effectively, focusing on helping writers decide when the use of personal experience is appropriate for their purpose, how to make personal experience and narrative pull its weight in the essay, and how the ability to incorporate personal experience can translate into the ability to incorporate research. The essay is structured as an example of the use of personal experience as well as a how-to guide. “Warp and Weft” contains a discussion of three students who incorporated narrative in their essays in three ways: as a structural frame, as an example when the research topic and personal experience overlap, and as a tool for discovery. Students will benefit from the peer-written examples as well as the use of the personal in the essay itself.

Like many students, I worked my way through college with a retail job. I was luckier than many of my classmates: I found a job at a hip little boutique called Rebecca: A Gallery of Wearable Art in the trendy part of town. We carried many styles of hand-made clothing, jewelry, and accessories, but our most important merchandise was that made by Rebecca herself. Rebecca was a weaver who made hand-woven clothing and scarves. Her loom took up half of the back room and she wove while I waited on customers. When one fabric came off the loom, Anne, the seamstress, would begin to cut and sew while Rebecca set up the loom for the next design. She created her patterns then transferred them into a computer program that told her how to thread the yarn onto the loom to produce the pattern. She threaded the warp, the yarn that runs lengthwise, onto the loom. The weft (formerly known as woof) was placed on bobbins that fed the shuttle. The act of weaving was moving the shuttle with the weft through the warp to create the weave.

     So what, you might well ask. So what does this have to do with writing?

     Many of you have been taught not to use the word “I” in your academic writing; not to include anything that does not directly relate to that mysterious thing called a “thesis statement;” and not to include anything personal in your writing. The opening of this essay has broken all of those so-called rules – it contains a personal story, told in the first person, that at first glance seems unrelated to the topic of writing. However, in this essay, I – yes, “I” – am here to help you step away from those rules and to use personal stories effectively in your academic writing.

     The first consideration is whether using personal narrative is appropriate for your project. My story of working in Rebecca’s shop is useful here – it is intended to attract the attention of the readers and to establish and explain the extended metaphor of weaving. However, if I were writing an essay for my art history class about the evolution of weaving techniques and equipment, my story would seem out of place, as I only have experience with one step in that evolution, and that experience is of an observer rather than a participant.

     Your composition professor will likely talk to you about the rhetorical situation of any piece of writing. Stated simply (perhaps too simply), the rhetorical situation – the writer, the audience, and the purpose of the writing – affects the way the message is presented. In my hypothetical art history essay, the narrative would confuse the reader as to the purpose of the project and distract from the actual message of the paper. Often in writing classes it seems that your audience is specifically your professor and secondarily, perhaps, your classmates. Given the essays you will read about in this chapter, imagine the larger audiences that the student writers might have been addressing. Consider carefully whether personal narrative belongs in papers you are writing for history, biology, or business classes.

     In addition to your specific rhetorical situation, of course, you should always comply with your professors’ guidelines for each assignment. “No first-person narratives” is a clear statement that personal stories are not appropriate in that classroom.

     However, once you have established that your narrative is appropriate for your purpose and audience, what next? It is my purpose to help you incorporate narrative effectively, and to do that, I will use examples from three of my students in a first-year course, a course designed to help writers bridge the gap between high school and college writing. I am also using the example of this essay itself. Consider my story about Rebecca. I am using her weaving, her design of warp and weft, as a metaphor for the kind of writing this essay is going to talk about. I will also use the story as a frame – talking about weaving in the introduction, the conclusion, and perhaps in the transitions.

Personal Story As Frame

Using a personal story as a frame for your essay can be an effective way to draw your reader into your ideas and then to help them reinterpret those ideas in the end. Perhaps, like me, you’re working in a retail job. Perhaps it’s in a big box store instead of my artsy boutique, and you’re wondering if you’d be happier somewhere else, or you’re thinking, please, hand-woven clothing? You sell electronics, important, functional electronics.

     Just as I began with the story of my time at Rebecca, Lynn Z. Bloom began a conference presentation with a story from her classroom, and then commented, “Such stories, even brief ones, make us want to hear more, and to tell our own right back. They get us where they live. All writing is personal, whether it sounds that way or not, if the writer has a stake in the work” (1). One of my goals in telling the story of Rebecca is to make you want to hear more, and to make you want to tell your own. The human mind is a giant filing cabinet of stories, and when you hear one, you go to the appropriate file drawer – in this case R for Retail Employment – and pull out your own.

     There are many stories in that drawer, however, and it’s important that you choose the right ones. Because my metaphor of writing as weaving is central to my topic, I haven’t included lots of other great stories that came out of my time at Rebecca. I didn’t talk about the great gyros we used to get from Mike and Tony’s across the street, or about how the changing nature of the neighborhood made Rebecca worry whether she had chosen the right location for the store, or about the great artists who came in for trunk shows of their work. I focused on the loom, the weaving. And as the framework for this essay, I consider the story of the loom to be the warp, the yarn threaded on the loom in advance. I will thread my shuttle with the examples of my students’ writing and weave them through.

     The first example, Callie Harding’s “The Life of a Choir Director’s Child,” does the opposite. Her topic – the need for better education about religion in America – is the warp, and her childhood stories are woven though to show the reader how this topic became so important to her. Her stories give the readers context and help them connect with her.

Personal Story as Context

Telling a personal story can help your reader understand why you are writing about the topic you have chosen, and why you have come to care so deeply about it. Callie’s childhood experience of travelling from church to church where her parents worked as choir directors gave her an understanding of many religions, and she uses those stories to show how that has helped her be a more compassionate, thoughtful, and sensitive person.

     Her paper starts this way:

When I was a child, I didn’t spend much time on playgrounds or with the backyard swing set. I didn’t look forward to dance class or soccer practice every week. Instead, most of my time was spent in the pews of a church with a My Little Pony figure that was weaving its way through a jungle of hymnals and pew Bibles. My playground was a cathedral with the somewhat harmonious voices from the volunteer choir echoing off the stone floor over the magnificent pipe organ. At the front of the choir was either my mother or father . . . Yes, I was the child of choir directors. (Harding 1)

     Callie goes on to explain that her family moved from a non-denominational Christian church to a Jewish synagogue; the First Church of Christ, Scientist; a Catholic Church, and finally, a small Lutheran church. “What religion are we?” she asks. This is how she tries to answer her question:

My mother spent a while with the Hindu faith before marrying my father and converting to Mormonism. We are also deeply into our Native American background and practice their cultural and religious ceremonies. Add the fact that we had many friends from many religions and cultures and you can tell that I had one of the most openly religious households on the block. (Harding 1-2)

     Callie then moves very nicely into her research on how to encourage religious tolerance through education. She contrasts her experience in a fundamentalist Christian high school to a school district in Modesto, California where all ninth graders take a semester-long world religion course. She writes about the importance of helping all children understand and celebrate diversity of religion and points to her own experiences as an example of the positive effect this has on them. As part of her research, Callie interviewed her mother about her diverse upbringing. While her mother called it a “happy accident,” she also explained to Callie how she stood up to her very Mormon father to make sure Callie and her sister were free to find their own beliefs.

     As I was studying Callie’s essay, I took three highlighters and circled each paragraph: pink for Callie’s personal story; yellow for Callie’s presentation and discussion of her research, and green for the information from her interview with her mother. This is the result:

• Paragraphs 1-3 – Callie’s personal story
• Paragraphs 4-6 – discussion of research
• Paragraph 7 – Callie’s story
• Paragraphs 8-9 – discussion of research
• Paragraph 10 – Callie’s interview with her mother
• Paragraph 11 – Callie’s story
• Paragraph 12 – Callie’s interview with her mother
• Paragraphs 13-14 – Callie’s personal story

     It wasn’t until I did that exercise with the markers that I realized how smoothly Callie had incorporated the three elements of her writing. As I’ve done in this essay, Callie framed her story with the personal. She also used it within the essay to focus and reflect on her research findings. Marking your essay the same way can help you see if you have the right balance between the personal and the more traditionally academic portions of your paper.

     While Callie used her personal stories to provide context to the issue of religion in education, she also used her own background to show herself as an example of someone for whom a broad religious education proved beneficial. In “A Life Lost,” student Melynda Goodfellow used her personal story as an example.

Personal Story as Example

Melynda chose to write about teen suicide, certainly an important topic, but one that far too often leads to a patchwork of statistics and distant narratives, more a report than an essay with heart. Sadly, Melynda had reason to care deeply about her topic: her cousin Jared killed himself with an overdose of prescription pain medication.

     Melynda started her essay with a simple story of a typical Friday night, getting ready to go the high school football game, where her brother would be playing in the band. This night, however, was special, because her cousin had just moved into town and her boyfriend would be meeting him for the first time. Choosing to open with a typical activity – going to the football game – but giving it special meaning was particularly effective for Melynda. I encourage writers to ask themselves the first Passover question: Why is this night different from all other nights? This is the question asked by the youngest child at the beginning of the Seder to start telling the story of the Passover. It also serves the beginning writer well: If this night, this football game, isn’t special in any way, then it isn’t the story to use in your essay. Melynda’s football game is different from all others because her cousin will be there to meet her boyfriend.

     Although the atmosphere is festive, Melynda shows us with foreshadowing that this is not a typical Friday night lights story. She writes that Jared moved because “he wanted to get away from the lifestyle that he was living back home. He wanted a kind of fresh start.” She connects herself to the characters of her brother and her cousin through the band: she had been in band, her brother is performing with the band at the football game, and her cousin is excited about returning to school and joining the band himself. Throughout the narrative part of her essay, Melynda shows Jared as sad and desperate, yet looking forward to his fresh start.

     Melynda tells the story in a straightforward, chronological way from the evening of the football game through her cousin’s death and funeral. Her use of personal experience is different from mine and Callie’s because the majority of her paper is that narrative. The structure of her paper is very different: where Callie went back and forth between the story and the research, Melynda began with the story and introduced the research at the end. The first three pages of Melynda’s six-page essay are the story of her friendship with Jared that fall, and how she becomes his confidant. Pages four and five are the story of how she heard of his death. It is only at the end of her essay that she introduces the statistics that show that suicide is “the third leading cause of death in people ages 15 to 24” (Goodfellow 6). Her conclusion, shortly after that statistic, reads:

I never in a million years would have thought something like this would happen in my family. I knew that mental health problems run in the family, but I believed everyone knew where to get help. We knew that suicide wasn’t an option and that we had each other if nothing else. As tragic as it may sound, this event brought our whole family back together. Any quarrels or grudges anyone had seemed to dissipate that day. Ironically, one of the things that Jared wanted the most was for the family to just forget their differences and get along. (Goodfellow 9)

     This ending refocuses Melynda’s readers on the personal meaning of the impersonal statistic.

     In his book Living the Narrative Life: Stories as a Tool for Meaning Making , Gian Pagnucci writes, “I think, actually, that stories can help us get at the truth even if there isn’t a firm truth to be had.” (51) And in Writing to Change the World , Mary Phipher says:

Research shows that storytelling not only engages all of the senses, it triggers activity on both the left and the right sides of the brain . . . . People attend, remember, and are transformed by stories which are meaning-filled units of ideas, the verbal equivalent of mother’s milk. (11)

     Melynda works at getting at the true story of her cousin’s death, making meaning of it, even though there is no firm truth or solid meaning to be had there. The truth she arrives at, however, is more powerful than the “just the facts” approach because the story lingers with her readers in a way statistics can’t.

     Another thing Melynda does that makes her essay different from mine, and Callie’s, is her inclusion of dialogue. I think she makes especially good use of it in her essay, something that is often difficult for writers at all levels. Here she shows us how she learned of Jared’s death:

“What is it?” I said when I picked the phone up. “It’s about time you answered your phone! I’ve been calling you for over an hour,” my mom said. “Well?” “It’s Jared. He’s in the hospital. He overdosed.” “Oh, my God . . . Is he okay? I’ll be right there. I’m leaving work now.” “No. Don’t come here. There’s nothing you can do. He’s dead.” (Goodfellow 4)

     Recreating dialogue can be challenging – a year after her cousin’s death, can Melynda be certain that these were the exact words that she and her mother spoke? Probably not, but she can show her readers the tension in the moment – her mother’s anger that she didn’t pick up, her desire to be with Jared, and her mother’s postponing of the awful news. Dialogue also can be used to pick up the pace of the story – the light look of it on the page helps readers’ eyes move over it quickly, getting a lot of information from a few carefully-chosen words.

     There are significant structural differences between Melynda’s essay and Callie’s. Callie’s is split almost evenly between personal experience and research; Melynda’s is about 85% personal story. The third student, Ethelin Ekwa, uses personal story in an even larger portion of her essay, which is entitled “Ethelin Ekwa: An Autobiography.” Although the title might lead you to believe that the essay is only, or just, or simply, personal narrative, Ethelin uses the story of her life to explore her ethnic heritage, her life as a single mother, and her determination to make the most of her artistic and musical talents. She tells the story of her life as a way of understanding her place in the world at the time of the writing.

Personal Story as Discovery

Ethelin’s essay can be seen as an example of Donald M. Murray’ beliefs about writing: “We write to think – to be surprised by what appears on the page; to explore our world with language; to discover meaning that teaches us and may be worth sharing with others …. . . we write to know what we want to say.” (3). Although my students always write multiple drafts of all of their essays, Ethelin wrote more than usual – at least four significant revisions before the final draft that she submitted in her portfolio. She was a frequent visitor at our writers’ center as she worked through the paper. Somewhere in an intermediate draft, she found her frame: a quotation from Ani Difranco’s song “Out of Habit:” “Art is why I get up in the morning.” That idea led her Ethelin to her conclusion: “I cannot imagine a day without the ability to create in unconventional ways” (Ekwa 9). In the eight and a half pages in between, she tells the story of her life.

     In Callie and Melynda’s essays, there is a very clear separation between personal experience, research material, and the writers’ commentary on those elements. The weaving, to continue the metaphor, is done in larger blocks of color. Ethelin’s essay has a more subtle pattern. Every paragraph contains some detail of her life – where she was born, who her parents were, where she lived – but also has a reference to her life-long desire to be an artist. She talks about her work as a writer and poet; as a singer and musician; and as a photographer and visual artist.

     Ethelin’s background is intriguing – her parents moved from Cameroon, West Africa to France and then to Texas, where she was born, the youngest of five children. She has lived in Europe and Africa, and she went to school in France and Cameroon. Here is how she introduces herself in the second paragraph:

My birth name is Ethelin Ekwa. I am also known as Obsolete by my artist friends and as Krysty by my close personal friends. I am an artist, a mother, a photographer and a lover of all things. I am an American-born citizen with Cameroonian and French origins. I am 30 years old and I currently reside in North Braddock. (Ekwa 1)

     Ethelin’s identity is tied to her arts from the very beginning, and every story from her life is wrapped around those arts. When, at 22, she becomes a single mother, her priorities change, but she never gives up: “When I got pregnant, I put singing, painting, and drawing on hold . . . I had more pressing matters to take care of and there just was not time for art” (Ekwa 3). Soon, though, she tells us that she made a new friend who introduced her to digital photography, and by the time her daughter was two years old, she had her own photography business up and running.

     While Melynda chose one special night to tell about at the start of her essay, Ethelin chose many events from her life, all of them important, life-changing events. Reading Ethelin’s essay, I can almost see Rebecca’s shuttle flying back and forth across the loom, the turn at each side another event that pulls Ethelin back into the world of art. When the weaver turns the shuttle at the edge of the warp, the weft creates a finished edge that prevents the fabric from fraying or unraveling called a selvage. The turns in Ethelin’s story create a sense that her life, which is sometimes unplanned and chaotic, still has something that keeps it from unraveling, and that something is her artistic nature.

Tying Up Loose Ends

The examples from my students’ essays can help you understand how to use personal experience in your academic writing. But how do you know when to use it? When is it acceptable and appropriate? Gian Pagnucci asserts, “Narrative ideology is built on a trust in confusion, a letting go of certainty and clarity that can ultimately lead to understanding” (53); that stories have a “piercing clarity” (17), and that “the drive to narrate experience is, if not instinctive, then at the very least quintessentially human” (41). He also warns that the academic world is not always welcoming of personal experience. I know many of my colleagues are not willing to trust in confusion – their entire careers, and even their lives, have been built on the quest for knowledge and certainty.

     If your composition professor has asked you to read this chapter, it’s a pretty safe bet that you may use personal experiences in your writing for that class. Even in that setting, however, there are times when it is more effective than others. Using the examples of the essays I’ve quoted from and the guidelines given in the beginning of this chapter, here are some tips on when to use your personal experience in your essays:

• When, like Callie and Melynda, your experiences have inspired a passionate opinion on your topic
• When, like Ethelin, your personal experiences constantly point back to your central idea
• When, like me, your personal experiences provide a strong and ex- tended metaphor for your subject
• When, like all of the writers, your personal experience provides a structure or framework for your essay

The expression “tying up the loose ends” comes from weaving and other fabric arts. When the yarn in the shuttle is changed, the new yarn is tied to the old at the selvage. Those threads are later woven into the fabric so that they don’t show, and so that the connection is tight. When your rough draft is done, it’s time to take the fabric off the loom and make sure your weave is tight. At that point, ask yourself these questions to be sure you are using your experience appropriately and effectively in your essay:

• What percentage of your essay is personal experience, and how does that match up with the nature of the assignment? Callie’s essay was written in response to an assignment that required more research than the one Ethelin was responding to, so it included less personal writing.
• Have you included only the personal stories that directly relate to your topic, your attitude towards your topic, or your controlling idea?
• Are your selvages tight? Do the moves you make between personal story and research and analysis make sense, or is the fabric of your essay likely to unravel?
• Is the resulting pattern appropriate to your project? Are you working in large blocks of color, like Callie and Melynda, or the subtler tweed of Ethelin’s essay?

I started this essay in Rebecca’s shop and tried to weave the metaphor inspired there through this essay. In the process, I realized another advantage to using personal stories in academic writing: I hadn’t thought about Rebecca and Anne, about Mike and Tony’s gyros, about the bright creative atmosphere in the gallery and in the neighborhood for a long time. Accessing those stories from the filing cabinet in my brain was inspirational. My stories from Rebecca are mostly fun or funny. Your stories, like mine and the writers quoted here, are a mix of light and dark, funny and serious. I encourage you to open the file cabinet and find the stories that will make your readers remember similar times.

Works Cited

Bloom, Lynn Z. “That Way Be Monsters: Myths and Bugaboos about Teaching Personal Writing.” CCCC 51st Annual Meeting, Minneapolis, MN, Apr. 2000.

DiFranco, Ani. “Out of Habit.” Ani DiFranco , Righteous Babe Records, 1990. Ekwa, Ethelin. “Ethelin Ekwa: An Autobiography.” 3 Aug. 2009. Composition and Language I, Art Institute of Pittsburgh, student paper.

Goodfellow, Melynda. “A Life Lost.” 3 Aug. 2009. Composition and Language I, Art Institute of Pittsburgh, student paper.

Harding, Callie. “The Life of a Choir Director’s Child.” 3 Aug. 2009. Composi tion and Language I, Art Institute of Pittsburgh, student paper.

Murray, Donald M. A Writer Teaches Writing . Rev. 2nd ed. Cengage, 2003.

Pagnucci, Gian. Living the Narrative Life: Stories as a Tool for Meaning Making. Heinemann, 2004.

Pipher, Mary. Writing to Change the World . Riverhead Books, 2006.

the broader context in which communication is taking place

The Muse: Misunderstandings and Their Remedies Copyright © by Marjorie Stewart is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License , except where otherwise noted.

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How to Use Personal Experience in Research Paper or Essay

Personal Experience In Research Writing

Personal experience in academic writing involves using things that you know based on your personal encounter to write your research paper.

One should avoid using personal experience to write an academic paper unless instructed to do so. Suppose you do so, then you should never cite yourself on the reference page.

Some instructions may prompt you to write an essay based on personal experience. Such instances may compel you to write from your personal knowledge as an account for your past encounters over the same topic.

Can you Use Personal Experience in an Essay?

In most of the essays and papers that people write, it is highly recommended that one avoids the use of first-person language. In our guide to writing good essays , we explained that the third person is preferred for academic work.

However, it can be used when doing personal stories or experiences. But can is it possible?

In practice, you can use personal experience in an essay if it is a personal narrative essay or it adds value to the paper by supporting the arguments.

Also, you can use your personal experience to write your academic paper as long as you are writing anything that is relevant to your research.

The only harm about such an essay is that your experience might sound biased because you will be only covering one side of the story based on your perception of the subject.

Students can use the personal story well through a catchy introduction.

Inquire from the instructor to offer you more directions about the topic. However, write something that you can remember as long as you have rich facts about it.

People Also Read:   Can Research Paper be Argumentative: How to write research arguments

How to Use Personal Experience in a Research Paper

When you are crafting your easy using your personal experience,   ensure you use the first-person narrative. Such a story includes the experiences you had with books, situations, and people.

For you to write such a story well, you should find a great topic. That includes thinking of the events in your life encounters that can make a great story.

Furthermore, you should think of an event that ever happened to you. Besides, you can think of special experiences you had with friends, and how the encounter changed your relationship with that specific person.

The right personal experience essay uses emotions to connect with the reader. Such an approach provokes the empathic response. Most significantly, you can use sensory details when describing scenes to connect with your readers well.

Even better, use vivid details and imagery to promote specificity and enhance the picture of the story you are narrating.

Structure of the Essay

Before you begin to write, brainstorm and jot down a few notes. Develop an outline to create the direction of the essay story.

Like other essays, you should use the introduction, the body, and a conclusion. Let your introduction paragraph capture the reader’s attention.

In other words, it should be dramatic. Your essay should allow the audience to know the essence of your point of view.

Let the body of this essay inform the reader with clear pictures of what occurred and how you felt about it.

Let the story flow chronologically or group the facts according to their importance. Use the final paragraph to wrap up and state the key highlights of the story.  

Make it Engaging

The right narrative needs one to use interesting information engagingly. Record yourself narrating the story to assist you in organizing the story engagingly. Furthermore, you are free to use dialogue or anecdotes. For that reason, think about what other people within your story said.

Moreover, you should use transition words for better sentence connections. Again, you should vary the sentence structures to make them more interesting. Make the words as lively and as descriptive as possible.

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The Value of Personal Experience

We use personal experience to connect your artwork with your readers since they are human and they would prefer real stories. You will become more realistic when you describe emotions, feelings, and events that happened to you.

Your wealth of personal experience in a specific field will offer you a great advantage when you want to connect all the facts into a useful story.

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Reinforcing your Writing Skills

Some students may have brilliant ideas and fail to capture them on paper properly. Some seek to write personal issues but also want to remove first-person language from their writing. This is not good.

However, you can sharpen your writing skills in this aspect. One can use the following tips to make your personal research paper readable and more appealing:

1. Sharpen grammar

The readability and clarity of your content will rely on grammar.

For that reason, you should polish your spelling, grammar skills, and punctuation daily.

Moreover, you should practice regularly and make the essay more appealing.

2. Expand Vocabulary

It can be helpful if you expand your vocabulary to describe your events successfully. Using better word choice enable the writer to connect with the topic well.

3. Have a Diary

Having a personal diary helps you by boosting your memory about past memorable events. That ensures that you do not lose hold of something important that happened in your past encounter.

4. Systematize it

Make your narration appear systematic to improve the flow. For example, you can divide your experiences in particular importance, emotions, events, people, and so on.

5. Interpret your feelings

It is not a walkover for one to remember every feeling he or she encountered when particular events happened. One should try to analyze and interpret them for better and more effective delivery when writing about personal experiences.

Can you Cite yourself or Personal Experience?

You cannot cite yourself or reference your personal experience because it is your own narration and not data, facts, or external information. Ideally, one does not need to cite personal experiences when using any writing style whether APA or MLA.

It will be unprofessional if you cite yourself in your research paper.  Such an experience is your voice which you are bringing to the paper.

Choose the relevant essay based on your essay.

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Instances when to use Personal Experience in a Research Paper

There are many instances when you have to apply personal narrations in an essay. In these instances, the use of first language is important. Let us explore them.

1. Personal essays

You can use personal essays in academic writing to engage readers.  It makes your writing to be credible and authentic because you will be engaging readers with your writing voice. Some stories are better told when given from personal encounters.

The secret lies in choosing the most relevant topic that is exciting and triggers the right emotions and keeps your audience glued to it. You can include some dialogue to make it more engaging and interesting.

2. Required by the instructions

Some situations may prompt your professor to offer students instructions that compel them to write a research paper based on a personal encounter. Here, you have to follow the instructions to the latter for you to deliver and earn a good score well.

One way of winning the heart of your professor is to stick to the given instructions. You should relate your past events with the topic at hand and use it to connect with your readers in an engaging manner.

3. Personal Research Report

When you are doing research that involves your personal encounter, you will have to capture those events that can reveal the theme of your topic well.

Of course, it is an account of your perception concerning what you went through to shape your new understanding of the event.

A personal research report cannot be about someone’s also experience. It states the details of what you encountered while handling the most memorable situations.

4. Ethnography Reports

Such a report is qualitative research where you will immerse yourself in the organization or community and observe their interactions and behavior. The narrator of the story must use his perception to account for particular issues that he may be tackling in the essay.

Ethnography helps the author to give first-hand information about the interactions and behavior of the people in a specific culture.

When you immerse yourself in a particular social environment, you will have more access to the right and authentic information you may fail to get by simply asking.

We use ethnography as a flexible and open method to offer a rich narrative and account for a specific culture. As a researcher, you have to look for facts in that particular community in various settings.

When not handling complex essays and academic writing tasks, Josh is busy advising students on how to pass assignments. In spare time, he loves playing football or walking with his dog around the park.

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How can I use my own personal experiences as a reference in my research paper?

It is very tempting to want to use things that we know based on our own personal experiences in a research paper. However, unless we are considered to be recognized experts on the subject, it is unwise to use our personal experiences as evidence in a research paper. It is better to find outside evidence to support what we know to be true or have personally experienced.

If it is not possible to find outside evidence, then you will have to construct your paper in such a way as to show your reader that you are an expert on the topic. You would need to lay out your credentials for the reader so that the reader will be able to trust the undocumented evidence that you are providing. This can be risky and is not recommended for research based papers. But even if you do use your own experiences, you would not add yourself to your References page.

Sometimes you will be assigned to write a paper that is based on your experiences or on your reaction to a piece of writing, in these instances it would be appropriate to write about yourself and your personal knowledge. However, you would still never cite yourself as a source on your References page. 

For assistance with APA citations, visit the APA Help guide.

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• Mar 30, 2023

Combining research and storytelling: Using personal experiences as research data

I find it quite amusing that I would be writing this blog post to advocate for a research methodology as emotional and subjective as autoethnography. For over a decade, I was trained to conduct scientific research where objective answers were sought to solve problems. My research focused on examining a gene activated in athletes’ hearts to see if it could be a potential treatment for patients with heart failure. In this scientific lab-based environment, I had to ensure objectivity in my research so that I could help find a cure for heart failure. After completing my PhD, however, I ventured into humanities and social sciences and found that the research approach I had previously used would not work. In my new research space, I was interested in understanding people’s experiences, which meant embracing subjectivity.

Through my journey into qualitative research, I discovered the value of stories . As I have recently noted , I now believe that stories matter and that individual experiences should be valued. I also now advocate for researchers to allow individuals to tell their own stories, as they are the experts in their own experiences.

Researching personal experiences is becoming increasingly important as individuals’ stories are recognised as important sources of knowledge. Personal experiences can provide unique insights into social, cultural, and historical contexts and highlight the complexities of human experience. By researching personal experiences, we can uncover previously ignored or marginalised perspectives, challenge dominant narratives, and gain a deeper understanding of individual and collective identities. By valuing personal experiences as sources of knowledge, we can build more inclusive and diverse understandings of the world around us.

As I started researching personal experiences, I discovered a qualitative research method called autoethnography and soon realised its power . I now regularly recommend autoethnography to researchers. In particular, I often recommend it to PhD students to help them establish their research motivation and positionality in their thesis and more effectively engage in reflexivity during their research project. A well-written autoethnography can also be published, which helps these early career researchers by giving them the opportunity to build their publication record.

The rest of this blog post will explore autoethnography as a methodology. The information in this blog comes from my recently published book chapter, “ A Harmony of Voices ”. This book chapter was the methodology for our book Research and Teaching in a Pandemic World , where we used a form of autoethnography to allow PhD students, early career researchers, and more established researchers to tell the stories of their experiences during the COVID-19 pandemic. Using this methodology helped us show that the pandemic significantly affected the academic identity development of students and staff in higher education.

There are five main reasons why I think autoethnography is such a powerful qualitative research methodology.

1. Autoethnography requires researchers to purposely explore personal experiences to understand a particular culture or society. For example, I was recently able to use autoethnography to delve into a doctoral student’s journey as she discovered she was mentally unwell and link this with my experiences as a doctoral educator. By valuing the student’s knowledge of her mental illness and my understanding of the doctoral education system as a cultural insider, I was able to show how the culture of academia can contribute to the academic mental health crisis . Consequently, using autoethnography helped me demonstrate how educators can create more welcoming environments that help foster doctoral students’ wellbeing.

2. Autoethnography allows researchers to use personal experiences as data sources, narrating evocative stories and interpreting their significance. Researchers are also participants in their own studies, thereby valuing insider knowledge. The stories which are told often explore transformative experiences for the researcher, frequently taking the form of epiphanies that significantly influenced the author’s worldview. I believe that this allows researchers to provide more meaningful insights into complex phenomena compared with more traditional objective research methods. For example, I recently used Zoom to have a conversation with myself as I reflected on my past experiences (see Figure 1). During this reflexive Zoom conversation, I was able to delve into my personal experiences throughout my PhD , analyse my emotions and thoughts during that period, reflect on them presently, and determine how my previous experiences have impacted my current teaching philosophy and practice.

Figure 1. Screen capture of me having a conversation with myself on Zoom to collect data about my past experiences and how these influenced my current teaching philosophy and practice.

3. Autoethnography allows the researcher to use writing as a form of therapy for themselves and society more broadly. Researchers can give others hope and insight by engaging in this form of therapeutic writing. This can be seen, for example, in our book Wellbeing in Doctoral Education . In this book, several individuals used autoethnography to tell their stories of mental illness during their doctoral journey. Through their explorations of their own journeys, they were able to provide strategies for future students to maintain their wellbeing during their PhD.

4. Autoethnography empowers researchers as it allows them to embrace emotionality and uncertainty and highlight topics that may be considered hidden or taboo. Autoethnography allows researchers to connect with their own emotions and experiences and, in doing so, find their voice. It allows them to challenge the dominant narratives that often dominate research and to tell their own stories in their own words. It also allows them to connect with their research participants more authentically and meaningfully. By sharing their own experiences, they can create a space for others to share theirs, fostering a more equitable and inclusive research process. In this way, autoethnographers can advocate for social change to address perceived societal wrongs.

5. Autoethnography is a more accessible type of research for those outside of academia because it is written from personal experience in easy-to-understand language. The autoethnographer also does not merely narrate an experience for their audience. Instead, they try to engage the audience in the conversation so that the audience can understand experiences which may be different from their own.

Autoethnography, however, is not without its challenges. Some researchers critique it as a methodology because it is not scientific enough, while others say it is not artistic enough. I believe, however, that these critiques fail to see the value of combining both science and art when exploring complex phenomena. Autoethnography has allowed me to combine my scientific understanding of the research process with the ability to tell stories – both my own stories and those of my participants. In this way, I now see research writing as a way of communicating my findings to better understand myself and change the society in which I reside.

In conclusion, autoethnography has become an increasingly popular research methodology, particularly within the humanities and social sciences. Its emphasis on personal experiences, reflexivity, and storytelling allows for a deeper exploration of complex experiences and societies. While it may be a departure from more traditional scientific research methods, autoethnography allows researchers to learn about broader cultural and societal issues by exploring their personal experiences. As a researcher who was initially trained in a scientific environment, I can attest to the value of this approach, particularly when seeking to understand individuals’ experiences. Ultimately, by embracing the methodology of autoethnography, researchers can gain a deeper appreciation for the lived experiences of the individuals they are studying, leading to more nuanced and insightful research findings.

Acknowledgements

I want to thank Dr Jennifer Cutri for introducing me to autoethnography as a research methodology. I would also like to acknowledge Open AI , which I used to generate the initial structure of this blog post.

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Academic writing refers to a style of expression that researchers use to define the intellectual boundaries of their disciplines and specific areas of expertise. Characteristics of academic writing include a formal tone, use of the third-person rather than first-person perspective (usually), a clear focus on the research problem under investigation, and precise word choice. Like specialist languages adopted in other professions, such as, law or medicine, academic writing is designed to convey agreed meaning about complex ideas or concepts within a community of scholarly experts and practitioners.

Academic Writing. Writing Center. Colorado Technical College; Hartley, James. Academic Writing and Publishing: A Practical Guide . New York: Routledge, 2008; Ezza, El-Sadig Y. and Touria Drid. T eaching Academic Writing as a Discipline-Specific Skill in Higher Education . Hershey, PA: IGI Global, 2020.

Importance of Good Academic Writing

The accepted form of academic writing in the social sciences can vary considerable depending on the methodological framework and the intended audience. However, most college-level research papers require careful attention to the following stylistic elements:

I.  The Big Picture Unlike creative or journalistic writing, the overall structure of academic writing is formal and logical. It must be cohesive and possess a logically organized flow of ideas; this means that the various parts are connected to form a unified whole. There should be narrative links between sentences and paragraphs so that the reader is able to follow your argument. The introduction should include a description of how the rest of the paper is organized and all sources are properly cited throughout the paper.

II.  Tone The overall tone refers to the attitude conveyed in a piece of writing. Throughout your paper, it is important that you present the arguments of others fairly and with an appropriate narrative tone. When presenting a position or argument that you disagree with, describe this argument accurately and without loaded or biased language. In academic writing, the author is expected to investigate the research problem from an authoritative point of view. You should, therefore, state the strengths of your arguments confidently, using language that is neutral, not confrontational or dismissive.

III.  Diction Diction refers to the choice of words you use. Awareness of the words you use is important because words that have almost the same denotation [dictionary definition] can have very different connotations [implied meanings]. This is particularly true in academic writing because words and terminology can evolve a nuanced meaning that describes a particular idea, concept, or phenomenon derived from the epistemological culture of that discipline [e.g., the concept of rational choice in political science]. Therefore, use concrete words [not general] that convey a specific meaning. If this cannot be done without confusing the reader, then you need to explain what you mean within the context of how that word or phrase is used within a discipline.

IV.  Language The investigation of research problems in the social sciences is often complex and multi- dimensional . Therefore, it is important that you use unambiguous language. Well-structured paragraphs and clear topic sentences enable a reader to follow your line of thinking without difficulty. Your language should be concise, formal, and express precisely what you want it to mean. Do not use vague expressions that are not specific or precise enough for the reader to derive exact meaning ["they," "we," "people," "the organization," etc.], abbreviations like 'i.e.'  ["in other words"], 'e.g.' ["for example"], or 'a.k.a.' ["also known as"], and the use of unspecific determinate words ["super," "very," "incredible," "huge," etc.].

V.  Punctuation Scholars rely on precise words and language to establish the narrative tone of their work and, therefore, punctuation marks are used very deliberately. For example, exclamation points are rarely used to express a heightened tone because it can come across as unsophisticated or over-excited. Dashes should be limited to the insertion of an explanatory comment in a sentence, while hyphens should be limited to connecting prefixes to words [e.g., multi-disciplinary] or when forming compound phrases [e.g., commander-in-chief]. Finally, understand that semi-colons represent a pause that is longer than a comma, but shorter than a period in a sentence. In general, there are four grammatical uses of semi-colons: when a second clause expands or explains the first clause; to describe a sequence of actions or different aspects of the same topic; placed before clauses which begin with "nevertheless", "therefore", "even so," and "for instance”; and, to mark off a series of phrases or clauses which contain commas. If you are not confident about when to use semi-colons [and most of the time, they are not required for proper punctuation], rewrite using shorter sentences or revise the paragraph.

VI.  Academic Conventions Among the most important rules and principles of academic engagement of a writing is citing sources in the body of your paper and providing a list of references as either footnotes or endnotes. The academic convention of citing sources facilitates processes of intellectual discovery, critical thinking, and applying a deliberate method of navigating through the scholarly landscape by tracking how cited works are propagated by scholars over time . Aside from citing sources, other academic conventions to follow include the appropriate use of headings and subheadings, properly spelling out acronyms when first used in the text, avoiding slang or colloquial language, avoiding emotive language or unsupported declarative statements, avoiding contractions [e.g., isn't], and using first person and second person pronouns only when necessary.

VII.  Evidence-Based Reasoning Assignments often ask you to express your own point of view about the research problem. However, what is valued in academic writing is that statements are based on evidence-based reasoning. This refers to possessing a clear understanding of the pertinent body of knowledge and academic debates that exist within, and often external to, your discipline concerning the topic. You need to support your arguments with evidence from scholarly [i.e., academic or peer-reviewed] sources. It should be an objective stance presented as a logical argument; the quality of the evidence you cite will determine the strength of your argument. The objective is to convince the reader of the validity of your thoughts through a well-documented, coherent, and logically structured piece of writing. This is particularly important when proposing solutions to problems or delineating recommended courses of action.

VIII.  Thesis-Driven Academic writing is “thesis-driven,” meaning that the starting point is a particular perspective, idea, or position applied to the chosen topic of investigation, such as, establishing, proving, or disproving solutions to the questions applied to investigating the research problem. Note that a problem statement without the research questions does not qualify as academic writing because simply identifying the research problem does not establish for the reader how you will contribute to solving the problem, what aspects you believe are most critical, or suggest a method for gathering information or data to better understand the problem.

IX.  Complexity and Higher-Order Thinking Academic writing addresses complex issues that require higher-order thinking skills applied to understanding the research problem [e.g., critical, reflective, logical, and creative thinking as opposed to, for example, descriptive or prescriptive thinking]. Higher-order thinking skills include cognitive processes that are used to comprehend, solve problems, and express concepts or that describe abstract ideas that cannot be easily acted out, pointed to, or shown with images. Think of your writing this way: One of the most important attributes of a good teacher is the ability to explain complexity in a way that is understandable and relatable to the topic being presented during class. This is also one of the main functions of academic writing--examining and explaining the significance of complex ideas as clearly as possible.  As a writer, you must adopt the role of a good teacher by summarizing complex information into a well-organized synthesis of ideas, concepts, and recommendations that contribute to a better understanding of the research problem.

Academic Writing. Writing Center. Colorado Technical College; Hartley, James. Academic Writing and Publishing: A Practical Guide . New York: Routledge, 2008; Murray, Rowena  and Sarah Moore. The Handbook of Academic Writing: A Fresh Approach . New York: Open University Press, 2006; Johnson, Roy. Improve Your Writing Skills . Manchester, UK: Clifton Press, 1995; Nygaard, Lynn P. Writing for Scholars: A Practical Guide to Making Sense and Being Heard . Second edition. Los Angeles, CA: Sage Publications, 2015; Silvia, Paul J. How to Write a Lot: A Practical Guide to Productive Academic Writing . Washington, DC: American Psychological Association, 2007; Style, Diction, Tone, and Voice. Writing Center, Wheaton College; Sword, Helen. Stylish Academic Writing . Cambridge, MA: Harvard University Press, 2012.

Strategies for...

Understanding Academic Writing and Its Jargon

The very definition of research jargon is language specific to a particular community of practitioner-researchers . Therefore, in modern university life, jargon represents the specific language and meaning assigned to words and phrases specific to a discipline or area of study. For example, the idea of being rational may hold the same general meaning in both political science and psychology, but its application to understanding and explaining phenomena within the research domain of a each discipline may have subtle differences based upon how scholars in that discipline apply the concept to the theories and practice of their work.

Given this, it is important that specialist terminology [i.e., jargon] must be used accurately and applied under the appropriate conditions . Subject-specific dictionaries are the best places to confirm the meaning of terms within the context of a specific discipline. These can be found by either searching in the USC Libraries catalog by entering the disciplinary and the word dictionary [e.g., sociology and dictionary] or using a database such as Credo Reference [a curated collection of subject encyclopedias, dictionaries, handbooks, guides from highly regarded publishers] . It is appropriate for you to use specialist language within your field of study, but you should avoid using such language when writing for non-academic or general audiences.

Problems with Opaque Writing

A common criticism of scholars is that they can utilize needlessly complex syntax or overly expansive vocabulary that is impenetrable or not well-defined. When writing, avoid problems associated with opaque writing by keeping in mind the following:

1.   Excessive use of specialized terminology . Yes, it is appropriate for you to use specialist language and a formal style of expression in academic writing, but it does not mean using "big words" just for the sake of doing so. Overuse of complex or obscure words or writing complicated sentence constructions gives readers the impression that your paper is more about style than substance; it leads the reader to question if you really know what you are talking about. Focus on creating clear, concise, and elegant prose that minimizes reliance on specialized terminology.

2.   Inappropriate use of specialized terminology . Because you are dealing with concepts, research, and data within your discipline, you need to use the technical language appropriate to that area of study. However, nothing will undermine the validity of your study quicker than the inappropriate application of a term or concept. Avoid using terms whose meaning you are unsure of--do not just guess or assume! Consult the meaning of terms in specialized, discipline-specific dictionaries by searching the USC Libraries catalog or the Credo Reference database [see above].

Additional Problems to Avoid

In addition to understanding the use of specialized language, there are other aspects of academic writing in the social sciences that you should be aware of. These problems include:

• Personal nouns . Excessive use of personal nouns [e.g., I, me, you, us] may lead the reader to believe the study was overly subjective. These words can be interpreted as being used only to avoid presenting empirical evidence about the research problem. Limit the use of personal nouns to descriptions of things you actually did [e.g., "I interviewed ten teachers about classroom management techniques..."]. Note that personal nouns are generally found in the discussion section of a paper because this is where you as the author/researcher interpret and describe your work.
• Directives . Avoid directives that demand the reader to "do this" or "do that." Directives should be framed as evidence-based recommendations or goals leading to specific outcomes. Note that an exception to this can be found in various forms of action research that involve evidence-based advocacy for social justice or transformative change. Within this area of the social sciences, authors may offer directives for action in a declarative tone of urgency.
• Informal, conversational tone using slang and idioms . Academic writing relies on excellent grammar and precise word structure. Your narrative should not include regional dialects or slang terms because they can be open to interpretation. Your writing should be direct and concise using standard English.
• Wordiness. Focus on being concise, straightforward, and developing a narrative that does not have confusing language . By doing so, you  help eliminate the possibility of the reader misinterpreting the design and purpose of your study.
• Vague expressions (e.g., "they," "we," "people," "the company," "that area," etc.). Being concise in your writing also includes avoiding vague references to persons, places, or things. While proofreading your paper, be sure to look for and edit any vague or imprecise statements that lack context or specificity.
• Numbered lists and bulleted items . The use of bulleted items or lists should be used only if the narrative dictates a need for clarity. For example, it is fine to state, "The four main problems with hedge funds are:" and then list them as 1, 2, 3, 4. However, in academic writing, this must then be followed by detailed explanation and analysis of each item. Given this, the question you should ask yourself while proofreading is: why begin with a list in the first place rather than just starting with systematic analysis of each item arranged in separate paragraphs? Also, be careful using numbers because they can imply a ranked order of priority or importance. If none exists, use bullets and avoid checkmarks or other symbols.
• Descriptive writing . Describing a research problem is an important means of contextualizing a study. In fact, some description or background information may be needed because you can not assume the reader knows the key aspects of the topic. However, the content of your paper should focus on methodology, the analysis and interpretation of findings, and their implications as they apply to the research problem rather than background information and descriptions of tangential issues.
• Personal experience. Drawing upon personal experience [e.g., traveling abroad; caring for someone with Alzheimer's disease] can be an effective way of introducing the research problem or engaging your readers in understanding its significance. Use personal experience only as an example, though, because academic writing relies on evidence-based research. To do otherwise is simply story-telling.

NOTE:   Rules concerning excellent grammar and precise word structure do not apply when quoting someone.  A quote should be inserted in the text of your paper exactly as it was stated. If the quote is especially vague or hard to understand, consider paraphrasing it or using a different quote to convey the same meaning. Consider inserting the term "sic" in brackets after the quoted text to indicate that the quotation has been transcribed exactly as found in the original source, but the source had grammar, spelling, or other errors. The adverb sic informs the reader that the errors are not yours.

Academic Writing. The Writing Lab and The OWL. Purdue University; Academic Writing Style. First-Year Seminar Handbook. Mercer University; Bem, Daryl J. Writing the Empirical Journal Article. Cornell University; College Writing. The Writing Center. University of North Carolina; Murray, Rowena  and Sarah Moore. The Handbook of Academic Writing: A Fresh Approach . New York: Open University Press, 2006; Johnson, Eileen S. “Action Research.” In Oxford Research Encyclopedia of Education . Edited by George W. Noblit and Joseph R. Neikirk. (New York: Oxford University Press, 2020); Oppenheimer, Daniel M. "Consequences of Erudite Vernacular Utilized Irrespective of Necessity: Problems with Using Long Words Needlessly." Applied Cognitive Psychology 20 (2006): 139-156; Ezza, El-Sadig Y. and Touria Drid. T eaching Academic Writing as a Discipline-Specific Skill in Higher Education . Hershey, PA: IGI Global, 2020; Pernawan, Ari. Common Flaws in Students' Research Proposals. English Education Department. Yogyakarta State University; Style. College Writing. The Writing Center. University of North Carolina; Invention: Five Qualities of Good Writing. The Reading/Writing Center. Hunter College; Sword, Helen. Stylish Academic Writing . Cambridge, MA: Harvard University Press, 2012; What Is an Academic Paper? Institute for Writing Rhetoric. Dartmouth College.

Structure and Writing Style

I. Improving Academic Writing

To improve your academic writing skills, you should focus your efforts on three key areas: 1.   Clear Writing . The act of thinking about precedes the process of writing about. Good writers spend sufficient time distilling information and reviewing major points from the literature they have reviewed before creating their work. Writing detailed outlines can help you clearly organize your thoughts. Effective academic writing begins with solid planning, so manage your time carefully. 2.  Excellent Grammar . Needless to say, English grammar can be difficult and complex; even the best scholars take many years before they have a command of the major points of good grammar. Take the time to learn the major and minor points of good grammar. Spend time practicing writing and seek detailed feedback from professors. Take advantage of the Writing Center on campus if you need help. Proper punctuation and good proofreading skills can significantly improve academic writing [see sub-tab for proofreading you paper ].

Refer to these three basic resources to help your grammar and writing skills:

• A good writing reference book, such as, Strunk and White’s book, The Elements of Style or the St. Martin's Handbook ;
• A college-level dictionary, such as, Merriam-Webster's Collegiate Dictionary ;
• The latest edition of Roget's Thesaurus in Dictionary Form .

3.  Consistent Stylistic Approach . Whether your professor expresses a preference to use MLA, APA or the Chicago Manual of Style or not, choose one style manual and stick to it. Each of these style manuals provide rules on how to write out numbers, references, citations, footnotes, and lists. Consistent adherence to a style of writing helps with the narrative flow of your paper and improves its readability. Note that some disciplines require a particular style [e.g., education uses APA] so as you write more papers within your major, your familiarity with it will improve.

II. Evaluating Quality of Writing

A useful approach for evaluating the quality of your academic writing is to consider the following issues from the perspective of the reader. While proofreading your final draft, critically assess the following elements in your writing.

• It is shaped around one clear research problem, and it explains what that problem is from the outset.
• Your paper tells the reader why the problem is important and why people should know about it.
• You have accurately and thoroughly informed the reader what has already been published about this problem or others related to it and noted important gaps in the research.
• You have provided evidence to support your argument that the reader finds convincing.
• The paper includes a description of how and why particular evidence was collected and analyzed, and why specific theoretical arguments or concepts were used.
• The paper is made up of paragraphs, each containing only one controlling idea.
• You indicate how each section of the paper addresses the research problem.
• You have considered counter-arguments or counter-examples where they are relevant.
• Arguments, evidence, and their significance have been presented in the conclusion.
• Limitations of your research have been explained as evidence of the potential need for further study.
• The narrative flows in a clear, accurate, and well-organized way.

Boscoloa, Pietro, Barbara Arféb, and Mara Quarisaa. “Improving the Quality of Students' Academic Writing: An Intervention Study.” Studies in Higher Education 32 (August 2007): 419-438; Academic Writing. The Writing Lab and The OWL. Purdue University; Academic Writing Style. First-Year Seminar Handbook. Mercer University; Bem, Daryl J. Writing the Empirical Journal Article. Cornell University; Candlin, Christopher. Academic Writing Step-By-Step: A Research-based Approach . Bristol, CT: Equinox Publishing Ltd., 2016; College Writing. The Writing Center. University of North Carolina; Style . College Writing. The Writing Center. University of North Carolina; Invention: Five Qualities of Good Writing. The Reading/Writing Center. Hunter College; Sword, Helen. Stylish Academic Writing . Cambridge, MA: Harvard University Press, 2012; What Is an Academic Paper? Institute for Writing Rhetoric. Dartmouth College.

Writing Tip

Considering the Passive Voice in Academic Writing

In the English language, we are able to construct sentences in the following way: 1.  "The policies of Congress caused the economic crisis." 2.  "The economic crisis was caused by the policies of Congress."

The decision about which sentence to use is governed by whether you want to focus on “Congress” and what they did, or on “the economic crisis” and what caused it. This choice in focus is achieved with the use of either the active or the passive voice. When you want your readers to focus on the "doer" of an action, you can make the "doer"' the subject of the sentence and use the active form of the verb. When you want readers to focus on the person, place, or thing affected by the action, or the action itself, you can make the effect or the action the subject of the sentence by using the passive form of the verb.

Often in academic writing, scholars don't want to focus on who is doing an action, but on who is receiving or experiencing the consequences of that action. The passive voice is useful in academic writing because it allows writers to highlight the most important participants or events within sentences by placing them at the beginning of the sentence.

Use the passive voice when:

• You want to focus on the person, place, or thing affected by the action, or the action itself;
• It is not important who or what did the action;
• You want to be impersonal or more formal.

Form the passive voice by:

• Turning the object of the active sentence into the subject of the passive sentence.
• Changing the verb to a passive form by adding the appropriate form of the verb "to be" and the past participle of the main verb.

NOTE: Consult with your professor about using the passive voice before submitting your research paper. Some strongly discourage its use!

Active and Passive Voice. The Writing Lab and The OWL. Purdue University; Diefenbach, Paul. Future of Digital Media Syllabus. Drexel University; Passive Voice. The Writing Center. University of North Carolina.  

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Is it acceptable to use personal experience when opening in presentation of my thesis?

Is it acceptable to use personal experience when opening in presentation of my thesis as long as it is relevant and contribute to the presentation of the literature, justification or methodology of thesis?

I do not intend to reference or cite any of my experiences as a source, but rather, I am seeking to use my experiences to begin with the research story.

For instance,

"...I experienced event X and I observed event Y, which may potentially be manifestations of the phenomenon described in the thesis theory, with event A being a possible example of B and event C being an example of D.".

Something to this extent.

I've witnessed various thesis defenses and seen many presentations on Youtube. They gave me an idea of adding a "personal touch" to the presentation.

Please note that I'm referring to my thesis defense rather than the thesis itself which focuses strictly on the hypothesis, methodology and findings in third persons.

English is not my mother tongue. Please forgive any misspelling and inconsistencies.

• 1 My guess is this largely depends upon the culture of your program. What do other students do in your department? Also, what does your advisor think? I would ask them. –  Richard Erickson Commented Oct 27, 2017 at 20:37
• 1 Thank you Richard! My supervisor is on the fence. He says I should play it safe. Maybe my narcissistic tendencies make me want to "stand out" because my colleagues' defenses have been (in my opinion) a bit dull and I saw some yawns here and there. I want to make a very enjoyable presentation without losing the point of my thesis and I believe that adding anecdotes and personal experience to the presentation will improve it greatly. –  Gonzalo Sossa Uriarte Commented Oct 27, 2017 at 20:50
• Depends heavily on local factors and the format of your defense. Some places this would not be a problem, even your thesis could have such an opening. –  Mark Commented Oct 27, 2017 at 21:13
• Rather than focus on yourself, I'm sure your research is interesting. I found the book Presentation Zen to be helpful making my talks more interesting. –  Richard Erickson Commented Oct 27, 2017 at 21:53
• 2 @ssjjaca I don't think this question a duplicate because thesis defense is very different than literature review. –  Nobody Commented Oct 28, 2017 at 2:23

I would say that it could be acceptable. It really depends on the context. If you are using it to explain why you became interested in the topic of your thesis, then it could add to the context and depth of the thesis. However, if you use it to support your thesis, I think you should avoid it. It will weaken your argument and could be off putting to your committee.

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Princeton Correspondents on Undergraduate Research

Tips for Writing about Your Research Experience (Even if You Don’t Think You Have Any)

If you’re someone who hasn’t yet done formal research in a university setting, one of the most intimidating parts of the process can be simply getting your foot in the door. Just like the way your options can seem very limited when applying for your first job, asking for a research position when you have no “experience” can seem discouraging — maybe even to the point of causing you to question whether you should apply in the first place. With that being said, there are some simple tips you can employ when applying for research positions to highlight the link between your existing interests and the work of the position for which you are applying.

First things first: tailor not just your cover letter (for applications that ask for it) but your resume to the position for which you are applying. Even if you’re just sending a casual email to a professor to ask about the research that they’re doing, as a rule, it never hurts to attach your resume. I also like to think that submitting a resume even without being asked to shows that you’re serious about doing research, and have taken the time to put together a thoughtful inquiry into a position. If you’ve never written a cover letter or resume before, don’t fret. The Center for Career Development has some great online resources to help you create one from scratch. If you are looking for more individualized help, you can also schedule an appointment to get one-on-one feedback on your application at any stage in the writing process.

One of the things that I’ve found, however, is that the single-page format of a resume often isn’t enough space to include all of the information about every single thing you’ve ever done. Rather than trying to jam as many impressive accomplishments as you can onto a page, your goal should be to create a resume that gives a cumulative sense of your interests and experiences as they relate to the position for which you are applying. One of my favorite ways to do this is to create a “Research” section. “But Kate, what if I don’t have any research experience?,” you ask. Remember that paper you wrote about a painting by Monet in your favorite class last semester? Write the title down, or even a sentence or two that summarizes your main argument. The art museum you’re hoping to do research at will love knowing that your interest in their current exhibition on Impressionism is rooted in classes you’ve taken and the projects you’ve done in them, no matter how new you may be to a topic. Your interest in a specific research position has to come from somewhere, and your resume is an important part of demonstrating this to others.

What I would like to reassure you of is that it’s normal to be an undergraduate with very little research experience. The people reading your application —whether it be for an official program or even if it’s just a friendly email with a few questions— know that you are a student and will probably be excited to offer you guidance on how to get involved with more specific research projects even if all you have to offer at this point is enthusiasm for the topic. Working in a lab or with a professor on a research project is an opportunity designed to help you learn above all else, so it’s ok if you don’t know what you’re doing! It goes without saying that having little experience will make the final result of your research experience all the more worthwhile because of the potential to gain knowledge in ways you haven’t even imagined.

— Kate Weseley-Jones, Humanities Correspondent

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Can a Research Paper Be in First Person?

Can a research paper be in first person? Get to know the rules and instructions for writing a successful paper in the first person.

Writing a research paper requires careful consideration of a range of factors, including structure, content, and language. One common question that arises when writing a research paper is whether or not it is acceptable to use the first person point of view. While there is no precise answer to this question, understanding the benefits of using the first person can help you make an informed decision about how to approach your writing. In this article, we will explore the use of the first person in research papers, including when it is appropriate when it should be avoided, and tips for using personal pronouns effectively. 

What is a Research Paper?

A research paper is a type of academic writing that presents the author’s original research or analysis on a specific topic. It typically involves conducting extensive research and gathering data from various sources, such as primary and secondary sources. The purpose of a research paper is to contribute new knowledge or insights to the field, demonstrate the author’s expertise and understanding of the topic, and provide evidence to support their arguments or conclusions. 

Research papers typically follow a specific structure, including an introduction, literature review, methodology, results, discussion, and conclusion . They are often published in academic journals or presented at conferences and are an essential part of the academic research process.

What is the First Person Point of View?

The first person point of view is a narrative perspective in which the author or speaker tells the story or presents their thoughts and experiences using personal pronouns such as “I” “me” “we” and “us”. It is a way of writing that directly involves the reader in the experience of the narrator or protagonist. 

The first person point of view is commonly used in autobiographical writing, personal essays, and memoirs, as it allows the writer to share their personal experiences and perspectives with the reader. It can also be used in fiction writing, where the narrator or protagonist is telling the story from their own perspective, providing insight into their thoughts, emotions, and motivations.

Can You Use “I” in a Research Paper?

In general, it is not recommended to use the first person point of view or “I” in a research paper, as it is considered more formal to use a third person point of view. The focus in academic writing is on presenting objective information and analysis, rather than personal opinions or experiences. Using “I” may imply subjectivity or bias, and can undermine the credibility of the research. 

Then, can a research paper be in first person? However, there may be some exceptions to this rule, such as in certain fields or when writing about personal experiences related to the research topic. It is always important to check the specific guidelines or expectations of the intended audience or publisher before deciding on the appropriate style and voice to use in a research paper.

When Should You Avoid Using the First Person?

It is generally recommended to avoid using the first person point of view in academic and professional writing, especially in formal contexts such as research papers, academic essays, and business reports. Here are some situations when it is best to avoid using the first person:

• In academic writing, it can imply subjectivity or bias and may undermine the credibility of the research.
• In business or professional writing, it can come across as overly personal or informal.
• In technical writing, it can be distracting or confusing for readers who are looking for objective information.
• In writing for a general audience, it may not be appropriate or necessary to use personal pronouns to convey information effectively.
• In situations where it is important to maintain a formal or objective tone, such as in legal or scientific writing.

When to Use the First Person?

There are some situations in which using the first person point of view can be appropriate and effective. Here are some examples of how to use the first person:

Personal narratives

When writing personal narratives or memoirs, using the first person can be appropriate and engaging for the reader, as it helps to convey the writer’s unique perspective and experiences.

Reflective writing

When writing reflective essays or journal entries, using the first person can help to convey the writer’s thoughts, feelings, and insights about a particular topic or experience.

Scientific writing

In some scientific writing, such as case studies or research papers in social sciences or humanities, it may be appropriate to use the first person to convey the researcher’s involvement in the study or to emphasize the importance of the researcher’s perspective.

Persuasive writing

When writing persuasive essays or opinion pieces, using the first person can help to make the writer’s arguments and opinions more compelling and convincing.

Creative writing

In poetry, fiction, or other forms of creative writing, using the first person can help to create a more intimate and personal connection between the writer and the reader.

It is important to note that these are general guidelines, and the decision to use the first person should always be based on the specific context and audience for the writing.

Third Person Pronoun in Research Paper

Can a research paper be in first person? The answer to this question is that the third person point of view is typically used to create an objective and impartial tone. This means that personal pronouns such as “I,” “you,” and “we” are avoided in favor of more objective language, such as “the author,” “the researchers,” or “the participants.” 

By using the third person point of view, the focus is shifted away from the author’s personal experiences and opinions and instead emphasizes the importance of the research topic and findings. This also helps to create a more formal and academic tone, which is appropriate for research papers. Using the third person point of view can help to avoid biases and assumptions that may be present in first or second person writing.

Tips for Using Personal Pronouns

Here are some other tips for using personal pronouns in writing:

Use personal pronouns sparingly

While personal pronouns can be effective in certain contexts, it is generally best to use them sparingly to avoid distracting or confusing the reader.

Vary your pronouns

Instead of using “I” repeatedly, try varying your personal pronouns by using “we” or “you” when appropriate. This can help to create a more engaging and inclusive tone.

Be consistent

If you choose to use personal pronouns, be consistent in your usage throughout the piece. Avoid switching back and forth between first, second, and third person, as this can be jarring for the reader.

Check the guidelines

If you are writing for a particular audience or publication, be sure to check their guidelines or style guide for guidance on the appropriate use of personal pronouns.

Consider the impact on tone and credibility

Before using personal pronouns, consider how they will impact the tone and credibility of your writing. In some cases, using personal pronouns can make your writing more relatable and engaging, while in other cases it may come across as too informal or subjective.

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Can You Put Personal Experience In A Research Paper

Personal experience can be especially appropriate in a response paper, or in any kind of assignment that asks about your experience of the work as a reader or viewer.

Also, you can use your personal experience to write your academic paper as long as you are writing anything that is relevant to your research. The only harm about such an essay is that your experience might sound biased because you will be only covering one side of the story based on your perception of the subject.

The most chosen among personal experience research paper topics is, of course, the tough situations which one might have had to deal with at some point of their lives. You can start by explaining the situation.

Answer Wiki. Yes, if it is relevant to the subject of the research, but keep in mind that the purpose of citations is to demonstrate that you are familiar with related work in the field. If your personal experience is the only thing that you have to cite, your paper will probably not be accepted for publication.

What is personal experience in research?

reflects the flow of thoughts and meanings persons bring to their immediate situations / researchers study the stories people tell one another about the experiences they have had / these stories may be personal experience narratives or self-stories, accounts made up as the person goes along / review . . .

Can you include personal experience in a literature review?

Including your personal experiences as part of the “literature” being reviewed: NO. Your personal experiences are not “literature”. “Literature” means published works (by “published” I include grey literature such as working papers; I also include non-scholarly practitioner publications).

Can you talk about personal experience in a dissertation?

I would say that it could be acceptable. It really depends on the context. If you are using it to explain why you became interested in the topic of your thesis, then it could add to the context and depth of the thesis. However, if you use it to support your thesis, I think you should avoid it.

Can you include I in a research paper?

In academic or college writing, most formal essays and research reports use third person pronouns and do not use “I” or “you.”

Can you put personal experience in a research paper?

How do i write my research experience.

How to Describe your Research: Provide the employer details about your role in the research project. Describe the research itself and results from the research. Specify the nature of the research, for example, if you collected data or conducted experiments.

What is an experience in research?

Lived experience, as it is explored and understood in qualitative research, is a representation and understanding of a researcher or research subject’s human experiences, choices, and options and how those factors influence one’s perception of knowledge.

What did you learn from research experience?

With every research experience you will gain new skills, learn more about the type of environment you enjoy being in, further explore your strengths and interests, and test out your motivation to further study or pursue a career in a field or discipline.

Can you write about personal experience in a research paper?

It is very tempting to want to use things that we know based on our own personal experiences in a research paper. However, unless we are considered to be recognized experts on the subject, it is unwise to use our personal experiences as evidence in a research paper.

What are examples of personal experiences?

How do you incorporate personal experience in an essay.

They definitely show an insider’s perspective, their emotions and personal attitude towards their bodies. They also present some of the actions taken because of these emotions, and – what is important – they show cause and effect.

Why are personal experiences important in research?

More answers on can you put personal experience in a research paper, how to use personal experience in research paper or essay.

Jan 24, 2022Also, you can use your personal experience to write your academic paper as long as you are writing anything that is relevant to your research. The only harm about such an essay is that your experience might sound biased because you will be only covering one side of the story based on your perception of the subject.

Can you use a personal experience in a research paper? – Quora

Yes, you can use personal experience in a research paper. You can even write anything you feel is relevant to your research. But the fact that you can doesn’t mean you should. A personal account of an event covers one side of the story and skews your perception of the subject in favor of your biases.

Can a Research Paper have Personal Experience or Narrative

May 2, 2022A personal experience can be included in your research paper as long as it is relevant to the research topic you are working on. The main goal is to ensure that the reader will connect to an event of your own life experience. In this case, putting a personal experience into a research paper requires the use of descriptive language.

Personal Experience Research Papers

The most chosen among personal experience research paper topics is, of course, the tough situations which one might have had to deal with at some point of their lives. You can start by explaining the situation. Here your task is to establish that it was a ’situation’. It is human nature to feel that others’ problems aren’t serious enough.

How do you put personal experience in an essay?

However, unless we are considered to be recognized experts on the subject, it is unwise to use our personal experiences as evidence in a research paper. This can be risky and is not recommended for research based papers. But even if you do use your own experiences, you would not add yourself to your References page.

APA Style 6th Edition Blog: Can You Cite Personal Life Experience?

Unfortunately, personal experience is not something you can cite in an academic paper. First, let’s think about this question in terms of the purpose of the reference list, which is retrievability of the source for the reader. With personal experience, there is nothing for the reader to retrieve—ergo, no citation.

What About Me? Using Personal Experience in Academic Writing

a lot of times even if you’re starting an assignment that’s not really meant to explore personal experience, you might think of a personal experience that you’ve had had and decide to pursue that topic, so it counts in a sense that you’re mentally kind of already engaged with your subject, you’re invested in it, and that gives you a starting …

How do I cite personal experiences in APA format? – FAQS

Personal experiences and knowledge generally do not need to be cited in an APA references page or within the body (in-text citation) of your paper. Personal experience and knowledge is part of your voice; it is what you bring to your paper.

How to Use Life Story and Personal Experience in an Essay

Basic Personal Essay Format I like to write personal essays in a three-part or four-part format. Begin with an anecdote or vignette. Set the stage. Describe a scene. Depict an issue with which you are struggling. Tell a story. Next, explain why that experience or story was important to you. How did it impact you.

Can you put personal experience in a research paper

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Is it okay to discuss personal experiences or observations in …

Many of the papers I have read primarily use examples from their studies or hypothetical scenarios to explain models/theories, but I have only ran across personal experience examples in textbooks and not in academic review papers or theses. … Can you put the personal anecdote in as a footnote or endnote? – trikeprof. Mar 29, 2017 at 13:21 …

the personal narrative in the thesis introduction – patter

The personal narrative is intended to locate the researche r so that examiners can see how the researcher’s actual life and/or work experience might influence the research, for better or worse. The narrative enacts the (epistemological) position that no research is neutral and all research is written from somewhere, and where matters.

Can You Put Personal Experience In A Research Paper | Apr 22

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Can You Use Personal Experience In A Research Paper

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How to put personal experience in a research paper

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Personal Experience Research Paper – 501 Words | Studymode

In a Personal experience essay, the primary focus is for you to describe yourself in relation to the incident you experience. You will need to increase the intensity of this when you start writing the main body of the essay. In a Personal experience essay, the body carries the main weight in terms of your personal description. The introduction …

Personal experience research papers | Write Yard

Personal experience dive at a different angle at the composition and focuses on the very aspects of ones behavior with relation to circumstances. The focus is always based on the very sequence of happenings and turns one has taken in their personal life.If you don’t have time to write your paper then visit our website writemypaper4me.nyc and we will help you.

Essay about My Personal Experience in Research Projects

Research Experience. I have proactively engaged in research activity throughout my undergraduate program. I had my first research experience in Dr. B Anand’s lab, Indian Institute of Technology (IIT), Guwahati, during my second year. The aim of the project was to study the non-fluorescent beta-barrel structured proteins and engineer its amino …

Answer. Personal experiences and knowledge generally do not need to be cited in an APA references page or within the body (in-text citation) of your paper. Personal experience and knowledge is part of your voice; it is what you bring to your paper. If you use personal knowledge that is unusual or to make a statement that someone might question …

Sample Research Paper on Connect a Personal Experience to an Issue of …

This paper takes the responsibility of narrating a personal experience that fascinates an individual. Moreover, the work will discuss what one would learn from such an experience. Finally, the work will relate the experiences to the moral, political, and humanitarian impacts on the aspects of life. Personal Experience

Can you use personal experience in a research paper

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Basic Personal Essay Format. I like to write personal essays in a three-part or four-part format. Begin with an anecdote or vignette. Set the stage. Describe a scene. Depict an issue with which you are struggling. Tell a story. Next, explain why that experience or story was important to you. How did it impact you.

Can I Use First-Person Pronouns in a Research Paper? Yes!

For example, “As researchers, we frequently question…”. First-person writing is becoming more acceptable under Modern English usage standards; however, the second-person pronoun “you” is still generally unacceptable because it is too casual for academic writing. Take all of the above notes with a grain of salt.

Can You Add Personal Experience In A Research Paper

research papers on airline industry in india But because he was hurt, depressed, and incensed, he channeled all his power and energy to gain revenge, successfully. As we wait for our dessert to arrive my cousin and I play can you add personal experience in a research paper the game red hands. It makes them seem closer and more human to who the …

Answering the Question: “Can You Use I in Research Paper … – A-Writer

If your professor or mentor says you should write in the most natural way, then it’s okay to use I in your research paper. If you’re referring to the reader and yourself, or you were working on the research paper as part of a team, then it’s okay to use we, too. It’s not OK to use we when you’re only referring to yourself.

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Can a Research Paper have Personal Experience or Narrative

_Personal Experience in essays

A research paper is a type of academic writing that has a comprehensive analysis, inquiries, and argument of a different research that is independent. Even though the paper has similarities with academic essays, it entails detailed assignments and is usually longer.

Through a research paper, lecturers are able to know the learner’s writing skills and their level of scholarly research. As a student, you ought to show a strong knowledge of the topic given. In addition, analyze all available sources, then put your own contribution to the discussion of the topic.

For a research paper to be complete, writers must understand the topic by analyzing the assignment sheet. If there is any confusion, seek clarification from the lecturer to know more about the assignment’s goal, the formatting specifications, the deadline, and how to submit it.

Can a Research Paper Have Personal Experience?

A personal experience can be included in your research paper as long as it is relevant to the research topic you are working on.

The main goal is to ensure that the reader will connect to an event of your own life experience. In this case, putting a personal experience into a research paper requires the use of descriptive language.

Including personal experience is beneficial to both the reader and the writer. For instance, the writer feels more confident and will better understand the paper.

As a writer, the experience you include will also create a stronger connection with the writing.

On the other hand, the experience in a research paper will make the reader have an exciting time and enjoy going through your work. He or she will view your research paper from an insider perspective.

As usual, a lecturer can find it boring to read dry theories with no sense of humour. By adding a personal experience, you spice up the monotony of the paper.

The concrete life examples you include in your paper as personal experiences can engage the reader and make your piece more interesting to reward.

You will have more confidence when writing a personal experience in a research paper. This is because you are writing down an issue you know or are going on in your life. It will be easier to get support and backup because you are writing about something you experienced.

It could be an event you noticed or past practices that have taken place in your workplace.

When is Personal Experience Needed in Essay Writing

As a student, you will face paper writing cases that will specifically require you to include your own opinions, ideas, and real-life experiences. Personal experience is necessary in the research process.

Use personal experience if you are dealing with an assignment that has precisely asked for the reflection. If there is a situation that will need you to exemplify a particular theory, a personal experience will make the writing have a perfect flow.

These are some of the appropriate instances and places in your paper that will need personal experience.

Writing a Personal Essay

In order to effectively integrate your personal experience in your paper, always use the first-person point of view. This will help to connect with the reader directly.

In this way, your paper will be void of passive voice.

Also, you will avoid the chances of referring to yourself in a third-person perspective which can confuse the reader.

It is important to note that writing in the first-person language is not necessarily inappropriate if it is not opinionated or biased.

All you are required to do is stay on point and focus on experiences that are related to the assignment given.

Students are advised not to be too excited or get carried away about writing a personal experience so they do not go off-topic.

You can end up sharing more experiences than what was required in the assignment.

When it comes to the voice, be very objective and formal. A non-judgmental voice is very appropriate for a personal experience in a research paper.

Be formal and speak directly to the reader. Similarly, avoid sounding emotional even when giving an experience that may have bad memories or is affecting your life.

When writing a personal experience, it is also essential to remain open. You can consult different sources and viewpoints concerning your topic but make sure that your tone remains neutral.

How to Include a Personal Experience in a Research Paper

Primarily, it is important to choose a good personal topic that goes in line with the assignment you have been given.

Try to recall events in your life that can make a great story that depicts the research paper topic you have in hand. You can think of something you learned or a past event that happened to you.

Also, remind yourself of your special experiences with family members or friends.

The use of a personal story helps to draw the reader to the ideas you have included in the paper.

After ultimately finishing your personal experience story, citing is not necessary in your reference page.

This will make your work easier because even in-text citation in the article body is not necessary.

The experience you include is a life involvement and part of your voice and therefore does not need any citation.

You simply have to come up with your own experience; hence research or a source is unnecessary.

Below are brainstorming ideas you can use to come up with a good personal experience for your research paper:

• A past moment in the office or home when you were embarrassed.
• A major event that was small but very significant and life-changing.
• The sudden end of past relationships or events.
• A perfect relationship experience with a close person such as a parent, grandparents, or even friends.
• An encounter with a person who changed your life.
• The beginning of something new in your life

Instances When to Avoid Personal Narrative

Personal experience should not be used as evidence in your argument.

Curriculum theorists and even renowned researchers will not hesitate to give low grades on a paper that has personal experience used as evidence. All in all, that is the only area where using your own experience is discouraged in research writing.

Your personal feelings, beliefs, and experience can boost a student’s involvement in learning and have a better understanding of the subject matter.

The numerous advantages of including a personal experience in a research paper cannot be ignored. Your research paper will be accepted as long as you have followed all the guidelines provided.

Stylistic and linguistic grounds are among the reasons that can cause your paper to be rejected. A well-expressed personal experience, when put in a competently researched paper, will boost the chances of your manuscript being accepted for publication.

Students invest a lot of money, time, and effort in doing research, and it can be traumatizing and quite discouraging to have your paper rejected. As a student, writing a perfect research paper may be difficult, especially if you are doing it for the first time.

Revise your final research paper and ensure you choose the correct topic for a personal story. In this way, you will be able to create a good impression on your lecturer and boost your chances of earning higher grades.

Top-notch study papers portray a vivid picture of significant personal experiences that can move the reader and make the research paper more interesting.

James Lotta

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Effective ways to communicate research in a journal article

Oxford Academic: Journals

We publish over 500 high-quality journals, with two-thirds in partnership with learned societies and prestigious institutions. Our diverse journal offerings ensure that your research finds a home alongside award-winning content, reaching a global audience and maximizing impact.

• By Megan Taphouse , Anne Foster , Eduardo Franco , Howard Browman , and Michael Schnoor
• August 12 th 2024

In this blog post, editors of OUP journals delve into the vital aspect of clear communication in a journal article. Anne Foster (Editor of Diplomatic History ), Eduardo Franco (Editor-in-Chief of JNCI: Journal of the National Cancer Institute and JNCI Monographs ), Howard Browman (Editor-in-Chief of ICES Journal of Marine Science ), and Michael Schnoor (Editor-in-Chief of Journal of Leukocyte Biology ) provide editorial recommendations on achieving clarity, avoiding common mistakes, and creating an effective structure.

Ensuring clear communication of research findings

AF : To ensure research findings are clearly communicated, you should be able to state the significance of those findings in one sentence—if you don’t have that simple, clear claim in your mind, you will not be able to communicate it.

MS : The most important thing is clear and concise language. It is also critical to have a logical flow of your story with clear transitions from one research question to the next.

EF : It is crucial to write with both experts and interested non-specialists in mind, valuing their diverse perspectives and insights.

Common mistakes that obscure authors’ arguments and data

AF : Many authors do a lovely job of contextualizing their work, acknowledging what other scholars have written about the topic, but then do not sufficiently distinguish what their work is adding to the conversation.

HB : Be succinct—eliminate repetition and superfluous material. Do not attempt to write a mini review. Do not overinterpret your results or extrapolate far beyond the limits of the study. Do not report the same data in the text, tables, and figures.

The importance of the introduction

AF : The introduction is absolutely critical. It needs to bring them straight into your argument and contribution, as quickly as possible.

EF : The introduction is where you make a promise to the reader. It is like you saying, “I identified this problem and will solve it.” What comes next in the paper is how you kept that promise.

Structural pitfalls

EF : Remember, editors are your first audience; make sure your writing is clear and compelling because if the editor cannot understand your writing, chances are that s/he will reject your paper without sending it out for external peer review.

HB : Authors often misplace content across sections, placing material in the introduction that belongs in methods, results, or discussion, and interpretive phrases in results instead of discussion. Additionally, they redundantly present information in multiple sections.

Creating an effective structure

AF : I have one tip which is more of a thinking and planning strategy. I write myself letters about what I think the argument is, what kinds of support it needs, how I will use the specific material I have to provide that support, how it fits together, etc.

EF : Effective writing comes from effective reading—try to appreciate good writing in the work of others as you read their papers. Do you like their writing? Do you like their strategy of advancing arguments? Are you suspicious of their methods, findings, or how they interpret them? Do you see yourself resisting? Examine your reactions. You should also write frequently. Effective writing is like a physical sport; you develop ‘muscle memory’ by hitting a golf ball or scoring a 3-pointer in basketball.

The importance of visualizing data and findings

MS : It is extremely important to present your data in clean and well-organized figures—they act as your business card. Also, understand and consider the page layout and page or column dimensions of your target journal and format your tables and figures accordingly.

EF : Be careful when cropping gels to assemble them in a figure. Make sure that image contrasts are preserved from the original blots. Image cleaning for the sake of readability can alter the meaning of results and eventually be flagged by readers as suspicious.

The power of editing

AF : Most of the time, our first draft is for ourselves. We write what we have been thinking about most, which means the article reflects our questions, our knowledge, and our interests. A round or two of editing and refining before submission to the journal is valuable.

HB : Editing does yourself a favour by minimizing distractions-annoyances-cosmetic points that a reviewer can criticize. Why give reviewers things to criticize when you can eliminate them by submitting a carefully prepared manuscript?

Editing mistakes to avoid

AF : Do not submit an article which is already at or above the word limit for articles in the journal. The review process rarely asks for cuts; usually, you will be asked to clarify or add material. If you are at the maximum word count in the initial submission, you then must cut something during the revision process.

EF : Wait 2-3 days and then reread your draft. You will be surprised to see how many passages in your great paper are too complicated and inscrutable even for you. And you wrote it!

Featured image by Charlotte May via Pexels .

Megan Taphouse , Marketing Executive

Anne Foster , (Editor of Diplomatic History)

Eduardo Franco , (Editor-in-Chief of JNCI: Journal of the National Cancer institute and JNCI Monographs)

Howard Browman , (Editor-in-Chief of ICES Journal of Marine Science)

Michael Schnoor , (Editor-in-Chief of Journal of Leukocyte Biology)

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How to cite ChatGPT

Use discount code STYLEBLOG15 for 15% off APA Style print products with free shipping in the United States.

We, the APA Style team, are not robots. We can all pass a CAPTCHA test , and we know our roles in a Turing test . And, like so many nonrobot human beings this year, we’ve spent a fair amount of time reading, learning, and thinking about issues related to large language models, artificial intelligence (AI), AI-generated text, and specifically ChatGPT . We’ve also been gathering opinions and feedback about the use and citation of ChatGPT. Thank you to everyone who has contributed and shared ideas, opinions, research, and feedback.

In this post, I discuss situations where students and researchers use ChatGPT to create text and to facilitate their research, not to write the full text of their paper or manuscript. We know instructors have differing opinions about how or even whether students should use ChatGPT, and we’ll be continuing to collect feedback about instructor and student questions. As always, defer to instructor guidelines when writing student papers. For more about guidelines and policies about student and author use of ChatGPT, see the last section of this post.

Quoting or reproducing the text created by ChatGPT in your paper

If you’ve used ChatGPT or other AI tools in your research, describe how you used the tool in your Method section or in a comparable section of your paper. For literature reviews or other types of essays or response or reaction papers, you might describe how you used the tool in your introduction. In your text, provide the prompt you used and then any portion of the relevant text that was generated in response.

Unfortunately, the results of a ChatGPT “chat” are not retrievable by other readers, and although nonretrievable data or quotations in APA Style papers are usually cited as personal communications , with ChatGPT-generated text there is no person communicating. Quoting ChatGPT’s text from a chat session is therefore more like sharing an algorithm’s output; thus, credit the author of the algorithm with a reference list entry and the corresponding in-text citation.

When prompted with “Is the left brain right brain divide real or a metaphor?” the ChatGPT-generated text indicated that although the two brain hemispheres are somewhat specialized, “the notation that people can be characterized as ‘left-brained’ or ‘right-brained’ is considered to be an oversimplification and a popular myth” (OpenAI, 2023).

OpenAI. (2023). ChatGPT (Mar 14 version) [Large language model]. https://chat.openai.com/chat

You may also put the full text of long responses from ChatGPT in an appendix of your paper or in online supplemental materials, so readers have access to the exact text that was generated. It is particularly important to document the exact text created because ChatGPT will generate a unique response in each chat session, even if given the same prompt. If you create appendices or supplemental materials, remember that each should be called out at least once in the body of your APA Style paper.

When given a follow-up prompt of “What is a more accurate representation?” the ChatGPT-generated text indicated that “different brain regions work together to support various cognitive processes” and “the functional specialization of different regions can change in response to experience and environmental factors” (OpenAI, 2023; see Appendix A for the full transcript).

Creating a reference to ChatGPT or other AI models and software

The in-text citations and references above are adapted from the reference template for software in Section 10.10 of the Publication Manual (American Psychological Association, 2020, Chapter 10). Although here we focus on ChatGPT, because these guidelines are based on the software template, they can be adapted to note the use of other large language models (e.g., Bard), algorithms, and similar software.

The reference and in-text citations for ChatGPT are formatted as follows:

• Parenthetical citation: (OpenAI, 2023)
• Narrative citation: OpenAI (2023)

Let’s break that reference down and look at the four elements (author, date, title, and source):

Author: The author of the model is OpenAI.

Date: The date is the year of the version you used. Following the template in Section 10.10, you need to include only the year, not the exact date. The version number provides the specific date information a reader might need.

Title: The name of the model is “ChatGPT,” so that serves as the title and is italicized in your reference, as shown in the template. Although OpenAI labels unique iterations (i.e., ChatGPT-3, ChatGPT-4), they are using “ChatGPT” as the general name of the model, with updates identified with version numbers.

The version number is included after the title in parentheses. The format for the version number in ChatGPT references includes the date because that is how OpenAI is labeling the versions. Different large language models or software might use different version numbering; use the version number in the format the author or publisher provides, which may be a numbering system (e.g., Version 2.0) or other methods.

Bracketed text is used in references for additional descriptions when they are needed to help a reader understand what’s being cited. References for a number of common sources, such as journal articles and books, do not include bracketed descriptions, but things outside of the typical peer-reviewed system often do. In the case of a reference for ChatGPT, provide the descriptor “Large language model” in square brackets. OpenAI describes ChatGPT-4 as a “large multimodal model,” so that description may be provided instead if you are using ChatGPT-4. Later versions and software or models from other companies may need different descriptions, based on how the publishers describe the model. The goal of the bracketed text is to briefly describe the kind of model to your reader.

Source: When the publisher name and the author name are the same, do not repeat the publisher name in the source element of the reference, and move directly to the URL. This is the case for ChatGPT. The URL for ChatGPT is https://chat.openai.com/chat . For other models or products for which you may create a reference, use the URL that links as directly as possible to the source (i.e., the page where you can access the model, not the publisher’s homepage).

Other questions about citing ChatGPT

You may have noticed the confidence with which ChatGPT described the ideas of brain lateralization and how the brain operates, without citing any sources. I asked for a list of sources to support those claims and ChatGPT provided five references—four of which I was able to find online. The fifth does not seem to be a real article; the digital object identifier given for that reference belongs to a different article, and I was not able to find any article with the authors, date, title, and source details that ChatGPT provided. Authors using ChatGPT or similar AI tools for research should consider making this scrutiny of the primary sources a standard process. If the sources are real, accurate, and relevant, it may be better to read those original sources to learn from that research and paraphrase or quote from those articles, as applicable, than to use the model’s interpretation of them.

We’ve also received a number of other questions about ChatGPT. Should students be allowed to use it? What guidelines should instructors create for students using AI? Does using AI-generated text constitute plagiarism? Should authors who use ChatGPT credit ChatGPT or OpenAI in their byline? What are the copyright implications ?

On these questions, researchers, editors, instructors, and others are actively debating and creating parameters and guidelines. Many of you have sent us feedback, and we encourage you to continue to do so in the comments below. We will also study the policies and procedures being established by instructors, publishers, and academic institutions, with a goal of creating guidelines that reflect the many real-world applications of AI-generated text.

For questions about manuscript byline credit, plagiarism, and related ChatGPT and AI topics, the APA Style team is seeking the recommendations of APA Journals editors. APA Style guidelines based on those recommendations will be posted on this blog and on the APA Style site later this year.

Update: APA Journals has published policies on the use of generative AI in scholarly materials .

We, the APA Style team humans, appreciate your patience as we navigate these unique challenges and new ways of thinking about how authors, researchers, and students learn, write, and work with new technologies.

American Psychological Association. (2020). Publication manual of the American Psychological Association (7th ed.). https://doi.org/10.1037/0000165-000

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