advanced creative writing high school

IEW® in High School

The high school years can be daunting, but writing does not have to be. IEW teaches students how to navigate the essays, research papers, and literary analysis that they will need to succeed in high school and beyond. IEW’s pathway for high school is designed to help beginning students gain confidence while continuing to bring new insights and challenges to those who have many years of IEW experience.

Structure and Style ® for Students: Year 1 Level C

In this course, join Andrew Pudewa as he leads students on a 24-week writing journey using IEW’s Structure and Style approach. Students reading at a 9th grade level or higher will take delight in Mr. Pudewa’s humorous, incremental, and effective writing lessons. The curriculum provides clear daily assignments and includes vocabulary words, literature suggestions, and lesson plans for teachers. Easy to use and affordable, Structure and Style for Students brings a successful solution to your writing lessons—guaranteed! Try three weeks free !

Structure and Style ® for Students: Year 2 Level C

Take students to the next level in their Structure and Style writing journey! Twenty-four more weeks of incredible writing instruction await with the humorous and engaging Andrew Pudewa. Students who have completed Year 1 Level C and are ready for their second year of the Structure and Style for Students video course will enjoy reviewing and refining the nine previously learned IEW units and response to literature, then pressing on into full literary analysis. The curriculum provides clear daily assignments and includes vocabulary words, literature suggestions, and lesson plans for teachers. Easy to use and affordable, the second year of Structure and Style for Students builds on the skills learned in the previous video course and brings a successful solution to your writing lessons—guaranteed!

University-Ready Writing

In this twelve-week video course, high school and college students learn effective note-taking strategies as they write précis (summaries) and essays, tackling assignments of varying lengths from one paragraph to several pages. With tips and tools for writing an abstract, creating and arranging content, citing sources, applying various style guides, using literary devices, and writing on-demand essays, this curriculum will prepare your students for university writing assignments. Try two weeks free !

Introduction to Public Speaking

In this twelve-week course, middle- and high-school students learn memory and delivery techniques as they write and present five speeches: self-introductory, narrative, expository, persuasive, and impromptu. Students evaluate recorded speeches in preparation for self-evaluation. This self-explanatory program empowers teachers to help students become competent and confident public speakers. Try two weeks free !

Advanced U.S. History-Based Writing Lessons†

Follow the course of U.S. history from Explorers to Modern Times while learning to write with structure and style.

Bible-Based Writing Lessons†

Delve into Bible stories and themes while learning to write with structure and style.

Phonetic Zoo Spelling Level C

Looking for a new approach to spelling? This phonics-based program uses auditory input to ensure that the correct spelling of each word is absorbed by the brain. The audio allows students to work independently much of the time while allowing for the repetition needed for mastery.  

† Contains distinctly Christian content

What might a pathway look like for a student starting out with IEW in ninth grade?

If your student is reading at grade level, we recommend starting with the Structure and Style for Students: Year 1 Level C Premier package for you and your student in ninth grade. Tenth grade would be a good time to use Windows to the World taught in conjunction with Teaching the Classics or taught as a one-semester class paired with Introduction to Public Speaking. For eleventh grade, use Structure and Style for Students: Year 2 Level C.  Andrew Pudewa discusses additional options for your high school student in his conference talk Hacking High School: Rethinking the Teen Years . Grammar, spelling, public speaking, and entrepreneurship can be added as well. Call, chat, or email us for additional support with making decisions!  

I have a high school senior. Where should I start with IEW to make sure he gets as much writing instruction as possible before graduation?

Structure and Style for Students: Year 1 Level C provides a solid foundation in writing while also expanding into more advanced essay models such as research papers and persuasive essays. Take it one step further and hone your student’s grammar expertise before he enters college or the workforce. Fix It!™ Grammar will provide you with a full-year grammar course. In the Fix It! Grammar language arts and grammar curriculum, students internalize the rules instead of just memorizing them. That’s because Fix It! Grammar encourages students to critically analyze an ongoing story by searching for and fixing embedded errors, and in the process, students incorporate accurate punctuation and correct grammar more easily into their own compositions. To ensure you start the program at your student’s level of ability, we recommend reviewing the skills listed for each level on the Fix It! Grammar landing page. 

Does IEW count as a full high school English credit?

High school credits vary depending on where you live. Please check with your state homeschool organization for the best way to calculate credits for your particular student. English encompasses communication skills: composition (writing), literature, public speaking, grammar, and may also include vocabulary and spelling. You will need to make sure you are covering all of the requirements for your state .  Lee Binz with www.homehighschoolhelp.com understands the difficulty in creating high school transcripts and is dedicated to providing parents with specific beneficial answers to transcript questions. If you have questions about high school credits and transcripts, we encourage you to contact her . She will be happy to help.

Is IEW for High School? webinar

De-Confusing Essays article

Six Calming Answers to Six Panicky Questions about High School English for Homeschoolers article

Hacking High School: Rethinking the Teen Years – presentation by Andrew Pudewa

Most of us have presuppositions about what high school is based on our own experience. Times are changing, and the opportunities for home educating high schoolers have grown rapidly. Many of these opportunities will save time, help your family avoid higher education debt, and give your teens a head start on their next decade of life. Watch or listen at IEW.com/HHS

Dual Enrollment through CHI – College Credit Using IEW Materials 

IEW high school students can receive college credit for English Composition I and II from a fully accredited university through Christian Halls International. Learn more at IEW.com/CHI

Classic Learning Test – Standardized Test

Classic Learning Test (CLT) exams serve as an alternative to Common Core-based assessments and help to highlight the unique strengths of homeschool, private school, or charter school students. CLT exams are accepted at over two hundred colleges! Find out more by visiting IEW.com/CLT and get a CLT discount code!

Summer II 2024 Application Deadline is June 30, 2024.  

Click here to apply.

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10 Best Creative Writing Programs for High School Students

Creative writing has a wide range of applications and benefits. It not only helps you structure and write in different ways but also makes you a better reader and communicator!

In this post, we have compiled a list of great creative writing programs for high school students. We’ve also thrown in some journalism programs for good measure!

10 Great Creative Writing Programs

1. iowa young writers’ studio – residential program.

Location: Online and in-person versions available

Fee/stipend: $575 for the online version, $2,500 for the in-person version

Financial assistance: Several full tuition and partial tuition grants are available.

Application deadline: February 5, 2023

Program dates: Session 1 from June 11, 2023, to June 24, 2023, Session 2 from July 9, 2023, to July 22, 2023

Eligibility: 10th, 11th and 12th graders are eligible to apply

The Iowa Young Writers’ Studio is one of the most prestigious writing programs in the country, with an estimated acceptance rate between 15-20%. You get to choose one course from poetry, fiction, creative writing, playwriting, or TV writing. The course structure contains a mix of seminars and workshops. The mentors are graduates of the University of Iowa, which holds the most prestigious creative writing program in the country (strange but true)! This is a great program if you’re looking for an immersive experience in a single style of writing.

2. Princeton’s Summer Journalism Program

Location: Online and in-person versions available throughout the year culminating in a 10-day residential program at the end of July

Fee/stipend: Free

Financial assistance: NA

Application deadline: February 27, 2023

Program dates: Year-long

Eligibility: Students must be in the 11th grade, have a minimum GPA of 3.5, and must qualify for one of these socioeconomic conditions .

You will get a taste of life as a journalist in this year-long course. You will participate in a range of activities, including attending online workshops and lectures with renowned journalists from all over the country.

Apart from the usual workshops and lectures, you will have access to a number of exciting opportunities such as visiting newsrooms, making a documentary, and working on the Princeton Summer Journal which is published at the end of the program. Fair warning - this is a highly selective program including a three-round application process and a final cohort of up to 40 students .

3. NYU Tisch’s Future Dramatic Writers Workshop

Location: Commuter program at NYU's New York City campus

Application deadline: Closed for 2023

Program dates: February 4, 2023 - May 13, 2023

Program Selectivity: Highly selective

Eligibility: Open to 9th, 10th and 11th graders

If accepted to this program, you get the opportunity to study and practice writing for theatre, film, and television. The program takes place every Saturday for 14 weeks , where you will be spending 8 hours in lectures and workshops. It culminates in a yearly showcase where students can present what they’ve worked on. It is an intensive course equivalent to Tisch’s undergraduate curriculum . This has an in-person component, so it may be easiest if you are in New York City.

4. Telluride Association Summer Seminars

Location: Cornell University, University of Maryland, and University of Michigan

Program dates: June 25, 2023 – August 5, 2023

Eligibility: 10th and 11th graders

Primarily rooted in humanities and social studies, TASS looks at systems of power and oppression. While its main agenda is to exercise students’ critical thinking skills , reading and writing essays is a crucial part of the curriculum. You will find the opportunity to hone your writing skills in fields such as history, politics, culture, and more . This is a highly selective program with an estimated acceptance rate of 3-5% . While this may not fit the bill for traditional ‘creative writing’, the way in which it weaves a connection between critical thinking and impeccable writing is likely to enhance your creative writing projects.

5. Yale Young Writers’ Workshop

Location: Online

Fee/stipend: $900

Application deadline: April 3, 2023

Program dates: July 9, 2023 – July 14, 2023

Eligibility: Open to 10th, 11th and 12th graders

Yale Young Writers’ Workshop will give you an in-depth look at one of the following genres — fiction, nonfiction, poetry, or graphic storytelling. With only 12 students per workshop, the highly selective, one-week program ensures each person gets an immersive experience in developing the craft of writing, experimenting with their work, and finding their own voice .

6. Asian American Journalists Association’s JCAMP

Location: On campus at American University, Washington D.C.

Application deadline: March 17, 2023

Program dates: July 15, 2023 – July 21, 2023

Known for its multicultural diversity and unique hands-on training, this renowned program aims to prepare you for a career in journalism. Not only will you get workshops with veteran industry leaders and go on field trips, but you’ll also have the chance to produce news packages for the program’s news site ! You will also have some published work to your credit. This is a highly selective program with about 30 students chosen from hundreds of applicants.

7. Kenyon Review Young Writer’s Summer Residential Workshop

Location: On campus at Kenyon College

Fee/stipend: $2,575

Financial assistance: Need-based financial aid is available.

Application deadline: March 1, 2023

Program dates: Session 1 from June 25, 2023, to July 8, 2023, Session 2 from July 16, 2023, to July 29, 2023

Eligibility: Open to 16–18-year-old students

This program offers a combination of individual conferences with your instructor and peer-led group discussion and exercises. The coursework is ungraded and focuses on students recognizing and working on their writing skills. You will also have the opportunity to sign up for a genre session where one genre or element of writing will be explored in-depth . This is highly selective with 12-14 students per workshop.

8. Bard College at Simon’s Rock Young Writers Workshop

Location: On campus

Fee/stipend: $3,500

Financial assistance: Moderate

Application deadline: None. Applicants are reviewed until the program is full, usually in mid-April or May

Program dates: July 9, 2023 – July 29, 2023

Eligibility: Open to students from grades 9-11

Instead of focusing only on the writing style, this three-week workshop focuses on enhancing language and thinking skills that are key for effective writing. The program consists of three 90-minute sessions every day with each having a different area of research. You will engage in writing activities and reading discussions within small groups of 12, so every student gets individual attention. Writings are shared by the workshop leaders as well as peers. While building a portfolio, you will be encouraged to focus on the process and finding your voice rather than the end product. This program is a good fit if you’re looking for informal coursework with a heavy emphasis on critical thinking.

9. Sarah Lawrence Writer’s Week – A Creative Writing and Performance Art Workshop

Location: Commuter program

Fee/stipend: $1,125

Financial assistance: Limited scholarships available to Yonkers Public School students

Application deadline: Registrations open in February.

Program dates: Virtual program from July 10, 2023 – July 14, 2023, On campus program from August 7, 2023 – August 11, 2023

Eligibility: Students must be 14 years of age or older

Writing (workshops and collaborative discussions) and theatre (workshops on improvisation, solo performance, character comedy, and the like) come together in this program with students learning components of each as well as their relation to each other. While this is a highly selective program, once in, you’ll find yourself in an interactive and supportive environment in a class of 18 students.

10. The Adroit Journal’s Summer Mentorship Program

Fee/stipend: $450

Financial assistance: Available

Application deadline: March 12, 2023

Program dates: June 19, 2023 – July 31, 2023

Eligibility: Open to students from the 9th to 12th grades

Hosted by a literary and art non-profit organization, this program pairs budding writers with established ones , making this a highly individualized program. While peer activities are also offered, you will get personalized support and guidance from your mentor. You can choose from poetry, fiction and non-fiction/memoir writing. However, the program’s acceptance rate has been approximately 8-9% in the past so keep in mind that it is highly selective.

If you’re interested in going beyond creative writing and want to explore research in fields you’re interested in (e.g., research in literature!) , consider applying to the Lumiere Research Scholar Program , a selective online high school program for students that I founded with researchers at Harvard and Oxford. Last year, we had over 2100 students apply for 500 spots in the program! You can find the application form here.

Stephen is one of the founders of Lumiere and a Harvard College graduate. He founded Lumiere as a PhD student at Harvard Business School. Lumiere is a selective research program where students work 1-1 with a research mentor to develop an independent research paper.

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Our 2020-21 Writing Curriculum for Middle and High School

A flexible, seven-unit program based on the real-world writing found in newspapers, from editorials and reviews to personal narratives and informational essays.

Update, Aug. 3, 2023: Find our 2023-24 writing curriculum here.

Our 2019-20 Writing Curriculum is one of the most popular new features we’ve ever run on this site, so, of course, we’re back with a 2020-21 version — one we hope is useful whether you’re teaching in person , online , indoors , outdoors , in a pod , as a homeschool , or in some hybrid of a few of these.

The curriculum detailed below is both a road map for teachers and an invitation to students. For teachers, it includes our writing prompts, mentor texts, contests and lesson plans, and organizes them all into seven distinct units. Each focuses on a different genre of writing that you can find not just in The Times but also in all kinds of real-world sources both in print and online.

But for students, our main goal is to show young people they have something valuable to say, and to give those voices a global audience. That’s always been a pillar of our site, but this year it is even more critical. The events of 2020 will define this generation, and many are living through them isolated from their ordinary communities, rituals and supports. Though a writing curriculum can hardly make up for that, we hope that it can at least offer teenagers a creative outlet for making sense of their experiences, and an enthusiastic audience for the results. Through the opportunities for publication woven throughout each unit, we want to encourage students to go beyond simply being media consumers to become creators and contributors themselves.

So have a look, and see if you can find a way to include any of these opportunities in your curriculum this year, whether to help students document their lives, tell stories, express opinions, investigate ideas, or analyze culture. We can’t wait to hear what your students have to say!

Each unit includes:

Writing prompts to help students try out related skills in a “low stakes” way.

We publish two writing prompts every school day, and we also have thematic collections of more than 1,000 prompts published in the past. Your students might consider responding to these prompts on our site and using our public forums as a kind of “rehearsal space” for practicing voice and technique.

Daily opportunities to practice writing for an authentic audience.

If a student submits a comment on our site, it will be read by Times editors, who approve each one before it gets published. Submitting a comment also gives students an audience of fellow teenagers from around the world who might read and respond to their work. Each week, we call out our favorite comments and honor dozens of students by name in our Thursday “ Current Events Conversation ” feature.

Guided practice with mentor texts .

Each unit we publish features guided practice lessons, written directly to students, that help them observe, understand and practice the kinds of “craft moves” that make different genres of writing sing. From how to “show not tell” in narratives to how to express critical opinions , quote or paraphrase experts or craft scripts for podcasts , we have used the work of both Times journalists and the teenage winners of our contests to show students techniques they can emulate.

“Annotated by the Author” commentaries from Times writers — and teenagers.

As part of our Mentor Texts series , we’ve been asking Times journalists from desks across the newsroom to annotate their articles to let students in on their writing, research and editing processes, and we’ll be adding more for each unit this year. Whether it’s Science writer Nicholas St. Fleur on tiny tyrannosaurs , Opinion writer Aisha Harris on the cultural canon , or The Times’s comics-industry reporter, George Gene Gustines, on comic books that celebrate pride , the idea is to demystify journalism for teenagers. This year, we’ll be inviting student winners of our contests to annotate their work as well.

A contest that can act as a culminating project .

Over the years we’ve heard from many teachers that our contests serve as final projects in their classes, and this curriculum came about in large part because we want to help teachers “plan backwards” to support those projects.

All contest entries are considered by experts, whether Times journalists, outside educators from partner organizations, or professional practitioners in a related field. Winning means being published on our site, and, perhaps, in the print edition of The New York Times.

Webinars and our new professional learning community (P.L.C.).

For each of the seven units in this curriculum, we host a webinar featuring Learning Network editors as well as teachers who use The Times in their classrooms. Our webinars introduce participants to our many resources and provide practical how-to’s on how to use our prompts, mentor texts and contests in the classroom.

New for this school year, we also invite teachers to join our P.L.C. on teaching writing with The Times , where educators can share resources, strategies and inspiration about teaching with these units.

Below are the seven units we will offer in the 2020-21 school year.

September-October

Unit 1: Documenting Teenage Lives in Extraordinary Times

This special unit acknowledges both the tumultuous events of 2020 and their outsized impact on young people — and invites teenagers to respond creatively. How can they add their voices to our understanding of what this historic year will mean for their generation?

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Great Summer Creative Writing Programs for High School Students

Immersive Summer Programs for Budding Writers

Summer is a terrific time for aspiring writers to focus on creative writing . Immersive programs give high schoolers the opportunity to develop writing skills, meet like-minded students, and gain an impressive line on their activities resumé. This list of excellent summer creative writing programs for high school students may offer just what the budding writers in your family need to make the most of their talents.

Emerson College Creative Writers Workshop

Emerson’s Creative Writers Workshop is a five-week program for rising high school sophomores, juniors, and seniors geared at developing their writing skills in a variety of media, including fiction, poetry, screenwriting, graphic novels, and magazine writing. Participants attend college-level writing classes exploring these genres in which they write and present their own work, create a final portfolio of their writing, contribute to the workshop’s anthology, and present a reading for family and friends. On-campus housing is available for the duration of the workshop.

Alfred University Creative Writing Camp

This summer writing program introduces rising high school sophomores, juniors, and seniors to many different genres, including poetry, short fiction, creative non-fiction, and drama. Students read and discuss the work of established authors and participate in writing-intensive exercises and workshop sessions led by Alfred University faculty members. Campers stay in university housing and enjoy a variety of recreational activities outside of classes and workshops such as movie nights, games, and social gatherings. The program runs annually for five days at the end of June.

Sarah Lawrence College Summer Writers Workshop for High School Students

This program is a one-week, non-residential summer workshop for rising high school sophomores, juniors, and seniors that explores the process of creative writing in a non-competitive, non-judgmental environment. Participants have the opportunity to attend small writing and theater workshops led by faculty and guest writers and theater artists, as well as attend and participate in readings. Classes are limited to 15 students with three faculty leaders per workshop to provide individual attention for each student.

Sewanee Young Writers Conference

This two-week residential program offered by The University of the South in Sewanee, Tennessee, provides dedicated rising high school sophomore, junior, and senior creative writers an opportunity to develop and polish their writing skills. The conference includes workshops in playwriting, fiction, poetry, and creative non-fiction led by celebrated professional writers as well as visiting writers whose works students analyze and discuss. Participants select one writing genre and spend their two weeks attending a small workshop dedicated to that genre, with opportunities for one-on-one contact with workshop leaders. Students also participate in lectures, readings, and discussions.

Emerging Writers Institute Creative Writing Camp

Allen Grove

Education Unlimited offers the Emerging Writers Institute creative writing camp each summer at Yale University , Stanford University , and UC Berkeley . This two-week residential program for rising 10th-12th graders includes daily workshops, evaluations, peer editing groups, and creative presentations designed to encourage students to challenge themselves as writers and hone their expressive writing process.

Each student chooses to major in the writing of either short stories, poetry, playwriting, or nonfiction. The bulk of their critical reading and writing exercises and workshopping is devoted to their selected major. Students may also attend afternoon workshops on nontraditional genres such as speechwriting, graphic novels, and advertising copy, as well as guest presentations by local authors and publishers.

Iowa Young Writers' Studio

The University of Iowa offers this two-week summer creative writing program for rising juniors, seniors, and college freshmen. Students choose one of three core courses in poetry, fiction, or creative writing (a more general course sampling from poetry, fiction, and creative nonfiction). Within their course, they participate in seminar classes in which they read and analyze literary selections and workshops to create, share, and discuss their own writing. Also offered are large group writing exercises, inspirational outdoor writing excursions, and nightly readings by prominent published writers. Many of the program's teachers and counselors are graduates of the university's Iowa Writers' Workshop, one of the most prestigious creative writing graduate programs in the country.

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View all courses

Advanced creative writing, read, write, workshop, revise, repeat..

• Course Length: 18 weeks
• Course Type: Elective
• High School

Schools and Districts: We offer customized programs that won't break the bank. Get a quote.

Description

Shmoop's Advanced Creative Writing course has been granted a-g certification , which means it has met the rigorous iNACOL Standards for Quality Online Courses and will now be honored as part of the requirements for admission into the University of California system.

Raise your hand if you want to be the next great American novelist.

Now, raise your hand if you want to be the next J.K. Rowling.

The next Shakespeare?

Nice. We like a student with lofty goals. And while we can't promise we'll secure your place in the writing hall of fame, we can promise we'll equip you with the tools you need to get started. Advanced Creative Writing is a semester-long course that teaches you the ins and outs of writing fiction, poetry, nonfiction, and drama. Yup—drama. Because you so need more of that in your life.

Unlike your average creative writing course, we're incorporating speculative fiction (that's sci-fi, fantasy, and horror) into this Common Core standards-aligned course. Whether you want to pen a personal essay that would inspire Joan Didion or a sci-fi epic that would inspire HBO to scramble for the TV rights, we've got you covered.

By the end of the course, you'll be able to

• craft believable and compelling characters for any genre.
• write effective and realistic dialogue for your oh-so-believable characters to say.
• recognize the differences between fiction and nonfiction.
• understand what makes poetry a unique art form.
• understand what makes dramatic writing a genre worth studying—on page and onstage.
• write your own pieces of short fiction, nonfiction, poetry, and drama, to be wrapped up in a nice, shiny portfolio at the end.

You'll write. You'll read (to inspire yourself to write). You'll revise. And you'll come out of this course with a better understanding of how to write well , which is a lesson every writer-to-be needs to learn.

You can thank us later. Preferably in the acknowledgements of your first novel.

Required Skills

Unit breakdown, 1 advanced creative writing - the big short.

Since we're not expecting you to write a novel in 90 days, short stories are a common form in this course. Unit 1 gives you a quick run-down on how to write short fiction specifically, with an emphasis on mystery as a genre. You'll read some classic mysteries and try your hand at writing short story sketches, all the while acquainting yourself with methods of characterization, scene setting, and dialogue-smithing. You'll also get acquainted with writers' workshops—two words no creative writer can afford to live without hearing.

2 Advanced Creative Writing - Move Over, Prose

Have you ever been so salty about something that you're like, "Man, I wish I could write a poem about this"? We don't blame you. Salt is a powerful motivator. And in Unit 2, you'll learn all the poetic devices you need to put those feelings into words—some rhyming, some not. You'll read a ton of professional poetry (or proetry, as we call it) to inspire poetic writing of your own. From the sonnet to the haiku, you'll have a crash course in a ton of different verses, meters, and rhyme schemes. Basically, you'll get everything you need to become a great poet—minus a beret.

3 Advanced Creative Writing - Real Life is as Strange as Fiction

In Unit 3, things get personal as you venture into the world of narrative essay writing. Nonfiction might be a genre you associate with textbooks and articles, but we'll prove to you that the nonfiction narrative is just as creatively inspired as the most fantastic fantasy novel. You'll study essays from greats like Joan Didion and George Orwell, and you'll learn how to sketch your own personal experiences into nonfiction pieces worth reading. Because, despite what Facebook might tell you, it actually does take some skill to make your personal life interesting to others.

4 Advanced Creative Writing - A Fable, an Allegory, and a Satire Walk Into a Bar

We're taking a turn for the unusual in Unit 4, where you'll learn how to write fables, allegories, and satire. Yep: You'll be writing with inspiration from Aesop and Amy Sedaris. Sure, fables might be kind of an old-fashioned writing form on the surface, but there's a lot of creative impact in these bite-sized little gems (also a lot of talking animals). You'll learn how to shape ideas into allegories, to make your writing extra deep. And you'll learn how to write satirical pieces without making people feel super bad about themselves.

5 Advanced Creative Writing - Speculation Nation

In our speculative fiction unit, you'll try your hand at science fiction, horror, and fantasy stories of your own. You'll learn that there's a lot more to this kind of writing than putting a dragon in the middle of a scene and calling it a day. Speculative fiction writing is often wrapped around a bunch of metaphors and allegories, and you'll learn how to make the most of imagery and figurative language as you write speculative fiction of your own. With greats like Neil Gaiman providing you inspiration, we're sure you'll be up to the task in no time.

6 Advanced Creative Writing - Please be Dramatic

We end the course with a dramatic flourish—literally, since this is the drama writing unit. You'll read a bunch of one-act plays and scenes to learn the basics of scriptwriting, with a particular emphasis on theater. Blocking, you'll discover, is more than a function you can use on Instagram when your weird ex annoys you; it's also one of the many essential technical elements that all dramatic writers need to include in their writing. At the end of the unit, you'll do a quick little wrap-up of every kind of writing you learned in the course, by putting your best pieces into a portfolio.

Sample Lesson - Introduction

Lesson 2.06: tell us how you really feel.

So, the ballad's had its day in the sun (and then some). It's time to let another form of poetry shine—a form that, coincidentally, also has something in common with musical terminology.

We're talking about the lyric poem , here. In contemporary usage, the word "lyric" almost always applies to the words to a song. Don't worry, though. We won't be asking you to compose a song—although you can totes set your poem to music if you want to.

Lyric poems, especially the ones written a couple of hundred years ago, were often written to accompany music. Unlike fan favorite the ballad, though, the lyric poem doesn't typically tell a story. What the lyric does do is something many poets like even better than telling a story: It expresses feelings and insights.

The term lyric actually describes several types of poems, including odes , elegies , and sonnets . We'll look at some examples of those over the next few days.

As you move into consideration of these more complex forms, you won't write a complete poem every day. Instead, you'll be filling your writer's notebook with ideas, insights, images, and inspiration. Those flashes of brilliance will come in handy.

Trust us, here: you and your poetic muse will thank us later.

Sample Lesson - Reading

Reading 2.2.06: love that lyric.

First thing's first: read Shmoop's lowdown on lyric poetry . Pay attention to what we have to say about a lyric poem's form, meter—and, most importantly, subject matter.

Got it? Great.

Now for a brief summary of a lyric's form. In general, lyrics

• describe an emotion or insight.
• convey one individual's perspective.
• use first person.
• usually rhyme.
• use meter, usually, and most commonly it's iambic meter (da-DUM, da-DUM, da-DUM, da-DUM).

It probably won't surprise you to hear that many lyrics, describing the emotions and insights of a single speaker, are love poems.

Aw. We're blushing.

To get a decent sense of what we mean (and to prepare yourself for writing), we'd like you to read the following lyric poems :

• " Believe Me, If All Those Endearing Young Charms " by Thomas Moore
• " Song for the Last Act " by Louise Bogan
• " She Walks in Beauty " by Lord Byron

When you're finished reading the poems, head over to Shmoop's page on "She Walks in Beauty" to give yourself a better idea of what that poem is all about.

Then, when you've really got the content of "She Walks in Beauty" down pat, read our page on the meter and rhythm of the poem . This should give you some inspiration on the writing front, so you can better craft a sweet lyric poem in the activity.

When you're finished reading, head over to the activity so you can take a crack at lyric-smithing yourself.

Sample Lesson - Activity

Activity 2.06a: so you wanna be a lyricist.

Writing a lyric isn't necessarily a simple task. First, you've gotta have something worth—well, lyricizing about.

We mentioned that most lyric poems are love poems. Does that mean you have to have been in love to write one? Nah. We're going to give you the opportunity to write a lyric poem about anything that gets your heart a'fluttering, whether that thing is a romantic experience or a particularly difficult level of your favorite game.

Regardless of its subject, by the end of this lesson, you'll have written a lyric. We're going to work backwards and sort of reverse-engineer a lyric together—and we'll walk you through it step-by-step.

First, revisit the poems we just read and choose your favorite line or passage from one of those poems . Shmoop picked this one, from Thomas Moore's "Believe Me, If All Those Endearing Young Charms":

As the sunflower turns on her god, when he sets/The same look which she turned when he rose.

Once you've picked your fave line, freewrite for five minutes in response . You can talk about pretty much anything, but we want you to focus mainly on the feeling this particular line evokes in you.

Run out of things to say? Rewrite the last word or phrase until you come up with something—or move on to another poetic line as a prompt.

Here's how we started our freewrite:

The sunflower is such an interesting image; we don't know much about sunflowers, but we don't think they last all that long. Therefore, it's interesting how Moore uses the image of a day to suggest completeness and enduring love, even though we don't think of flowers as images suggesting permanence. If the relationship between the sunflower and the sun ("her god") represents faithful love, that happens in the course of a day…

BTW, a five-minute freewrite should be around 150 – 200 words .

Reflecting on your freewrite, think of the feeling that your chosen image evoked in you, and brainstorm a list of images you could build upon to evoke something similar . Hone in on one image from that list and hang onto it.

Our freewrite reflected on the disparity between enduring love and fleeting life. If Moore used a flower to convey this image, we'd probably use something like a fruit. Just as sweet—just as fleeting.

Of course, our lyric poem wouldn't be literally about a fruit. We'd have to use the fruit as an image to represent something deeper—something we really love.

That's why the next step is to choose a subject that you particularly care about, which you think could be well-represented with the image you chose in the last step . We're going to say "summer," because who doesn't love summer?

Write that lyric poem .

Your poem should be at least four stanzas long , and should follow our lyric conventions. Remember, we said a lyric

• describes an emotion or insight.
• conveys one individual's perspective.
• uses first person.
• usually rhymes.
• uses meter, usually, and most commonly it's iambic meter (da-DUM, da-DUM, da-DUM, da-DUM).

Also remember to use the image you decided upon in Step Two somewhere in your poem . Here's a stanza of Shmoop's ode to summer:

What ripe and rosy fruit may sway Upon a heavy branch of green? What sweet and tender succulence awaits me When, on a hazy summer's day, The morning air breathes crisp and clean, And all the summer's wonders celebrate, free?

We went with iambic meter for this one—though not iambic pentameter. Our poem actually follows the same meter as this song . Or… this one.

Go ahead and write your own four-to-five stanza poem in a Word doc . When you're good n' ready, upload it below.

Creative Written Representation Rubric - 50 Points

Activity 2.06b: Lyrics + Workshop

Workshop time. Today, we'll ask you to post your poem to the discussion board, then read and respond to at least two classmates' lyrics .

Remember our guidelines:

• Be specific : Does the poem fit the lyric form? Does the meter flow? Is it written with iambs? Is it about love ?
• Be nice, though : If you wouldn't appreciate someone saying it to you, don't say it to anyone else.
• Give generously : Read the poem you're reviewing attentively and thoughtfully.

Using the discussion board, respond to the following questions regarding at least two classmates' poems, in at least one complete sentence each :

• Did the poet use iambic meter?
• Did the poet write about something they love?
• Did they include some specific image?
• What do you think is the most important thing for the poet to consider as they revise this poem?
• As a reader, what do you appreciate most about this poem?

Without further ado, forge ahead and discuss away.

Participation Only Rubric - 10 Points

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W hy's T his F unny?

Iowa Young Writers' Studio

Creative writing programming for high school students

2-week Summer Residential Program and 6-week Online Courses

2-Week Summer Residential Program

At the Summer Residential Program, you will choose a single core course—Poetry, Fiction, Creative Writing, Playwriting, or TV writing—as your focus for the two weeks of the program.

6-week Online Courses

We offer asynchronous 6-week online creative writing courses for high school students every winter and summer.   You can study creative writing with us your own schedule, from anywhere in the world!

Teachers and Counselors

Teachers and counselors at the Iowa Young Writers’ Studio are chosen, with rare exceptions, from among the students and graduates of the Iowa Writers’ Workshop at the University of Iowa.

Experience the Iowa Young Writers' Studio

Watch this short video for an inside look at the Iowa Young Writers’ Studio experience.

IYWS Alum Joe Fassler To Publish Debut Novel, THE SKY WAS OURS

IYWS counselor and teacher Melissa Mogollon to publish debut novel, "Oye."

Crafting Engaging Narratives with Suzette Sheft: A Free Summer Online Workshop For Jr. High Students!

IYWS ’19 Student Alora Young Publishes Memoir in Verse

IYWS ’22 Student Publishes YA Book About Her Grandmother’s Holocaust Experience

IYWS ’11 Student Alina Grabowski To Publish Debut Novel

NOTICE: The University of Iowa Center for Advancement is an operational name for the State University of Iowa Foundation, an independent, Iowa nonprofit corporation organized as a 501(c)(3) tax-exempt, publicly supported charitable entity working to advance the University of Iowa. Please review its full disclosure statement.

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How to Teach Creative Writing to High School Students

Creative Writing was forced onto my schedule; I didn’t ask for it. But it ended up becoming my favorite class period of the day. While academic English courses can feel high-stakes and always short on time, Creative Writing can be a refreshingly relaxed elective class. In many districts with loose curriculums, Creative Writing is what you make of it. In this post, I outline six steps to show you how to teach creative writing to high school students.

Why Teach Creative Writing

Before we get into the how , let’s first address the why . Why bother teaching Creative Writing in the first place? Students’ basic skills are lower than ever; is now really the time to encourage them to break the rules?

If you want to get really deep into why you should teach Creative Writing, I have a whole post about it here.

But think about why you love reading. Is it because you were made to annotate or close read a bunch of classic novels? Probably not. You probably fell in love with reading while you were reading something that was fun. And because it was fun, you read more, and your skills as a reader grew.

The same principle applies to writing. If we can make it fun for our students, perhaps we can foster a love for it. And passion is what leads, eventually, to mastery.

Giving our students the opportunity to fall in love with writing is a gift that might help them grow in their academic writing later.

Teach Creative Writing to High School Students Step #1: Decide on Your Standards or Goals

Your school or district may have a mandated syllabus or curriculum. Mine did not. 

Whether you’re given student goals or have to create them, you must have an overall vision for what your Creative Writing class will accomplish. 

Is this a laid-back, engaging course designed to help students discover the fun in writing? Or is it a supplement to rigorous academics for college-bound high school students? 

If you know your school’s student population well, I encourage you to think about their needs. Some students just need to write more–more of anything, but lots more. Some students are high achieving and ready to write their first novels! If possible, design your course around the needs and interests of the general student population in your school or district. 

Regardless of how rigorous your Creative Writing course will be, deciding on these goals first will help you in backwards planning. 

Teach Creative Writing to High School Students Step #2: Choose Your Final Assessments and Big Projects

Before we can start planning our lessons, we have to decide what skills or knowledge our students will need. And to know what they need, we have to decide on their summative assessments.

Will your final assessment be a short story? A collection of poetry? Are you required to offer a final exam?

Once you know what students will need to do, you can make a list of the skill they’ll need. This list will become a list of lessons you’ll need to teach.

Fairy Tale Retelling Project

My Fairy Tale Retelling Project is a great Creative Writing assessment. For this project, students had to first choose a fairy tale. Then, they rewrote the story from the perspective of the villain.

This project works really well because students have structure. They can pick any fairy tale they want, but they can’t write about just anything.

Secondly, students already know the story, so they don’t have to worry about a beginning, middle, and end. The open-endedness of writing a story completely from scratch has paralyzed my students before. Structure allows students lots of creative freedom without the excuse of “I don’t know what to write.”

Author Study Project

If you’d like your Creative Writing class to help beginner writers have fun and just get some practice with fiction writing, a Fairy Tale Retelling Project would probably be perfect for your class.

Another project I’ve done with my students is an Author Study . In this project, students choose one author to study in-depth. Then, they attempt to replicate that author’s style in an original work.

If you’d like your class to also include lots of exposure to other writers or classic literature, then this might be a great assessment for your class.

Learn more about doing an author study in this step-by-step post.

Test or Final Exam

I also gave my students a final exam focused on literary terms.

This Literary Terms Test allowed me to test students on the academic knowledge they gained throughout class instead of their writing ability. This test also helped me fulfill my district’s requirement of having a final exam at the end of each course.

Once you’ve decided on your class’s major projects and assessments, you can begin designing the rest of your class.

Teach Creative Writing to High School Students Step #3: Backwards Plan

Now that you know what your students will need to do at the end of this class, you can list out everything you need to teach them in order for them to be successful.

For example, if you opt for an author study as a final project, you know what you will need to cover. You will need to teach students some literary terms so that they can describe an author’s style. You’ll need to show them how to analyze a poem.

During the course of your class, you’ll also want to expose students to a variety of authors and mentor texts. Students will need to practice basic writing techniques in order to replicate those of their chosen authors.

If you need some inspiration for what kinds of lessons to teach, check out this post on essential Creative Writing lessons.

Teach Creative Writing to High School Students Step #4: Decide on Your Class Structure

Once you’ve decided on the end goals for your Creative Writing class, you can use them to help create day-to-day plans. 

What will your class look like? Will it be full of lots of quiet and independent work time? Will it be full of frenetic energy with students working in collaborative groups? Are students writing in notebooks or on laptops?

Of course, a successful class will most likely include a mixture of all of the above. But it’s up to you to decide on your ratio. 

Again, I encourage you to think about your school’s population. If you’re on ninety-minute blocks, is it realistic for students to be quietly writing that whole time? If you have high-achieving students, might they benefit from working independently at home and then getting and giving peer feedback during class time?

Use your goals to help decide on a general class structure. 

Warm-ups for Creative Writing

You’ll need a consistent way to begin each class.

When I initially began teaching Creative Writing, I just wanted to provide my students with more time to write. We began every class period with free writing. I gave students a couple of prompts to choose from each day, and then we’d write for about ten minutes. 

( Those journal prompts are right here . Every day includes two prompts plus a third option of freewriting.)

Students were given the option to share part of their writing if they wanted to. Every couple of weeks I’d flip through their notebooks to make sure they were keeping up, but I only read the entries they starred for me in advance. 

Later, I wanted to add some rigor to my Creative Writing class and leverage more mentor texts. I created a Poem of the Week activity for each week of the course. 

This gave students the opportunity to study professional writing before using it as a mentor text for a new, original piece. 

(You can read more about using these Poem of the Week activities here.) 

As my goals for the class and my students change, so did the way we began class. 

How can you begin your class in a way that supports the end goals or teaches the desired standards? How often will peers work together?

Teach Creative Writing to High School Students Step #5: Focus on Engagement Strategies

Now you can actually start planning lessons and projects!

But as you do so, focus on creating engaging ones–especially if your class is meant to be a fun elective.

Need more tips? Check out this post full of Creative Writing teaching tips!

Use Mentor Texts and Lots of Examples

Have you ever tried putting a puzzle together without knowing what the image was going to look like? It would be pretty difficult! Similarly, students need lots of examples of strong writing to aspire to. 

Without clear models or mentor texts , students will happily turn in unread drafts. They’ll choose the first word that comes to their mind instead of searching for a better one. 

But if you surround students with great writing, highlight strong technique when discussing the writing of others, and challenge them to notice the details in their own writing, they’ll naturally become better at self-editing.

I don’t believe that you can provide students with too many mentor texts or examples of strong writing. As you teach Creative Writing, keep or take pictures of strong writing samples from students to use as examples later. 

Nearly all of my lessons and projects include an example along with instruction.

Model and Create with Your Students

You can even use your own writing as an example. When I had students free write to creative writing prompts, I always wrote with them. Sometimes I would then put my notebook under the document camera and model reading my own work.  

I would cross out words and replace them or underline phrases I thought were strong enough to keep. Model for students not just great writing, but the process of strengthening writing.

And then give them plenty of time to edit theirs. This is when having students engage in peer feedback is a game-changer. 

Without great writing to aspire to, however, students easily become lazy and turn in work that is “good enough” in their eyes. Don’t let them get lazy in their writing. Keep throwing greater and greater work in front of them and challenge them to push themselves. 

(This is another reason I love using Poem of the Week warm-ups –they expose students to a new writer every week!)

Set Clear Expectations

Creative writing causes a lot of students anxiety. There’s no “right” answer, so how will they know if they creatively wrote “correctly?”

Help them out by setting clear expectations. Offering a rubric for every project is great for this. If you can, give them specifics to include. “At least 500 words” or “three or more similes” are nice, concrete guidelines that students can follow.

Give Students Choice

Offering students choice always boosts engagement. It lets students take charge of their learning and pursue something that interests them.

For example, when I teach odes , students are given the opportunity to write about something they love.

With an author study , students can study a writer whose style and work they admire.

Teach Creative Writing to High School Students Step #6: Use Clear and Structured Expectations

While showing students excellent prose or perfect poetry should help inspire students, your writers will still need some hard parameters to follow. 

Academic writing is often easier for students than creative writing. Usually, academic writing follows a structure or certain formula. The rubric dictates exactly how many quotes need to be included or how long an essay needs to be. MLA or APA formats tell students how to punctuate quotes and citations. 

These rules don’t apply to creative writing. And while that’s exactly what makes creative writing awesome, it’s often overwhelming. 

So do your students a favor and give them some clear expectations (without, of course, entirely dictating what they need to write about).  

The project also includes a rubric, so young writers know what should be included in their stories.

Don’t give your students so much creative freedom that it paralyzes them! Your writers are still students; give them the same level of structure and organization that you would in any other class. 

Engage your students in more creative writing!

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Teach Creative Writing to High School Students Step #7: Give Students Choices

So how do you give students frameworks, requirements, and uphold high expectations without stifling their creativity?

Give students choices. You can write about A, B, or C, as long as you meet requirements 1, 2, and 3. 

Offering choices works with small one-day assignments or lessons as well as bigger, longer-term projects. 

The previously mentioned Fairy Tale Retelling Project is a great example of offering a narrow selection of choices that uphold expectations without dictating what students write. 

Another one of my favorite examples of offering students choices is my “Show. Don’t Tell” Mini-lesson . This lesson touches on everything students need to successfully learn creative writing. 

First I teach them the concept of showing vs. telling in writing through direct instruction. I show them lots of examples of expanding a “telling sentence” into a “showing paragraph.”

Then I model for students how I would write a paragraph that shows crucial information, rather than telling it. 

Lastly, I have students pick a strip of paper from a hat or a bag. Each strip of paper contains a “telling sentence” that they must then write as a “showing paragraph.” Students are limited by the sentences I provide, but they still have complete freedom over how they achieve that detailed paragraph. 

If you wanted to give students even more freedom, you could let them pick their sentences or trade with a peer rather than blindly choosing. 

Any time you can give students a choice, you give them permission to use their creativity and allow them to take some of the initiative in their own learning.

Teach Creative Writing to High School Students Step #8: Encourage Peer Collaboration and Feedback

We can tell students something a hundred times, but they won’t listen until a peer says the same thing. Us educators know the value of positive peer interaction, so don’t limit it in a creative writing class!

There are a ton of ways to implement peer interaction in a creative writing class. I often do this on the first day of class with a writing game. You’ve probably heard of it: everyone writes a sentence on a piece of paper, then everyone passes the paper and adds a sentence, and so on. 

I highly encourage you to use peer feedback throughout the class. I usually start having students share their work from day one with my free “I Am” Poem Lesson so that they can start getting used to having their work read by others immediately.

Make getting feedback so routine in your room that students don’t even question it.

It’s really tempting to let students get away without sharing their work. We don’t want to make shy or anxious students uncomfortable. I mean, what better way to completely ruin creative writing for a student than to make them feel embarrassed all the time, right?

But keep trying to encourage shy students to share. Even if that means you share it anonymously or read it aloud for them. 

I recommend including some kind of peer feedback with every writing assignment . Yes, even short practice assignments. This will work as a kind of “immersion therapy” for receiving feedback on more involved work.

After some time, you might find that your students even begin to share their work without your prompting! 

I like to organize the desks in my Creative Writing class so that students are in little groups. I’ve found that at least half of my classes will begin talking and sharing with one another in their little groups while working on projects. 

They’ll ask each other questions or to remind them of a word. They’ll read sentences aloud and ask if they sound right. Personally, I would much rather hear this kind of chatter in my class than have a dead silent room of boring writers!

However you decide to allow students to work together, be sure to provide the opportunity. Reading and getting feedback from peers could possibly teach students more about writing than any of your instruction (sorry!).

One of the truly great things about teaching creative writing to high school students is that there often isn’t a rigid curriculum. Of course, this is also sometimes one of the worst things about teaching creative writing to high school students!

You have total freedom over the assignments you give, the standards you teach, and how you organize and structure your classroom. After a few years of teaching Creative Writing, however, I’ve found that sticking to these six steps is a great way to have a successful semester.

If you’re excited about teaching your Creative Writing class, but are running low on prep time, check out my complete 9-week Creative Writing course ! Included are two different types of warm-ups, poetry analysis activities from well-known authors, mini-lesson, projects, and more!

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High School Students Interested in Creative Writing: How to Build Your Profile

Padya Paramita

January 12, 2021

If you fall under the category of high school students interested in creative writing , chances are, you want to continue honing your writing skills in college. As one of your strengths, writing will not only help you with the components of your college application, but seeing prowess in the field in your activities list and honors section can also help admissions officers understand just how strong a writer you are! To guide you through how to succeed in the college admissions process as a budding writer, I’ve gone through the list of top English programs at colleges, how to take advantage of your personal statement and supplemental essays, ways to boost your extracurriculars, and finally summer programs that can help you sharpen your writing skills and help you get one step closer to admissions at a top humanities college.

School List

High school students interested in creative writing usually major in English or concentrate in creative writing with the English major. Although all colleges have English majors, some colleges are better known for it than others thanks to esteemed faculty, specialized classes, and greater opportunities to grow as a writer. US News’ top 20 English programs are as follows:

As you’re making your college list, look through the course offerings, the list of professors, notable alumni, and opportunities to pursue writing beyond the classroom through the school newspaper, literary magazines, writing internships, and more. While it might not seem like a big deal, strong mentorship from esteemed writers can make a big difference in your development as a writer, as well as for future recommendation opportunities if you want to apply to creative writing Masters programs.

Personal Statement

If you’ve always wanted to be a writer, one of the most obvious ways to showcase your writing skills is through writing a stellar essay. While your personal statement can be a different story about another topic that holds significance to you, the way you write this essay matters. The personal statement is an effective way to demonstrate your creative side—how can you tell a unique story in a unique way. And of course, you can use this essay to write about your journey as a writer and your future goals. If you’ve helped a person or group in your community by writing an article in a newspaper, or you’ve worked hard on a novel about your life, these would make for standout essay topics. Whatever you write about, make sure that the admissions office comes out of the experience knowing that you will be bringing these skills to campus.

Supplemental Essays

While you have less room to be creative, your supplemental essays are the place to discuss what you’ve done to work on becoming a writer. Although there aren’t essay prompts explicitly dedicated to high school students interested in creative writing , there are supplemental essay prompts that ask students to elaborate on why they have chosen a certain major or to expand on one of the activities on their profile. This could be a great opportunity to discuss why you want to study writing, what your specific interests within the field are, and how you’ve developed your craft. Some possible prompts where you can address your writing, for example, are:

New York University : We would like to know more about your interest in NYU. What motivated you to apply to NYU? Why have you applied or expressed interest in a particular campus, school, college, program, and or area of study? If you have applied to more than one, please also tell us why you are interested in these additional areas of study or campuses. We want to understand

- Why NYU? [Max. 400 words]

Harvard University : Please briefly elaborate on one of your extracurricular activities or work experiences. [Max. 150 words]

Vanderbilt University : Please briefly elaborate on one of your extracurricular activities or work experiences. [200-400 words]

Essays like this provide you with the chance to write about why you wish to be an English or creative writing major—or to outline how you’ve taken advantage of the opportunities around you and made an impact on an activity of your choice. If you write about why you wish to be an English or creative writing major, discuss how your interest in the topic developed, how you pursued it in high school, and how that specific school can help you achieve your writing goals through specific classes, professors, internships and more. If you choose to talk about an activity, don’t just go on about your interest in writing in general. Pick a specific activity that involves writing and take the reader through your journey, whether it’s elaborating on leadership, collaboration, or how it might have shifted your perspective.

Extracurricular Activities 

Face it: there are numerous high school students interested in creative writing . Saying you like to write isn’t enough. You must ensure that you have gone beyond just writing essays for school in order to develop your writing skills and establish yourself as a strong writer. You could specialize in this field even further through one or more of the following ways:

• Start an activity centered around creative writing: Colleges love to see students who have taken their own initiative and showcased their leadership skills. If your school doesn’t have a creative writing club, here’s your chance to start your own. You can be in charge of creating lessons, bringing guests, facilitating workshops with each other. If your school already has a creative writing club, you could start an activity that’s even more niche, such as a poetry writing club or a mystery writers’ club. Make sure to think out of the box and consult your classmates to see how they would like to work on their writing.
• Write your own novel or collection: This is an independent project that’s pretty straightforward. There are fewer more effective ways to show that you’re a dedicated and strong writer than writing your own long piece of work. Whether it’s a novel, a poetry collection, or an anthology of short stories, take advantage of summers or other long breaks to conceptualize, write, and edit your own original work. High school students interested in creative writing can also take advantage of National Novel Writing Month (NaNoWriMo) which is a writing challenge that takes place in November of every year. 
• Submit your work to journals: College admissions officers will want to see evidence of your writing skills. No better way to do so than to provide links to publications that have printed your work. Fortunately, the steps it takes to get published in high school actually aren't that hard. While you need to submit quality work, there are definitely journals out there that receive and publish high schoolers’ writing. Check out the list of excellent publications (some online and some in print) that will accept and publish good writing regardless of the writer’s age in this blog .
• Enter writing competitions: Another way to establish yourself as a writer worth paying attention to is to place in writing competitions. The scale of these competitions can be national—but they can also be local, so take advantage of any opportunities in your school or city. If you can win an award in a statewide or national context, that’s incredible. Some well-known writing competitions for high school students are:
• The Scholastic Art & Writing Awards
• YoungArts’ National Arts Competition
• Bennington Young Writers Award
• Jane Austen Society Essay Contest
• New York Times Student Contest
• Help others with their writing: Learning how to give feedback is as important a part of growing as a writer as the actual writing is. If you’re looking for extracurricular activities for high school students interested in creative writing , and you’re someone interested in community outreach, think about how you can combine these two passions. You might offer an evening class for members of your community who have 9-5 jobs. Or, you can start a Zoom writing workshop and invite students from any location. Don’t be afraid to get as creative as possible.
• Find a writing-related job: Finally, check out if anyone is hiring! Local newspapers often look for teen reporters, while many other companies need to fill roles such as copy editor, writer’s assistant, journalism intern, content writer and more. Having a job can not only sharpen your writing and editing skills, but you’ll also be able to convey that you’re a responsible and mature individual in your College Application. You can look for jobs specifically for teenagers on websites such as SnagAJob and Indeed .

Summer Programs

High school students interested in creative writing can have the opportunity to learn from college professors and share their work with peers starting early. The following summer programs allow high schoolers to hone and share their writing skills in a variety of degrees. Whether you write fiction, plays, or think pieces, acceptance and participation in one of the following would show that you have worked hard to sharpen your craft.

Iowa Young Writers’ Studio

As an aspiring writer, you might have heard about the Iowa Writers’ Workshop at the University of Iowa. While you can’t apply to the prestigious workshop until graduate school, the university does host a summer program for young writers, known as the Iowa Young Writers’ Studio . This two-week-long creative writing experience for high school students interested in creative writing provides an environment to hone your craft through seminars and workshops. Upon choosing fiction, poetry, or a mix of both as your concentration, you will attend courses that encourage you to improve your writing skills through peer-edits, writing exercises and activities, different approaches to writing, and constructive criticism from mentors. 

Interlochen Center for the Arts Summer Arts Camp

If you’re already highly talented and looking for arts summer programs that can enable you to grow as a writer, The Interlochen Center’s summer camp helps artistic students work on their skills in creative writing alongside other fields such as music and theatre design. You will have to show a final project (probably a story or longer piece of writing) to complete the program. You’ll not only have the opportunity to learn from professional artists and instructors, but you’ll also collaborate with other like-minded students and share your writing with each other.

Medill-Northwestern Journalism Institute

The Medill-Northwestern Journalism Institute is a journalism camp that allows rising seniors to gain hands-on experience in writing, reporting, and editing for print and digital broadcasting. Especially if you’re hoping to apply to a top journalism program, participation in Medill’s program would look excellent on your profile. As part of this five-week summer institute, you’ll meet aspiring journalists from all over the world and partake in a variety of journalistic initiatives, from conducting interviews to working on stories about trending topics. You’ll also be paired with a mentor who will meet with you weekly to critique your writing assignments. Students are encouraged to pitch their articles and get published in the Daily Northwestern, which you should definitely strive for in order to impress college admissions officers! 

Columbia Creative Journalism Summer Program

Columbia Creative Journalism is a program for high school students hoping to quickly understand the basics of reporting. If you’re among high school students interested in creative writing who wish to pursue journalism, this one-week course gives you the opportunity to learn from esteemed journalist Elizabeth Walters and Columbia writing professor Kristen Martin. Students hone their reporting and interviewing skills through writing assignments such as profiles, op-eds, features, and audio pieces while staying in the journalistic hub that is New York City. You will also be asked to read a variety of articles as well as write a new article draft every night to better understand the landscape of journalism today.

New York University Tisch Summer Program

NYU’s Tisch School of Arts offers students in search of arts summer programs with an array of options at this four-week-long camp, where participants can choose to focus in dramatic writing alongside other performance genres. Tisch emphasizes projects, professional training, and structured classes. To complete the program, you have to turn in all of the intensive assigned coursework and professional training requirements for your chosen track. If you’re concentrating in dramatic writing, you will have to present your work to your peers, which is then reviewed and critiqued by the rest of the workshop members. You’ll have the opportunity to stay in an NYU residence hall and get a glimpse of what college might be like if you plan to attend art school in the Big Apple. At the end of the program you will have a chance to showcase your work—your play, video game, choreography—depending on your track.

Hopefully, you’ve come out of reading this blog with a strong idea of what it takes to succeed as high school students interested in creative writing . Admissions officers want to see students who have gone the extra mile and really dedicated themselves to their field. Don’t just perform well in the classroom. Start a writing club, apply for a writing internship, write your own novel if you have the time. Nothing is too small. You got this!

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100 Creative Writing Prompts for Middle & High School – 2024

April 15, 2024

Some high school students dream of writing for a living, perhaps pursuing an English major in college, or even attending a creative writing MFA program later on. For other students, creative writing can be useful for school assignments, in English and other subjects, and also for preparing their Common App essays . In a less goal-oriented sense, daily freewriting in a journal can be a healthy life practice for many high schoolers. Not sure where to start? Continue reading for 100 creative writing prompts for middle school and high school students. These middle/high school writing prompts offer inspiration for getting started with writing in a number of genres and styles.

Click here to view the 35 Best Colleges for Creative Writing .

What are Creative Writing Prompts?

Similar to how an academic essay prompt provides a jumping-off point for forming and organizing an argument, creative writing prompts are points of initiation for writing a story, poem, or creative essay. Prompts can be useful for writers of all ages, helping many to get past writer’s block and just start (often one of the most difficult parts of a writing process).

Writing prompts come in a variety of forms. Sometimes they are phrases used to begin sentences. Other times they are questions, more like academic essay prompts Writing prompts can also involve objects such as photographs, or activities such as walking. Below, you will find high school writing prompts that use memories, objects, senses (smell/taste/touch), abstract ideas , and even songs as jumping-off points for creative writing. These prompts can be used to write in a variety of forms, from short stories to creative essays, to poems.

How to use Creative Writing Prompts

Before we get started with the list, are a few tips when using creative writing prompts:

Experiment with different formats : Prose is great, but there’s no need to limit yourself to full sentences, at least at first. A piece of creative writing can begin with a poem, or a dialogue, or even a list. You can always bring it back to prose later if needed.

Interpret the prompt broadly : The point of a creative writing prompt is not to answer it “correctly” or “precisely.” You might begin with the prompt, but then your ideas could take you in a completely different direction. The words in the prompt also don’t need to open your poem or essay, but could appear somewhere in the middle.

Switch up/pile up the prompts : Try using two or three prompts and combine them, or weave between them. Perhaps choose a main prompt, and a different “sub-prompt.” For example, your main prompt might be “write about being in transit from one place to another,” and within that prompt, you might use the prompt to “describe a physical sensation,” and/or one the dialogue prompts.  This could be a fun way to find complexity as you write.

Creative Writing Prompts for Middle School & High School Students (Continued)

Write first, edit later : While you’re first getting started with a prompt, leave the typos and bad grammar. Obsessing over details can take away from your flow of thoughts. You will inevitably make many fixes when you go back through to edit.

Write consistently : It often becomes easier to write when it’s a practice , rather than a once-in-a-while kind of activity. For some, it’s useful to write daily. Others find time to write every few days, or every weekend. Sometimes, a word-count goal can help (100 words a day, 2,000 words a month, etc.). If you set a goal, make sure it’s realistic. Start small and build from there, rather than starting with an unachievable goal and quickly giving up.

100 Creative Writing Prompts for Middle School & High School Teens

Here are some prompts for getting started with your creative writing. These are organized by method, rather than genre, so they can inspire writing in a variety of forms. Pick and choose the ones that work best for you, and enjoy!

Prompts using memories

• Begin each sentence or group of sentences with the phrase, “I remember…”
• Describe a family ritual.
• Choose an event in your life, and write about it from the perspective of someone else who was there.
• Pick a pathway you take on a regular basis (to school, or to a friend’s house). Describe five landmarks that you remember from this pathway.
• Write about your house or apartment using a memory from each room.
• Write an imaginary history of the previous people who lived in your house or apartment.
• Write about an ancestor based on stories you’ve heard from relatives.
• What’s your earliest memory?
• Who was your first friend?
• Write a letter to someone you haven’t seen since childhood.
• Write about yourself now from the perspective of yourself twenty, or eighty, years from now.
• Write about the best month of the year.
• Write about the worst day of the year.
• Rant about something that has always annoyed you.
• Write about the hottest or coldest day you can remember.
• Visualize a fleeting moment in your life and as though it’s a photograph, and time yourself 5 minutes to write every detail you can remember about the scene.
• Draw out a timeline of your life so far. Then choose three years to write about, as though you were writing for a history book.
• Write about a historical event in the first person, as though you remember it.
• Write about a memory of being in transit from one place to another.

Objects and photographs as creative writing prompts

• Describe the first object you see in the room. What importance does it have in your life? What memories do you have with this object? What might it symbolize?
• Pick up an object, and spend some time holding it/examining it. Write about how it looks, feels, and smells. Write about the material that it’s made from.
• Choose a favorite family photograph. What could someone know just by looking at the photograph? What’s secretly happening in the photograph?
• Choose a photograph and tell the story of this photograph from the perspective of someone or something in it.
• Write about a color by describing three objects that are that color.
• Tell the story of a piece of trash.
• Tell the story of a pair of shoes.
• Tell the story of your oldest piece of clothing.

Senses and observations as creative writing prompts

• Describe a sound you hear in the room or outside. Choose the first sound you notice. What are its qualities? It’s rhythms? What other sounds does it remind you of?
• Describe a physical sensation you feel right now, in as much detail as possible.
• Listen to a conversation and write down a phrase that you hear someone say. Start a free-write with this phrase.
• Write about a food by describing its qualities, but don’t say what it is.
• Describe a flavor (salty, sweet, bitter, etc.) to someone who has never tasted it before.
• Narrate your day through tastes you tasted.
• Narrate your day through sounds you heard.
• Narrate your day through physical sensations you felt.
• Describe in detail the physical process of doing an action you consider simple or mundane, like walking or lying down or chopping vegetables.
• Write about the sensation of doing an action you consider physically demanding or tiring, like running or lifting heavy boxes.
• Describe something that gives you goosebumps.
• Write a story that involves drinking a cold glass of water on a hot day.
• Write a story that involves entering a warm house from a cold snowy day.
• Describe someone’s facial features in as much detail as possible.

Songs, books, and other art

• Choose a song quote, write it down, and free-write from there.
• Choose a song, and write a story in which that song is playing in the car.
• Choose a song, and write to the rhythm of that song.
• Choose a character from a book, and describe an event in your life from the perspective of that character.
• Go to a library and write down 10 book titles that catch your eye. Free-write for 5 minutes beginning with each one.
• Go to a library and open to random book pages, and write down 5 sentences that catch your attention. Use those sentences as prompts and free-write for 5-minutes with each.
• Choose a piece of abstract artwork. Jot down 10 words that come to mind from the painting or drawing, and free-write for 2 minutes based on each word.
• Find a picture of a dramatic Renaissance painting online. Tell a story about what’s going on in the painting that has nothing to do with what the artist intended.
• Write about your day in five acts, like a Shakespearean play. If your day were a play, what would be the introduction, rising action, climax, falling action, and resolution?
• Narrate a complicated book or film plot using only short sentences.
• Read a short poem. Then write a poem that could be a “sister” or “cousin” of that poem.

Abstract ideas as creative writing prompts

• Write about an experience that demonstrates an abstract idea, such as “love” or “home” or “freedom” or “loss” without ever using the word itself.
• Write a list of ways to say “hello” without actually saying “hello.”
• Write a list of ways to say “I love you” without actually saying “I love you.”
• Do you believe in ghosts? Describe a ghost.
• Invent a mode of time travel.
• Glass half-full/half-empty: Write about an event or situation with a positive outlook. Then write about it with a miserable outlook.
• Free-write beginning with “my religion is…” (what comes next can have as much or as little to do with organized religion as you’d like).
• Free-write beginning with “my gender is…” (what comes next can have as much or as little to do with common ideas of gender as you’d like).
• Write about a person or character that is “good” and one that is “evil.” Then write about the “evil” in the good character and the “good” in the evil character.
• Write like you’re telling a secret.
• Describe a moment of beauty you witnessed. What makes something beautiful?

Prompts for playing with narrative and character

• Begin writing with the phrase, “It all started when…”
• Tell a story from the middle of the most dramatic part.
• Write a story that begins with the ending.
• Begin a story but give it 5 possible endings.
• Write a list of ways to dramatically quit a terrible job.
• Write about a character breaking a social rule or ritual (i.e., walking backwards, sitting on the floor of a restaurant, wearing a ballgown to the grocery store). What are the ramifications?
• You are sent to the principal’s office. Justify your bad behavior.
• Re-write a well-known fairytale but set it in your school.
• Write your own version of the TV show trope where someone gets stuck in an elevator with a stranger, or a secret love interest, or a nemesis.
• Imagine a day where you said everything you were thinking, and write about it.
• Write about a scenario in which you have too much of a good thing.
• Write about a scenario in which money can buy happiness.
• Invent a bank or museum heist.
• Invent a superhero, including an origin story.
• Write using the form of the scientific method (question, hypothesis, test, analyze data conclusion).
• Write using the form of a recipe.

Middle School & High School Creative writing prompts for playing with fact vs. fiction

• Write something you know for sure is true, and then, “but maybe it isn’t.” Then explain why that thing may not be true.
• Write a statement and contradict that statement. Then do it again.
• Draft an email with an outlandish excuse as to why you didn’t do your homework or why you need an extension.
• Write about your morning routine, and make it sound extravagant/luxurious (even if it isn’t).
• You’ve just won an award for doing a very mundane and simple task. Write your acceptance speech.
• Write about a non-athletic event as though it were a sports game.
• Write about the most complicated way to complete a simple task.
• Write a brief history of your life, and exaggerate everything.
• Write about your day, but lie about some things.
• Tell the story of your birth.
• Choose a historical event and write an alternative outcome.
• Write about a day in the life of a famous person in history.
• Read an instructional manual, and change three instructions to include some kind of magical or otherwise impossible element.

Prompts for starting with dialogue

• Write a texting conversation between two friends who haven’t spoken in years.
• Write a texting conversation between two friends who speak every day and know each other better than anyone.
• Watch two people on the street having a conversation, and imagine the conversation they’re having. Write it down.
• Write an overheard conversation behind a closed door that you shouldn’t be listening to.
• Write a conversation between two characters arguing about contradicting memories of what happened.
• You have a difficult decision to make. Write a conversation about it with yourself.
• Write a conversation with a total lack of communication.
• Write a job interview gone badly.

Final Thoughts – Creative Writing Prompts for Middle School & High School 

Hopefully you have found several of these creative writing prompts helpful. Remember that when writing creatively, especially on your own, you can mix, match, and change prompts. For more on writing for high school students, check out the following articles:

• College Application Essay Topics to Avoid
• 160 Good Argumentative Essay Topics
• 150 Good Persuasive Speech Topics
• Good Transition Words for Essays
• High School Success

Sarah Mininsohn

With a BA from Wesleyan University and an MFA from the University of Illinois at Urbana-Champaign, Sarah is a writer, educator, and artist. She served as a graduate instructor at the University of Illinois, a tutor at St Peter’s School in Philadelphia, and an academic writing tutor and thesis mentor at Wesleyan’s Writing Workshop.

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This summer, immerse yourself in the craft of creative writing with fellow young authors in a pre-college environment. Learn from an industry expert as you transform your ideas and stories into compelling writing. Develop the techniques that are fundamental to all types of fiction writing—literary fiction, dystopian fantasies, fairy tales, and mysteries—and refine your skills in story structure, character development, description, and dialogue. Students will also experience lectures, interact with noted authors, and receive information on how to turn your passion into a career. Gain exposure to workshopping your writing with constructive feedback, ultimately walking away with a variety of short creative pieces ranging from poems, stories, and scenes, to collage texts and flash fiction.

• High school students who have completed grades 9, 10, or 11
• High school students interested in strengthening creative writing skills

You'll Walk Away With

• Refinement of your creative writing, including narrative arc, world-building, authentic dialogue, and character development
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• An NYU transcript showing grade(s) earned upon completion of the course (Please note: No college credit or certificate of completion is granted for this course.)

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Home › Study Tips › Creative Writing Resources For Secondary School Students

Creative Writing Prompts For High School Students – 12 Categories

• Published January 3, 2023

Are you a high school student struggling to find inspiration for your creative writing assignments? Do you feel like you’re stuck in a rut and can’t seem to come up with new and exciting ideas? If so, you’re not alone. 

Many students struggle with coming up with ideas for creative writing, especially when they feel pressure to produce something original and engaging. 

But the good news is that there are ways to break through the block and find inspiration for your writing. 

For instance, by attending our award-winning creative writing summer programme , you’ll learn how to conquer the fear of the blank page. How? By learning proven formulas for creating brilliant stories. 

Another way to have that creative spark is to use creative writing prompts. 

This article will provide creative high school students like yourself with a list of creative writing prompts. So you’ll get the inspiration you need to get into the flow and start writing!

What are Writing Prompts?

Writing prompts are ideas that help writers overcome writer’s block and get started with their writing. They can come in various forms, including a

• Or series of questions. 

Creative writing prompts get your creative juices flowing. When you encounter a writing prompt, it encourages you to start writing!

What types of writing, you ask? It can be anything from fiction writing to essay writing. Creative writing prompts are even used to get you started with freewriting in your daily journal.

So you see, many writers find writing prompts a quick and easy way to begin a new writing project. Or to overcome writer’s block when they are stuck.

How Do You Use Writing Prompts?

There are many different ways to use writing prompts. Here are a few ideas:

Use writing prompts to start a new writing project. 

Are you having trouble coming up with ideas for a new writing project? Try using a writing prompt to get started. You can use a writing prompt as the starting point for a 

• Short story
• Essay, or any other type of writing.

Use writing prompts to overcome writer’s block. 

Stuck on a particular piece of writing and can’t seem to move forward? Use writing prompts to brainstorm on how to proceed!

Use writing prompts to practice your writing skills. 

As the old adage says, practice makes perfect! You can use writing prompts to practice different writing techniques or styles. Or try out different writing genres!

Use writing prompts to challenge yourself. 

You can use writing prompts to push yourself out of your comfort zone and try writing about things you might not usually write about.

Say your comfort zone is writing fantasy stories. And you want to try something new. Why not use scary writing prompts as a starting point?

To use a writing prompt, choose a prompt that interests you and start writing. There are no hard and fast rules about how to use writing prompts – the important thing is to just start writing and see where the prompt takes you!

Creative Writing Prompts High School Students will Love

Write a story about a character who:

• discovers a mysterious, abandoned house in the woods  
• suddenly gains the power of time travel
• has to confront their greatest fear
• is given the opportunity to live in a different time period
• discovers a secret underground society
• is given a magical object that can grant wishes.

Or, check out the other prompts too:

• Write a poem about a summer day you will never forget.
• Imagine that you are stranded on a deserted island. Write a story about your experience.
• Write a letter to your future self ten years from now.
• Imagine that you are a detective trying to solve a mysterious crime. Write a story about your investigation.

Creative High School Poetry Writing Prompts

Write a poem about a/an:

• summer romance you will never forget
• memorable experience you had with a friend
• place that holds special meaning for you
• moment of clarity or realisation that you had
• person who has had a significant impact on your life
• object that holds special meaning for you
• dream that you had and can’t seem to forget
• time when you felt completely lost
• time when you felt completely free
• moment of beauty that you witnessed

Writing Prompts with an Element of Suspense

• is being stalked by an unknown assailant
• wakes up with no memory of the past 24 hours
• receives a series of mysterious, threatening letters
• discovers a hidden room in their house filled with grotesque objects
• is trapped in a strange, unfamiliar place
• is being pursued by a dangerous, unknown entity
• is being watched by an unknown pair of eyes
• is being followed by a shadowy figure
• hears strange noises in the middle of the night
• finds a mysterious, unmarked package on their doorstep

Writing Prompts for Stories That Start with Dialogue

Start your story with a conversation between two characters who are:

• meeting for the first time
• meeting each other for the first time in ten years after graduation
• trying to solve a problem
• discussing a secret
• trying to keep a secret from someone else
• discussing their future plans
• trying to make amends after a misunderstanding
• reminiscing about the past
• trying to persuade each other of something

Writing Prompts That Ask “What if?”

What if you:

• woke up one morning with the ability to fly? How would you use this ability?
• could time travel? Where would you go and why?
• woke up one day to find that everyone in the world had switched bodies? How would you cope with this?
• could read minds? How would you use this ability?
• suddenly had access to unlimited wealth? How would you use this wealth?
• could talk to animals? How would this change your life?
• were the only person on Earth who knew how to speak a certain language? How would you use this knowledge?
• could turn invisible at will? How would you use this power?
• developed the ability to communicate with the spirits of the dead? How would this change your life?
• could teleport anywhere in the world instantly? How would you use this ability?

Funny Writing Prompts for High School

• wakes up to find that they’ve turned into a giant chicken
• has a magic lamp that grants them absurd wishes
• becomes the world’s worst superhero
• accidentally becomes the president of the United States
• is chased by a giant hamster
• discovers that their reflection is actually an alternate dimension
• becomes a world-famous rapper after a misunderstanding at a karaoke bar
• becomes the world’s worst detective
• is constantly followed by a cloud of bees
• becomes the world’s worst secret agent

Do you have a brother or sister in middle school? Our middle school writing prompts are a great way for them to get into the flow of creative writing effectively.

Journal Prompts for High School Creative Writing

• Write about a time when:
• you felt particularly proud of yourself
• you had to confront your greatest fear
• you had a moment of clarity or realisation
• you felt that life was wonderful
• Write about a place that holds special meaning for you.
• Write about a person who has significantly impacted your life.
• Write about a moment of beauty that you witnessed.
• Write about a dream you had and can’t forget.
• Write about a memorable experience you had with a friend.

Non-Fiction Writing Prompts

Write an essay about a/an:

• significant event in your life and how it has impacted you
• person who has inspired you and why
• current issue that is important to you and why
• time when you had to overcome a challenge and how you did it
• place that you have visited and why it was meaningful to you
• hobby or activity that you are passionate about and why
• book, movie, or TV show that has had a significant impact on you and why
• social issue that you feel strongly about and what you are doing to make a difference
• goal that you have set for yourself and how you plan to achieve it
• person who has made a positive impact on your community and how they did it

Adventurous Short Story Prompts

Write a story about a character who goes on a:

• solo hike in the wilderness and becomes lost
• treasure hunt and faces unexpected challenges along the way
• safari and encounters a rare and dangerous animal
• white water rafting trip and gets stranded in the wilderness
• mountain climbing expedition and faces unexpected challenges
• scuba diving trip and discovers a hidden underwater world
• hot air balloon ride and gets carried away by the wind
• skydiving trip and has to make an emergency landing
• parasailing trip and gets caught in a storm
• snowboarding trip and gets caught in an avalanche

Science Fiction Short Story Prompts

• Write a story about a character who is:
•  given a device that can predict the future
•  the only survivor of an alien invasion
• recruited by a secret organization to fight against an alien threat
• the only one who can communicate with newly-discovered alien species
• the only one who can stop a group of rebels from taking over the world
• the only one who can save the world from an asteroid heading towards Earth
• the only human on a distant planet
• Write a story about a character who travels through time and encounters their future self.
• Write a story about a character discovering a portal to an alternate dimension.
• Write a story about a character who is given a device that allows them to control time.

Scary Short Story Prompts

• Write a story about a character who is 
• being stalked by a demon
• trapped in a haunted house
• haunted by the ghost of a loved one
• terrorized by a clown
• Write a story about a character who
• discovers a cursed object and starts having strange, terrifying experiences
• starts seeing strange, supernatural creatures in their dreams
• hears a lady cry every night, but no one is there
• notices a strange doll appear in their house, not knowing where it came from
• listens to neighbours report they’ve been seeing a toddler running around the house, but your character lives alone

Fantasy Short Story Prompts

• Write a story about a character who 
• discovers that they are a witch or wizard with magical powers
• finds out they are the chosen one, destined to save the world from an ancient evil
• realises they are a fairy or other mythical creature
• is given a magical object that can grant wishes
• discovers a magic book with secrets to the universe
• receives a magical potion that transforms them into a different creature
• accidentally stumbles into a world where everything is the opposite of what they know
• gains a legendary staff that gives them the power to control the elements
• enters a magical, mythical land ruled by an evil king
• discovers that they are the reincarnation of a mythical hero

Need more Creative Writing prompts? Check out this article entitled “ 308 Creative Writing Prompts To Unlock Your Writing Skills .”

How Else Can I Improve My Creative Writing Skills?

1. read widely.

Reading improves your writing skills by exposing you to different 

• And Techniques you can incorporate into your own writing.

Did you know reading widens your vocabulary? It does! And vocabulary is an essential aspect of effective writing. The more words you know, the more effectively you can communicate your ideas.

Also, reading helps improve your comprehension and critical thinking skills. Both of these are valuable for analysing and synthesising information. So you’ll learn how to present ideas clearly in your writing.

2. Write Regularly…and Don’t Stop!

Think of writing as a muscle. The more you use it, the stronger it becomes! Writing regularly makes you feel more comfortable and confident. 

What’s more, it helps you develop your own voice and style. Once you hone the aspects that make you unique , you’ll stand out more! 

Writing regularly also gives you a better sense of what works and what doesn’t. And you’ll be able to refine your writing accordingly. 

The more you write, the better you will become at it. So maximise our creative writing prompts and make time to write every day. Even if it’s just for a few minutes!

3. Experiment with Different Writing Styles

Do you know that experimenting with different writing styles and techniques expands your writing skills? Why? Because doing so makes you a versatile writer. Able to adapt your style to different situations and audiences. 

For example, writing poems even when you’re not used to poetry-writing forces you to think . To imagine and create! As a result? You get out of your comfort zone and explore. And you’re better able to reimagine your craft. 

What are the common writing styles?

• Descriptive – often uses similes and metaphors to help the reader experience the writing (e.g. songs, poems)
• Narrative – flashbacks and foreshadowing are common elements of a narrative style with a clear, fleshed-out plot (e.g. novels)
• Or Persuasive writing – convinces the reader to believe what the writer believes (e.g. essays, sales copy)

4. Join a Writing Community!

What better way to keep you motivated than by joining a writing community? A writing community provides support and encouragement. Being surrounded by like-minded folks passionate about writing can be a great source of inspiration!

Plus, you’ll be exposed to different writing styles and techniques. Which can help you expand your horizon and help you become a more versatile writer.

Joining a writing community can also be a great way to get feedback on your writing. Helping you identify areas for improvement. 

Finally, do you know a writing community can be a great source of information and resources? Members often share valuable writing tips and strategies.

5. Enrol In A Creative Writing Course

What is one of the most effective methods in fast-tracking you to massive improvement in your writing skills? Taking a creative writing course!

Why does taking a creative writing course help you improve your writing skills? Because you’ll learn from experienced writers. While having the opportunity to practice writing under the watchful eye of expert tutors. 

Creative writing prompts are useful for high school students looking for inspiration for new and original ideas. You can overcome writer’s block by tapping into your creativity in a new and exciting way.

These prompts will challenge and inspire you. So give them a try and see what amazing stories and ideas you can come up with!

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BEST HIGH SCHOOL WRITING PROMPTS

Join (probably?) the world's largest writing contest. Flex those creative muscles with weekly writing prompts.

Showing 104 prompts reset

Shakespeare, set your story during rehearsals for a production of a shakespeare play..

High School

Set your story at a wedding reception, where a group of high school friends are meeting for the first time in years.

Write a story about an unconventional teacher., what was the last daydream that you dreamt while in class (be honest.) turn that into a short story., write a story inspired by your favorite tiktok reel..

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You're trapped on a version of Groundhog Day... and the day that keeps looping for you is the day right before summer break starts.

Write a letter to your middle school self. what would you want them to know, interview your favorite fictional villain. what questions would you ask them, you have to escape from a house on fire. what are the first three things you grab why, explain a computer to someone from the 16th century., subscribe to our prompts newsletter.

Never miss a prompt! Get curated writing inspiration delivered to your inbox each week.

Define what trust means to you.

Write a letter describing yourself and your modern life to a pen pal who lives in the year 1905., what's your first memory describe it on paper using all five senses., write a guidebook for someone from outer space who is visiting your neighborhood for the first time., re-write a famous fairy tale from the villain's perspective., would you rather be able to change the past or change the future why, write about a time when you did something without thinking it through., if i were a superhero, i would..., describe the color blue to someone who's never seen it before., write a story that takes place completely in the dark., win $250 in our short story competition 🏆.

We'll send you 5 prompts each week. Respond with your short story and you could win $250!

Contest #257 LIVE

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The best writing prompts for high school

Ah, high school. The birthplace of future geniuses, the setting of a million Young Adult books — and the cutting ground of many a brilliant young author. Writing in the classroom is often the best outlet of creativity for kids, and what better way to get your students excited about it than through creative writing prompts for high school students?

Whether you use journal prompts or story ideas to kickstart your high school student’s imagination, writing prompts are sure to help broaden their thinking, sharpen their writing skills, record their thoughts, and get them to engage with the world around them.

If you're looking to cut to the chase, here's a top ten list of writing prompts for high school students:

• In the form of diary/ journal entries, write about someone who's just experienced a big "first."
• Just then, your phone rings. It's your friend and they have some interesting news...
• Write a short story where the protagonist has a doppelgänger.
• Write a story about a misunderstanding.
• Write a story about a strange family tradition, with at least two characters from the family narrating in the course of the story.
• Write a story about someone who would be described, above all else, as: kind.
• Write a story that centers on an Instagram post.
• Write a story that spans a month during which everything changes.
• Write about a group of people determined to win an award for making the biggest cookie ever.
• Write about someone going to extreme lengths to return an overdue library book.

If you have a high school student who’s interested in becoming an author, check out our free resources on the topic:

Develop a Writing Routine (free course) — Any high schooler who’s serious about becoming a published author should know that writing a book doesn’t just take talent. 90% of the process is sitting in front of a blank piece of paper, and having the drive and commitment to put words to paper. That’s why we created this free course, which shows people of any age how to develop a writing routine that works for you. It’s never too early to start the process today!

Want to encourage your high school students to start writing? Check out Reedsy’s weekly short story contest , for the chance of winning $250! You can also check out our list of writing contests or our directory of literary magazines for more opportunities to submit your story.

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Explore more writing prompt ideas:

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Winter Writing Prompts ⭢

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List of All U.S. Colleges with a Creative Writing Major

Writing has been my passion practically since I learned to read in kindergarten. I would write stories about princesses and my family dog, Gansett. When it came time to look at colleges, I was set on attending one with a strong creative writing program. Ultimately, I graduated from Johns Hopkins University with a B.A. in Writing Seminars.

Today, colleges across the country offer creative writing as a major. Because writing skills are essential for a wide range of careers, and because most curricula emphasize broad liberal arts competencies, a degree in creative writing can set you up for success in numerous fields, whether you want to be an editor or a lawyer.

Interested in majoring in creative writing? Learn which schools offer the major and what to look for in a program.

Overview of the Creative Writing Major

Creative writing is about more than spinning tales. For your major, you’ll generally need to pursue a curriculum grounded in literature, history, foreign language, and other humanities courses, along with distribution courses, if the college requires them.

Most creative writing majors must participate in workshops, in which students present their work and listen to peer critiques, usually with a certain number of advanced courses in the mix. In some cases, colleges will ask you to specialize in a particular genre, such as fiction, poetry, or playwriting. 

To succeed in creative writing, you’ll need to have a tough spine, in order to open yourself up to feedback from your classmates and instructors. You may need to give readings in public — if not as an undergraduate, certainly during your career. Of course, a passion for creating is essential, too, as is a willingness to revise your work and learn from the greats and your peers.

A creative writing major opens up doors to many careers, including journalism, content marketing, copywriting, teaching, and others. Even careers that don’t center around writing often have a strong writing component: you’ll need to write reports, deliver presentations, and so on.

Some writers go on to earn an MFA, which will help you hone your craft. It’s also often a prerequisite for teaching creative writing at the college level.

What to Look for in a College as a Creative Writing Major

Published authors on faculty.

Many world-renowned authors have another claim to fame: professorships. Writers who have taught their craft include (among many others):

• Maya Angelou (Wake Forest University)
• Colson Whitehead (many colleges, including Vassar College and Columbia University)
• Stephen Dixon (Johns Hopkins University)
• Viet Thanh Nguyen (University of Southern California)
• Eula Biss (Northwestern University)
• Toni Morrison (Princeton University)

Be aware that as an undergraduate, you may not be able to learn from the greats. That’s why it’s important to look into which courses these faculty teach before you have dreams of being mentored by Salman Rushdie — who is a Distinguished Writer in Residence at NYU.

Genres Offered

While many schools that have creative writing majors offer fiction and poetry courses and tracks, there are some niche genres that could be more difficult to find. If you’re interested in playwriting, for example, you won’t find that at every school. Before you decide on a program, be sure it includes the genres you’d like to explore further, whether that’s flash fiction, creative nonfiction, or something else.

Workshopping Opportunities

The core of most quality creative writing curriculum is workshopping. This means sharing your work in your classes and listening to your peers discuss and critique it. While this may sound intimidating, it can do a lot to help you hone your work and become a better writer. Look for colleges that make this the bedrock of their curriculum.

Showcasing Opportunities

Are there opportunities to present your work, such as college-sponsored readings where undergraduates can participate? Or, perhaps the school has a great literary journal. At my school, students could submit their plays and have them performed by fellow students. 

List of All U.S. Colleges With a Creative Writing Major

What Are Your Chances of Acceptance?

No matter what major you’re considering, the first step is ensuring you’re academically comparable to students who were previously accepted to the college or university. Most selective schools use the Academic Index to filter out applicants who aren’t up to their standards.

You’ll also want to demonstrate your fit with the school and specific major with the qualitative components of your application, like your extracurriculars and essays. For a prospective creative writing major, the essay is particularly important because this is a way to demonstrate your writing prowess. Activities might include editing your school’s newspaper or literary journal, publishing your work, and participating in pre-college writing workshops.

Want to know your chances of being accepted to top creative writing schools? Try our Chancing Engine (it’s free). Unlike other calculators, it takes your individual profile into account, including academic stats and qualitative components like your activities. Give it a try and get a jumpstart on your journey as a creative writing major!

Related CollegeVine Blog Posts

20 Writing Prompts For High School Seniors [PDF Included]

Hello, high school seniors! Are you struggling to come up with ideas for your next writing assignment? Do you find yourself staring at a blank page, feeling uninspired and unmotivated?  

Well, fear not! We have compiled a list of writing prompts that will help kickstart your creativity and get those words flowing. Today’s high school students have to engage in a lot of writing, particularly in their academic settings. And the only way to get better at it is through continuous practice.

Writing skills are bound to improve with a daily writing habit. Whether you’re a budding novelist, a poet, or a nonfiction writer, these prompts will spark your imagination and give you the inspiration you need to write your next masterpiece. So grab your favorite pen or laptop and let’s get started!

Writing prompts for high school seniors

• Write a letter to yourself in middle school. What would you want them to know?
• Write an essay about what role technology plays in your life
• Write a story about how peer pressure affects all of the characters in the story
• Select your favorite song lyric and turn it into a poem
• Write an ode to your favorite subject in high school
• What is the state of the globe now that global warming has reached its worst point?
• Write a poem including something from each year of high school
• What is trending on social media currently and what are your views regarding it?
• What will you miss the most about high school?
• Write an ode to your high school friends. 
• Reflect on a defining moment in your high school career and how it shaped you as a person.
• Write about a challenge you faced during high school and how you overcame it.
• Imagine that you are giving a graduation speech to your peers. What advice would you give them as they embark on the next phase of their lives?
• Write about a person who has had a significant impact on your life and why they are important to you.
• Reflect on a time when you had to make a difficult decision and how you came to that decision.
• Write about a skill or talent that you developed during high school and how it has helped you grow as a person.
• Imagine that you have the opportunity to travel back in time and give advice to your freshman self. What would you say?
• Write about a book, movie, or song that has had a profound impact on your life and why it is meaningful to you.
• Reflect on a time when you had to step out of your comfort zone and try something new. What did you learn from the experience?
• Imagine that you are interviewing for your dream job. What skills and experiences have you gained in high school that make you a strong candidate?

Transforming your writing from meh to marvelous: Tips and strategies for high schoolers

Writing can be a daunting task, like a high-stakes game of Jenga where one wrong move could send everything crashing down. But fear not, my fellow word-wielders! With a few tips and strategies, you can stack your ideas into a towering masterpiece without breaking a sweat.

From brainstorming to editing, it’s all about finding the right balance and not being afraid to take risks. So grab your pen (or keyboard) and let’s dive into the wild world of writing! 

• Start with a plan: Before you begin writing, take a few minutes to brainstorm and outline your ideas. This will help you organize your thoughts and make sure your writing stays on track.
• Be concise: High schoolers often have a tendency to be wordy in their writing. Try to be as clear and concise as possible, and avoid using unnecessary words or phrases.
• Use active voice: Active voice makes your writing more engaging and direct. Instead of saying “the ball was thrown by John,” say “John threw the ball.”
• Use strong verbs and adjectives: Using strong verbs and adjectives can help make your writing more vivid and engaging. Instead of saying “the car was fast,” say “the car zoomed down the road.”
• Edit your work: Take the time to review your writing and make sure it is free from errors. Read your work aloud to catch any awkward phrasing or grammar mistakes.
• Get feedback: Share your writing with others and ask for feedback. This can help you identify areas where you can improve and make your writing stronger.
• Read widely: Reading widely can help you develop your writing skills by exposing you to different writing styles and techniques. Make a habit of reading regularly, both for pleasure and for academic purposes.
• Practice, practice, practice: Writing is a skill that takes time and practice to develop. Set aside time each day to write, even if it’s just for a few minutes. The more you write, the better you will become.

Furthermore, high schoolers can also be indulged in some creative writing activities , to help them facilely sail through the turbulent waters of high school.

Writing prompts can be an excellent tool for high school seniors to enhance their writing skills and discover their unique writing styles. Writing prompts can be used for personal expression, college applications, scholarships, and even future careers. By practicing writing prompts, students can build their confidence and writing abilities, which can benefit them in various aspects of life.

Writing is an essential skill that can never be overlooked, and it is critical to learn how to express oneself in writing effectively. So, high school seniors, embrace the power of writing prompts and creative writing topics , and who knows, you might end up discovering your passion for writing and becoming the next great author, journalist, or blogger. Happy writing!

Sananda Bhattacharya, Chief Editor of TheHighSchooler, is dedicated to enhancing operations and growth. With degrees in Literature and Asian Studies from Presidency University, Kolkata, she leverages her educational and innovative background to shape TheHighSchooler into a pivotal resource hub. Providing valuable insights, practical activities, and guidance on school life, graduation, scholarships, and more, Sananda’s leadership enriches the journey of high school students.

Explore a plethora of invaluable resources and insights tailored for high schoolers at TheHighSchooler, under the guidance of Sananda Bhattacharya’s expertise. You can follow her on Linkedin

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English—Creative Writing Major B.A.

• Apprenticeship and internship opportunities
• Workshops with renowned authors
• Preparation for M.A. or M.F.A. programs in Creative Writing or Law School
• Preparation for careers in publishing, digital publishing, business, marketing, newspaper and magazines, government, and more
• Sphere , a literary journal run by and for undergraduates

Faculty contact: Dr. Carey Snyder

Admission Information

Degree requirements.

Major code: BA5232

The Creative Writing program offers students a range of beginning, intermediate, and advanced workshops in poetry, fiction, and nonfiction. Undergraduate Creative Writing majors will take three writing workshops of their choice, in addition to a Form & Theory course. Creative Writing majors, working closely with a distinguished core faculty of professional writers, can enrich their background in literature provided by the English major curriculum with a rigorous apprenticeship to their craft.

In addition, the program regularly invites writers to campus for residency, workshops, and readings. Each year, five eminent authors are invited to participate in the three-day Spring Literary Festival. These visits provide a unique complement to the student's workshop experience.

Many undergraduates publish their writing in Sphere (the undergraduate literary magazine), while others gain valuable editing experience. Undergraduate writers regularly organize formal and informal readings of their own work.

Undergraduate Creative Writing students have gone on to further study in M.F.A. and/or Ph.D. programs in Creative Writing. Many have gone on to publish their work.

Program Overview

In the English – Creative Writing major, students engage with genres of fiction, nonfiction, and poetry from the inside out, by generating and revising their own work as well as exploring closely how published work uses the techniques of craft.

All creative writing students participate in workshops led by nationally recognized writers which focus on understanding and constructing different literary forms; to achieve these goals, workshops emphasize the study of texts by established writers as well as students’ experimentation with their own creative process. The major is also flexible enough to match your own interests and goals: students can fulfill up to 12 of the required hours in the major with courses focusing on literature, rhetoric, or literary theory, or by combining these with apprenticeship or internship experiences.

To ensure a solid foundation in the skills and knowledge that employers and graduate schools expect from any English graduate, the English – Creative Writing major includes the English Core in analysis, research, and literary history. 

Careers and Graduate School

After a curriculum that emphasizes critical thinking and analytical reading as well as multiple genres of writing, English – Creative Writing students enjoy the same wide variety of opportunity upon graduation that other English majors have.

Many of our graduates go on to graduate programs, not only M.A. or M.F.A. programs in Creative Writing but also programs in information science, education or law. Others work in publishing, web content development, grant-writing and community organizing, advertising, or other creative industries. Having invested in developing their own creativity as well as in the well-rounded education that this degree requires, English – Creative Writing students can face the unexpected challenges of the 21 st -century job market with confidence.

Potential employers for those who hold a degree in Creative Writing include, but are certainly not limited to, newspaper and magazine organizations, the entertainment industry, government agencies, institutions of higher education, public and private K-12 schools, publishing companies, marketing agencies, non-profit organizations, businesses, etc.

Browse through dozens of internship opportunities and full-time job postings for Ohio University students and alumni on Handshake , OHIO's key resource for researching jobs, employers, workshops, and professional development events.

Freshman/First-Year Admission: Enrollment in an English major entails no requirements beyond University admission requirements.

Change of Program Policy: For students currently enrolled at Ohio University, transferring into an English major requires a 2.0 GPA. Students choosing to transfer into the English – Creative Writing major should contact the director of undergraduate studies in the English department for assistance. Students who wish to add an English major in addition to another major program should seek assistance from the director of undergraduate studies; students with a second major outside the College of Arts and Sciences will be responsible for meeting the degree requirements of both the English – Creative Writing major and the College of Arts and Sciences.

External Transfer Admission: For students currently enrolled at institutions other than Ohio University, transferring into an English major entails no requirements beyond University admission requirements. Students should contact the director of undergraduate studies in the English Department for assistance.

• Major code BA5232

University-wide Graduation Requirements

To complete this program, students must meet all University-wide graduation requirements.

Liberal Arts and Sciences Distribution Requirement

View the College-Level Requirements for the College of Arts & Sciences.

English Hours Requirement

For a B.A. degree with a major in English - Creative Writing , a student must complete a total of 42 semester credit hours in ENG coursework.

Intercultural Foundations

Complete the following course:

• ENG 1100 - Crossing Cultures with Text Credit Hours: 3

Literary Reading

Complete one of the following courses:

• ENG 2010 - Introduction to Prose Fiction and Nonfiction Credit Hours: 3
• ENG 2020 - Introduction to Poetry and Drama Credit Hours: 3

British or American Literature I

• ENG 2510 - British Literature I Credit Hours: 3
• ENG 2530 - American Literature I Credit Hours: 3

British or American Literature II

• ENG 2520 - British Literature II Credit Hours: 3
• ENG 2540 - American Literature II Credit Hours: 3

Intercultural Breadth

Complete one course from the following:

• ENG 3240 - Jewish American Literature Credit Hours: 3
• ENG 3250 - Women’s Literature Credit Hours: 3
• ENG 3260 - Queer Literature Credit Hours: 3
• ENG 3270 - Queer Rhetorics and Writing Credit Hours: 3
• ENG 3370 - Black Literature to 1930 Credit Hours: 3
• ENG 3380 - Ethnic American Literature Credit Hours: 3
• ENG 3390 - Black Literature from 1930 to the Present Credit Hours: 3
• ENG 3450 - Intercultural Adaptations Credit Hours: 3
• ENG 3550 - Global Literature Credit Hours: 3
• ENG 3850 - Writing About Culture and Society Credit Hours: 3
• ENG 4660 - International Authors Credit Hours: 3

Writing and Research

• ENG 3070J - Writing and Research in English Studies Credit Hours: 3

Senior Seminar

• ENG 4600 - Topics in English Studies Credit Hours: 3
• ENG 4640 - British Authors Credit Hours: 3
• ENG 4650 - American Authors Credit Hours: 3

Creative Writing Workshops

Complete three of the following workshops with at least one intermediate or advanced workshop:

• ENG 3610 - Creative Writing: Fiction Credit Hours: 3
• ENG 3620 - Creative Writing: Poetry Credit Hours: 3
• ENG 3630 - Creative Writing: Nonfiction Credit Hours: 3

Intermediate:

• ENG 3950 - Creative Writing Workshop: Nonfiction Credit Hours: 3
• ENG 3960 - Creative Writing Workshop: Short Story Credit Hours: 3
• ENG 3970 - Intermediate Creative Writing Workshop: Poetry Credit Hours: 3
• ENG 4860 - Advanced Workshop in Fiction Credit Hours: 3
• ENG 4870 - Advanced Workshop in Poetry Credit Hours: 3
• ENG 4880 - Advanced Workshop in Nonfiction Credit Hours: 3

Creative Writing Form and Theory

• ENG 4810 - Form and Theory of Literary Genres: Fiction Credit Hours: 3
• ENG 4820 - Form and Theory of Literary Genres: Poetry Credit Hours: 3
• ENG 4830 - Form and Theory of Literary Genres: Nonfiction Credit Hours: 3

Major Electives

Complete three additional ENG courses for at least nine hours excluding ENG 2800, ENG 3***J, ENG 4510, ENG 4520, ENG 4911, and ENG 4912. Six hours may be at the 2000-level or higher; three hours must be at the 3000-level or higher.

Fall 2024 Semester

Undergraduate courses.

Composition courses that offer many sections (ENGL 101, 201, 277 and 379) are not listed on this schedule unless they are tailored to specific thematic content or particularly appropriate for specific programs and majors.

• 100-200 level

ENGL 151.S01: Introduction to English Studies

Tuesday and Thursday, 11 a.m.-12:15 p.m.

Sharon Smith

ENGL 151 serves as an introduction to both the English major and the discipline of English studies. In this class, you will develop the thinking, reading, writing and research practices that define both the major and the discipline. Much of the semester will be devoted to honing your literary analysis skills, and we will study and discuss texts from several different genres—poetry, short fiction, the novel, drama and film—as well as some literary criticism. As we do so, we will explore the language of the discipline, and you will learn a variety of key literary terms and concepts. In addition, you will develop your skills as both a writer and researcher within the discipline of English.

ENGL 201.ST1 Composition II: The Mind/Body Connection

In this section of English 201, students will use research and writing to learn more about problems that are important to them and articulate ways to address those problems. The course will focus specifically on issues related to the mind, the body and the relationship between them. The topics we will discuss during the course will include the correlation between social media and body image; the efficacy of sex education programs; the degree to which beliefs about race and gender influence school dress codes; and the unique mental and physical challenges faced by college students today. In this course, you will be learning about different approaches to argumentation, analyzing the arguments of others and constructing your own arguments. At the same time, you will be honing your skills as a researcher and developing your abilities as a persuasive and effective writer.

ENGL 201.S10 Composition II: Environmental Writing   

Monday/Wednesday/Friday 1-1:50 p.m.

Gwen Horsley

English 201 will help students develop the ability to think critically and analytically and to write effectively for other university courses and careers. This course will provide opportunities to develop analytical skills that will help students become critical readers and effective writers. Specifically, in this class, students will:

• Focus on the relationships between world environments, land, animals and humankind.
• Read various essays by environmental, conservational and regional authors.
• Produce student writings. 

Students will improve their writing skills by reading essays and applying techniques they witness in others’ work and those learned in class. This class is also a course in logical and creative thought. Students will write about humankind’s place in the world and our influence on the land and animals, places that hold special meaning to them or have influenced their lives and stories of their own families and their places and passions in the world. Students will practice writing in an informed and persuasive manner, in language that engages and enlivens readers by using vivid verbs and avoiding unnecessary passives, nominalizations and expletive constructions.

Students will prepare writing assignments based on readings and discussions of essays included in "Literature and the Environment " and other sources. They may use "The St. Martin’s Handbook," as well as other sources, to review grammar, punctuation, mechanics and usage as needed.

ENGL 201.13 Composition II: Writing the Environment

Tuesday and Thursday 9:30-10:45 a.m.

Paul Baggett

For generations, environmentalists have relied on the power of prose to change the minds and habits of their contemporaries. In the wake of fires, floods, storms and droughts, environmental writing has gained a new sense of urgency, with authors joining activists in their efforts to educate the public about the grim realities of climate change. But do they make a difference? Have reports of present and future disasters so saturated our airwaves that we no longer hear them? How do writers make us care about the planet amidst all the noise? In this course, students will examine the various rhetorical strategies employed by some of today’s leading environmental writers and filmmakers. And while analyzing their different arguments, students also will strengthen their own strategies of argumentation as they research and develop essays that explore a range of environmental concerns.

ENGL 201 Composition II: Food Writing

S17 Tuesday and Thursday 12:30-1:45 p.m.

S18 Tuesday and Thursday 2-3:15 p.m.

Jodi Andrews

In this composition class, students will critically analyze essays about food, food systems and environments, food cultures, the intersections of personal choice, market forces and policy and the values underneath these forces. Students will learn to better read like writers, noting authors’ purpose, audience organizational moves, sentence-level punctuation and diction. We will read a variety of essays including research-intensive arguments and personal narratives which intersect with one of our most primal needs as humans: food consumption. Students will rhetorically analyze texts, conduct advanced research, reflect on the writing process and write essays utilizing intentional rhetorical strategies. Through doing this work, students will practice the writing moves valued in every discipline: argument, evidence, concision, engaging prose and the essential research skills for the 21st century.

ENGL 221.S01 British Literature I

Michael S. Nagy

English 221 is a survey of early British literature from its inception in the Old English period with works such as "Beowulf" and the “Battle of Maldon,” through the Middle Ages and the incomparable writings of Geoffrey Chaucer and the Gawain - poet, to the Renaissance and beyond. Students will explore the historical and cultural contexts in which all assigned reading materials were written, and they will bring that information to bear on class discussion. Likely themes that this class will cover include heroism, humor, honor, religion, heresy and moral relativity. Students will write one research paper in this class and sit for two formal exams: a midterm covering everything up to that point in the semester, and a comprehensive final. Probable texts include the following:

• The Norton Anthology of English Literature: The Middle Ages. Ed. Alfred David, M. H. Abrams, and Stephen Greenblatt. 9th ed. New York: W. W. Norton & Company, 2012.
• The Norton Anthology of English Literature: The Sixteenth Century and Early Seventeenth Century. Ed. George M. Logan, Stephen Greenblatt, Barbara K Lewalski, and M. H. Abrams. 9th ed. New York: W. W. Norton & Company, 2012.
• The Norton Anthology of English Literature: The Restoration and the Eighteenth Century. Ed. George M. Logan, Stephen Greenblatt, Barbara K Lewalski, and M. H. Abrams. 9th ed. New York: W. W. Norton & Company, 2012.
• Gibaldi, Joseph. The MLA Handbook for Writers of Research Papers. 6th ed. New York: The Modern Language Association of America, 2003.
• Any Standard College Dictionary.

ENGL 240.S01 Juvenile Literature Elementary-5th Grade

Monday, Wednesday and Friday noon-12:50 p.m.

April Myrick

A survey of the history of literature written for children and adolescents, and a consideration of the various types of juvenile literature. Text selection will focus on the themes of imagination and breaking boundaries.

ENGL 240.ST1 Juvenile Literature Elementary-5th Grade

Randi Anderson

In English 240 students will develop the skills to interpret and evaluate various genres of literature for juvenile readers. This particular section will focus on various works of literature at approximately the K-5 grade level. We will read a large range of works that fall into this category, as well as information on the history, development and genre of juvenile literature.

Readings for this course include classical works such as "Hatchet," "Little Women", "The Lion, the Witch and the Wardrobe" and "Brown Girl Dreaming," as well as newer works like "Storm in the Barn," "Anne Frank’s Diary: A Graphic Adaptation," "Lumberjanes," and a variety of picture books. These readings will be paired with chapters from "Reading Children’s Literature: A Critical Introduction " to help develop understanding of various genres, themes and concepts that are both related to juvenile literature and also present in our readings.

In addition to exposing students to various genres of writing (poetry, historical fiction, non-fiction, fantasy, picture books, graphic novels, etc.) this course will also allow students to engage in a discussion of larger themes present in these works such as censorship, race and gender. Students’ understanding of these works and concepts will be developed through readings, research, discussion posts, exams and writing assignments designed to get students to practice analyzing poetry, picture books, informational books and transitional/easy readers.

ENGL 241.S01: American Literature I

Tuesday and Thursday 12:30-1:45 p.m.

This course provides a broad, historical survey of American literature from the early colonial period to the Civil War. Ranging across historical periods and literary genres—including early accounts of contact and discovery, narratives of captivity and slavery, poetry of revolution, essays on gender equality and stories of industrial exploitation—this class examines how subjects such as colonialism, nationhood, religion, slavery, westward expansion, race, gender and democracy continue to influence how Americans see themselves and their society.

Required Texts

• The Norton Anthology of American Literature: Package 1, Volumes A and B Beginnings to 1865, Ninth Edition. (ISBN 978-0-393-26454-8)

ENGL 283.S01 Introduction to Creative Writing

Steven Wingate

Students will explore the various forms of creative writing (fiction, nonfiction and poetry) not one at a time in a survey format—as if there were decisive walls of separation between then—but as intensely related genres that share much of their creative DNA. Through close reading and work on personal texts, students will address the decisions that writers in any genre must face on voice, rhetorical position, relationship to audience, etc. Students will produce and revise portfolios of original creative work developed from prompts and research. This course fulfills the same SGR #2 requirements ENGL 201; note that the course will involve a research project. Successful completion of ENGL 101 (including by test or dual credit) is a prerequisite.

ENGL 283.S02 Introduction to Creative Writing

Jodilyn Andrews

This course introduces students to the craft of writing, with readings and practice in at least two genres (including fiction, poetry and drama).

ENGL 283.ST1 Introduction to Creative Writing

Amber Jensen, M.A., M.F.A.

This course explores creative writing as a way of encountering the world, research as a component of the creative writing process, elements of craft and their rhetorical effect and drafting, workshop and revision as integral parts of writing polished literary creative work. Student writers will engage in the research practices that inform the writing of literature and in the composing strategies and writing process writers use to create literary texts. Through their reading and writing of fiction, poetry and creative nonfiction, students will learn about craft elements, find examples of those craft elements in published works and apply these elements in their own creative work, developed through weekly writing activities, small group and large group workshop and conferences with the instructor. Work will be submitted, along with a learning reflection and revision plan in each genre and will then be revised and submitted as a final portfolio at the end of the semester to demonstrate continued growth in the creation of polished literary writing.

• 300-400 level

ENGL 424.S01 Language Arts Methods grades 7-12  

Tuesday 6-8:50 p.m.

Danielle Harms

Techniques, materials and resources for teaching English language and literature to middle and secondary school students. Required of students in the English education option.

AIS/ENGL 447.S01: American Indian Literature of the Present 

Thursdays 3-6 p.m.

This course introduces students to contemporary works by authors from various Indigenous nations. Students examine these works to enhance their historical understanding of Indigenous peoples, discover the variety of literary forms used by those who identify as Indigenous writers, and consider the cultural and political significance of these varieties of expression. Topics and questions to be explored include:

• Genre: What makes Indigenous literature indigenous?
• Political and Cultural Sovereignty: Why have an emphasis on tribal specificity and calls for “literary separatism” emerged in recent decades, and what are some of the critical conversations surrounding such particularized perspectives?
• Gender and Sexuality: What are the intersecting concerns of Indigenous Studies and Women, Gender and Sexuality Studies, and how might these research fields inform one another?
• Trans-Indigeneity: What might we learn by comparing works across different Indigenous traditions, and what challenges do such comparisons present?
• Aesthetics: How do Indigenous writers understand the dynamics between tradition and creativity?
• Visual Forms: What questions or concerns do visual representations (television and film) by or about Indigenous peoples present?

Possible Texts

• Akiwenzie-Damm, Kateri and Josie Douglas (eds), Skins: Contemporary Indigenous Writing. IAD Press, 2000. (978-1864650327)
• Erdrich, Louise, The Sentence. Harper, 2021 (978-0062671127)
• Harjo, Joy, Poet Warrior: A Memoir. Norton, 2021 (978-0393248524)
• Harjo, Sterlin and Taika Waititi, Reservation Dogs (selected episodes)
• Talty, Morgan. Night of the Living Rez, 2022, Tin House (978-1953534187)
• Wall Kimmerer, Robin. Braiding Sweet Grass, Milkweed Editions (978-1571313560)
• Wilson, Diane. The Seed Keeper: A Novel. Milkweed Editions (978-1571311375)
• Critical essays by Alexie, Allen, Cohen, Cox, King, Kroeber, Ortiz, Piatote, Ross and Sexton, Smith, Taylor, Teuton, Treuer, Vizenor, and Womack.

ENGL 472.S01: Film Criticism

Tuesdays 2-4:50 p.m.

Jason McEntee

Do you have an appreciation for, and enjoy watching, movies? Do you want to study movies in a genre-oriented format (such as those we typically call the Western, the screwball comedy, the science fiction or the crime/gangster, to name a few)? Do you want to explore the different critical approaches for talking and writing about movies (such as auteur, feminist, genre or reception)?

In this class, you will examine movies through viewing and defining different genres while, at the same time, studying and utilizing different styles of film criticism. You will share your discoveries in both class discussions and short writings. The final project will be a formal written piece of film criticism based on our work throughout the semester. The course satisfies requirements and electives for all English majors and minors, including both the Film Studies and Professional Writing minors. (Note: Viewing of movies outside of class required and may require rental and/or streaming service fees.)

ENGL 476.ST1: Fiction

In this workshop-based creative writing course, students will develop original fiction based on strong attention to the fundamentals of literary storytelling: full-bodied characters, robust story lines, palpable environments and unique voices. We will pay particular attention to process awareness, to the integrity of the sentence, and to authors' commitments to their characters and the places in which their stories unfold. Some workshop experience is helpful, as student peer critique will be an important element of the class.

ENGL 479.01 Capstone: The Gothic

Wednesday 3-5:50 p.m.

With the publication of Horace Walpole’s "The Castle of Otranto " in 1764, the Gothic officially came into being. Dark tales of physical violence and psychological terror, the Gothic incorporates elements such as distressed heroes and heroines pursued by tyrannical villains; gloomy estates with dark corridors, secret passageways and mysterious chambers; haunting dreams, troubling prophecies and disturbing premonitions; abduction, imprisonment and murder; and a varied assortment of corpses, apparitions and “monsters.” In this course, we will trace the development of Gothic literature—and some film—from the eighteenth-century to the present time. As we do so, we will consider how the Gothic engages philosophical beliefs about the beautiful and sublime; shapes psychological understandings of human beings’ encounters with horror, terror, the fantastic and the uncanny; and intervenes in the social and historical contexts in which it was written. We’ll consider, for example, how the Gothic undermines ideals related to domesticity and marriage through representations of domestic abuse, toxicity and gaslighting. In addition, we’ll discuss Gothic texts that center the injustices of slavery and racism. As many Gothic texts suggest, the true horrors of human existence often have less to do with inexplicable supernatural phenomena than with the realities of the world in which we live. 

ENGL 485.S01: Undergraduate Writing Center Learning Assistants 

Flexible Scheduling

Nathan Serfling

Since their beginnings in the 1920s and 30s, writing centers have come to serve numerous functions: as hubs for writing across the curriculum initiatives, sites to develop and deliver workshops and resource centers for faculty as well as students, among other functions. But the primary function of writing centers has necessarily and rightfully remained the tutoring of student writers. This course will immerse you in that function in two parts. During the first four weeks, you will explore writing center praxis—that is, the dialogic interplay of theory and practice related to writing center work. This part of the course will orient you to writing center history, key theoretical tenets and practical aspects of writing center tutoring. Once we have developed and practiced this foundation, you will begin work in the writing center as a tutor, responsible for assisting a wide variety of student clients with numerous writing tasks. Through this work, you will learn to actively engage with student clients in the revision of a text, respond to different student needs and abilities, work with a variety of writing tasks and rhetorical situations, and develop a richer sense of writing as a complex and negotiated social process.

Graduate Courses

Engl 572.s01: film criticism, engl 576.st1 fiction.

In this workshop-based creative writing course, students will develop original fiction based on strong attention to the fundamentals of literary storytelling: full-bodied characters, robust story lines, palpable environments and unique voices. We will pay particular attention to process awareness, to the integrity of the sentence and to authors' commitments to their characters and the places in which their stories unfold. Some workshop experience is helpful, as student peer critique will be an important element of the class.

ENGL 605.S01 Seminar in Teaching Composition

Thursdays 1-3:50 p.m.

This course will provide you with a foundation in the pedagogies and theories (and their attendant histories) of writing instruction, a foundation that will prepare you to teach your own writing courses at SDSU and elsewhere. As you will discover through our course, though, writing instruction does not come with any prescribed set of “best” practices. Rather, writing pedagogies stem from and continue to evolve because of various and largely unsettled conversations about what constitutes effective writing and effective writing instruction. Part of becoming a practicing writing instructor, then, is studying these conversations to develop a sense of what “good writing” and “effective writing instruction” might mean for you in our particular program and how you might adapt that understanding to different programs and contexts.

As we read about, discuss and research writing instruction, we will address a variety of practical and theoretical topics. The practical focus will allow us to attend to topics relevant to your immediate classroom practices: designing a curriculum and various types of assignments, delivering the course content and assessing student work, among others. Our theoretical topics will begin to reveal the underpinnings of these various practical matters, including their historical, rhetorical, social and political contexts. In other words, we will investigate the praxis—the dialogic interaction of practice and theory—of writing pedagogy. As a result, this course aims to prepare you not only as a writing teacher but also as a nascent writing studies/writing pedagogy scholar.

At the end of this course, you should be able to engage effectively in the classroom practices described above and participate in academic conversations about writing pedagogy, both orally and in writing. Assessment of these outcomes will be based primarily on the various writing assignments you submit and to a smaller degree on your participation in class discussions and activities.

ENGL 726.S01: The New Woman, 1880–1900s 

Thursdays 3–5:50 p.m.

Katherine Malone

This course explores the rise of the New Woman at the end of the nineteenth century. The label New Woman referred to independent women who rebelled against social conventions. Often depicted riding bicycles, smoking cigarettes and wearing masculine clothing, these early feminists challenged gender roles and sought broader opportunities for women’s employment and self-determination. We will read provocative fiction and nonfiction by New Women writers and their critics, including authors such as Sarah Grand, Mona Caird, George Egerton, Amy Levy, Ella Hepworth Dixon, Grant Allen and George Gissing. We will analyze these exciting texts through a range of critical lenses and within the historical context of imperialism, scientific and technological innovation, the growth of the periodical press and discourse about race, class and gender. In addition to writing an argumentative seminar paper, students will complete short research assignments and lead discussion.

ENGL 792.ST1 Women in War: Female Authors and Characters in Contemporary War Lit

In this course, we will explore the voices of female authors and characters in contemporary literature of war. Drawing from various literary theories, our readings and discussion will explore the contributions of these voices to the evolving literature of war through archetypal and feminist criticism. We will read a variety of short works (both theoretical and creative) and complete works such as (selections subject to change): "Eyes Right" by Tracy Crow, "Plenty of Time When We Get Home" by Kayla Williams, "You Know When the Men are Gone" by Siobhan Fallon, "Still, Come Home" by Katie Schultz and "The Fine Art of Camouflage" by Lauren Johnson.

CREEES Professional Resources Forum

Center for Russian, East European and Eurasian Studies at The University of Texas at Austin

Grad Program: MA in Creative Writing in Russian (Moscow)

Application opens February 2019

For fiction/non-fiction writers in Russian.

MA “Creative Writing”  is:

• Practical and theoretical/historical courses, such as  Creative Writing Workshop ,  Storytelling in Different Media ,  Literary Editing , Poetics of Novel and Screenwriting ;
• Unique professors and teachers, among them famous Russian writers, screenwriters and critics –  Marina Stepnova ,  Lyudmila Ulitskaya ,  Lev Danilkin ,  Sergey Gandlevsky  and  Maya Kucherskaya  as well as prominent philologists, authors of academic and non-fiction books  Oleg Lekmanov ,  Ekaterina Lyamina  and  Alexey Vdovin ;
• Participation in open readings, discussions and  literary expeditions ,  publications in students’ projects ;
• International exchange  – lectures and workshops of the leading specialists in Creative Writing, students’ exchange in the best world universities;
•  Help and support in the process of  employment  in various publishing houses, editorials, Mass Media, high schools and universities and PR;
• Creation and participation in  cultural projects ;
• Flexible timetable  enabling students to work while studying.

Our graduates already work in the best publishing houses, universities and schools in Moscow. Their writing is published in the authoritative literary magazines. Their projects (such as prize  “_Litblog”  for the best literary blogger and first Creative Writing Internet resource in Russian  “Mnogobukv” and collections of prose) have gained much attention.

Language of instruction: Russian

You can apply to non-paid place as a foreign student in February. Looking forward to seeing you at Higher School of Economics!

More information about the programme:  https://www.hse.ru/en/ma/litmaster

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