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Supplemental Essay Guide 2024-25

What do the 2024-25 supplemental essay prompts really mean, and how should you approach them? CEA's experts are here to break them all down.

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How to Approach Supplemental Essays

When our students dig into the college application process, they are often surprised to encounter not only the main Common Application’s personal statement , but also a host of supplemental essay questions. These assignments are often school-specific writing prompts for which a student must also craft thoughtful, well-written replies.

Supplemental essays are often more focused than the Common App assignment, though they vary in length and scope. Their prompts tackle subjects that range from deeper explorations of a student’s background to their collegiate and academic interests.

We often encourage our students to nail down their personal statement topic first, then ask them to approach their supplemental essays in priority order, according to submission deadlines. Many schools will offer prompts that are similar in theme and content to one another (for example, many institutions now ask about a student’s most important activity ), so it is helpful for students to gather and review all supplemental questions before beginning the brainstorm process to see where they might naturally overlap.

Elite institutions often have extensive supplemental sections, as do some honors programs, so students should keep this in mind as they hunt for their essay questions and map out their plan of attack.

All supplemental essays should be given the same time and care as the main Common Application essay. These supplements not only are an excellent opportunity to show a school both your competence and level of devotion to their institution, but also offer opportunities to paint some personality into your application. So embrace supplements, use your unique voice, and show these schools what you’re made of!

Why Choose College Essay Advisors for Supplemental Essay Support

College Essay Advisors has over twenty years of experience guiding students one-on-one through the essay writing process for school-specific supplements. We take a holistic approach to these essays and short answers, considering each student’s application package as a whole and identifying their strengths to highlight. It’s incredibly important to us that each student’s voice is preserved, and we pride ourselves in helping students to write successful supplemental essays that differentiate them from similarly qualified applicants. For more information, submit a contact form below or review our one-on-one advising services or list of student acceptances . 

Agnes Scott College 2024-25 Supplemental Essay Prompt Guide

Alvernia University 2024-25 Supplemental Essay Prompt Guide  

American university 2024-25 supplemental essay prompt guide, amherst college 2024-25 supplemental essay prompt guide, babson college 2024-25 supplemental essay prompt guide, bard college 2024-25 supplemental essay prompt guide  , barnard college 2024-25 supplemental essay guide, baylor university 2024-25 supplemental essay prompt guide  , bennington college 2024-25 supplemental essay guide, bentley university 2024-25 supplemental essay prompt guide, berry college 2024-25 supplemental essay prompt guide, bethany college 2024-25 supplemental essay prompt guide, boston college (bc) 2024-25 supplemental essay prompt guide, boston university (bu) 2024-25 supplemental essay prompt guide, bowdoin college 2024-25 supplemental essay guide, brandeis university 2024-25 supplemental essay prompt guide , brown university 2024-25 supplemental essay prompt guide, bryn mawr college 2024-25 supplemental essay prompt guide, bucknell university 2024-25 supplemental essay prompt guide, butler university 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essay prompt guide, kalamazoo college 2024-25 supplemental essay prompt guide, lafayette college 2024-25 supplemental essay prompt guide, lehigh university 2024-25 supplemental essay prompt guide, lewis and clark college 2024-25 supplemental essay prompt guide, linfield university 2024-25 supplemental essay guide, loyola marymount university (lmu) 2024-25 supplemental essay prompt guide , lynn university 2024-25 supplemental essay prompt guide, macalester college 2024-25 supplemental essay prompt guide, manchester university 2024-25 supplemental essay prompt guide, marist college 2024-25 supplemental essay guide, mary baldwin university 2024-25 supplemental essay guide, massachusetts institute of technology (mit) 2024-25 essay prompt guide, meredith college 2024-25 supplemental essay guide, monmouth college 2024-25 supplemental essay guide, moravian university 2024-25 supplemental essay prompt guide, morehouse college 2024-25 supplemental essay prompt guide, mount holyoke college 2024-25 supplemental essay prompt guide, new york university (nyu) 2024-25 supplemental essay prompt guide, north carolina state 2024-25 supplemental essay prompt guide, frequently asked questions.

It really depends. Typically, the more competitive the university, the more arduous the supplemental essay requirements. Most top universities ask for at least three supplemental essays, but some only require one short essay.

The most common supplemental essay topics are:

• The Why Essay , which asks applicants to discuss their interest in their intended major and/or the school in question.
• The Activity Essay , which asks applicants to describe their involvement in an activity that is meaningful to them.
• The Community Essay , which asks about a community the applicant belongs to and the role that community plays in their life (and vice versa!).
• The Diversity Essay , which often asks applicants to explore how they champion diversity and inclusion in their communities and/or how they engage with people from different backgrounds or who hold opposing views. 
• The Short Answer , which asks applicants to answer prompts in very few words (or characters) to add context to their application and a splash of personality.
• The Oddball Essay , which asks applicants to tap into their creativity to connect curveball questions to their lives and interests.

Just like with the Common App personal statement, you’re going to want to write authentically about yourself while addressing all parts of each supplemental essay prompt. Many schools want to better understand how you see yourself contributing to their campus community and/or diversity and inclusion efforts along with how you hope to use your education to achieve your goals. So, be honest and forward-thinking, and don’t forget to customize each supplemental essay so it’s specific to each school you’re submitting to. That means doing research and weaving information into your essays that demonstrates the amount of time and thought you’ve put into your application. 

We have a few successful supplemental essay examples in our Free Resources section.

Each admissions department has their own process for reviewing applications, and some admissions committees put more weight on supplemental essays than others, but all admissions departments that offer applicants the opportunity to pen additional essays are doing so for a reason: to better understand the applicant and compare similarly qualified candidates. It’s in the applicant’s best interest to not only provide admissions with as much information regarding their candidacy as possible, but also go the extra mile. At highly competitive institutions, admissions officers are looking for reasons to remove students from the applicant pool—don’t let poorly written or (*gulp*) incomplete supplemental essays work against you!

Absolutely not. Please do not reuse content from your Common App essay in your supplements. Although it’s possible for you to expand upon an idea, activity, or community that you mention in your Common App essay in your supplements, you should never recycle content or any phrasing word for word.

Start by reading through all the prompts. Next, jot down ideas that come to your mind (no matter how silly they may seem!). Everyone has a story to tell, and we’re willing to bet you’re more interesting than you think. Give yourself plenty of time to consider different topics and revise, revise, revise! Also, our handy dandy Supplemental Essay Guides are sure to help you on your writing journey.

We have been reading supplemental essays for over twenty years now, so we know a thing or two about the most common mistakes students make. The most common mistakes to avoid are:

• Repeating the prompt in your essay.

You want to make sure every word counts, and repeating the prompt in your essay is a huge waste of space. Rest assured that admissions officers know which prompt you’re responding to. Instead, start your essay off with a strong hook that pulls your reader in (rather than puts them to sleep!). 

• Trying to sound like an academic.

Time and time again, schools post advice on their websites encouraging students to speak in their authentic voices and let the admissions officers reading their applications get to know them. Aaaand time and time again, we read essays students have written in which they go to great lengths to elevate their vocabulary, and in the process, they lose their own voice.

• Using cliches.

Cliches are not your friends when it comes to writing supplemental essays. You may feel like a diamond in the rough, that the world is your oyster, or that love conquers all, but even reading those, did you feel your eyes glazing over? All cliches do is make your essay blend in with the thousands of others in the pile. Emphasize your uniqueness with concrete examples and personal anecdotes, because cliches are rather ineffective, boring, and—let’s face it—lazy.

North Park University 2024-25 Supplemental Essay Prompt Guide

Northwestern university 2024-25 supplemental essay prompt guide, occidental college 2024-25 supplemental essay guide, oklahoma city university 2024-25 supplemental essay guide, olin college of engineering 2024-25 supplemental essay prompt guide, penn state 2024-25 supplemental essay prompt guide, pepperdine university 2024-25 supplemental essay prompt guide, pitzer college 2024-25 supplemental essay prompt guide, pomona college 2024-25 supplemental essay guide, princeton university 2024-25 supplemental essay prompt guide, providence college 2024-25 supplemental essay prompt guide, purdue university 2024-25 supplemental essay prompt guide, rensselaer polytechnic institute 2024-25 supplemental essay prompt guide, rice university 2024-25 supplemental essay prompt guide, roger williams university 2024-25 supplemental essay prompt guide, saint anselm college 2024-25 supplemental essay prompt guide, saint elizabeth university 2024-25 supplemental essay prompt guide, santa clara university 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prompt guide, texas christian university (tcu) 2024-25 supplemental essay prompt guide, the college of idaho 2024-25 supplemental essay prompt guide  , the george washington university 2024-25 supplemental essay guide, the new school 2024-25 supplemental essay prompt guide, trinity college 2024-25 supplemental essay prompt guide, tufts university 2024-25 supplemental essay prompt guide, tulane university 2024-25 supplemental essay prompt guide, unc wilmington 2024-25 supplemental essay prompt guide , university of california (uc) 2024-25 essay prompt guide, university of central florida 2024-25 supplemental essay prompt guide, university of chicago 2024-25 supplemental essay prompt guide, university of cincinnati 2024-25 supplemental essay prompt guide, university of colorado boulder 2024-25 supplemental essay prompt guide, university of florida 2024-25 supplemental essay prompt guide, university of georgia (uga) 2024-25 supplemental essay prompt guide, university of illinois chicago (uic) 2024-25 supplemental essay prompt guide, university of illinois urbana-champaign 2024-25 supplemental essay guide, university of maryland 2024-25 supplemental essay prompt guide, university of massachusetts amherst 2024-25 supplemental essay prompt guide, university of massachusetts lowell 2024-25 supplemental essay prompt guide, university of miami 2024-25 supplemental essay prompt guide  , university of michigan 2024-25 supplemental essay prompt guide, university of minnesota twin cities 2024-25 supplemental essay prompt guide , university of mississippi (ole miss) 2024-25 supplemental essay prompt guide, university of mount saint vincent 2024-25 supplemental essay prompt guide, university of north carolina (unc) 2024-25 supplemental essay prompt guide, university of north carolina at charlotte 2024-25 supplemental essay prompt guide, university of north carolina at greensboro 2024-25 supplemental essay prompt guide, university of notre dame 2024-25 supplemental essay prompt guide, university of oklahoma 2024-25 supplemental essay prompt guide , university of oregon 2024-25 supplemental essay prompt guide, university of pennsylvania (upenn) 2024-25 supplemental essay prompt guide, university of pittsburgh 2024-25 supplemental essay prompt guide , university of richmond 2024-25 supplemental essay guide, university of rochester 2024-25 supplemental essay prompt guide, university of san diego 2024-25 supplemental essay prompt guide , university of san francisco 2024-25 supplemental essay prompt guide, university of southern california (usc) 2024-25 supplemental essay guide, university of texas at austin 2024-25 essay prompt guide, university of tulsa 2024-25 supplemental essay prompt guide, university of vermont 2024-25 supplemental essay prompt guide, university of virginia (uva) 2024-25 supplemental essay prompt guide, university of washington (uw) 2024-25 supplemental essay prompt guide, university of wisconsin-madison 2024-25 supplemental essay prompt guide, vanderbilt university 2024-25 supplemental essay prompt guide, vassar college 2024-25 supplemental essay prompt guide, villanova university 2024-25 supplemental essay prompt guide, virginia tech 2024-25 supplemental essay prompt guide, wake forest university 2024-25 supplemental essay prompt guide, washington and lee university 2024-25 supplemental essay guide, washington university in st. louis 2024-25 supplemental essay prompt guide, wellesley college 2024-25 supplemental essay prompt guide, worcester polytechnic institute (wpi) 2024-25 supplemental essay prompt guide, yale university 2024-25 supplemental essay prompt guide.

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Essay Questions

The essay is just one of the 24 factors we use as part of our holistic application review.

The essay provides you with the opportunity to showcase aspects of your personality and experiences that fit well with the University of Maryland (UMD) community. When considering your approach to your essay, take time to think about your answer, making it creative and succinct.

Please answer one of the following essay questions. Make sure to include the question itself at the start of your essay. Your essay should be no more than 650 words; the question will not be included in the essay total word count.

• Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story.
• The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience?
• Reflect on a time when you questioned or challenged a belief or idea. What prompted your thinking? What was the outcome?
• Reflect on something that someone has done for you that has made you happy or thankful in a surprising way. How has this gratitude affected or motivated you?
• Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others.
• Describe a topic, idea, or concept you find so engaging that it makes you lose all track of time. Why does it captivate you? What or who do you turn to when you want to learn more?
• Share an essay on any topic of your choice. It can be one you've already written, one that responds to a different prompt, or one of your own design.

Please answer the following question. Students who have been out of school for several years or who have a personal circumstance that affected performance, may wish to address that situation in their essay. Your answer should be no more than 300 words.

• Please describe your past academic experiences and your reasons for wishing to enroll at UMD at this point in your academic career.

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Every School That Requires the CSS Profile

What’s covered:, what is the css profile, how do schools use the css profile, a complete list of schools that use the css profile, how to calculate your odds of acceptance.

Roughly 250 schools use the College Scholarship Service (CSS) Profile to help them determine their financial aid offers to accepted students. Among these are Ivy League schools, Little Ivies , and Public Ivies , along with many other top colleges. If you plan on applying to some of the best schools in the nation, you’ll want to learn what the CSS Profile is and why schools use it.

The CSS Profile is a financial aid form administered by the College Board—the same organization that administers the SAT and AP exams—that helps schools determine your financial need and award you with a financial aid package that can make college both affordable and accessible.

The CSS Profile asks for similar information as the Free Application for Federal Student Aid (FAFSA), including tax returns, W-2s, bank statements, and other income records. Like the FAFSA, it will calculate your Student Aid Index (SAI), or, more simply, how much aid you’re eligible to receive.

Unlike the FAFSA, you have to pay to send the CSS profile to schools, though you may qualify for a fee waiver * if you received one for the SAT. Otherwise, sending the CSS profile costs $25 for the first school and $16 for each additional one.

*Fee waivers are available to students from families with adjusted gross incomes of up to $100,000 and to those who are orphans or wards of the court and under the age of 24.

Given that the CSS Profile and the FAFSA ask for a lot of the same information, and every school requires that you complete and submit the FAFSA, the CSS Profile might seem redundant. This couldn’t be further from the truth. While the FAFSA awards federal aid, the CSS Profile is used by schools to award institution-based aid.

Federal financial aid often won’t cover the cost of college alone, which is why receiving institutional aid is so important. For example, the maximum amount of a Pell Grant is $7,395 for the 2024-25 award year, but many schools have tuition that is many multiples more than that amount. Institutional aid can help you cover the difference, and lessen the financial burden for you and your family.

Compared to the FAFSA, the CSS Profile provides a more thorough picture of your household income, which allows colleges to determine which types of institutional aid they can award in addition to any federal aid you might have received. There are even a few scholarship programs that use the CSS Profile to verify your eligibility for their awards.

Colleges use both forms to create a complete picture of your financial situation and decide how best to supplement the federal aid you’re already receiving. Schools that accept the CSS Profile will award institutional need-based aid in the form of grants or scholarships. While these grants and scholarships range in value depending on the school, they all lessen your potential loan burden—and who can argue with less debt?

To get you started, here’s a list of schools that use the CSS Profile to award financial aid for only domestic applicants.

*School of Arts

**School of Nursing

Now, here are the schools that use the CSS Profile for both domestic and international applicants.

*Schools of Business, Engineering, Journalism, and General Studies

Nearly all the schools listed above are at least moderately selective, and many of them are among the most challenging institutions in the country to gain admission to. Before you go to the trouble of filling out the CSS Profile, it’s reasonable to want to know how your odds look.

To answer that question, check out CollegeVine’s free chancing engine . It takes into account just about every quantifiable element of your application—including grades, course rigor, SAT/ACT scores ( if you have them ), and extracurriculars—to give you personalized odds of acceptance at nearly 1,600 schools across the country, as well as suggestions for how to boost your chances of acceptance.

Related CollegeVine Blog Posts

Essays that Worked

As we’ve done on occasion through the years, Hamilton is proud to present a few exceptional admission essays written by members of the latest class of incoming students. These essays offer a glimpse into the diverse backgrounds and experiences, as well as the writing talents, so many students bring to College Hill.

Aubrey Wallen ’26

Lakeland, tenn..

75,000 flipped pages. 11,520 packed boxes. 6 school maps. 

I began measuring my life in flipped pages, packed boxes, and school maps when I was 6. As my family and I flitted between states and coasts for my father’s job over the last decade, I shielded myself with fantasy novels. With my head propped on the baseboard near my nightlight and a book held up in front of me by aching arms, I would dance in whimsical forests, fight daring battles, and rule dangerous courts long after dark. In my fantastic universe, I could take turns being the queen, the knight, the hero, and even the villain. These books helped me express the happiness, anger, sadness, and queerness I could not have even begun to imagine alone.

The characters I discovered in novels as I toured libraries and Barnes & Noble stores in strip malls around the country taught me resilience and empowered me to nourish my strengths. Mare Barrow showed me the power of determined women, and I unapologetically strove for academic excellence and obtained a GPA of 4.4. Tane, from The Priory of the Orange Tree , inspired me to push the limits of my own body, so I’ve traversed approximately 1,544 miles in cross-country races and practices. Evelyn Hugo’s unapologetic character compelled me to want to embrace and feel free with my queerness rather than shelter it away in a shameful corner. Even further, this year I am adding a third dimension to my love of fantasy by interpreting Mrs. White in my school’s production of Shuddersome and The Monkey’s Paw with assistance from Anne of Green Gables, my first fictional idol, who massively influenced my personality and tendency for dramatics. But above all, Leigh Bardugu, my favorite author, gave me permission to even dare to write and to dream that I can. 

What began as a safety net in my adolescence has grown to something more, a true passion for English and all that it can express. Language is power and I wish to wield it like a mighty sword. I want to be the puppetmaster, the speaker, and the leader in a world that is crafted in ink. I want to be a New York Times bestseller and to know that whatever I do is impactful and that it creates a difference, no matter how small. I want to walk down a crowded street and see “my book” spread open in a passing person’s hands, as they refuse to put it down, just like I did so many times in the hallways of my middle school. A writer, a college professor, a publishing lawyer: I want it all, the riots of failure, and the pride of success. 

Without the assistance of literature, I wouldn’t be who I am today. If I hadn’t grown up fueled on library hauls I wouldn’t have discovered that I love English. I wouldn’t get shivers when I fret for a favorite character or celebrate their triumphs, be as ready to face obstacles, or be as adventurous as I am. Without the moves around the country and back, I wouldn’t have become so resilient and open to change, so adaptable to life, but most importantly I wouldn’t have become so in love with language. With every move I burrowed in books, and with every book I became me. Literature has made me in every way, and the only way I can repay it is to become the penman. 

Nicholas “Cole” Wassiliew ’26

Bethesda, md..

I dreaded their arrival. The tyrannical cicadas swarmed DC and neighboring areas in 1987, 2004, and again in 2021. I was freaking about Brood X, the worst of them all. Brood X is a cluster of cicadas that descend on Washington, D.C., every 17 years. I live in the epicenter of their swarm. Cicadas battled with mosquitoes for first place in the top tier of the human annoyance pyramid. I hate these off-brand cockroaches.

For 17 years, cicadas live underground feasting off of sap, running free of danger. Then, they emerge and face the real world. That sounds familiar. I have lived in the same house, in the same town, for 17 years, with my parents feeding me pasta and keeping me safe.

Is it conceivable that I have more in common with cicadas than I previously thought? Cicadas have beady, red eyes. After a year of enduring Zoom classes, attending tele-health appointments, and spending too much time on social media and video games, I too feel a little blurry-eyed and disoriented. But what about their incessant hum and perpetual noise? That is not me. OK, maybe I do make protein shakes with a noisy blender at all hours of the day. Maybe I do FaceTime vehemently with friends, blare music while I shower, and constantly kick a ball around both inside the house and out.

At least I do not leave damaged wings, shedded skin, or rotting carcasses everywhere. Smelly soccer socks on the clean carpet after a long practice? Check. Pools of turf in the mudroom after sliding all over the field? You got it. Dirty dishes and trail mix stains after accidentally sitting on a mislaid M&M are hardly as abhorrent as cicada remains, right?

The more I reflected, the more I realized these bugs and I are more alike than different. After 17 years of being cooped up, we are both antsy to face new experiences. Of course, cicadas want to broaden their wings, fly, and explore the world, even if it means clumsily colliding into people’s faces, telephone poles, and parked cars. Just like I want to shed my skin and escape to college, even if it means getting lost on campus or ruining a whole load of laundry. Despite all my newbie attributes, I am proceeding to the next phase of my life whether I am ready or not.

Only the hardiest of cicadas survive their emergence and make it to trees to mate, lay eggs, and ensure the existence of their species. I want to be a tenacious Brood X cicada. I will know what it means to travel into the wrong classroom before getting laughed at, bump into an upperclassman before dropping textbooks everywhere, fail an exam after thinking I aced it. I may even become the cicada of the lecture hall by asking a professor for permission to go to the bathroom. Like cicadas, I will need time to learn how to learn.

No matter what challenge I undergo that exposes and channels my inner-cicada, novice thought process, I will regroup and continue to soar toward the ultimate goal of thriving in college.

When I look beyond our beady red eyes, round-the-clock botherment, and messy trails, I now understand there is room for all creatures to grow, both cicadas and humans. Cicadas certainly are on to something ... Seventeen years is the perfect amount of time to emerge and get ready to fly.

Catherine “Cate” van den Beemt ’26

Freeland, md..

I was born to two moms. One, my biological mom, Meredith. One, my mom who adopted me, Mary. Because they were a same-sex couple, the law required that Mary adopt me in order to be my parent. They used Sperm Donor 3311. All I know about my “father” is that he didn’t have a familial history of cancer, he has a twin brother who is 6'4", and he studied math in school. This is all background information; I don’t even know his name. He doesn’t know mine, nor does he know that I even exist. People often ask “What does your father do for a living?” and I’m forced to respond “I actually have two moms,” triggering reactions like that of my driving instructor, “Oh, well that must be different.” I’m 17-years-old and still don’t know how to respond to these comments. 

When I was 5, Mary, who had been sick for a long time with leukemia, passed away, and my life was turned upside down. I was old enough to understand grief, and yet I still question why it happened. It was terrifying seeing my mom break down while saying, “Mom died last night.” I wonder what I missed out on and carry guilt that I don’t remember much about Mary, because we just didn’t have enough time together. Many say grief gets easier with time, however, I think the way you grieve just changes over time. 

The world kept spinning and, in 2011, my biological mom met another woman, who soon became my stepmom. However, to me, Kerry is also my mom. No longer do I reveal the fact that I have two moms; now I get reactions to the fact that I have three. 

Not knowing my father doesn’t leave a void in my life. “Dad” didn’t sing “there was an old lady who swallowed a fly” and tickle me when the old lady swallowed the spider, my moms did. He didn’t take me to Gunpowder Friends Meeting where I shook hands and spent time with 80-year-old friends from the retirement home, my moms did. He didn’t console me when I began crying at the dry-erase board at school because it reminded me of white boards Mom wrote on when she was unable to talk. He didn’t teach me that love is love. He didn’t teach me who I was becoming, my moms did that. 

I’ve never known my father or that I was supposed to have one , so why would I think my life is any different from the so-called “norm?” If there’s one thing I have learned from my parents, it’s that I have developed a love for difference. I openly accept all those around me and excitedly anticipate the relationships that I will build in my future. There is no such thing as a normal family structure, and my upbringing has given me that greater world view. My moms have raised me to believe that I can accomplish anything. There are still limits, though. My family chooses not to travel to Jamaica because we aren’t accepted there. Before each family vacation, we must research to see if it is a gay-friendly place. I don’t know the answers to questions about my dad’s side of the family. But I don’t let those kinds of things get to me because instead I can talk about the people who raised me. The world is changing as we speak. “Normal” is fading, but it has already disappeared for me. I don’t want anything different than the family I have, and I own that every day

Daniel “Deni” Galay ’26

London, england.

“The difference between an anti-personnel and an anti-tank mine is not that complicated,” I am told casually, in halting Russian, by a boy even younger than I am during a walk through the Chechen mountains. I am freshly 14 and visiting my father’s homeland for the first time, unfamiliar with the harsh realities that kids half my age already know ironclad. My guide points out the areas where the grass is overgrown and the fruit trees abundant. People and animals alike know to avoid them; someone has learned of landmines the hard way. It shouldn’t surprise me — the scars of war on this rugged country are omnipresent — but it is so jarringly different from my life in London that it is nevertheless hard to digest.

It also differs from my father’s rosy stories about his childhood in Katyr-Yurt, stories that made me wish to swim carefree in icy rivers, devour handfuls of fresh sour cherries straight from the tree, and see nights dense with stars. I still experience these beauties of place, but my eyes are now open to the less romanticized parts, both enriching and complicating my connection to my family’s past. Suddenly, too, I am made uncomfortably aware of the conflicting layers of my familial identity. It is the Russian of my Muscovite, Jewish mother that I grew up speaking at home. Yet the Chechen children speak in broken Russian, and the grownups who are more fluent in it are not keen to communicate in the enemy’s language. Seeing the ugly scars of war, both physical and psychological, I cannot help but feel like an intruder, ashamed not only of my Russianness but also of my city-boy naivete. Despite this shame, I yearn to discover what it means to be Chechen, to see their home through their eyes, and through this desire, I begin to feel a deep connection all of my own to this beautiful, fraught land. 

In Moscow, my new awareness of conflicting identities only intensifies, but now on account of the maternal side of my heritage. Relatives there largely see Chechens as terrorists and raise an eyebrow when they hear where I have spent my summer. Babushka’s neighbour, a nurse who witnessed the carnage from the theatre siege in Moscow, turns away disgustedly when she overhears me relate the beauty of the mountains and the notable generosity of the people. Once again, I register the fear and distrust of “the other” that reigns in the more homogeneous cultures in Russia, making me appreciate the diversity of London all the more. 

When I return there, I cannot slip back into life as normal as I have done after past summers. I find myself pondering the question of identity and the way people interpret their own past, informed just as much by collective emotion and memory as by fact. The cosmopolitanism of London is just as I remembered it, but the things I loved about it I now see in a new light. I had always revelled in the fact that, despite our differences in heritage, my peers and I had seen each other as the same — bound together by being Londoners first and foremost. Now I am interested in conversations that I would never have considered previously, wanting not only to share my newfound experiences but also learn about the personal histories of my friends, many of whom, like me, are the children of immigrants to the UK. When did they come to explore and interrogate their own complicated identities? How did these discoveries make them feel? What does it mean to carry the stories, the poetry, and the pain of so many places within them? Questions like these, which were so important for me to answer about myself, also became a powerful place from which to understand more deeply the people around me and the complex world we share.

Zachary Yasinov ’26

Syosset, n.y..

I know that I had prepared well for this moment. For two arduous months, I readied my fingers for an exciting concert. No anxiety could undermine my confidence in my preparation, and my piano recital’s success was “in the bag.” I selected three pieces for my repertoire: the ambience of Erik Satie’s Gymnopedie No. 1 as the opener, a somber contemplation of Beethoven’s First Movement of the Moonlight Sonata , and Bach’s light and surreal Prelude in C Major for the conclusion.

My shining moment arrived, and I strode purposefully toward the piano. The building in which my performance was held was new, but its dwellers were old. Respect and prestige permeated the atmosphere as I took each stride to my seat. As I sat down, the chair creaked and moaned as if in sympathy with the audience’s aching desire to hear me play. I prepared my sheet music and commenced my epic moment.

Never was such an exhilarating performance heard. All of the little techniques and tricks that I practiced were executed perfectly. I captured the dynamics I wanted to express in Satie’s phonological experiment with each chord to which I applied varying pressure. Moving onto one of Beethoven’s most famous works, I crafted the cascading arpeggios of each new chord, which resonated unity uninterrupted in me and in the audience. When I concluded with the airy prelude from Bach’s Well-Tempered Clavier , the room swelled with bliss. Having poured my heart and soul into each piece, I beamed with pride.

As customary for a stellar show, I rose to bow to the audience to thank them for their eruption of applause. Flowers were thrown, cheers elicited, and standing ovations bestowed. From the subsiding din came a faint question to rain on my parade: “Could you play something more lively, darling, say, a Neil Diamond song?”

I work on weekends at a long-term-care facility, and my geriatric audience, although a pleasure with whom to interact, can be brutally honest. Begrudgingly, I thanked Mrs. Hersch for her request, promised her better next time, and stewed in my own irrelevance. Going home that day, my feathers were ruffled. How could any civilized listener, after such a superb medley, disregard such time-honored compositions? The notion was absurd.

Yet perhaps more outlandish, as I later acknowledged, was my visceral reaction to the events that had transpired. Why did I react hesitantly to a simple request made in earnestness? It would have been easier, in fact, to practice “Sweet Caroline” than to break my fingers over Beethoven’s work. Then, in my moments of introspection, I concluded that my choice of musical pieces mattered little as long as my audience enjoyed them. Whether it meant recreating the most tortured and heinously composed pop song or a masterfully crafted Romantic concerto, I vowed to play them all.

Throughout my life, my adult mentors have succored me with platitudes when most needed, which laid the foundation for my confidence. Yet, while working with people who have lived five times longer than I have, experiencing so much more than I can imagine, I know that the world does not revolve around my tastes and interests. I’m okay with that. Thus, for a couple of hours each day in the living room, unlucky family members passing by are subjected to the torment of my tenth run-through of “Sweet Caroline” as I prepare for my next recital for an audience that has taught me more about personal preferences, and myself, than I anticipated.

Katherine “Katy” Appleman ’26

Pittsburgh, pa..

I have never felt such palpable emotion, such profound grief emanating from a space, as I did while hiking through the forest fire scorch in Philmont, New Mexico. A universe had once existed under the protection of these Ponderosa Pine, now black and crusted, turning brittle in the wind. It was a landscape that didn’t sing its laments, but whispered of its loss through every pile of scalded timber and skinny, wavering shadow cast by the hollow towers of ash.

I felt prepared when I made the decision to become a scout. I love nature and camping. I love the Scouts BSA program. I love the people. I was definitely not prepared, however, for the numerous challenges I would face during my years as a scout.

I was the first female “boy scout” in my town, which continues to be both my greatest honor and a constant reminder of the isolation and insecurity that comes with being any “first.” I became a symbol, whether for good or bad, and my actions not only spoke of me, but of the future young women in Scouts BSA. I felt like an imposter.

I wasn’t a strong-willed leader like those who usually have “first” stitched into their title. My seventh-grade acting career did little to veil a shy and insecure girl who crumbled at overheard comments on how I didn’t belong or how girls like me were poisoning BSA’s spirit. As time passed, I found myself waiting to develop the toughened heart that the leaders that I knew held. As my troop and I backpacked in Philmont Scout Ranch this past summer, my doubts and insecurities seemed to echo from this inky forest.

Coming from Pittsburgh, I had expected the kind of desert with raspy air and coat hanger cacti. Nothing quite shattered this expectation as much as putting on my last pair of dry socks before the fourth day of downpours. We navigated steep cliffs and vibrant meadows, and pulled ourselves up peak after peak. As the sun set on one of our final evenings, the flat, mountain-ornamented horizon gave way to a modest footpath, daring into a new forest. This forest, differing from the field of burnt pines we had seen prior, had burned several decades ago. The fire had cleared everything and had left its signature singed onto the bottom 10 feet of every tree. The forest floor was clean. Wild grasses with accents of purple and blue flowers blanketed the ground below the pines like snow, which had fallen while the world was asleep, completely untouched and extending to infinity. Above the burnt limbs of the trees, thick bundles of green needles soared into the sky.

Not long after Philmont, I was awarded my Eagle Rank, the culmination of my experience as a scout. I believe that my time in Scouts BSA has been the first to the forest that is my life. Though scars remain from my experience, new change and strength have flourished out of the damage.

I have come to the conclusion that it is not always the fierce leader who becomes a “first.” It is the extra hours. It is finding a way to listen to criticism and try harder, rather than feel the thorns. It is using one’s own feeling of isolation to see others who feel alone. It is the act of going through the fire and staying with it, allowing it to advance you, which changes people who dare to be a “first” into the leaders that they go down in history as being.

As I think back on my experience in Philmont, the first forest we saw, this blackened graveyard, is what I picture. I remember the charcoaled ground so vividly, but more so, I remember the soft purple wildflowers hidden in the desert soil. Though few and far between, against the grieving timber, they were stars.

Claire Lazar ’26

New york, n.y..

I’m 6. The sounds of hornpipe and laughter drift across the gymnasium-turned-cafeteria-turned-auditorium. Mum caught me dancing to some of her old Irish tapes — the Chieftains, Sinead O’Connor. She asked me if I wanted to do it for real. I said sure and went back to dancing. Now a freckled woman digs around in a cardboard box and pulls out a pair of dusty, worn black shoes. “Don’t worry,” she says, “you’ll learn eventually.” The shoes are too big; they sag at the toes. I approach the stage. Twenty-five pairs of eyes fix on me. In a room bustling with motion, everything stands still. It doesn’t matter that I feel like a clown in an ill-fitting costume. All that matters is the dancing.

I’m 9. I sit in the hallway of the Times Square Marriott watching girls in big wigs and sparkly dresses run around, squawking like glamorous, unhinged chickens. In my tartan skirt and simple bun, I feel like an ugly duckling. The bobby pins dutifully securing my bun in place make my scalp ache. My hands slide to my shoes. They’re too tight. Mum put them on her feet to “try and stretch them out a little.” I pass some over-enthusiastic dance moms who put the “mother” in “smother.” I reach the stage. A hundred pairs of eyes fix on me. In a hotel bustling with motion, everything stands still. It doesn’t matter that I’m out of place. All that matters is the dancing.

I’m 12. My brain won’t stop flipping through disastrous scenarios as I stand with my teammates in a hotel in Orlando, Florida. We’ve trained for months, sacrificed everything for this moment. I try to think of happy things: the pride on Dad’s face when he watches me dance, the freedom of flying across a stage on invisible wings. We recite our steps like a poem, the sequences like a song that carries us through an ocean of fiddles, pipes, and drums. My parents sacrificed a lot to send me here. I want to make them proud. I want to make myself proud. We approach the national stage. A thousand pairs of eyes fix on me. In a world bustling with motion, everything stands still. It doesn’t matter that I feel like a fraud. All that matters is the dancing.

I’m 15. An Irish accent lilts through the ballroom of the World Championships. It sounds like mashed potatoes and Sunday bests and the green hills of home that I know so well. We mutter a prayer. I’m not sure I believe in God, though I should. I look at my partner and wish we were more than friends. She smiles. I don’t think God believes in me. We ascend the stage. A million pairs of eyes fix on me. In a universe bustling with motion, everything stands still. It doesn’t matter that I’ll never be enough. All that matters is the dancing.

I’ll be 18. Murmuring voices will hover in the air of the gymnasium-turned-cafeteria-turned-auditorium. A little girl will approach me timidly, wearing a very old tartan skirt. I’ll reach out softly, adjusting her bun to soothe her aching scalp. Then, I’ll slide my hands toward her feet, toward a pair of small, dusty shoes. “You’ll learn,” I’ll say. They’ll sag at the toes, but I’ll reassure her: “Don’t worry. You’ll grow into them.” Then, she and I will look at my own beloved shoes. They’ll be worn, but I’ll tell her the creases are like a map, evidence of the places I’ve been, the heartbreaks I’ve suffered, the joy I’ve danced. My life is in these shoes. We’ll hear the music begin to play, the tide of fiddles, and pipes, and drums. I’ll take her hand and, with a deep breath, we’ll climb the stage. “Ahd mor.” It won’t matter that this is the end. All that has ever mattered is the dancing.

Katherine “Kat” Showalter ’26

Los altos, calif..

The black void descends toward the young girl standing in the grassy field. It slowly creeps up on her, and as it reaches for her perfectly white dress … Swipe . I quickly wipe away the paint without a thought except for panic. Before I realize what I have done, the black droop becomes an ugly smear of black paint. The peaceful picture of the girl standing in the meadow is nowhere to be seen. Even though I successfully avoid having the spilled paint touch the dress, all I can focus on is the black smudge. The stupid black smudge . As I continue to stare at the enemy in front of me, I hear Bob Ross’s annoyingly cheerful voice in my head: “There are no mistakes, only happy accidents.” At this moment, I completely disagree. There is nothing happy about this, only frustration.

Actually, there is one other emotion: excitement . Don’t get me wrong; I’m not excited about making a mistake and definitely not happy about the accident. But I am thrilled at the challenge. The black smudge is taunting me, challenging me to fix the painting that took me hours to do. It is my opponent, and I am not planning to back off, not planning to lose.

Looking back at the painting, I refuse to see only the black smudge. If lacrosse has taught me one thing, it is that I will not be bested by my mistakes. I snatch my picture and run downstairs, carefully setting it against the living room window. The TV newscaster drones in the background, “California continues to be engulfed in flames as the fires continue to burn.” I slowly step back from my painting. California fires , I think, as I look up into the blood-orange sky. California Fires! I look at the painting, imagining the black smudge not as a black void, but smoke creeping up on the girl as she watches the meadow burn.

I grab my painting and run back to my room. The orange sky casts eerie shadows as I throw open my blinds. My hands reach first toward the reds, oranges, and yellows: reds as rich as blood; oranges as beautiful as California poppies; yellows as bright as the sun. I splatter them on my palette, making a beautiful assortment of colors that reminds me of one thing: fire. A rich, beautiful, bright thing, but at the same time, dangerous. My hand levitates toward the white and black. White, my ally: peaceful, wonderful, simple white . Black, my enemy: annoying, frustrating, chaotic black . I splat both of them onto a different palette as I create different shades of gray.

My brush first dips into red, orange, and yellow as I create the flame around the girl. The flame engulfs the meadow, each stroke of red covering the serene nature. Next is the smoke, I sponge the dull colors onto the canvas, hazing over the fire and the trees, and, most importantly, hiding the smudge.

But it doesn’t work. It just looks like more blobs to cover the black smudge. What could make the gray paint turn into the hazy clouds that I have been experiencing for the past several days? I crack my knuckles in habit, and that’s when a new idea pops into my head. My calloused fingers dip into the cold, slimy gray paint, which slowly warms as I rub it between my fingers. My fingers descend onto the canvas, and as they brush against the fabric, I can feel the roughness of the dried paint as I add the new layer. As I work, the tension from my body releases. With each stroke of my fingers, I see what used to be the blobs turn into the thing that has kept me inside my house for weeks. As I lift my last finger off the canvas, I step back and gaze at my new creation. I have won.

These essays were published in the Fall 2022  Hamilton magazine and illustrated by Andrew Vickery. These essays follow four similar collections from the Class of 2022 ,  Class of 2018 , Class of 2012 , and Class of 2007 .

College Essay Writing Tips

The Hamilton Admission Team offers these tips for you to consider when sitting down to write your college application essays.

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Your chance of acceptance, your chancing factors, extracurriculars, top 15 most beautiful colleges globally.

Hi guys! I'm not just considering local colleges, but looking at universities all over the world as well and was wondering what the top 15 most beautiful international campuses are? Appreciate any help!

Hello! Beauty can be subjective and is largely in the eye of the beholder, as the saying goes. Still, the following list gives you a variety of campuses around the world that are regarded for their stunning architecture, green spaces, or picturesque settings:

1. University of Oxford, UK: This historic university is known for its iconic dreaming spires and lovely green spaces. There's also a real sense of history, with some of the colleges dating back centuries.

2. Stanford University, USA: Stanford's distinctive look with red-tile roofs, sandstone walls, and Mission Revival-inspired buildings offers California charm to its students and visitors.

3. University of Cambridge, UK: Numerous beautiful buildings, some dating back to the 13th century, provide a unique setting for learning.

4. Trinity College Dublin, Ireland: Gorgeous Georgian architecture and pedestrian-friendly grand squares define this university.

5. University of Cape Town, South Africa: Situated on the slopes of the majestic Table Mountain, this university offers breathtaking views.

6. University of Sydney, Australia: This is one of Australia's oldest universities, known for its heritage-listed buildings, such as the iconic sandstone Quadrangle.

7. University of Bologna, Italy: As the world's oldest university, it offers historic classrooms and arches, with a beautiful blend of the past and the present.

8. Kyoto University, Japan: The blend of traditional Japanese architecture with a stunning natural setting makes this campus breathtaking in every season.

9. McGill University, Canada: McGill's main campus is set at the foot of Mount Royal in downtown Montreal and is well known for its elegant early-20th-century buildings.

10. University of Salamanca, Spain: This is the oldest university in Spain, and its medieval architecture is stunning.

11. University of Coimbra, Portugal: This university's beautiful Baroque library, the Joanina Library, is just one of many beautiful buildings on campus.

12. The University of Mumbai, India: This university's Victorian Gothic-style buildings are quite breathtaking.

13. University of Buenos Aires, Argentina: Its Law School building stands out for its Greco-Roman style architecture.

14. University of Vienna, Austria: The university's Main Building is a stunning example of late 19th-century architecture.

15. Lomonosov Moscow State University, Russia: This university's main building, one of the "Seven Sisters" from the Stalin era, is quite the architectural landmark, dominating Moscow's skyline.

Remember that while a university's aesthetic appeal can add to its appeal, the most crucial considerations should be academic offerings, campus culture, and resources aligned with your goals and interests!

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