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How to Write the Princeton University Essays 2023-2024

Princeton has two prompts that are required for all applicants, as well as three short-answer questions that give you just 50 words for your response. There is one other prompt, focused on your academic interests, which will be different depending on if you are applying for a Bachelor of Arts or a Bachelor of Science in Engineering. Finally, Princeton has a somewhat unusual requirement—a graded paper to be submitted with your application.

Because Princeton is one of the most competitive schools in the country, you want to be sure that each of your essays, plus the graded paper you submit, will help you stand out from other applicants who have superb academic and extracurricular resumes. In this post, we’ll break down how you should approach each prompt so you can be sure that your essays maximize your chances of acceptance.

Read these Princeton essay examples to inspire your writing.

Princeton University Supplemental Essay Prompts

All applicants.

Prompt 1: Princeton values community and encourages students, faculty, staff and leadership to engage in respectful conversations that can expand their perspectives and challenge their ideas and beliefs. As a prospective member of this community, reflect on how your lived experiences will impact the conversations you will have in the classroom, the dining hall or other campus spaces. What lessons have you learned in life thus far? What will your classmates learn from you? In short, how has your lived experience shaped you? (500 words)

Prompt 2: Princeton has a longstanding commitment to understanding our responsibility to society through service and civic engagement. How does your own story intersect with these ideals? (250 words)

More About You Prompts (50 words each)

Please respond to each question in 50 words or fewer. There are no right or wrong answers. Be yourself!

What is a new skill you would like to learn in college, what brings you joy, what song represents the soundtrack of your life at this moment.

Graded Paper: Princeton requires you to submit a graded written paper as part of your application. You may submit this material now or any time before the application deadline. If you choose not to upload the required paper at this time, you may mail, e-mail, or upload your paper through the applicant portal. Detailed instructions for our graded paper requirement can be found here . (1-2 pages)

Bachelor of Arts Applicants

As a research institution that also prides itself on its liberal arts curriculum, princeton allows students to explore areas across the humanities and the arts, the natural sciences, and the social sciences. what academic areas most pique your curiosity, and how do the programs offered at princeton suit your particular interests (250 words), bachelor of science in engineering applicants, please describe why you are interested in studying engineering at princeton. include any of your experiences in, or exposure to engineering, and how you think the programs offered at the university suit your particular interests. (250 words), all applicants, prompt 1, princeton values community and encourages students, faculty, staff and leadership to engage in respectful conversations that can expand their perspectives and challenge their ideas and beliefs. as a prospective member of this community, reflect on how your lived experiences will impact the conversations you will have in the classroom, the dining hall or other campus spaces. what lessons have you learned in life thus far what will your classmates learn from you in short, how has your lived experience shaped you (500 words).

Brainstorming your topic:

This prompt essentially boils down to its last sentence—how has your lived experience shaped you? Now, that is an incredibly open-ended question, which you could use as a road into just about any topic. That freedom, combined with a pretty long word count, means that the brainstorming process is crucial to writing a strong response. If you don’t already have a clear sense of what you want to say, your essay may end up all over the place.

One good way to focus your brainstorming is through the prompt’s attention to conversations. You’re likely going to share similar things with your peers at Princeton as you do with your friends and family right now. So, questions like the following may help you start figuring out what you want to write about:

• Which stories do you tell most often?
• When you meet someone new, what are some of the first things you usually talk about?
• When you give advice, which experiences do you draw on?

Hopefully, thinking through these slightly more targeted questions will give you some ideas about what you might want to include in your essay. Remember, you have space to work with here, so you don’t have to zero in on just one thing like you would for a shorter prompt. That being said, you also want to make sure that your essay is organized, so you also don’t want to be trying to fit in ten different things.

Rather, select one experience, or 2-4 experiences that are clearly related , to use as the foundation for your essay. Once you have a general structure for your essay, you can then connect bigger picture takeaways to it, which ensures that your essay is cohesive.

For example, maybe you choose to focus your essay on an ice fishing trip you took with your grandfather, and the lessons you learned about patience and the value of cross-generational relationships. Alternatively, you could write about your tradition of getting an owl-themed trinket anywhere you go on vacation, and how this small, seemingly silly routine has given you something consistent across different periods of your life.

Tips for writing your essay:

As noted above, for this prompt, brainstorming is more than half the battle. If you have a clear game plan before you start writing, actually getting the words down will hopefully be more about finding the right phrasing and crafting smooth transitions than actually generating content.

You do want to make sure that, like in any college essay, you’re utilizing the “show, don’t tell” strategy. In other words, rather than telling something to your reader directly, describe a moment or situation that illustrates the point you’re trying to make. To see the benefits of this approach, compare the following two excerpts from hypothetical essays:

Excerpt 1: “For as long as I can remember, I’ve collected owl trinkets on family vacations. In 2009, I got my first one, a ceramic burrowing owl from Tucson, Arizona. The most recent addition to my collection was a dense, bronze owl from Athens, who I was especially excited about since owls are the symbol of Athena, the patron goddess of that city.”

Excerpt 2: “As my family enters the small, dimly lit shop at the end of one of Athens’s many winding streets, my eyes immediately lock onto the shelves upon shelves of owls. Huge, marble ones that cost hundreds of euros, and tiny, wooden ones as spindly as a toothpick. After much deliberation, I select a dense bronze fellow who is barely an inch high. I can already envision how he’ll look on my desk at home, lined up next to all the other owls I’ve collected over the years.”

These two excerpts give us basically the same information, but the first presents it to us in a very dry, factual way. The second, on the other hand, drops us right next to the writer as they pick out their latest owl, and includes vivid descriptions that make this excerpt much more engaging to read.

Particularly since you have 500 words at your disposal, you should see this essay as an opportunity to show off your creative writing ability with a stylistic flourish here and there. That being said, in your early drafts, don’t focus on this kind of finer detail. Make sure you have a personal, informative, cohesive essay first, then take the time to add the cherries on top later.

Mistakes to avoid:

As we hinted at in the brainstorming section above, the biggest potential pitfall with this essay is that between the open-ended prompt and the high word count, you may end up adrift, without any clear focus point to anchor you. To avoid that happening, don’t just rattle off a bunch of vague, Hallmark card lessons. Instead, follow the strategies laid out in the previous two sections to ensure that the points you make are clearly connected to your own personal experiences.

The other thing you want to be sure to avoid is repeating information that can already be found elsewhere in your application, namely in your Common App essay. If you already wrote about your owl collection there, you want to pick something else to focus on here. You only get so many opportunities to share your personality with Princeton’s admissions officers, so don’t waste one by telling them things they already know.

All Applicants, Prompt 2

Princeton has a longstanding commitment to understanding our responsibility to society through service and civic engagement. how does your own story intersect with these ideals (250 words).

Keep in mind that the keyword is “story”—this prompt is not an invitation to list all of your achievements in community service as you will on your resume. Rather, Princeton is asking for a deeply held part of your identity through which you’re motivated to perform civic engagement and service. We’ll cover some specific points below, but we also have a detailed blog post on writing service essays that you’ll find useful as well.

Also note that this prompt is a bit more focused on Princeton itself, so devote about 30-40% of your writing to specific programs at Princeton that align with your interests. We always recommend spending a good hour snooping around a college’s website, clicking through links and looking at the different clubs, classes, programs, institutes, and communities. Also check out Princeton’s webpages for service and civic engagement .

A trusty table can be of good help while you brainstorm:

Focus on one interest or concern. Here, less is more—focusing on one key experience or aspect of your identity shows more thought and effort than copying and pasting several experiences. And for this prompt, it’s most effective to focus on the service work about which you can write the most and or to which you can relate the most.

For instance, a student wanting to study literature might help make sandwiches for charity every month, but she probably has a more immediate connection to being a weekly reader and Bible study leader at her church.

Don’t turn your brain on autopilot or regurgitate the prompt. This prompt uses a lot of “admissions-speak,” which should serve as a signpost to direct you, not as suggested wording to include in your response.

“Intersect,” for example, has become an important—but increasingly robotic—buzzword in recent years. Try to avoid repeating it, and instead opt for words with more emotional resonance: “find a home [at Princeton],” “delve into the research [at Princeton],” etc. The same goes for “service” and “civic engagement”—repeat them too much and you’ll start to sound like you’re using the prompt as a crutch. Besides, there are more vivid words at your disposal.

As always, be specific. Pick not just a broad issue (“helping the homeless”), but also a subset of the issue that actually seems manageable (“making sure that the homeless have access to Internet and library services”). From there, look for potential classes offered at Princeton, and student organizations involved in similar missions. It may be worth citing current student activism projects you find on Princeton’s website, and discussing how those same opportunities would allow you to apply your skills in the best way for you personally.

All Applicants, More About You Prompts (50 words each)

“There are no right or wrong answers.” (Alexa, play “Why You Always Lying?”)

There is a wrong answer, and it’s a category—“boring.” In fact, the more unique and genuine your answer is, the more you can break away as a contender. And because you have such a short word limit, you can even add a little mystery. This is the right place for that, too—it’s the end of your application, and a thought-provoking or fascinating answer will just remind your reader that “We have to interview this applicant to find out more.”

For example, a lackluster answer to the “soundtrack” question might be sensible and logical, but flat: “Since I’ve been sick and stuck in quarantine, ‘Circles’ by Post Malone summarizes my repetitive experience.” Well, it’s passable as small talk. But it’s self-contained and doesn’t elicit any curiosity.

A better answer will entertain, provoke a chuckle, frighten, intrigue —any verb you want your reader to have. Recontextualize a song. Pick a weird one. Send your reader to YouTube to look it up. For example, “Early in his career, David Bowie wrote a song about being stalked by a magical gnome . It is friendly, but harasses Bowie. Does it come in peace, or with malice? It is, like both, inescapable. Its voice plays in my dreams. I fear gnomes now.” The weirdness there commands attention.

You can also demonstrate uniqueness by redefining or recontextualizing a word in the prompt. For example, you could write about a niche type of joy, like schadenfreude (well, maybe not that one), fear/excitement, or watching fire. You could redefine “song” to include birdsong, or the indistinct chatter, easy listening music, and whirring of coffee machines at your favorite coffee shop.

A word on the “skill” question: it may be helpful to address a shortcoming or skill gap, then cite the skill and how it will improve your life. Doing so can prove that you’re not going for pure quirkiness or trying, superficially, to be a Manic Pixie Dream Freshman. For example, “juggling!!!” itself might seem a little vacuous, but can be easily deepened by expansion: “juggling as part of the team would help me overcome my fear of performing and presenting in front of crowds.”

Overall, use these “More About You” questions to showcase another part of your story, personality, or character that you didn’t have the chance to showcase before. When answering this prompt, it can also be helpful to astral-project yourself into another student or someone who’s assessing you as a potential friend.

With this outside perspective in mind , look over your answers: would you want to grab lunch or share a dorm with the person who has written them? Would you be inspired to befriend the engineering major who answers the first “More About You” question with yet another example of her love of engineering? Or would you rather befriend the engineering major who answers the same question with her love for candlemaking and Dolly Parton? The main point is that answering these prompts successfully takes a degree of self-awareness and quirkiness.

All Applicants, Graded Paper

Princeton requires you to submit a graded written paper as part of your application. you may submit this material now or any time before the application deadline. if you choose not to upload the required paper at this time, you may mail, e-mail, or upload your paper through the applicant portal. detailed instructions for our graded paper requirement can be found here . (1-2 pages).

Unlike with the other essays, Princeton isn’t assessing your personality and interests from the graded written paper you’re submitting. Rather, this paper will give the admissions officers insight into your academic capabilities as a student. While the admissions officers can already see your physical grades and reports from teachers, this is a unique chance for you to showcase your talents for conveying an academic idea in writing—a crucial skill you’ll need in college and in life.

We have an entire post dedicated to the requirements for the paper, tips for choosing your paper, and instructions for submitting it. You can read it here !

Bachelor of Arts Applicants, Prompt 1

This essay is only required for those who have indicated on their application an interest in pursuing a Bachelor of Arts.

This prompt somewhat fits into the “Why This Major?” essay archetype . The main difference is that rather than being asked about one specific major, you’re being asked about your general academic interests. This prompt is intended to get a sense of your passion and thirst for knowledge. Princeton only wants to admit the most intellectually curious students, so your essay should convey your academic passions and how you’ll explore them at Princeton.

You want to be sure your essay reveals meaningful emotional reasons for wanting to pursue the fields you want to explore. Asking yourself these questions will help you explain why you’re interested in your chosen topic(s):

• What are specific examples of concepts or things that you enjoy in this field?
• What positive skills or traits are exemplified by this field?
• How might majoring in/studying this topic serve your life and/or career goals?
• What is your state of mind or the emotional experience you have when you explore this topic? Why do you find that state or experience appealing?

Note: The above questions are phrased in a singular way, but the prompt does allow you to talk about multiple areas of study. If you’re interested in multiple things, you should consider writing about them in this essay. Bear in mind the 250-word limit, though, so don’t get too carried away with the number of areas you choose.

After you’ve figured out why you’re interested in your chosen field(s), you can start writing. A good essay will introduce the field(s), articulate your core reasons as to why you’re interested in the field (ideally through anecdotes or specific examples from inside and outside the classroom), and explain how this field might help you in the future.

Here are some examples of responses that include all of these elements:

1) A student who is interested in geosciences might write about how he has grown up by the beach and spent his whole life surfing. He could describe how he became fascinated with how the largest waves he loved to surf were formed.

He might then discuss the independent research he’s done on the tectonic plates, and his study of topographical maps of the Pacific Ocean floor to find the best locations for waves in California. Finally, he would explain how understanding the physics, chemistry, and biology of the ocean can help him predict areas at risk of climate crises as a future environmental consultant.

2) A student who is interested in politics could write about her experience volunteering for her local representative’s campaign. She could describe how she offered to run the social media accounts for her representative since she has an eye for graphic design.

Through attending strategy meetings, reading policy briefs, and speaking to constituents, the student got an inside look at what it means to be a representative, which sparked her interest in politics. After her experience in local government, she got very excited to learn the intricacies of national government and public relations in her classes. She feels that these classes will prepare her to be a press secretary on the Hill one day.

3) A student who is interested in architecture might talk about the trip he took to Barcelona, where he saw the most unique architecture he’s ever seen. After his trip, he researched the architects who created some of the structures he saw. His research inspired his portfolio in art class, in which he painted a collection of houses inspired by the Barcelona style. He hopes to learn more about architectural fundamentals so he can turn his creative designs into practical structures.

Since the prompt asks explicitly about the programs offered at Princeton, make sure you include specific opportunities unique to Princeton that make it the perfect place to pursue this field. You could talk about things like these:

• The specific approach the University takes in teaching specific fields (perhaps you are fascinated by approaching biology from an evolutionary standpoint in the Ecology and Evolutionary Biology major)
• Classes or professors you are excited to have (e.g., Philosophy of Mind , or Turning Points in European Culture )
• Extracurricular opportunities that align with your interests (research projects, study abroad programs, and community service organizations, etc.)

Remember, name-dropping will get you nothing! For every resource you mention, you should have a concrete explanation as to what you hope to gain or contribute when you engage with the resource. Also, make every effort to avoid praising a subject without explaining its significance to you personally. And finally, don’t talk about how you might want to pursue a subject because it pays well or because your parents want you to pursue it.

Bachelor of Science in Engineering Applicants, Prompt 1

This essay is only required for those who have indicated on their application an interest in pursuing a Bachelor of Science in Engineering.

The key here is to be specific ; an implicit aspect of this question is “Why Princeton engineering? What makes Princeton’s engineering program different from other programs? Why would this be a better fit for you than any other?” In essence, this is sort of like the common “Why This Major?” prompt , but it’s referring to a specialized program rather than a specific major.

Rather than vaguely discussing the reasons that Princeton’s engineering program is something you wish to be a part of, mention specific resources and appeal to the philosophy of an engineering education. For instance, if there’s a particular class that interests you, don’t be afraid to directly mention it and connect the class back to your overall interest in engineering.

Extracurricular programs are another area you should definitely mention. If you’re passionate about sustainability, you could discuss your interest in the Princeton chapter of Engineers Without Borders , commenting on how you will use your membership to promote sustainable engineering. If you enjoy working with kids, perhaps Princeton Engineering Education for Kids is more appealing. No matter your interests, be sure to mention a club or organization that could allow you to pursue these interests outside of the classroom.

If you have a preferred area of specialization, such as bioengineering or chemical engineering, it would be great if you’re able to tie this back to your current passions or activities. Maybe you’re already involved in an organization at your current school that deals with these more specialized areas of engineering. If so, make sure to emphasize this, as that would allow your passion to shine through and showcase previous relevant experience.

Be warned, however, that listing all your engineering related activities can make your essay sound like a resume. Rather than simply providing a list, connect each activity to each other in order to construct a more cohesive essay. Make sure that any change in topic flows smoothly from one to the next to avoid transforming your essay into a laundry list of your achievements.

Another direction that you might take when discussing previous engineering experience is to discuss your state of mind when partaking in these activities. Perhaps working on complex engineering problems gets your adrenaline pumping, or maybe you find it quite therapeutic and relaxing. It’s always a good idea to show the admissions officers how you feel when partaking in subjects or activities you’re passionate about.

As always, remember to show Princeton another piece of yourself by highlighting your passions, interests, and goals, and by connecting these back to Princeton’s academic environment.

There are a few things you should avoid when writing this essay:

• First, don’t simply praise Princeton for being a prestigious institution. It’s not a bad thing to be nice, but you should save the limited space you have for substantive, meaningful reasons.
• Second, as mentioned before, don’t simply list your experiences without elaborating on their importance. You don’t want your essay to read more like a list than an essay.
• Finally, don’t state that you want to study engineering for the money or because your parents are forcing you to. These are seen as insincere reasons that won’t make you the most desirable applicant.

Where to Get Your Princeton Essays Edited

Do you want feedback on your Princeton essays? After rereading your essays countless times, it can be difficult to evaluate your writing objectively. That’s why we created our free Peer Essay Review tool , where you can get a free review of your essay from another student. You can also improve your own writing skills by reviewing other students’ essays.

If you want a college admissions expert to review your essay, advisors on CollegeVine have helped students refine their writing and submit successful applications to top schools. Find the right advisor for you to improve your chances of getting into your dream school!

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Hyeyeun Jeon

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Review | the heart of the wild: essays on nature, conservation, and the human future.

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As the human species floods Earth, changing the climate, driving species to extinction, exploiting and degrading the natural world in many ways to provide for the needs and wants of eight and soon ten billion people, questions rise like mosquitoes out of wet summer grass.

In this book, two scholars invited colleagues who have written extensively on human relationships to nature, to consider two questions: “What do we need to observe, experience, and value in nature and the wild as it changes under human influences in order to square our role within it, now and in the future? And how can we keep a love of nature and wild things alive in an increasingly human-defined age?”

They divided the essays submitted into three parts — Part I. Conservation’s Shifting Ground; Part II. Wilderness, Wildness, Wild: Legacies and Liabilities; Part III. Knowing Nature in the Human Age. The result is a thought-provoking read.

The 16 respondents to the editor’s questions range widely in their backgrounds and their thoughts about the questions posed. As a reviewer of this book, I should disclose that I am an “old school” wilderness advocate, an admirer of John Muir, Aldo Leopold, and others who have argued that a measure of wild places must be protected as much as possible. I am a critic of those who argue that there is no such thing as “wild” nature anymore, that we are in the Anthropocene epoch, defined by human influence on nature everywhere, so since no place is untouched by human influence, the very idea of wilderness is passé.

I am ecocentrist rather than an anthropocentrist in my thinking about relations with nature, though I certainly consider humans part of most ecosystems. I am all for exploration of questions like those posed here. The world is unquestionably changing and is rapidly and severely strained by many human population-related influences, so reflection on where we are and should be in relation to nature is essential, which makes this an important book, not merely an abstract exercise.

The views of contributors on wildness, wilderness, and human relations with nature vary widely. At one end of the spectrum, journalist Emma Maris argues that while “autonomy” might be valuable to “individual selves” like the badger she has been observing in an urban neighborhood, for us humans she does not think “one even needs the concept of wilderness or wildness to create a robust environmental ethic.” Furthermore, she sees “Wilderness” as mostly a “colonial myth” and doesn’t use the word “except to debunk it.”

Eileen Crist, a scholar who has written extensively on wilderness, extinction, and human relations with nature, disagrees in her essay “Affirming the Wilderness Ideal.” She critiques what she calls “New Environmentalism,” writing that “Wilderness criticism, and new environmentalism in its wake, thus enshrine a founding principle of Western civilization: that humans are sole creators of meaning and that humans are sole stakeholders when it comes to the fate of the natural world. Upholding that age-old Western anthropocentrism, which ideologically bankrolled nature’s destruction over centuries and millennia, it is deeply ironic that wilderness critics repudiate wilderness as a putatively Western ideal.” She makes the case for rewilding, “a type of ecological restoration with the goal of returning natural areas to wild self-governed states.”

Other contributors fall between these positions, Richard Shine arguing that shifting baselines require careful thought about how we value nature, and what we value in it. Jonathan Losos sees the necessity of rethinking the concept “invasive species,” concluding that “Keeping a love of the wild alive will require us to love a different kind of ‘wild,’ one that has less fidelity to historical assemblages and older notions of ecological ‘integrity’ and that is more about healthy and sustainably functioning systems.” Hal Herzog discusses some of the moral dilemmas involved in keeping cats as pets. Peter Raven briefly recounts what big trouble we are in and how we got into this fix, asking whether we are capable of recognizing that acting in the general interest “is actually the way to serve our own interests too.” He recognizes that acting for the “eco” can be at the same time in the interest of the “anthropo” as well.

Keeping Wild Nature Alive

As to the second question, how to keep “a love of wild nature and wild things alive in an increasingly human-defined world,” the essayists also take diverse positions. Ben Minteer visits the work of renowned landscape photographer Ansel Adams, explaining how Adams taught generations “ how to see and photograph natural scenes and the wilderness, and above all how to appreciate them.” He concludes that though we live in human-centered times, we still need his pictures “if only because they remind us that we haven’t grown ‘too big for nature,’ as some of the more exuberant boosters of the Anthropocene have asserted.”

Philosopher Kathleen Dean Moore, in her inimitable personal style, argues with Henry David Thoreau that, “No. Wildness is not enough for the preservation of the world.” In feral land, land formerly controlled by humans but now on its own, “is the preservation of the world.” Thomas Lowe Fleischner eloquently makes the case for the practice of natural history, defining it as “a practice of attentiveness and receptivity to the more-than-human world, guided by honesty and accuracy.” It is, he says, “a practice of paying attention.”

Other contributors agree with Fleischner, but assert that for many, physically encountering nature to pay such attention to is simply impossible or very difficult. Few have access to wilderness but, Martha Crump writes, likely can find nature in backyards, gardens, vacant lots, and urban and suburban parks where they can learn to practice natural history. We who recognize the need to connect with nature should go all out to help others, especially children, discover wild and human-altered natural places so they can be appreciated and respected.

Others suggest that alternative ways of observing nature, such as videos and virtual nature experiences, can be useful, though Susan Clayton explores the limitations of this approach. For those who might scoff at the value of digital images of animals, Bill Adams makes a good case for the value of “digital avatars” that is well worth considering. Veteran wildlife scientist Joel Berger agrees, a bit reluctantly, that, “In bizarre ways, the digital world can help connect with nature.” An informative nature documentary, with the incredible photography done today, might motivate people, especially the young, to seek out their own adventures outside.

In his afterword Harry W. Greene, mentor to many scientists and naturalists, asks us not to be boxed in by our long-established ideas about how we can and should relate to the natural world because, whether we like it or not, change in that world is happening and our thinking needs to change with it if there is to be any hope of addressing questions like those posed in this book. In his “futuristic daydreams,” he sees woodland-savanna ecosystems meeting human needs as well as those of big predators and herbivores. Parks would keep wildlife populations healthy and “provide benchmarks for sparing versus sharing, and offer places for wilderness recreation and contemplation.” Indigenous people would play prominent roles in rewilding “shared and spared lands.”

“In other words,” Greene writes, “pulling together ecological, cultural, economic and political pieces of a wickedly difficult puzzle — conserving predators on working landscapes — well, maybe someday . . . In the meantime, inspired by the Indigenous perspectives of Salmón and Kimmerer, ‘attitudes with actions, gratitude with reciprocity’ feels to me like a worthy mantra for these perilous times.”

Several authors in this collection caution, as Susan Clayton writes, that environmentalists may hurt their cause “by disparaging an anthropocentric perspective on nature and insisting the only valid perspective is one that is not swayed by human interests or values.” Is this a sincere criticism, or a straw man? Many environmentalists I know, some of whom prefer the term “conservationist,” do not take the extreme position that “human interests or values” should not be part of the reason to be concerned about protecting the wild, be it the backyard or the “big wild.”

There is a clear element of what I would call enlightened self-interest in their advocacy for if the natural world upon which we depend collapses, we will all suffer the consequences. As many argue today, as much as half the world should be protected from human degradation, but this doesn’t mean half the world should be wilderness. Some of it should be, but much of it should be cared for far better than it has been.

Harry Greene likes the term of his colleague Daniel Janzen who says humans should be “wildland gardeners.” They would be motivated by far more than the profit-driven system that dominates today, inspired by their appreciation of the world gained from natural history. Yet perhaps “gardening” wilderness is not the right metaphor for it connotes so much calculated human involvement that the wild character of land and its other-than-human community is negated. Human restraint, which is the core of the wilderness idea, would likely be absent, humans in charge. I love gardening, but do we know enough to be able to garden all land? No way, as natural history teaches us! How about a dash of humility here?

Yet, while perhaps the disparate visions of the contributors to this book are  “futurist daydream[ers],” are they not worth considering along with the idea of just leaving some of nature alone? Reading the essays in The Heart of the Wild stimulated much thought for this reader and will hopefully do so for many others. It is impossible to do justice to all the contributors to this volume, but a taste of their thinking should whet appetites to sit down with this book and carefully consider what the authors have to say, and with “attitudes with actions, gratitude with reciprocity,” get to work in the interest of all beings, human and the myriad other fellow travelers on our finite Earth.

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