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Earning A Master’s In Creative Writing: What To Know

Updated: Nov 1, 2023, 1:51pm

Do you want to create written work that ignites a reader’s imagination and even changes their worldview? With a master’s in creative writing, you can develop strong storytelling and character development skills, equipping you to achieve your writing goals.

If you’re ready to strengthen your writing chops and you enjoy writing original works to inspire others, tell interesting stories and share valuable information, earning a master’s in creative writing may be the next step on your career journey.

The skills learned in a creative writing master’s program qualify you to write your own literary works, teach others creative writing principles or pursue various other careers.

This article explores master’s degrees in creative writing, including common courses and concentrations, admission requirements and careers that use creative writing skills. Read on to learn more about earning a master’s degree in creative writing.

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What Is a Master’s in Creative Writing?

A master’s in creative writing is an advanced degree that helps you develop the skills to write your own novel, poetry, screenplay or nonfiction book. This degree can also prepare you for a career in business, publishing, education, marketing or communications.

In a creative writing master’s degree program, you can expect to analyze literature, explore historical contexts of literary works, master techniques for revising and editing, engage in class workshops and peer critiques, and write your own original work.

Creative writing master’s programs usually require a thesis project, which should be well-written, polished and ready to publish. Typical examples of thesis projects include poetry collections, memoirs, essay collections, short story collections and novels.

A master’s in creative writing typically requires about 36 credits and takes two years to complete. Credit requirements and timelines vary by program, so you may be able to finish your degree quicker.

Specializations for a Master’s in Creative Writing

Below are a few common concentrations for creative writing master’s programs. These vary by school, so your program’s offerings may look different.

This concentration helps you develop fiction writing skills, such as plot development, character creation and world-building. A fiction concentration is a good option if you plan to write short stories, novels or other types of fiction.

A nonfiction concentration focuses on the mechanics of writing nonfiction narratives. If you plan to write memoirs, travel pieces, magazine articles, technical documents or nonfiction books, this concentration may suit you.

Explore the imagery, tone, rhythm and structure of poetry with a poetry concentration. With this concentration, you can expect to develop your poetry writing skills and learn to curate poetry for journals and magazines.

Screenwriting

Screenwriting is an excellent concentration to explore if you enjoy creating characters and telling stories to make them come alive for television or film. This specialization covers how to write shorts, episodic serials, documentaries and feature-length film scripts.

Admission Requirements for a Master’s in Creative Writing

Below are some typical admission requirements for master’s in creative writing degree programs. These requirements vary, so check with your program to ensure you’ve met the appropriate requirements.

• Application for admission
• Bachelor’s degree from an accredited institution
• Transcripts from previous education
• Writing samples
• Letters of recommendation
• Personal statement or essay

Common Courses in a Master’s in Creative Writing

Story and concept.

This course focuses on conceptualizing, planning and developing stories on a structural level. Learners study how to generate ideas, develop interesting plots, create outlines, draft plot arcs, engage in world-building and create well-rounded characters who move their stories forward.

Graduate Studies in English Literature

Understanding literature is essential to building a career in creative writing. This course prepares you to teach, study literature or write professionally. Expect to discuss topics such as phonology, semantics, dialects, syntax and the history of the English language.

Workshop in Creative Nonfiction

You’ll study classic and contemporary creative nonfiction in this course. Workshops in creative nonfiction explore how different genres have emerged throughout history and how previous works influence new works. In some programs, this course focuses on a specific theme.

Foundations in Fiction

In this course, you’ll explore how the novel has developed throughout literary history and how the short story emerged as an art form. Coursework includes reading classic and contemporary works, writing response essays and crafting critical analyses.

MA in Creative Writing vs. MFA in Creative Writing: What’s the Difference?

While the degrees are similar, a master of arts in creative writing is different from a master of fine arts in creative writing. An MA in creative writing teaches creative writing competencies, building analytical skills through studying literature, literary theory and related topics. This lets you explore storytelling along with a more profound knowledge of literature and literary theory.

If you want your education to take a more academic perspective so you can build a career in one of many fields related to writing, an MA in creative writing may be right for you.

An MFA prepares you to work as a professional writer or novelist. MFA students graduate with a completed manuscript that is ready for publishing. Coursework highlights subjects related to the business of writing, such as digital publishing, the importance of building a platform on social media , marketing, freelancing and teaching. An MA in creative writing also takes less time and requires fewer credits than an MFA.

If you want to understand the business of writing and work as a professional author or novelist, earning an MFA in creative writing might be your best option.

What Can You Do With a Master’s in Creative Writing?

Below are several careers you can pursue with a master’s in creative writing. We sourced salary data from the U.S. Bureau of Labor Statistics.

Postsecondary Creative Writing Teacher

Median Annual Salary: $74,280 Minimum Required Education: Ph.D. or another doctoral degree; master’s degree may be accepted at some schools and community colleges Job Overview: Postsecondary teachers, also known as professors or faculty, teach students at the college level. They plan lessons, advise students, serve on committees, conduct research, publish original research, supervise graduate teaching assistants, apply for grants for their research and teach subjects in their areas of expertise.

Median Annual Salary: $73,080 Minimum Required Education: Bachelor’s degree in English or a related field Job Overview: Editors plan, revise and edit written materials for publication. They work for newspapers, magazines, book publishers, advertising agencies, media networks, and motion picture and video production companies. Editors work closely with writers to ensure their written work is accurate, grammatically correct and written in the appropriate style for the medium.

Median Annual Salary: $55,960 Minimum Required Education: Bachelor’s degree in journalism or a related field Job Overview: Journalists research and write stories about local, regional, national and global current events and other newsworthy subjects. Journalists need strong interviewing, editing, analytical and writing skills. Some journalists specialize in a subject, such as sports or politics, and some are generalists. They work for news organizations, magazines and online publications, and some work as freelancers.

Writer or Author

Median Annual Salary: $73,150 Minimum Required Education: None; bachelor’s degree in creative writing or a related field sometimes preferred Job Overview: Writers and authors write fiction or nonfiction content for magazines, plays, blogs, books, television scripts and other forms of media. Novelists, biographers, copywriters, screenwriters and playwrights all fall into this job classification. Writers may work for advertising agencies, news platforms, book publishers and other organizations; some work as freelancers.

Technical Writer

Median Annual Salary: $79,960 Minimum Required Education: Bachelor’s degree Job Overview: Technical writers craft technical documents, such as training manuals and how-to guides. They are adept at simplifying technical information so lay people can easily understand it. Technical writers may work with technical staff, graphic designers, computer support specialists and software developers to create user-friendly finished pieces.

Frequently Asked Questions (FAQs) About a Master's in Creative Writing

Is a master’s in creative writing useful.

If your goal is to launch a career as a writer, then yes, a master’s in creative writing is useful. An MA in creative writing is a versatile degree that prepares you for various jobs requiring excellent writing skills.

Is an MFA better than an MA for creative writing?

One is not better than the other; you should choose the one that best equips you for the career you want. An MFA prepares you to build a career as a professional writer or novelist. An MA prepares you for various jobs demanding high-level writing skills.

What kind of jobs can you get with a creative writing degree?

A creative writing degree prepares you for many types of writing jobs. It helps you build your skills and gain expertise to work as an editor, writer, author, technical writer or journalist. This degree is also essential if you plan to teach writing classes at the college level.

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Sheryl Grey is a freelance writer who specializes in creating content related to education, aging and senior living, and real estate. She is also a copywriter who helps businesses grow through expert website copywriting, branding and content creation. Sheryl holds a Bachelor of Arts in Mass Communications from Indiana University South Bend, and she received her teacher certification training through Bethel University’s Transition to Teaching program.

Is a Creative Writing Degree Worth It? Let’s Get Into It.

In my day—by which I mean the early 2000s—a creative writing degree was considered one of the less practical academic pursuits, only a little more reasonable than a philosophy degree and a theatre arts degree (which, incidentally, is what I have).

These days, we have a bit more appreciation for what a person can do with some well-rounded creative writing skills. Such a person can write novels and poetry, sure, but they can also compose speeches for politicians, create written content to refresh a major corporation’s brand, and craft compelling ad copy.

There’s no question about it. Creative writing is a skill that earns , depending on how you use it.

But as is the case in a lot of modern industries, we’re starting to see that a degree doesn’t carry the weight it used to. And not having a degree isn’t always a barrier to entry.

So where does that leave aspiring writers? Should you bother to pursue a creative writing degree? If so, what should you be trying to get out of it?

We’re about to go over all the ins and outs of this educational path. We’ll talk about:

• The advantages of pursuing a degree in creative writing
• The different types of creative writing programs
• How to choose the program that’s best for you
• How creative writing is taught
• The career opportunities that come with a creative writing degree

Let’s start by looking at the perks.

Benefits of Pursuing a Creative Writing Degree

I’m about to list the four biggest benefits of attending a creative writing program. But I want to be clear about something:

Every one of these perks is something you can also get without a degree in creative writing.

I don’t say that to discourage you from taking this path. This might still be the best next step for your career. See, the biggest difference between getting a formal education and DIY-ing one isn’t what you learn but how you learn it.

That’s why we’re not just looking at what these four benefits are but also how you achieve them in a creative writing program.

Develop Strong Writing Skills

This is the reason most creative writing students pursue a degree. A good program offers a range of courses to help you sharpen your skills, faculty members who have real-life experience with the publishing industry, and access to visiting writers who can offer additional inspiration and insight .

Most programs incorporate writing workshops where you and your fellow students share and give feedback on your work, all under the guidance of a professor. Many universities also put out literary journals, giving students the opportunity to participate in the publishing process .

And of course, enrolling in a creative writing program ensures that you’ll be constantly writing , which is the best way to sharpen your skills.

Explore Diverse Genres and Styles

A self-guided learner has full authority to choose which areas of writing and literature they’ll explore. This is mostly a good thing, but the benefit of pursuing a creative writing degree is that your professors will see to it that you get familiar with a range of formats, genres , and styles .

This is especially true in undergraduate creative writing programs. Expect to read and analyze a wide spectrum of literature, from ancient epic poems to modern mainstream novels.

Build Your Network

This is such a notable perk that many of my friends who went to graduate school for screenwriting highlight this as the number one benefit.

Of course, you can build a network of peers and mentors without shelling out a ton of money for a formal education. But in a creative writing program, you spend all your time with other writers. You read each other’s work, struggle through the same coursework, and connect on a personal level.

Plus, if you happen to go to a school with a robust alumni network, you might find it easier to connect with those in your industry who share your alma mater after you graduate.

Widen Career Options

There are plenty of writers who don’t have a degree in creative writing—or don’t have a degree at all —who are making a decent living off of their words.

Nevertheless, a formal education can offer a wider range of options. It will give you a better shot with employers who place high value on college degrees or want to know that you have specialized knowledge regarding a specific type of writing.

And if you think you might enjoy teaching creative writing, a degree is a must. 

Types of Creative Writing Degrees

Intrigued? Then let’s explore your options more in depth.

There are several different types of creative writing degrees you can pursue, each with a slightly different focus and different opportunities once you leave school to practice your craft in the real world.

We’ll break this down one by one.

Undergraduate Degrees

It typically takes four years to complete an undergraduate creative writing program, though the timeline can be longer or shorter depending on your schedule and any credits you’ve already earned and transferred over.

We’re covering some general creative writing degrees available at the undergraduate level, but I highly recommend doing additional research. There are several more specific degrees that zero in on a particular aspect of writing, like a Bachelor of Arts in Communication or Journalism.

If you have a clear-cut vision for your writing career, start there and work backward to find the degree that makes sense for you. If you only know that you want to be writing one way or another, start by looking at these three options:

Bachelor of Arts (BA) in Creative Writing

When you pursue a Bachelor of Arts, you can expect to get a well-rounded education that includes writing instruction as well as a balanced emphasis on the sciences and humanities.

It’s a liberal arts degree, basically, and it’s the most common choice for students seeking a creative writing education. 

Bachelor of Fine Arts (BFA) in Creative Writing

BFA programs are much rarer than BA programs, but it’s worth considering one if you want an education that puts a heavy emphasis on the “arts” part.

This type of program focuses less on sciences and humanities. It often includes hands-on writing workshops (more on those in a bit) and is favored by students who fully intend to become authors, playwrights, screenwriters, or poets.

Bachelor of Science (BS) in Writing

If you think you might enjoy applying your creative writing skills to something more scientific or analytical, a BS might be the best option for you.

This is a popular option for students who see themselves getting into technical writing, cultural studies, or communication.

Graduate Degrees

Postgraduate education—or grad school, as the cool kids call it—comes after you’ve earned an undergraduate degree. The most common reasons to seek out a graduate degree in creative writing include:

• You think you might like to teach creative writing at the college level one day
• You earned an undergraduate degree in a different field and now you want to study writing
• You just really want to go deep on this subject

Just as with undergrad degrees, there are highly specific grad programs you can explore. Or you can dive into one of these:

Master of Arts (MA) in Creative Writing

While an MA program doesn’t have the humanities and sciences components of a BA program, it still maintains a balance between participating in the arts and observing them. 

That is to say, you’ll do a ton of writing in this program, but you’ll also read and analyze a fair amount of literature.

Master of Fine Arts (MFA) in Creative Writing

MFA programs tend to be super hands-on, with workshops in which students share and give feedback on each other’s writing. Over the course of the program, you’ll complete a book-length work like a novel or poetry collection.

You also might find that you need more credits to earn an MFA degree than an MA in creative writing. 

PhD in Creative Writing

Now you’re just stalling. Write your book already.

I’m kidding. A PhD is a perfectly reasonable option if you want to study literature and creative writing in great depth. Most students who take their writing education this far are also planning to build a career in academia in addition to being a published author.

PhD programs are extremely rigorous, can last four years, and conclude with a dissertation project.

Writing Workshops vs. Writing Courses

At this point, we should probably discuss the difference between writing courses and workshops in an academic setting. You’ll find both in many programs, but the balance between these two educational experiences will depend on which type of creative writing degree you pursue.

It will also influence your entire learning experience.

What Makes a Course a Course?

A creative writing course is exactly what you think of when you imagine any class in a formal education setting.

In a course, a professor lectures on specific topics, assigns projects, and grades students on their performance. There may be class discussions and even opportunities for students to share and engage with each others’ writing. But the overall structure of a course focuses on conveying information.

What Makes a Workshop a Workshop?

A creative writing workshop is more hands-on. While the professor will share insights and guide discussions, the primary purpose of a workshop is to help students refine their craft. They share their work and give each other feedback.

You see much more of this learning style in BFA and MFA programs, which put greater emphasis on honing creative skills. If you want your writing education to include analyzing literature or studying the business end of publishing, you’ll probably want to look into more course-heavy BA or MA programs.  

Renowned Creative Writing Programs

This is usually when a person wants to know where they should go to get these degrees. What are the best creative writing programs out there?

Really, the best program is the one that fits you. Reputation is just one of many factors you should consider when you decide where to pursue a degree in creative writing. 

That said, it’s always a good move to know the respected institutions in your field. It helps you sound informed at cocktail parties. To that end, here are some of the most revered schools in the world of creative writing (in the U.S., anyway):

• The Iowa Writers’ Workshop
• Brown University
• Columbia University
• Duke University
• Emory University
• Mizzou (Journalism)
• Northwestern University

Choosing the Right Creative Writing Program

If prestige shouldn’t be a top consideration when deciding where to earn a degree in creative writing, what should you prioritize?

Here are a few factors to keep in mind as you research your options:

Career goals - Do you want a program that’s going to prepare you for a job in marketing that pays the bills while you write poetry on the side? Do you want to become a globe-trotting journalist or a high-earning technical writer?

Decide what will be the best degree for you, then zero in on the schools that excel in that area of study.

And don’t forget to consider genre! If you want to earn an MFA but are interested in commercial fiction writing, make sure you find a program that matches your goals. Literary fiction tends to get all the love in higher education.

Faculty - Research who you’ll be learning from. Do they seem like the right folks to guide you on your professional journey?

Curriculum - Learn everything you can about a school’s course options and creative writing majors before you commit. Will you be able to focus on the area of writing that matters most to you? Will the skills you learn help you do fun things in the real world like eat and pay rent?

Location - There are accredited creative writing programs that are entirely online. However, many of your best options will be in-person or low residency . Not only is the location relevant for practical reasons—you have to be able to get there—it can also influence how much you pay to go. 

If you attend a state school in your own state, for example, you can expect to pay less than the out-of-state students.

Results - Do a little digging to find out what graduates say about their experience in the program. What did they like about it? What didn’t they like? Would they say it was worth it? What are they doing with their creative writing degree now?

Cost - You’re probably way ahead of me here, but I’ll mention it, anyway. The less you pay for a degree in creative writing, the greater your return on investment will be. Look at tuition costs, possible scholarships, out-of-state versus in-state expenses, and the local cost of living.

Career Opportunities with a Creative Writing Degree

Maybe you decided long ago that you definitely want to go to college. Maybe for you, the question isn’t whether you want a degree at all but whether a degree in creative writing is a good use of your college fund.

In that case, we should talk career opportunities. What exactly can you do with a creative writing degree?

A lot, as it turns out. In fact, we have this ridiculously long list of jobs that require strong creative writing skills. You can follow the link to explore them in depth, but here’s a quick sample of what’s in there:

• Proofreader
• Content writer
• Technical writer
• Social media writer
• Screenwriter
• Speechwriter
• Literary agent
• Brand strategist
• Corporate communications specialist

That’s really only scratching the surface, and it doesn’t even touch on the ways your writing skills might serve you in less creative professions. I know multiple lawyers with a creative writing degree they credit for making them significantly better at drafting legal arguments. (On the flip side, an alarming number of lawyers become screenwriters or novelists.)

The important thing is to consider different creative writing majors carefully. Between the different schools, degrees, and areas of concentration, you’ve got lots of options and plenty of opportunities to select the education path that leads to your ideal writing career.

Whatever You Do, Keep Learning

Only you can decide if a creative writing degree is the right move for you. Whether you go for it or not, remember that continuous learning is the best thing you can do to ensure a successful and fulfilling writing career.

Keep reading work that inspires you. Build and nurture your writer network. Proactively seek out workshops, seminars, conferences , books, articles… anything you can get your hands on that will help you sharpen your skills.

And while I wouldn’t claim it’s a one-to-one replacement for the Iowa Writers’ Workshop, remember that Dabble is always here for you with a shocking amount of free educational resources and a supportive community in the Story Craft Café .

Peruse the hundreds of articles, templates, and worksheets in DabbleU . Subscribe to our newsletter for weekly guidance delivered straight to your inbox. Download this free, 100-page ebook walking you through the entire novel-writing process.

Even if you need a little more time to decide if you want a degree in creative writing, you can start boosting your skills now.

So what are you waiting for?

Abi Wurdeman is the author of Cross-Section of a Human Heart: A Memoir of Early Adulthood, as well as the novella, Holiday Gifts for Insufferable People. She also writes for film and television with her brother and writing partner, Phil Wurdeman. On occasion, Abi pretends to be a poet. One of her poems is (legally) stamped into a sidewalk in Santa Clarita, California. When she’s not writing, Abi is most likely hiking, reading, or texting her mother pictures of her houseplants to ask why they look like that.

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Creative Writing and Literature Master’s Degree Program

Unlock your creative potential and hone your unique voice.

Online Courses

11 out of 12 total courses

On-Campus Experience

One 1- or 3-week residency in summer

$3,340 per course

Next Start Term: Fall 2024

Registration open through August 29

Program Overview

Through the master’s degree in creative writing and literature, you’ll hone your skills as a storyteller — crafting original scripts, novels, stories, and works of creative nonfiction.

In small, workshop-style classes, you’ll master key elements of narrative craft, including characterization, story and plot structure, point of view, dialogue, and description. Rigorous literature courses, many of them taught by Harvard College faculty members, will deepen your skills as a writer and scholar.

Program Benefits

Instructors who are established screenwriters, novelists, and nonfiction writers

A community of writers who support your growth in live online classes

Writer's residency with agent & editor networking opportunities

Personalized academic and career advising

Thesis or capstone options that lead to publishable creative work

Harvard Alumni Association membership upon graduation

Customizable Course Curriculum

As you work through the program’s courses, you’ll enhance your creative writing skills and knowledge of literary concepts and strategies.

You’ll hone your voice as a writer in courses like Writing the Novel and Advanced Memoir. You’ll explore the possibilities of the screen in courses such as Advanced Screenwriting and Comedy Sketch Writing.

Within the creative writing and literature program, you will choose between a thesis or capstone track. You’ll also experience the convenience of online learning and the immersive benefits of learning in person.

11 Online Courses

• Primarily synchronous
• Fall, spring, January, and summer options

Writers’ Residency

A 1- or 3-week summer master class taught by a notable instructor, followed by an agents-and-editors weekend

Thesis or Capstone Track

• Thesis: features a 9-month independent creative project with a faculty advisor
• Capstone: includes crafting a fiction or nonfiction manuscript in a classroom community

The path to your degree begins before you apply to the program.

First, you’ll register for and complete 2 required courses, earning at least a B in each. These foundational courses are investments in your studies and count toward your degree, helping ensure success in the program.

Enroll for your first admission course this fall. Course registration is open July 22–August 29.

To get started, explore degree requirements, confirm your initial eligibility, and learn more about our unique “earn your way in” admissions process.

A Faculty of Creative Writing Experts

Studying at Harvard Extension School means learning from the world’s best. Our instructors are established and award-winning writers and scholars. They bring a genuine passion for teaching, with students giving our faculty an average rating of 4.7 out of 5.

Bryan Delaney

Playwright and Screenwriter

Talaya Adrienne Delaney

Lecturer in Extension, Harvard University

Elisabeth Sharp McKetta

Our community at a glance.

Most of our creative writing and literature students are enrolled in our master’s degree program for either personal enrichment or to make a career change. Over half are employed full time while pursuing their degree and work across a variety of industries.

Download: Creative Writing & Literature Master's Degree Fact Sheet

Average Age

Courses Taken Each Semester

Work Full Time

Would Recommend the Program

Professional Experience in the Field

Pursued for Personal Enrichment

Career Opportunities & Alumni Outcomes

Graduates of our Creative Writing and Literature Master’s Program have writing, research, and communication jobs in the fields of publishing, advertising/marketing, fundraising, secondary and higher education, and more.

Some alumni continue their educational journeys and pursue further studies in other nationally ranked degree programs, including those at Boston University, Brandeis University, University of Pennsylvania, and Cambridge University.

Our alumni hold titles as:

• Marketing Manager
• Director of Publishing
• Senior Research Writer

Our alumni work at a variety of leading organizations, including:

• Little, Brown & Company
• New York University (NYU)
• Bentley Publishers

Career Advising and Mentorship

Whatever your career goals, we’re here to support you. Harvard’s Mignone Center for Career Success offers career advising, employment opportunities, Harvard alumni mentor connections, and career fairs like the annual on-campus Harvard Humanities, Media, Marketing, and Creative Careers Expo.

Your Harvard University Degree

Upon successful completion of the required curriculum, you will earn the Master of Liberal Arts (ALM) in Extension Studies, Field: Creative Writing and Literature.

Expand Your Connections: the Harvard Alumni Network

As a graduate, you’ll become a member of the worldwide Harvard Alumni Association (400,000+ members) and Harvard Extension Alumni Association (29,000+ members).

Harvard is closer than one might think. You can be anywhere and still be part of this world.

Tuition & Financial Aid

Affordability is core to our mission. When compared to our continuing education peers, it’s a fraction of the cost.

Our Tuition (2024–25 rate)	$3,340 per course
Average Tuition of Peer Institutions	$4,330 per course
Average Total Cost	$40,080

After admission, you may qualify for financial aid . Typically, eligible students receive grant funds to cover a portion of tuition costs each term, in addition to federal financial aid options.

Learn more about the cost of attendance .

What can you do with a master’s degree in creative writing and literature?

A master’s degree in creative writing and literature prepares you for a variety of career paths in writing, literature, and communication — it’s up to you to decide where your interests will take you.

You could become a professional writer, editor, literary agent, marketing copywriter, or communications specialist.

You could also go the academic route and bring your knowledge to the classroom to teach creative writing or literature courses.

Is a degree in creative writing and literature worth it?

The value you find in our Creative Writing and Literature Master’s Degree Program will depend on your unique goals, interests, and circumstances.

The curriculum provides a range of courses that allow you to graduate with knowledge and skills transferable to various industries and careers.

How long does completing the creative writing and literature graduate program take?

Program length is ordinarily anywhere between 2 and 5 years. It depends on your preferred pace and the number of courses you want to take each semester.

For an accelerated journey, we offer year round study, where you can take courses in fall, January, spring, and summer.

While we don’t require you to register for a certain number of courses each semester, you cannot take longer than 5 years to complete the degree.

What skills do you need prior to applying for the creative writing and literature degree program?

Harvard Extension School does not require any specific skills prior to applying, but in general, it’s helpful to have solid reading, writing, communication, and critical thinking skills if you are considering a creative writing and literature master’s degree.

Initial eligibility requirements can be found on our creative writing and literature master’s degree requirements page .

Harvard Division of Continuing Education

The Division of Continuing Education (DCE) at Harvard University is dedicated to bringing rigorous academics and innovative teaching capabilities to those seeking to improve their lives through education. We make Harvard education accessible to lifelong learners from high school to retirement.

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Ma in writing.

You bring the passion for storytelling, we’ll help you develop your craft, tap into your creativity, and increase your network. Our goal is that you will leave our program ready to write, publish, and edit at the highest levels possible.

MA in Writing Program Overview

The Johns Hopkins MA in Writing program reflects our university’s international reputation for academic rigor and creative innovation. Rooted in craft and led by working writers, our high-quality program is both challenging and supportive: We’re here to offer clear, straightforward, thoughtful feedback while creating a culture that encourages risk-taking.

At JHU, you will not only boost your writing, revision, and editing skills, but also learn how to read like a writer, to give and receive feedback, to find publishing opportunities, and to live the writing life.

Explore Many Genres and Styles

We offer areas of concentration in nonfiction or fiction writing, each offering its own core courses and required electives that will explore craft elements like form, voice, structure, and style.

• Nonfiction: pursue long-form literary journalism, personal essays, and memoir
• Fiction: focus on short stories, novellas, and novels in a variety of genres

In addition to classes in your selected concentration, you’ll get to dabble in other genres like poetry, drama, playwriting, and screenwriting. Flesh out your schedule with classes from across genres, eras, themes, craft elements, and even from our science writing graduate programs.

Live the Writing Life: Summer Residency

The optional residency courses bring together our community for a week of sessions, workshops, readings, outings, receptions, and, of course, personal writing time. After all, you’re likely to be inspired by your surroundings!

Residency locations vary from year to year. We’ve been to Bar Harbor, Maine; Dublin, Ireland; and Shenandoah National Park in Virginia. Sometimes our writing residencies are integrated with the JHU science writing master’s program, giving you a chance to connect with even more writers and faculty members.

Complete a Manuscript, Build Your Portfolio

You will leave JHU with a solid, publishable portfolio. You’ll bring together the best of you for your thesis project. This could be part of a novel or memoir, or a collection of essays or short stories. You will work under the guidance of a faculty mentor to revise your project, while also taking a capstone workshop where you’ll discuss the writing life and practice and conduct public readings.

Learn on Your Terms

The MA in Writing program is one of the most flexible at JHU. You can complete your degree online in a dynamic and interactive learning environment, with the option to incorporate residency experiences into your studies.

What It’s Like to Study Writing at AAP

Upcoming Events

MA in Writing Information Session

Ma in science writing information session, student insights.

MA in Writing students share their perspectives about the program:

Torrence Boone  '22

“I had written a novel and struggled, but since coming to the program I feel empowered, with a new set of tools and approaches to writing and work. ”

Elissa Collins '23

“I knew I wanted to go back to grad school, and with Johns Hopkins I knew you could work full time and complete the program. So I was very excited about that. ”

Anne Haddad '24

“With its thought-provoking methods and structure, this program has empowered me to feel confident to return to writing the stories I’ve always wanted to write.“

Catherine Smart  '24

“Every professor is accessible and candid and wants to see you develop. I have never had that in a program before, which is why I would stay here above any other program. ”

Why to Pursue an MA in Writing at Hopkins

Surround yourself with other creative writers: Your classmates and faculty members all have a story to tell.

Study With Prolific Writers

Our faculty has been published in Education Week, The New York Review of Books, Time, and many literary journals and major newspapers. Research interests include pop music, Icelandic literature, digital media, creative writing, and multilingual writers.

Grow Your Writing Community and Network

Meet emerging and established writers from all professional backgrounds. Join a successful network of alumni with work in esteemed literary journals, major magazines and newspapers, and on the shelf at your local bookstore.

Write on Location: Travel Opportunities

Our exciting summer residency option rotates locations. You could write near our campus in D.C. or Baltimore, on the rocky shores of the Atlantic in Bar Harbor, Maine, near Acadia National Park, or in the mountains near Shenandoah National Park, or even Dublin, Ireland.

Customize Your Studies Based on Writing Goals

Choose from a variety of workshops and electives, such as Children's Book Writing, Screenwriting, Sentence Power: From Craft to Art, The Essence of Place, Writing the Other, Travel Writing, Completing the Novel, Memoir and Personal Essay – plus a variety of fiction and nonfiction workshops.

Connect With Us

We love to share updates about our students and faculty, as well as links to new publications.

Writing News

Take the Next Step

Study creative writing online or on campus at Johns Hopkins University, among a community of writers dedicated to their craft.

Contact Us for More Information

Advanced academic programs admissions, audience menu.

College of Liberal Arts & Sciences

Department of English

• Why English Studies?
• Why Creative Writing?
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• BA in English/Creative Writing
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• MA/PhD in Literary/Writing Studies
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MFA in Creative Writing

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The Master of Fine Arts (MFA) in Creative Writing is a three-year, terminal degree program that provides students with graduate study and professional training in the writing of fiction and poetry with our distinguished graduate faculty.

The primary goal of the MFA in Creative Writing is to give literary artists time and space to work on perfecting their art. Students in this program specialize in fiction or poetry, teach creative writing, and produce a book-length, publishable manuscript. Students will also gain extensive experience in literary editing and publishing while enrolled in the program.

For more information about MFA in Creative Writing, please visit the program page . 

Application Deadline: December 1, 12:00 noon CST (Fiction); December 15, 12:00 noon CST (Poetry)

UNDERGRADUATE

Research & artistry, alumni & giving, a college of liberal arts department.

CSU's CREATIVE WRITING MFA

Poetry, fiction & nonfiction.

3 Years | 3 Genres | Infinite Possibilities

Full funding opportunities available

The  Master of Fine Arts in Creative Writing  is for students with advanced abilities in the writing of fiction, poetry, and creative nonfiction. Our three-year program offers a balance of intimate and intensive writing workshops with courses in literature, form and technique, and related electives both in and out of the English Department. Writers work closely with a distinguished faculty of publishing writers that includes winners of prestigious national awards and fellowships. Coursework culminates in a thesis—a collection of poetry, short stories, or essays; or a novel or memoir—and the completion of a comprehensive portfolio. A dual-genre thesis option is available to students with exceptional promise in a second genre of writing.

Applicants should familiarize themselves with the program and the department, including course offerings and degree requirements. A complete application includes a two-page statement of purpose; a writing sample (12-20 pages of poems; two short stories or a chapter or two of a novel; two short essays or a chapter or two of a memoir); three letters of reference; and transcripts. Those applying for a Graduate Teaching Assistantship must also complete a separate GTA application.

The application deadline is January 1.

The MFA Program at CSU is a WICHE Western Regional Graduate Program . Residents of Alaska, Arizona, California, Colorado, Hawaii, Idaho, Montana, Nevada, New Mexico, North Dakota, Oregon, South Dakota, Utah, Washington, and Wyoming are eligible for in-state tuition.

For information about the application process  click here .

To apply now,  click here .

Learn More About Our Program

The Creative Writing Program at CSU recognizes and affirms the value of, and the need for, stories from people of all backgrounds. We believe that a healthy literary culture must seek out and support work from communities whose voices have historically been marginalized. Our pedagogy, including close mentoring in a supportive community and an embrace of wide-ranging approaches, strives to hear these stories, to respect them, and to bring them into the world.

MFA Program Information

PROGRAM REQUIREMENTS

• Completion of forty-eight (48) semester credits
• E640—Graduate Writing Workshop: Fiction, Creative Nonfiction, or Poetry (12 credits)
• E513—Form & Technique in Modern Literature: Fiction, Creative Nonfiction, or Poetry (3 credits)
• One pre-20th Century literature course at the 500-level or above (3 credits)
• One course (300-level or above) outside the English Department (waived if your undergraduate degree is not in English or Creative Writing—3 credits)
• E699—Thesis (12 credits)
• Completion of portfolio
• Additional requirements for dual-genre thesis option
• For more details, consult the Guide to CSU’s MFA Program .

FUNDING OPPORTUNITIES

Graduate Teaching Assistantships (GTA) are available on a competitive basis and are the primary funding opportunity for our graduate students. To be eligible you must complete the separate application. These positions are fully funded and come with a tuition waiver and monthly stipend for the 9-month academic year.

A required orientation and pedagogy seminar provide GTAs with extensive training in teaching college composition. The GTA application includes a written statement that should speak to your qualifications and enthusiasm for college teaching. Emphasize any formal or informal teaching experience, such as tutoring, writing-center counseling, or even coaching. In addition, remind your references to speak to your potential for college teaching in their letters.

All applicants who are not awarded a GTA will be automatically considered for a number of other available fellowships. Other options for financial support are detailed in the Guide to CSU’s MFA Program .

Most MFA students, regardless of whether they hold a GTA, are given the opportunity to teach a (paid) section of Beginning Creative Writing during their third year in the program.

INTERNSHIP OPPORTUNITIES

We offer a variety of for-credit internships (some paid) in such areas as college teaching, public education, arts administration in literature, and literary editing – including the Center for Literary Publishing and the Colorado Review . A paid internship as editor of Greyrock Review , a literary magazine staffed by CSU undergraduates, is also available to a first-year student selected by the faculty.

Click here  for Colorado Review internship information.

Back to top

“My MFA has helped me realize the value of my voice and the importance of giving myself permission to create art.”

– colin raunig, 2018, “my teachers taught me invaluable lessons in craft that i carry with me in my writing to this day.”, – andrew mangan, 2016, “my mfa degree taught me different ways of thinking, of approaching, of making… a large part of the reason why i loved the mfa program at csu was because of the people i got to work with.”, – melissa hohl, 2016, “not only did i learn an incredible amount about writing and poetry from my classes, professors, and the reading i did because of these, but i learned about the necessity of community building and literary citizenship that comes with being a poet.”, – cl young, 2018, “the m.f.a. degree was essential to my artistic and professional life… my craft deepened and focused during my time at csu, and the professors and the work helped me refine my voice and develop an artistic aesthetic.”, – claire boyles, 2018, “my mfa connected me to a group of writers who continue to nurture me and my work, who push me and my work in ways that make us both smarter and better.”, – aliceanna stopher, 2019, “great training for my life as a teacher, writer, and person. three years to concentrate on study was a gift that allowed me to grow and challenge myself to see if i could be a writer.”, – devin murphy, 2009, “i teach writing now and think often of my csu professors… i learned plenty about craft at csu, but more importantly i learned about practice and process.”, – cornelius fitzpatrick, 2015, creative writing mfa faculty.

Andrew Altschul

• Associate Professor

Ramona Ausubel

• Assistant Professor

Dan Beachy-Quick

• Interim Chair &
• Undergraduate Coordinator
• University Distinguished Teaching Scholar

Harrison Candelaria Fletcher

Matthew Cooperman

• Professor of English

Camille Dungy

• University Distinguished Professor
• Director, Creative Writing Program

Stephanie G'Schwind

• Director, Center for Literary Publishing

Nina McConigley

Todd Mitchell

• Associate Professor, Director of Creative Writing Teaching Program

Sasha Steensen

• Full Professor of English

Vauhini Vara

• Visiting Assistant Professor of English

Debby Thompson

Creative writing reading series.

Each semester at Colorado State University, the Department of English welcomes major literary voices to the Lory Student Center to share their work live and to engage with the local community. Visiting writers hold audience question and answer sessions, book signings, class visits and other outreach activities.

The series features Pulitzer Prize winners, U.S. poets laureate, National Book Critics Circle Award winners, Kingsley Tufts Poetry Award winners, NAACP Image Award nominees, Oprah’s Book Club selections, National Book Award finalists and recognized voices in young adult literature among others.

Recent visitors include: Dorothy Allison, Julie Carr, Ross Gay, Eduardo C. Corral, Jennifer Egan, Robert Hass, Brenda Hillman, Pam Houston, Yusef Komunyakaa, Dinty W. Moore, Gregory Pardlo, Khadijah Queen, Susan Steinberg, Cheryl Strayed, Ira Sukrungruang, Mary Szybist, and Brian Turner.

Click in the events calendar for author information and details about upcoming readings.

• Creative Writing Reading Series: Meredith Talusan and Paul Yoon Sep 19 7:30 PM - 9:00 PM Lory Student Center, University Ballroom
• Creative Writing Reading Series: Brent Ameneyro and Jennifer Soong Oct 17 7:30 PM - 9:00 PM Lory Student Center, University Ballroom
• Creative Writing Reading Series: Writer's Harvest Nov 07 7:30 PM - 9:00 PM Lory Student Center, University Ballroom

Recent Books

Below is a selection of recent books by Creative Writing MFA Faculty in the Department of English at Colorado State University. Click on the book cover for more information about each selection.

What do CSU Writers Do?

Our graduates have appeared in a vast array of prestigious publications including The Atlantic, McSweeny's, Cincinnati Review and many others. They have found success in equally many exciting fields including communications consultant, college dean, professor, research administrator, journal editor, and many others. And their accolades include awards like the Pulitzer Prize, Colorado Book Award in Poetry, Chicago Writers Association book of the year, and more!

"If there's a book that you want to read but it hasn't been written yet then you must write it"

- toni morrison, organization of graduate student writers.

The OGSW consists of representatives from the Creative Writing MFA and is dedicated to providing students with opportunities to practice, enjoy, and participate in the creative writing community. We do this by organizing readings, workshops, visiting speakers, and other free events and services for the MFA/CSU community.

Creative Writing MFA Blog

The Creative Writing MFA blog is written by graduate students at various stages of degree completion and features posts by writers of poetry, fiction, and creative nonfiction about their lives as writers and members of the CSU community. Scroll through the carousel of entries below or click the button for a full listing of blog submissions.

Beginning to Remember

By Jake Friedman It’s been over ten years since I was in the academy. Though I’m beginning to remember now. The last couple of days I’ve been sick. I’d forgotten how hard the end of semester is—the Sisyphean incline of […]

On Not Writing About My Father by Dorothy Angle

I promised myself I was done writing about my father. What feels like a lifetime ago, I took my first Creative Writing class to satisfy an elective for a Masters in education. Nearly all my stories were about a young […]

On Ambition, Vision, and Voice by Henry Dykstal

One of the things that most separates my MFA experience from the workshops I’ve taken before, from undergraduate to conferences to private classes at literary centers or what have you, is voice. At all of the places but the MFA, […]

Writing as Letting Go

I knew getting an MFA would entail, well, writing a lot — and that this would hopefully make me a better fiction writer. (I mean, duh.) Maybe it’s because I don’t come from an English background, but what I didn’t […]

RELATIVE TIME: A RELFECTION ON THE FIRST YEAR(?) OF MFA

Somehow, it is spring. The branches wear shriveled green promises. The undergrads have, for the most part, abandoned pants. The birdcalls along the Spring Creek trail have swelled to cacophony. Somehow, in a few short weeks, the first year of […]

On Friendship

To 2021 recently graduated me (one year ago): You get a phone call from Harrison letting you know that you got into this program. It is wild, I know: you get the opportunity to focus on your writing, your craft, […]

The Ice Persists

It’s been winter for a long time now. It’s been winter in the insistent way of Colorado, snow weighing over the earth like the X-ray apron at the dentist. I crunch to the bus stop over thick, complicated patterns of […]

An Exceptional Day in the Life

You’re living with a poet who is also in the MFA program. She taught you how to make ice cream out of peanut butter, frozen bananas, cocoa powder, and honey when you’re craving something sweet late at night. You’re making […]

And to the West, Mountains

In Fort Collins, the mountains usually mean west. As I walk to campus, I walk north, west, then north again. True north is usually Eddy Hall – home of the English department. I suppose I will not yet stop having […]

When You Know, You Know

“The biggest mistake you can make is going before you’re ready.” I remember feeling absolutely crushed when someone who I looked up to, someone who I admired, said those words to me. We were on the phone, I was asking […]

MSt in Creative Writing

• Entry requirements
• Funding and Costs
• College preference
• How to Apply

About the course

The MSt in Creative Writing is a two-year, part-time master's degree course offering a unique combination of high contact hours, genre specialisation, and critical and creative breadth.

The emphasis of the course is cross-cultural and cross-genre, pointing up the needs and challenges of the contemporary writer who produces their creative work in the context of a global writerly and critical community.

The MSt offers a clustered learning format of five residences, two guided retreats and one research placement over two years. The research placement, a distinguishing feature of the course, provides between one and two weeks' in-house experience of writing in the real world.

The first year concentrates equally on prose fiction, poetry, dramatic writing and narrative non-fiction. There is a significant critical reading and analysis component, which is linked to the writerly considerations explored in each of the genres. In your second year you will specialise in one of the following:

• short fiction
• radio drama
• screenwriting
• stage drama
• narrative non-fiction.

The residences in particular offer an intensive workshop- and seminar-based forum for ideas exchange and for the opening up of creative and critical frameworks within which to develop writerly and analytical skills. There is a strong element of one-to-one tutorial teaching. Tutorials take place within residences and retreats, and relate to the on-going work produced for the course.

You will be assigned a supervisor who will work closely with you throughout the development of the year two final project and extended essay. All assessed work throughout the two years of the course is subject to one-to-one feedback and discussion with a tutor. This intensive, one-to-one input, combined with the highly interactive workshop and seminar sessions, is a distinguishing feature of the course.

Supervision

The allocation of graduate supervision for this course is the responsibility of the Department for Continuing Education and this role will usually be performed by the Course Director.

You will be allocated a supervisor to guide and advise you on your creative and critical work throughout the second year.

It is not always possible to accommodate the preferences of incoming graduate students to work with a particular member of staff. Under exceptional circumstances a supervisor may be found outside the Department for Continuing Education.

The MSt is assessed by coursework. In the first year, four assignments (two creative, two critical), one creative writing portfolio and one critical essay are submitted. Work is set during each residence and handed in for assessment before the next meeting. Feedback on work submitted is given during tutorials within the residence or retreat. In the second year, submissions comprise one research placement report, one extended critical essay, and a final project – a substantial body of creative work in the genre of choice. 

You will be set specific creative and critical work to be completed between residences and handed in to set deadlines. Creative submissions in the first year must be in more than one genre. In the second year, submitted work focuses around the genre of your choice.

Graduate destinations

Graduate destinations have included publishing creative work in a chosen field, careers in arts/media, and doctoral programmes in creative writing.

Changes to this course and your supervision

The University will seek to deliver this course in accordance with the description set out in this course page. However, there may be situations in which it is desirable or necessary for the University to make changes in course provision, either before or after registration. The safety of students, staff and visitors is paramount and major changes to delivery or services may have to be made in circumstances of a pandemic, epidemic or local health emergency. In addition, in certain circumstances, for example due to visa difficulties or because the health needs of students cannot be met, it may be necessary to make adjustments to course requirements for international study.

Where possible your academic supervisor will not change for the duration of your course. However, it may be necessary to assign a new academic supervisor during the course of study or before registration for reasons which might include illness, sabbatical leave, parental leave or change in employment.

For further information please see our page on changes to courses and the provisions of the student contract regarding changes to courses.

Entry requirements for entry in 2024-25

Proven and potential academic excellence.

The requirements described below are specific to this course and apply only in the year of entry that is shown. You can use our interactive tool to help you  evaluate whether your application is likely to be competitive .

Please be aware that any studentships that are linked to this course may have different or additional requirements and you should read any studentship information carefully before applying. 

Degree-level qualifications

As a minimum, applicants should hold or be predicted to achieve the following UK qualifications or their equivalent:

• a first-class or upper second-class undergraduate degree with honours  in a related field.

For applicants with a degree from the USA, the minimum GPA normally sought is 3.6 out of 4.0.

If your degree is not from the UK or another country specified above, visit our International Qualifications page for guidance on the qualifications and grades that would usually be considered to meet the University’s minimum entry requirements.

GRE General Test scores

No Graduate Record Examination (GRE) or GMAT scores are sought.

Other qualifications, evidence of excellence and relevant experience 

• Assessors are looking for writers with a proven record of commitment to their craft, whose work demonstrates significant creative promise. You should be a keen reader, and bring an open-minded, questioning approach to both reading and writing. You will not necessarily have yet achieved publication, but you will have written regularly and read widely over a sustained period. You will be keen to dedicate time and energy and staying-power to harnessing your talent, enlarging your skills, and aiming your writerly production at consistently professional standards. It is likely you will have a first degree, or equivalent, although in some cases other evidence of suitability may be acceptable.
• Applicants do not need to be previously published, but the MSt is unlikely to be suitable for those who are just starting out on their writerly and critical development.

English language proficiency

This course requires proficiency in English at the University's  higher level . If your first language is not English, you may need to provide evidence that you meet this requirement. The minimum scores required to meet the University's higher level are detailed in the table below.

Minimum scores required to meet the University's higher level requirement

Test	Minimum overall score	Minimum score per component
IELTS Academic (Institution code: 0713)	7.5	7.0
TOEFL iBT, including the 'Home Edition' (Institution code: 0490)	110	Listening: 22 Reading: 24 Speaking: 25 Writing: 24
C1 Advanced*	191	185
C2 Proficiency	191	185

*Previously known as the Cambridge Certificate of Advanced English or Cambridge English: Advanced (CAE) † Previously known as the Cambridge Certificate of Proficiency in English or Cambridge English: Proficiency (CPE)

Your test must have been taken no more than two years before the start date of your course. Our Application Guide provides  further information about the English language test requirement .

Declaring extenuating circumstances

If your ability to meet the entry requirements has been affected by the COVID-19 pandemic (eg you were awarded an unclassified/ungraded degree) or any other exceptional personal circumstance (eg other illness or bereavement), please refer to the guidance on extenuating circumstances in the Application Guide for information about how to declare this so that your application can be considered appropriately.

You will need to register three referees who can give an informed view of your academic ability and suitability for the course. The  How to apply  section of this page provides details of the types of reference that are required in support of your application for this course and how these will be assessed.

Supporting documents

You will be required to supply supporting documents with your application. The  How to apply  section of this page provides details of the supporting documents that are required as part of your application for this course and how these will be assessed.

Performance at interview

Interviews are normally held as part of the admissions process.  

For those applying by the January deadline, interviews are generally held in February and March. For March applicants, interviews are generally held in March and April.

The decision to call an applicant for interview is based on the University Admission Board's assessment of your portfolio, statement of purpose, academic and professional track record and references. Interviews will be conducted in person or by telephone. All applicants whose paper submissions indicate they are qualified for entry will generally be interviewed, either in person or by telephone/Skype. There are always two interviewers. Interviews usually last up to approximately 30 minutes and provide an opportunity for the candidate to discuss his/her application and to explore the course in more detail.

The interview is designed to ascertain, through a range of questions, the shape and emphasis of the candidate's writing and reading, and general suitability for the demands of the MSt. 

How your application is assessed

Your application will be assessed purely on your proven and potential academic excellence and other entry requirements described under that heading.

References  and  supporting documents  submitted as part of your application, and your performance at interview (if interviews are held) will be considered as part of the assessment process. Whether or not you have secured funding will not be taken into consideration when your application is assessed.

An overview of the shortlisting and selection process is provided below. Our ' After you apply ' pages provide  more information about how applications are assessed . 

Shortlisting and selection

Students are considered for shortlisting and selected for admission without regard to age, disability, gender reassignment, marital or civil partnership status, pregnancy and maternity, race (including colour, nationality and ethnic or national origins), religion or belief (including lack of belief), sex, sexual orientation, as well as other relevant circumstances including parental or caring responsibilities or social background. However, please note the following:

• socio-economic information may be taken into account in the selection of applicants and award of scholarships for courses that are part of  the University’s pilot selection procedure  and for  scholarships aimed at under-represented groups ;
• country of ordinary residence may be taken into account in the awarding of certain scholarships; and
• protected characteristics may be taken into account during shortlisting for interview or the award of scholarships where the University has approved a positive action case under the Equality Act 2010.

Processing your data for shortlisting and selection

Information about  processing special category data for the purposes of positive action  and  using your data to assess your eligibility for funding , can be found in our Postgraduate Applicant Privacy Policy.

Admissions panels and assessors

All recommendations to admit a student involve the judgement of at least two members of the academic staff with relevant experience and expertise, and must also be approved by the Director of Graduate Studies or Admissions Committee (or equivalent within the department).

Admissions panels or committees will always include at least one member of academic staff who has undertaken appropriate training.

Other factors governing whether places can be offered

The following factors will also govern whether candidates can be offered places:

• the ability of the University to provide the appropriate supervision for your studies, as outlined under the 'Supervision' heading in the  About  section of this page;
• the ability of the University to provide appropriate support for your studies (eg through the provision of facilities, resources, teaching and/or research opportunities); and
• minimum and maximum limits to the numbers of students who may be admitted to the University's taught and research programmes.

Offer conditions for successful applications

If you receive an offer of a place at Oxford, your offer will outline any conditions that you need to satisfy and any actions you need to take, together with any associated deadlines. These may include academic conditions, such as achieving a specific final grade in your current degree course. These conditions will usually depend on your individual academic circumstances and may vary between applicants. Our ' After you apply ' pages provide more information about offers and conditions . 

In addition to any academic conditions which are set, you will also be required to meet the following requirements:

Financial Declaration

If you are offered a place, you will be required to complete a  Financial Declaration  in order to meet your financial condition of admission.

Disclosure of criminal convictions

In accordance with the University’s obligations towards students and staff, we will ask you to declare any  relevant, unspent criminal convictions  before you can take up a place at Oxford.

The department is committed to supporting you to pursue your academic goals. 

The Rewley House Continuing Education Library , one of the Bodleian Libraries, is situated in Rewley House. The department aims to support the wide variety of subjects covered by departmental courses at many academic levels. The department also has a collection of around 73,000 books together with periodicals. PCs in the library give access to the internet and the full range of electronic resources subscribed to by the University of Oxford. Wi-Fi is also available. The Jessop Reading Room adjoining the library is available for study. You will have access to the Central Bodleian and other Bodleian Libraries.

The department's Graduate School provides a stimulating and enriching learning and research environment for the department's graduate students, fostering intellectual and social interaction between graduates of different disciplines and professions from the UK and around the globe. The Graduate School will help you make the most of the wealth of resources and opportunities available, paying particular regard to the support and guidance needed if you are following a part-time graduate programme. The department’s graduate community comprises over 600 members following taught programmes and more than 70 undertaking doctoral research.

The department provides various IT facilities , including the Student Computing Facility which provides individual PCs for your use. Many of the department's courses are delivered through blended learning or have a website to support face-to-face study. In most cases, online support is delivered through a virtual learning environment. 

Depending on the programme you are taking with the department, you may require accommodation at some point in your student career. Rewley House is ideally located in central Oxford; the city's historic sites, colleges, museums, shops and restaurants are only a few minutes’ walk away. The department has 35 en-suite study bedrooms, all with high quality amenities, including internet access.

The Rewley House dining room has seating for up to 132 people. A full meal service is available daily. The department operates a Common Room with bar for students. 

Department for Continuing Education

The need for new learning opportunities throughout life is now recognised throughout society. An intensive, initial period of higher education is not always enough in times of rapid social, economic and technological change. The Department for Continuing Education is known worldwide as a leading provider of extended learning for professional and personal development.

The department provides high-quality, flexible, part-time graduate education, tailored for adults. Students can undertake graduate-level certificates, diplomas and taught master’s degrees in a wide range of subjects. Increasing numbers of courses are delivered in mixed mode, combining intensive periods of residence in Oxford with tutored online study.

The department recruits adult students of all ages on a regional, national and international level. Many courses are offered jointly with other academic departments around the University. Courses are offered in the following areas:

• Mathematical, physical and life sciences
• Medical and health sciences
• Social sciences .

All postgraduate students on the department's courses are members of its Graduate School. The Graduate School aims to provide a stimulating and enriching environment for learning and research. It also fosters intellectual and social interaction between students coming from different disciplines and professions. Interdisciplinary research seminars, training opportunities and other events are offered by the Graduate School in support of this goal.

All masters' and DPhil applicants are considered for Clarendon Scholarships . The department is committed to seeking scholarship support for other students wherever possible.

View all courses   View taught courses View research courses

The University expects to be able to offer over 1,000 full or partial graduate scholarships across the collegiate University in 2024-25. You will be automatically considered for the majority of Oxford scholarships , if you fulfil the eligibility criteria and submit your graduate application by the relevant December or January deadline. Most scholarships are awarded on the basis of academic merit and/or potential. 

For further details about searching for funding as a graduate student visit our dedicated Funding pages, which contain information about how to apply for Oxford scholarships requiring an additional application, details of external funding, loan schemes and other funding sources.

Please ensure that you visit individual college websites for details of any college-specific funding opportunities using the links provided on our college pages or below:

Please note that not all the colleges listed above may accept students on this course. For details of those which do, please refer to the College preference section of this page.

Further information about funding opportunities for this course can be found on the department's website.

Annual fees for entry in 2024-25

Home	£9,025
Overseas	£14,155

Further details about fee status eligibility can be found on the fee status webpage.

Information about course fees

Course fees are payable each year, for the duration of your fee liability (your fee liability is the length of time for which you are required to pay course fees). For courses lasting longer than one year, please be aware that fees will usually increase annually. For details, please see our guidance on changes to fees and charges .

Course fees cover your teaching as well as other academic services and facilities provided to support your studies. Unless specified in the additional information section below, course fees do not cover your accommodation, residential costs or other living costs. They also don’t cover any additional costs and charges that are outlined in the additional information below.

Where can I find further information about fees?

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Creative Writing Master's

Want more info.

We're so glad you're interested in UNT! Let us know if you'd like more information and we'll get you everything you need.

Why Earn a Creative Writing Master's?

The M.A. program in Creative Writing offers training in the writing of poetry, fiction and non-fiction. Each master's student in Creative Writing divides coursework evenly between workshop and literature classes, leading to the writing of an original thesis submitted in fulfillment of the degree plan.

You'll have the opportunity both to work closely with the creative writing and literature faculties and to explore ways in which knowledge of literary traditions develops craft. The concentration in creative writing requires you to take workshops in fiction, poetry and/or creative nonfiction alongside a range of literature courses.

Many recent M.A. students have gone on to further study in elite M.F.A. or Ph.D. programs, including the Ph.D. Program at Stanford and the M.F.A. program at the University of Houston.

• Construct persuasive, evidence-based arguments
• Communicate findings clearly and concisely
• Understand historical and cultural perspectives
• Evaluate critically sources and narratives
• Prepare oral and written presentations

Creative Writing Master's Highlights

What can you do with a creative writing master's.

Students pursue the degree in order to become better writers, able to create prose and poetry that draw on a full range of the craft. On a more practical level, MFA students become better writers, which prepares them for a variety of careers: an array of jobs in technical and digital fields, marketing, public relations, journalism, arts administration, and editing.

Creative Writing Master's Courses You Could Take

Learn More About UNT

Explore more options.

English Master's

English Creative Writing Ph.D.

It’s easy to apply online. Join us and discover why we’re the choice of nearly 47,000 students.

• Schools & departments

Creative Writing MSc

Awards: MSc

Funding opportunities

Programme website: Creative Writing

The community has been one of my favourite parts. The department has very warm and encouraging staff. Some of my classmates are now close friends, and we still workshop stories across time zones, and complain to each other about writing - and not writing! Bhavika Govil, prize-winning fiction writer MSc in Creative Writing, 2020

Discovery Day

Join us online on 21st August to learn more about postgraduate study at Edinburgh.

Find out more and register

Programme description

Based in the first UNESCO World City of Literature, this one-year, full-time taught Masters programme is tailored towards your practice in either fiction or poetry.

There is a strong practical element to the programme, helping you develop your creative skills through:

• presenting your work for peer discussion
• hearing from guest writers and other professionals on the practicalities of life as a writer

You will also sharpen your critical skills through:

• seminars exploring the particulars of your chosen form
• option courses in literature, helping you move from theoretical considerations to practical applications

The programme culminates with the publication of ‘From Arthur’s Seat,’ an anthology of student work.

Why Edinburgh

Literature has been taught here for over 250 years, and today Edinburgh thrives on its designation as the first UNESCO World City of Literature. The city is home to the National Library of Scotland and the Scottish Poetry Library, and a number of celebrated publishing outlets, from Canongate and Polygon, to Luath Press, Birlinn and Mariscat. The University hosts the prestigious James Tait Black Awards, established in 1919 and one of the oldest literary prizes in Britain.

There are lots of opportunities to write and share your work, from ‘The Student,’ the UK’s oldest student newspaper (founded in 1887 by Robert Louis Stevenson), to The Selkie, which was founded by Creative Writing students in 2018 to showcase work by people who self-identify as underrepresented.

Around the city, you will find:

• library readings and bookshop launches
• spoken word gigs
• cabaret nights
• poetry slams

Edinburgh isn’t just historic – it’s a modern hub for literature. That’s part of what makes the city great for writing.

Austin Crowley, MSc in Creative Writing, 2023

We team teach our programme so that you benefit from the input of a range of tutors, as well as your fellow students and our Writer in Residence, the poet and author Michael Pedersen, who also co-ordinates a range of student writing prizes and our annual industry and networking event.

The academic staff you will be working with are all active researchers or authors, including well-published and prize-winning writers of poetry, prose fiction and drama. They include:

• Dr Jane Alexander - Fiction
• Dr Lynda Clark
• Dr Patrick Errington - Poetry/Fiction
• Dr Miriam Gamble - Poetry
• Professor Alan Gillis - Poetry
• Dr Jane McKie - Poetry
• Dr Allyson Stack - Fiction
• Kim Sherwood - Fiction
• Alice Thompson - Fiction

Programme structure

Over the duration of the programme, you will:

• take two core courses, both worth 40 credits
• two optional courses chosen from a wide range of subjects, both worth 20 credits

The core activities in Creative Writing are:

• tutor-led workshops, in which you will present your work-in-progress and critique the work of your fellow students
• regular seminars exploring techniques and issues specific to your practice (either fiction or poetry) and the statements and theories of practitioners

Optional courses

We have a large number of option courses to choose from, including preferred courses for fiction and poetry (which will be offered to Creative Writing students in the first instance), and courses from across the Department of English Literature and the School of Literatures, Languages and Cultures.

Visiting speakers

Throughout the programme, you will be expected to attend readings and talks by visiting speakers. Early on, these will be from published writers and, later, advisors from the writing business: literary agents, magazine editors and publishers.

Dissertation

The final element of the programme is your dissertation, a piece of creative writing (worth 60 credits) written with the advice and support of a designated supervisor.

Fiction dissertations are between 15,000 words and 20,000 words, and poetry dissertations between 25 and 30 pages.

Learning outcomes

On successful completion of this course, you should be able to:

• identify, conceptualise and define formal elements of craft in your chosen field (poetry or fiction) within published works and within works by your peers
• remain open to criticism and respond effectively and creatively to feedback on your own creative work
• work from initial conception through multiple drafts to the final version of a creative piece within your chosen field (fiction or poetry)
• transfer editorial skills and creative abilities from one context to another
• analyse creative works within your chosen field (fiction or poetry), work with a focus on craft effectiveness, and articulate strengths and weaknesses in a piece of writing in a constructive manner

Career opportunities

Over the course of this programme, you will complete a body of creative work that has been rigorously peer reviewed.

Our students go on to careers in a wide variety of fields, including:

• arts administration
• web and audio book editing
• script and ghost writing
• gaming narrative design

Some decide to extend their studies and take a PhD with us.

Many of our alumni go on to achieve literary success, publishing novels and short story and poetry collections, and winning awards. Our graduates’ recent successes include:

debut novels from:

• Amanda Block (The Lost Storyteller, published by Hodder Studio)
• Karin Nordin (Where Ravens Roost, published by Harper Collins)
• Marielle Thompson (Where Ivy Dares to Grow, published by Kensington Books)
• August Thomas (Liar’s Candle, published by Simon and Schuster)
• Rosie Walker (Secrets of a Serial Killer, published by One More Chapter)
• Mark Wightman (Waking the Tiger, published by Hobeck Books and shortlisted for Scottish Crime Debut of the Year 2021)

debut short story collections from:

• Dayle Furlong (Lake Effect, published by Cormorant Books)
• Dima Alzayat (Alligator and Other Stories, shortlisted for the James Tait Black Award for Fiction)
• a non-fiction debut from Sonali Misra (21 Fantastic Failures, published by Rupa Publications India)

debut poetry collections from:

• Rebecca Tamás (WITCH, published by Penned in the Margins)
• Naomi Morris (Hyperlove, published by Makina Books)
• Aileen Ballantyne (Taking Flight, published by Luath Press)
• the 2022 Edwin Morgan Poetry Award, won by Alyson Kissner
• the 2021 Brotherton Poetry Prize, won by Lauren Pope
• the 2021 Pontas & JJ Bola Emerging Writers Prize, won by Bhavika Govil

Meet our graduates

From Arthur’s Seat – stories from the heart of Edinburgh

Tim Tim Cheng

• Bhavika Govil
• Dima Alzayat

What's the best type of masters programme for you?

Entry requirements.

These entry requirements are for the 2024/25 academic year and requirements for future academic years may differ. Entry requirements for the 2025/26 academic year will be published on 1 Oct 2024.

A UK 2:1 honours degree, or its international equivalent, in any discipline. This will often be in a directly related subject like English Literature/Creative Writing, but we welcome applicants from all academic backgrounds.

Applicants who are entered into selection will be asked to provide a sample of written work to enable their suitability for the programme to be assessed.

Students from China

This degree is Band C.

• Postgraduate entry requirements for students from China

International qualifications

Check whether your international qualifications meet our general entry requirements:

• Entry requirements by country
• English language requirements

Regardless of your nationality or country of residence, you must demonstrate a level of English language competency at a level that will enable you to succeed in your studies.

English language tests

We accept the following English language qualifications at the grades specified:

• IELTS Academic: total 7.0 with at least 6.5 in each component. We do not accept IELTS One Skill Retake to meet our English language requirements.
• TOEFL-iBT (including Home Edition): total 100 with at least 23 in each component. We do not accept TOEFL MyBest Score to meet our English language requirements.
• C1 Advanced ( CAE ) / C2 Proficiency ( CPE ): total 185 with at least 176 in each component.
• Trinity ISE : ISE III with passes in all four components.
• PTE Academic: total 70 with at least 62 in each component.

Your English language qualification must be no more than three and a half years old from the start date of the programme you are applying to study, unless you are using IELTS , TOEFL, Trinity ISE or PTE , in which case it must be no more than two years old.

Degrees taught and assessed in English

We also accept an undergraduate or postgraduate degree that has been taught and assessed in English in a majority English speaking country, as defined by UK Visas and Immigration:

• UKVI list of majority English speaking countries

We also accept a degree that has been taught and assessed in English from a university on our list of approved universities in non-majority English speaking countries (non-MESC).

• Approved universities in non-MESC

If you are not a national of a majority English speaking country, then your degree must be no more than five years old* at the beginning of your programme of study. (*Revised 05 March 2024 to extend degree validity to five years.)

Find out more about our language requirements:

• Fees and costs

Read our general information on tuition fees and studying costs:

Scholarships and funding

Featured funding.

If you are intending to study full time on this Creative Writing programme, you are eligible for a William Hunter Sharpe Memorial Scholarship which will contribute towards your tuition fees.

You do not need to apply for this scholarship – all eligible candidates who apply for the programme by Monday 6 May 2024 will be considered for them and contacted if successful.

• Find out more about the William Hunter Sharpe Memorial Scholarship and other scholarships in literatures, languages and cultures

UK government postgraduate loans

If you live in the UK, you may be able to apply for a postgraduate loan from one of the UK’s governments.

The type and amount of financial support you are eligible for will depend on:

• your programme
• the duration of your studies
• your tuition fee status

Programmes studied on a part-time intermittent basis are not eligible.

• UK government and other external funding

Other funding opportunities

Search for scholarships and funding opportunities:

• Search for funding

Further information

• Phone: +44 (0)131 650 4086
• Contact: College of Arts, Humanities & Social Sciences Admissions Office
• School of Literatures, Languages & Cultures
• 50 George Square
• Central Campus
• Programme: Creative Writing
• School: Literatures, Languages & Cultures
• College: Arts, Humanities & Social Sciences

This programme is not currently accepting applications. Applications for the next intake usually open in October.

Start date: September

Application deadlines

Due to high demand, the school operates a number of selection deadlines. We will make a small number of offers to the most outstanding candidates on an ongoing basis, but hold the majority of applications until the next published selection deadline when we will offer a proportion of the places available to applicants selected through a competitive process.

Please be aware that applications must be submitted and complete, i.e. all required documents uploaded, by the relevant application deadline in order to be considered in that round. Your application will still be considered if you have not yet met the English language requirement for the programme.

Deadlines for applicants applying to study in 2024/25:

Round	Application deadline	Places awarded by
1	06 November 2023	21 December 2023
2	01 February 2024	28 March 2024
3	30 April 2024	25 June 2024
4	03 June 2024	23 July 2024

(Revised 27 March 2024 to extend Round 3 application deadline)

• How to apply

The online application process involves the completion of a web form and the submission of supporting documents.

You should supply a portfolio of writing.

• For poetry, this should be six (6) pages of poetry, starting a new page for each new poem of 14 lines or over.
• For fiction, this should be a complete story or stories, or an equivalent amount from a longer work (between 2,500 and 3,500 words).

These are firm limits.

If you are undecided about whether to apply for fiction or poetry, you should send a sample of both, i.e. six (6) pages of poetry and 2,500-3,500 words of fiction (if offered a place it will be for one or the other).

Work in other forms (for example journalism, life writing or advertising) will not be considered.

Personal statement

When writing your personal statement, consider the following questions:

• What do you most hope to learn/gain from a Creative Writing degree, and why is ours the programme for you?
• Tell us about your writing: what are you interested in and why? Are there aspects of your current practice you're particularly proud of? Things you know you need to work on?

What (if any) prior experience do you have of studying Creative Writing?

Guidance on the application process and supporting documents

All supporting documents, including references, must be uploaded to the online application system by the deadline date.

Find out more about the general application process for postgraduate programmes:

3 Myths About the MFA in Creative Writing

Today’s guest post is an excerpt from DIY MFA by Gabriela Pereira ( @DIYMFA ), just released from Writer’s Digest Books.

Most writers want an MFA for one of three reasons: They want to teach writing, they want to get published, or they want to make room in their life for writing. It turns out these reasons for doing an MFA are actually based on myths.

Myth 1: You Need an MFA to Teach Writing

Many writers get the MFA because they think it will allow them to teach writing at the college or graduate level. Once upon a time this might have been the case, but these days so many MFA graduates are looking for jobs and so few teaching positions exist, that it’s a challenge to get a teaching job with a PhD, much less with a terminal master’s degree. The writers who do manage to snag a coveted teaching position are often so overwhelmed with their responsibilities that they have to put their own writing on the back burner. While in the past an MFA may have served as a steppingstone to becoming a professor, it’s not the case anymore.

More important, many teachers in MFA programs do not have that degree themselves. Some professors are successful authors with prominent careers, while others are publishing professionals who bring the industry perspective to the courses they teach. This goes to show that the MFA has little impact on a writer’s ability to teach writing. Being a successful author or publishing professional is much more important.

Myth 2: The MFA Is a Shortcut to Getting Published

No agent will sign you and no editor will publish your book based on a credential alone. You have to write something beautiful. If you attend an MFA program and work hard, you will become a better writer. And if you become a better writer, you will eventually write a beautiful book. An MFA might help you on your quest for publication, but it’s certainly not required. After all, many writers perfect their craft and produce great books without ever getting a degree.

Ultimately getting published is a matter of putting your backside in the chair and writing the best book possible. For that, you don’t need an MFA.

Myth 3: An MFA Program Will Force You to Make Writing a Priority

If you can find time to write only by putting your life on hold and plunging into a graduate program, then your writing career isn’t going to last very long. Only a small percentage of writers can support themselves and their loved ones through writing alone. This means you must find a balance between your writing and the rest of your life.

Even within your writing career, you must become a master juggler. Forget that glamorous image of the secluded writer working at his typewriter. These days, writing is only a small piece of the writer’s job. In addition to writing, you must promote your books, manage your online presence, update your social media … and likely schedule these tasks around a day job, a family, and other responsibilities.

The danger with MFA programs is that they train you to write in isolation but don’t always teach you how to fit writing into your real life, or even how to juggle writing with all the other aspects of your writing career. Not only that, but external motivators like class assignments or thesis deadlines don’t teach you to pace yourself and build up the internal motivation you need to succeed in the long-term.

Genre Writing in MFA Programs

Most MFA programs focus on literary fiction, creative nonfiction, and poetry. While these are noble areas of literature, they cover only a tiny slice of the wide and diverse world of writing. Heaven forbid a writer in a traditional MFA program produces something commercial—or worse, genre fiction. While a handful of MFA programs allow writers to study genre fiction or children’s literature, the majority still focus on literary work alone. If you want to write genre fiction, commercial nonfiction, or children’s books, you likely will not learn much about them in your MFA courses.

Writers of genre and commercial fiction are among the most dedicated, driven writers I know. They take their craft seriously and work hard to understand the business side of the publishing industry. In addition, a vast number of associations, conferences, and guilds are dedicated to specific genres or commercial writing. Literary writers are not the only ones who crave knowledge and community. Commercial and genre writers want it, too.

This is why I created DIY MFA : to offer an alternative for writers who do not fit the strict literary mold of the traditional MFA system.

Should You Pursue an MFA?

MFA programs are not a bad thing. In fact, they are exceptional at serving a small and very specific group of writers. If you write literary fiction, creative nonfiction, or poetry, and if you thrive in a formal academic environment, then the traditional MFA is a great option. If you can afford the tuition without taking out loans, and if you have the time to make the most of the experience, then you are one of those ideal candidates for graduate school.

One reason I am extremely grateful for my own MFA is that it gave me the opportunity to work with several phenomenal teachers. I studied YA and middle-grade literature with the brilliant David Levithan. The legendary Hettie Jones was my first workshop teacher. I worked closely with Abrams publisher Susan Van Metre, who served as my thesis advisor and mentor. These experiences were invaluable, and at the time I didn’t think I could make connections with such literary luminaries any other way. Now I know, however, that you can make connections and find great mentors without attending an MFA program.

The “Do It Yourself” MFA

As an MFA student, I discovered the magic equation that sums up just about every traditional MFA. The Master in Fine Arts degree in Creative Writing is nothing more than a lot of writing, reading, and building community. In the workshops, you exchange critiques with other writers and work toward a manuscript that becomes your thesis project. Most programs also require you to take literature courses both in and outside your chosen area of literature. Finally, you are asked to attend readings or talks by other writers—to build your personal writing community. To create a personalized, do-it-yourself MFA, you have to find a way to combine these three elements.

Write with focus. You have to commit to a project and finish it. In traditional MFA terms, this project is your thesis, and it’s a crucial part of your development as a writer. But you don’t need to complete a thesis to get this experience; you just need to finish and polish a manuscript. While you can feel free to play and explore early on, you must eventually choose a project and see it through from beginning to end. When you write with focus, you write with a goal in mind.

Read with purpose.  This means reading with a writer’s eye. If you’re like me, you were a bookworm long before you could hold a pencil in your hand. Writers love books. In fact, many of us become writers so we can create the very books we love to read.

Reading for pleasure is wonderful, and it certainly has its place. Reading with purpose is different: It is reading in a way that serves our writing. It’s not just about finding out what happens in the story; it’s about learning how the author pulls it off. Reading this way isn’t just an intellectual exercise. When we read with purpose, we examine how an author crafts a story so we can emulate those techniques in our own work.

Build your community.  In the traditional MFA, building a community happens organically. You meet fellow writers in your workshops and literature courses. You go to readings and conferences to connect with authors. You attend a publishing panel and learn about the industry. The community element is baked into the MFA experience.

To learn more about crafting your own customized MFA experience, sign up for the DIY MFA newsletter , and check out the new book, DIY MFA .

Gabriela Pereira is the Creative Director at DIY MFA , the do-it-yourself alternative to a master’s degree in writing. She develops tools and techniques for the serious writer, to help you get the knowledge without the college. With an MFA in creative writing, Gabriela is also a freelance writing teacher, and has led workshops throughout New York City via writing programs like: 826NYC, East Harlem Tutorial Program and Everybody Wins. When she’s not working on DIY MFA, she loves writing middle grade and teen fiction, with a few short stories for “grown-ups” thrown in for good measure.

This site uses Akismet to reduce spam. Learn how your comment data is processed .

[…] Today’s guest post is an excerpt from DIY MFA by Gabriela Pereira (@DIYMFA), just released from Writer’s Digest Books. Most writers want an MFA for one of three reasons: They want to teach writing, they want to get published, or they want to make room in their life for writing. It turns out these reasons …  […]

I find screenwriting programs to be more honest with respect to story telling.

So true, I did a screen writing module in my degree. It was easy, fun and clear to write a script. So weird!

THANK YOU! I needed this. I occasionally doubt myself and my future success possibilities because of my lack of an MFA. I’ve been gradually letting that notion go, and this helps!

Also, I’m not interested in social media with exception of using Twitter as a news aggregator. From my perspective it’s an unwanted hassle. I write fiction and have neither the time nor inclination for blog posts or podcasts, but I do understand the nature of the disadvantage this might impose. And I think reality reliably informs us a social media presence is not necessarily mandatory to find success.

[…] view post at https://janefriedman.com/mfa-creative-writing-3-myths/ […]

[…] 3 Myths About the MFA in Creative Writing (Jane Friedman) Most writers want an MFA for one of three reasons: They want to teach writing, they want to get published, or they want to make room in their life for writing. It turns out these reasons for doing an MFA are actually based on myths. […]

[…] to the rest at Jane Friedman and thanks to Matthew for the […]

[…] the program could help build contacts, at the very least. Here is an article by Jane Friedman with 3 Myths About the MFA in Creative Writing to help answer some of the […]

[…] Jane Friedman […]

[…] Honoree Corder’s Website Removed by S.J. Pajonas How Do You Like Them Apples! MFA: Myths for Authors Write, Camera, Action! DRM Drama Audio on the Go Singles’ Night (1) Singles’ Night (2) Swan […]

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MA Creative Writing

Annual tuition fee for 2024 entry: UK: £10,530 full-time International: £24,120 full-time More detail .

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Short fiction, the novel, poetry, plays and screenplays: define and refine your chosen genre at the University of Birmingham, and explore genres that are new to your writing experience.

If you are a graduate with considerable experience in writing creatively and wish to proceed to a career or further study in this area, then our innovative MA in Creative Writing is for you.

The programme will allow you to develop your own work, your own voice and your own ideas with dedicated workshop time and opportunities to give and receive feedback to and from your peers. You will also benefit from professional skills training to prepare you for your encounters with the writing industry, with insights from industry professional such as editors and publishers.

The programme brings together students who work across different genres so that you can engage collaboratively across genres before specialising in screenwriting, playwriting, prose fiction or poetry for your dissertation.

Please note : There are specific application deadlines for this programme.  Please see 'How to apply' in course details for more information .

Birmingham Masters Scholarships

We are offering over 400 awards of £2,000 to support the brightest and best applicants wishing to undertake Masters study at the University during 2023-24. The deadline for applications is 23:59 (UK Time) on Sunday 2 July 2023.

Find out more and apply now.

Scholarships for 2024 entry

The University of Birmingham is proud to offer a range of scholarships for our postgraduate programmes. With a scholarship pot worth over £2 million, we are committed to alleviating financial barriers to support you in taking your next steps.

Each scholarship has its own specific deadlines and eligibility criteria. Please familiarise yourself with the information on individual scholarship webpages prior to submitting an application.

Explore our scholarships

Virtual Open Day: Postgraduate opportunities in Creative Writing - 7 March 2020, 14:00-15:00

Join us online to watch a range of staff and student videos, and take part in our online chat where Dr Daniel Vyleta will be answering your questions about postgraduate study.

Find out more and register

At Birmingham, Postgraduate Taught and Postgraduate Research students also have the opportunity to learn graduate academic languages free of charge, to support your studies.

• Graduate School Language Skills

The best thing the course has taught me is to not re-invent the wheel every time you want to write a new piece, and how to tactically draw from the works of other writers to give structural integrity or strong philosophical underpinnings to any new text I write. Cameron Smith, MA Creative Writing

Why study this course?

• Breadth and depth of study  – at Birmingham we focus on the craft of writing and editing, combining academic with creative skills, and an artistic focus with industry insights.
• Learn from our permanent staff of published authors -  Anna Metcalfe , a short story writer and novelist, who has been named among Granta’s 2023 cohort for the Best of Young British Novelists;  Elsa Braekkan Payne , an expert in the short story who also has particular interests in editing; Luke Kennard , a poet and novelist whose criticism appears in Poetry London and the Times Literary Supplement; Richard House , fiction and screenwriter, long-listed for the Man Booker Prize;   Dan Vyleta , an award winning, bestselling novelist; Isabel Galleymore , an award-winning poet; and the best-selling novelist Ruth Gilligan .
• Opportunities for experimentation  – the course combines focused modules with the opportunity to develop your own work through independent study.
• Join a lively and supportive writing community – we encourage our students to be active within the university and the broader community, and to participate in readings, festivals, and events, both regionally and nationally. For example the Creative Writing Societies provide an energetic and talented scene in which to write. There are regular events, readings, poetry slams and student publications.
• Links within the West Midlands – the Department has links to the award winning local press Tindal Street and the boutique poetry pamphlet publishers Nine Arches Press. Each year there are visiting lectures from writers, publishers and editors.

The postgraduate experience

The College of Arts and Law offers excellent support to its postgraduates, from libraries and research spaces, to careers support and funding opportunities. Learn more about your postgraduate experience .

You will learn among a community of writers and scholars, taking a series of structured modules across the discipline. You will study four core taught modules plus a dissertation.

Core modules

The writer’s workshop.

The module provides an introduction to technical and conceptual issues encountered by the creative writer, along with research training to facilitate the critical work you will have to complete as part of your studies. The module introduces you to creative writing techniques and genres by analysing other people’s writing and through hands-on practice, as well as introducing you to the procedures and challenges of the creative writing workshop environment. The module also provides guidelines on how to approach agents/editors, along with a grounding in research practices. 

Assessment : A 5,000-word portfolio of creative writing, and a 3,000-word portfolio of critical writing

Creative Writing Masterclass: From Workshop to Bookshop

This module builds on the research and professional skills developed in The Writer’s Workshop. It provides a venue for in-depth editorial discussion of your own work, while also providing systematic training in editing and in providing detailed, constructive critiques of other writers’ works. The module will help you to articulate your personal artistic vision in both formal and conceptual terms by studying a range of artistic manifestos and writerly positions. Assessment : A 5,000-word portfolio of creative writing, and a 3,000-word portfolio of critical/professional writing

Poem as Story – Story as Poem

This module allows for a simultaneous focus on poetry and fiction, allowing you to work in both forms rather than choosing to be a “poet” or “prose writer” at this stage in your development as a writer. There will be weekly writing exercises and the opportunity to critique the work of your peers as well as a weekly set text exploring contemporary poetry and fiction. Assessment : A 3,000-word poetry and/or short fiction portfolio and a 2,000-word essay

Intertextuality: Story, Genre, Craft

This module encourages you to explore notions of intertextuality, viewed as an integral part of all creative writing, and representing a broad continuum, from one-off textual allusions or verbal echoes on the one hand, to full-length adaptations on the other. 'Story' and 'story-telling’ will be used as a focus for identifying both generic and genre-specific, popular and literary, narrative techniques and conventions (to include a focus on language, character, plot, time and vision). In addition, you will explore ways in which 'reading' in the broadest possible sense can generate ideas, strategies and structures for the developing writer. This will entail an engagement with narratology and with aspects of genre theory and translation theory, key principles of which will be illustrated through case studies of texts that form part of intertextual clusters. Assessment : A 3,000-word piece of creative writing in any genre, and a 2,000-word analysis of the intertextual relationships between two or more of the literary texts studied, with reference to your own creative writing

Dissertation

In addition to your taught modules, you will complete a dissertation. This will be 75% creative portfolio and 25% critical essay. You will write a 10,000-word portfolio of creative work in the form of a screenplay, excerpt of a novel, a collection of short fiction or a collection of poetry (600 lines). This will be accompanied by a 2,000-word essay placing your work in a critical and creative context, with reference to your development as a writer over the course of the MA. You will receive feedback on dissertation work in progress during one-to-one tutorials and/or in small group work-sharing seminars with peers (groups divided along the lines of genre/form and led by a specialist in this field).

We charge an annual tuition fee. Fees for 2024 entry are as follows:

• UK: £10,530 full-time; £5,265 part-time
• International: £24,120 full-time

The above fees quoted are for one year only; for those studying over two or more years, tuition fees will also be payable in subsequent years of your programme.

Eligibility for UK or international fees can be verified with Admissions. Learn more about fees for international students .

Paying your fees

Tuition fees can either be paid in full or by instalments. Learn more about postgraduate tuition fees and funding .

How To Apply

Please review our Entry Requirements before making your application.

Application deadlines

The deadline for International students (requiring a VISA) to apply is 30 June 2024. The deadline for UK students is 30 August 2024.

Making your application

• How to apply

To apply for a postgraduate taught programme, you will need to submit your application and supporting documents online. We have put together some helpful information on the taught programme application process and supporting documents on our how to apply page . Please read this information carefully before completing your application.

Our Standard Requirements

We ask for a 2:1 Honours degree, or equivalent, preferably in English and/or Creative Writing, but other disciplines will be considered. Applicants should also have considerable experience of writing creatively. 

All prospective students must also submit a sample of written work as part of the online application process.  Your sample should be in the form of a portfolio of creative writing of c. 3,000 words. This may be a prose sample (e.g. one or more short stories; part of a novel); a play or film script; or a selection of poems (in which case a line of poetry equates c. 20 words of prose; a portfolio focusing on poetry would be c. 150 lines in total). We encourage applicants to submit more than a single piece of work where possible (e.g. one short story and a novel opening, rather than a longer excerpt of a novel) though this is not strictly required.

Learn more about entry requirements

International students

Academic requirements: we accept a range of qualifications - our country pages show you what qualifications we accept from your country.

English language requirements : for this course we ask for IELTS 6.5 overall with no less 7.0 in writing and 6 in all other bands. If you are made an offer of a place to study and you do not meet the language requirement, you have the option to enrol on our English for Academic Purposes Presessional course – if you successfully complete the course, you will be able to fulfil the language requirement without retaking a language qualification.

IELTS 6.5 with no less than 7.0 writing and 6.0 in the other bands is equivalent to:

• TOEFL: 88 overall with no less than 21 in Reading, 20 Listening, 22 Speaking and 23 in Writing
• Pearson Test of English (PTE): Academic 67 with no less than 76 in writing and 64 in all other bands
• Cambridge English (exams taken from 2015): Advanced - minimum overall score of 176, with no less than 185 in Writing and no less than 169 in any other component.

Learn more about international entry requirements.

International Requirements

Holders of a Licence, Diplome, Diplome d'Etudes Superieures, Diplome d'Ingenieur or a Diplome d'Architecte from a recognised university in Algeria will be considered for postgraduate study. Holders of one of these qualifications will normally be expected to have achieved a score of 15/20 for 2:1 equivalency or 13/20 for 2:2 equivalency.  

Holders of the Licenciado or an equivalent professional title from a recognised Argentinian university, with a promedio of at least 7.5, may be considered for entry to a postgraduate degree programme. Applicants for PhD degrees will normally have a Maestria or equivalent

A Bachelors (Honours) degree from an accredited Australian higher education institution may be considered for admission to a Masters degree.   Applicants with 3 year Bachelors with distinction from a recognised university, can be considered for admission to a Masters degree.

Holders of a Diplom, a Diplomstudium/Magister or a three-year Bachelors degree from a recognised university with a minimum overall grade of 2.5 for 2:1 equivalency or 3.0 for 2:2 equivalency, or a high-scoring Fachhochschuldiplom (FH) from a recognised Austrian Fachhochschule, will be considered for entry to taught postgraduate programmes. 

Students with a good 5-year Specialist Diploma or 4-year Bachelor degree from a recognised higher education institution in Azerbaijan, with a minimum GPA of 4/5 or 80% will be considered for entry to postgraduate taught programmes at the University of Birmingham.

For postgraduate research programmes applicants should have a good 5-year Specialist Diploma (completed after 1991), with a minimum grade point average of 4/5 or 80%, from a recognised higher education institution or a Masters or “Magistr Diplomu” or “Kandidat Nauk” from a recognised higher education institution in Azerbaijan.

 Holders of a bachelors degree of four years duration from a recognised university in Bahrain will be considered for postgraduate study. Holders of bachelors degree will normally be expected to have achieved a GPA of 3.0/4, 3.75/5 or 75% for 2:1 equivalency or 2.8/4, 3.5/5 or 70% for 2:2 equivalency.  

Holders of a Bachelors (Honours) degree of three years duration, followed by a Masters degree of one or two years duration from a recognised university in Bangladesh will be considered for postgraduate taught study. Students with a Bachelors degree of at least four years duration may also be considered for postgraduate study. Degrees must be from a recognised institution in Bangladesh.

Holders of Bachelors degree will normally be expected to have achieved a GPA of 3.0-3.3/4.0 or 65% or above for 2:1 equivalency, or a GPA of 2.6-3.1/4.0 or 60% or above for 2:2 equivalency depending on the awarding institution.  

Students who hold a Masters degree from the University of Botswana with a minimum GPA of 3.0/4.0 or 3.5/5.0 (70%/B/'very good') will be considered for Postgraduate Diplomas and Masters degrees.

Please note 4-year bachelor degrees from the University of Botswana are considered equivalent to a Diploma of Higher Education. 5-year bachelor degrees from the University of Botswana are considered equivalent to a British Bachelor (Ordinary) degree.

Students who have completed a Masters degree from a recognised institution will be considered for PhD study.

A Licenciatura or Bacharelado degree from a recognised Brazilian university:

• A grade of 7.5/10 for entry to programmes with a 2:1 requirement
• A grade of 6.5/10for entry to programmes with a 2:2 requirement

Holders of a good Bachelors degree with honours (4 to 6 years) from a recognised university with a upper second class grade or higher will be considered for entry to taught postgraduate programmes.  Holders of a good Masters degree from a recognised university will be considered for entry to postgraduate research programmes.

Holders of a good Diploma za Zavarsheno Visshe Obrazovanie (‘Diploma of Completed Higher Education’), a pre-2001 Masters degree or a post-2001 Bachelors degree from a recognised university with a minimum overall grade of 5 out of 6, mnogo dobur/’very good’ for 2:1 equivalence; or 4 out of 6, dobur/’good’ for 2:2 equivalence; will be considered for entry to taught postgraduate programmes.

Students with a minimum average of 14 out of 20 (or 70%) on a 4-year Licence, Bachelor degree or Diplôme d'Etudes Superieures de Commerce (DESC) or Diplôme d'Ingénieur or a Maîtrise will be considered for Postgraduate Diplomas and Masters degrees.

Holders of a bachelor degree with honours from a recognised Canadian university may be considered for entry to a postgraduate degree programme. A GPA of 3.0/4, 7.0/9 or 75% is usually equivalent to a UK 2.1.

Holders of the Licenciado or equivalent Professional Title from a recognised Chilean university will be considered for Postgraduate Diplomas and Masters degrees. Applicants for PhD study will preferably hold a Magister degree or equivalent.

Students with a bachelor’s degree (4 years minimum) may be considered for entry to a postgraduate degree programme. However please note that we will only consider students who meet the entry guidance below.  Please note: for the subject areas below we use the Shanghai Ranking 2022 (full table)  ,  Shanghai Ranking 2023 (full table) , and Shanghai Ranking of Chinese Art Universities 2023 .

需要具备学士学位（4年制）的申请人可申请研究生课程。请根据所申请的课程查看相应的入学要求。 请注意，中国院校名单参考 软科中国大学排名2022（总榜） ，  软科中国大学排名2023（总榜） ，以及 软科中国艺术类高校名单2023 。  

Business School    - MSc programmes (excluding MBA)  

商学院硕士课程（MBA除外）入学要求

Group 1 一类大学  Grade requirement 均分要求75%	院校
Group 2 二类大学  grade requirement 均分要求80%	软科中国大学排名2022（总榜）或软科中国大学排名2023（总榜）排名前100的大学 非‘985工程’的其他 院校 以及以下两所大学： University of Chinese Academy of Sciences 中国科学院大学 University of Chinese Academy of Social Sciences 中国社会科学院大学
Group 3 三类大学  grade requirement 均分要求85%	软科中国大学排名2022（总榜）或 软科中国大学排名2023（总榜）101-200位的大学

School of Computer Science – all MSc programmes 计算机学院硕士课程入学要求

Group 1 一类大学 Grade requirement 均分要求75%	院校
Group 2 二类大学 grade requirement 均分要求80%	院校
Group 3 三类大学 grade requirement 均分要求85%

College of Social Sciences – courses listed below 社会科学 学院部分硕士课程入学要求 MA Education  (including all pathways) MSc TESOL Education MSc Public Management MA Global Public Policy MA Social Policy MA Sociology Department of Political Science and International Studies  全部硕士课程 International Development Department  全部硕士课程

Group 1 一类大学  Grade requirement 均分要求75%	院校
Group 2 二类大学 grade requirement 均分要求80%	院校
Group 3 三类大学 grade requirement 均分要求85%

  All other programmes (including MBA)   所有其他 硕士课程（包括 MBA）入学要求

Group 1 一类大学 Grade requirement 均分要求75%	院校
Group 2 二类大学 grade requirement 均分要求80%	院校
Group 3 三类大学 grade requirement 均分要求85%
Group 4 四类大学 We will consider students from these institutions ONLY on a case-by-case basis with minimum 85% if you have a relevant degree and very excellent grades in relevant subjects and/or relevant work experience. 来自四类大学的申请人均分要求最低85%，并同时具有出色学术背景，优异的专业成绩，以及（或）相关的工作经验，将酌情考虑。

Please note:

• Borderline cases: We may consider students with lower average score (within 5%) on a case-by-case basis if you have a relevant degree and very excellent grades in relevant subjects and/or relevant work experience. 如申请人均分低于相应录取要求（5%以内），但具有出色学术背景，优异的专业成绩，以及（或）相关的工作经验，部分课程将有可能单独酌情考虑。
• Please contact the China Recruitment Team for any questions on the above entry requirements. 如果您对录取要求有疑问，请联系伯明翰大学中国办公室   [email protected]

Holders of the Licenciado/Professional Title from a recognised Colombian university will be considered for our Postgraduate Diploma and Masters degrees. Applicants for PhD degrees will normally have a Maestria or equivalent.

Holders of a good bachelor degree with honours (4 to 6 years) from a recognised university with a upper second class grade or higher will be considered for entry to taught postgraduate programmes.  Holders of a good Masters degree from a recognised university will be considered for entry to postgraduate research programmes.

Holders of a good Diploma Visoko Obrazovanje (Advanced Diploma of Education) or Bacclaureus (Bachelors) from a recognised Croatian higher Education institution with a minimum overall grade of 4.0 out of 5.0, vrlo dobar ‘very good’, for 2:1 equivalence or 3.0 out of 5.0, dobar ‘good’, for 2:2 equivalence, will be considered for entry to taught postgraduate programmes.  Holders of a good Bacclaureus (Bachelors) from a recognised Croatian Higher Education institution with a minimum overall grade of 4.0 out of 5.0, vrlo dobar ‘very good’, or a Masters degree, will be considered for entry to postgraduate research programmes.

Holders of a Bachelors degree(from the University of the West Indies or the University of Technology) may be considered for entry to a postgraduate degree programme. A Class II Upper Division degree is usually equivalent to a UK 2.1. For further details on particular institutions please refer to the list below.  Applicants for PhD level study will preferably hold a Masters degree or Mphil from the University of the West Indies.

Holders of a good four-year government-accredited Bachelors degree from a recognised Higher Education college with a minimum overall GPA of 3 out of 4 for 2:1 equivalency, or a GPA of 2.75 out of 4 for 2:2 equivalency; or a good four-year Bachelors degree (Ptychio) from a recognised University, with a minimum overall grade of 6.5 out of 10 for 2:1 equivalency, or 5.5 for 2:2 equivalency; will be considered for entry to taught postgraduate programmes.

Holders of a good Bakalár, or a good pre-2002 Magistr, from a recognised Czech Higher Education institution with a minimum overall grade of 1.5, B, velmi dobre ‘very good’ (post-2004) or 2, velmi dobre ‘good’ (pre-2004), for 2:1 equivalence, or 2.5, C, dobre ‘good’ (post-2004) or 3, dobre ‘pass’ (pre-2004) for 2:2 equivalence, will be considered for entry to taught postgraduate programmes. 

Holders of a good Bachelors degree/Candidatus Philosophiae, Professionbachelor or Eksamensbevis from a recognised Danish university, with a minimum overall grade of 7-10 out of 12 (or 8 out of 13) or higher for 2:1 equivalence, or 4-7 out of 12 (or 7 out of 13) for 2:2 equivalence depending on the awarding institution will be considered for entry to taught postgraduate programmes.

Holders of the Licenciado or an equivalent professional title from a recognised Ecuadorian university may be considered for entry to a postgraduate degree programme. Grades of 70% or higher can be considered as UK 2.1 equivalent.  Applicants for PhD level study will preferably hold a Magister/Masterado or equivalent qualification, but holders of the Licenciado with excellent grades can be considered.

Holders of a Bachelors degree from a recognised university in Egypt will be considered for postgraduate study. Holders of Bachelors degree will normally be expected to have achieved a GPA of 3.0/4 for 2:1 equivalency or 2.8 for 2:2 equivalency. Applicants holding a Bachelors degree with alternative grading systems, will normally be expected to have achieved a 75% (Very Good) for 2:1 equivalency or 65% (Good) for 2:2 equivalency. For applicants with a grading system different to those mentioned here, please contact [email protected] for advice on what the requirements will be for you.

Holders of a good Bakalaurusekraad from a recognised university or Applied Higher Education Institution with a minimum overall grade of 4/5 or B for 2:1 equivalency or 3/5 or C for 2:2 equivalency, or a good Rakenduskõrgharidusõppe Diplom (Professional Higher Education Diploma), will be considered for entry to taught postgraduate programmes.

Students who hold a Masters degree with very good grades (grade B, 3.5/4 GPA or 85%) will be considered for Postgraduate Diplomas and Masters degrees. 

Holders of a good Ammattikorkeakoulututkinto (AMK) (new system), an Yrkeshögskoleexamen (YHS) (new system), a Kandidaatti / Kandidat (new system), an Oikeustieteen Notaari or a Rättsnotarie, a good Kandidaatti / Kandidat (old system), a professional title such as Ekonomi, Diplomi-insinööri, Arkkitehti, Lisensiaatti (in Medicine, Dentistry and Vetinary Medicine), or a Maisteri / Magister (new system), Lisensiaatti / Licenciat, Oikeustieteen Kandidaatti / Juris Kandidat (new system) or Proviisori / Provisor from a recognised Finnish Higher Education institution, with a minimum overall grade of 2/3 or 3-4/5 for 2:1 equivalence or 1-2/3 or 2.5-3/5 for 2:2 equivalence, will be considered for entry to taught postgraduate programmes. 

Holders of a good three-year Licence, License Professionnelle, Diplôme d'Ingénieur/Architecte Diplômé d'État, Diplôme from an Ecole Superieure de Commerce / Gestion / Politique, or Diplome d'Etat Maitrise of three years duration or a Maîtrise from a recognised French university or Grande École will be considered for postgraduate taught study.

Holders of Bachelors degree will normally be expected to have achieved a minimum overall grade of 13 out of 20, bien, for 2:1 equivalency, or 11 out of 20, assez bien, for 2:2 equivalency depending on the awarding institution.  

Holders of a good three-year Bachelor degree, a Magister Artium, a Diplom or an Erstes Staatsexamen from a recognised university, or a good Fachhochschuldiplom from a Fachhochschule (university of applied sciences), with a minimum overall grade of 2.5 for 2:1 equivalency, or 3.0 for 2:2 equivalency, will be considered for entry to taught postgraduate programmes.

Students from Germany who have completed three years of the Erstes Staatsexamen qualification with a grade point average (GPA) of 10 from the first six semesters of study within the Juristische Universitätsprüfung programme would be considered for entry onto LLM programmes.  Students from Germany who have completed the five year Erstes Staatsexamen qualification with a grade point average (GPA) of 6.5 would be considered for entry onto LLM programmes. 

Students who hold a Bachelor degree from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees. Most taught Masters programmes require a minimum of an upper second class degree (2.1) with a minimum GPA of at least 3.0/4.0 or 3.5/5.0 Students who have completed a Masters degree from a recognised institution will be considered for PhD study.

Holders of a good four-year Ptychio (Bachelor degree) from a recognised Greek university (AEI) with a minimum overall grade of 6.5 out of 10 for 2:1 equivalency, or 5.5 out of 10 for 2:2 equivalency, or a good four-year Ptychio from a recognised Technical Higher Education institution (TEI) with a minimum overall grade of 7.5 out of 10 for 2:1 equivalency, or 6.5 out of 10 for 2:2 equivalency, will be considered for entry to taught postgraduate programmes.

4-year Licenciado is deemed equivalent to a UK bachelors degree. A score of 75 or higher from Universidad de San Carlos de Guatemala (USAC) can be considered comparable to a UK 2.1, 60 is comparable to a UK 2.2.  Private universities have a higher pass mark, so 80 or higher should be considered comparable to a UK 2.1, 70 is comparable to a UK 2.2

The Hong Kong Bachelor degree is considered comparable to British Bachelor degree standard. Students with bachelor degrees awarded by universities in Hong Kong may be considered for entry to one of our postgraduate degree programmes.

Students with Masters degrees may be considered for PhD study.

Holders of a good Alapfokozat / Alapképzés (Bachelors degree) or Egyetemi Oklevel (university diploma) from a recognised Hungarian university, or a Foiskola Oklevel (college diploma) from a recognised college of Higher Education, with a minimum overall grade of 3.5 for 2:1 equivalency, or 3 for 2:2 equivalency, will be considered for entry to taught postgraduate programmes. 

Holders of a Bachelors degree of three or four years in duration from a recognised university in India will be considered for postgraduate taught study. Holders of Bachelors degree will normally be expected to have achieved 55% - 60% or higher for 2:1 equivalency, or 50% - 55% for 2:2 equivalency depending on the awarding institution.  

Either: A four-year Bachelors degree (first class or very good upper second class)

Or: A three-year Bachelors degree (first class) from recognised institutions in India.

For MSc programmes, the Business School will consider holders of three-year degree programmes (first class or very good upper second class) from recognised institutions in India.

For entry to LLM programmes, Birmingham is happy to accept applications from 3 or 5 year LLB holders from India from prestigious institutions.

Holders of the 4 year Sarjana (S1) from a recognised Indonesian institution will be considered for postgraduate study. Entry requirements vary with a minimum requirement of a GPA of 2.8.

Holders of a Bachelors degree from a recognised university in Iran with a minimum of 14/20 or 70% will be considered for entry to taught postgraduate taught programmes.

Holders of a Bachelors degree from a recognised university in Iraq will be considered for postgraduate study. Holders of a Bachelors degree will normally be expected to have achieved a GPA of 3.0/4 or 75% for 2:1 equivalency, or 2.8/4 or 70% for 2:2 equivalency.

Holders of a Bachelors degree from a recognised university in Israel will be considered for postgraduate study. Holders of Bachelors degree will normally be expected to have achieved score of 80% for 2:1 equivalency or 65% for 2:2 equivalency.  

Holders of a good Diploma di Laurea, Licenza di Accademia di Belle Arti, Diploma di Mediatore Linguistico or Diploma Accademico di Primo Livello from a recognised Italian university with a minimum overall grade of 100 out of 110 for 2:1 equivalence, or 92 out of 110 for 2:2 equivalence, will be considered for entry to taught postgraduate programmes.

Students who hold the Maitrise, Diplome d'Etude Approfondies, Diplome d'Etude Superieures or Diplome d'Etude Superieures Specialisees will be considered for Postgraduate Diplomas and Masters degrees (14-15/20 or Bien from a well ranked institution is considered comparable to a UK 2.1, while a score of 12-13/20 or Assez Bien is considered comparable to a UK 2.2).

Students with a Bachelor degree from a recognised university in Japan will be considered for entry to a postgraduate Masters degree provided they achieve a sufficiently high overall score in their first (Bachelor) degree. A GPA of 3.0/4.0 or a B average from a good Japanese university is usually considered equivalent to a UK 2:1.

Students with a Masters degree from a recognised university in Japan will be considered for PhD study. A high overall grade will be necessary to be considered.

Holders of a Bachelors degree of four years duration from a recognised university in Jordan will be considered for postgraduate study. Holders of Bachelors degree will normally be expected to have achieved a GPA of 3.0/4, 3.75/5 or 75% for 2:1 equivalency or 2.8/4, 3.5/5 or 70% for 2:2 equivalency.  

Students who have completed their Specialist Diploma Мамаң дипломы/Диплом специалиста) or "Magistr" (Магистр дипломы/Диплом магистра) degree (completed after 1991) from a recognised higher education institution, with a minimum GPA of 2.67/4.00 for courses requiring a UK lower second and 3.00/4.00 for courses requiring a UK upper second class degree, will be considered for entry to postgraduate Masters degrees and, occasionally, directly for PhD degrees.  Holders of a Bachelor "Bakalavr" degree (Бакалавр дипломы/Диплом бакалавра) from a recognised higher education institution, with a minimum GPA of  2.67/4.00 for courses requiring a UK lower second and 3.00/4.00 for courses requiring a UK upper second class degree, may also be considered for entry to taught postgraduate programmes.

Students who hold a Bachelor degree from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees. Most taught Masters programmes require a minimum of an upper second class degree (2.1) with a minimum GPA of at least 3.0/4.0 or 3.5/50

Holders of a Bachelors degree of four years duration from a recognised university in Kuwait will be considered for postgraduate study. Holders of Bachelors degree will normally be expected to have achieved a GPA of 3.0/4, 3.75/5 or 75% for 2:1 equivalency or 2.8/4, 3.5/5 or 70% for 2:2 equivalency.  

Holders of a good pre-2000 Magistrs or post-2000 Bakalaurs from a recognised university, or a good Postgraduate Diploma (professional programme) from a recognised university or institution of Higher Education, with a minimum overall grade of 7.5 out of 10 for 2:1 equivalency, or 6.5 out of 10 for 2:2 equivalency, will be considered for entry to taught postgraduate programmes.

Holders of a Bachelors degree from a recognised university in Lebanon will be considered for postgraduate study. Holders of a Bachelors degree will normally be expected to have achieved a score of 16/20 or 80% for 2:1 equivalency, or 14/20 or 70% for 2:2 equivalency.

Holders of a Bachelors degree from a recognised university in Libya will be considered for postgraduate study. Holders of a Bachelors degree will normally be expected to have achieved score of 70% for 2:1 equivalency or 65% for 2:2 equivalency. Alternatively students will require a minimum of 3.0/4.0 or BB to be considered.

Holders of a good Bakalauras (post 2001), Profesinis Bakalauras (post 2001) or pre-2001 Magistras from a recognised university with a minimum overall grade of 8 out of 10 for 2:1 equivalency, or 7 out of 10 for 2:2 equivalency, will be considered for entry to taught postgraduate programmes. 

Holders of a good Bachelors degree or Diplôme d'Ingénieur Industriel from a recognised Luxembourgish Higher Education institution with a minimum overall grade of 16 out of 20 for 2:1 equivalence, or 14 out of 20 for 2:2 equivalence, will be considered for entry to taught postgraduate programmes.

Students who hold a Masters degree will be considered for Postgraduate Diplomas and Masters degrees (70-74% or A or Marginal Distinction from a well ranked institution is considered comparable to a UK 2.1, while a score of 60-69% or B or Bare Distinction/Credit is considered comparable to a UK 2.2).

Holders of a Bachelors degree from a recognised Malaysian institution (usually achieved with the equivalent of a second class upper or a grade point average minimum of 3.0) will be considered for postgraduate study at Diploma or Masters level.

Holders of a good Bachelors degree from a recognised Higher Education Institution with a minimum grade of 2:1 (Hons) for UK 2:1 equivalency, or 2:2 (Hons) for UK 2:2 equivalency, will be considered for entry to taught postgraduate programmes.

Students who hold a Bachelor degree (Honours) from a recognised institution (including the University of Mauritius) will be considered for Postgraduate Diplomas and Masters degrees.  Most taught Masters programmes require a minimum of an upper second class degree (2:1).

Students who hold the Licenciado/Professional Titulo from a recognised Mexican university with a promedio of at least 8 will be considered for Postgraduate Diplomas and Masters degrees.

Students who have completed a Maestria from a recognised institution will be considered for PhD study.

Holders of a Bachelors degree, licence or Maîtrise from a recognised university in Morocco will be considered for postgraduate study. Holders of a Bachelors degree will normally be expected to have achieved a score of 15/20 or 75% for 2:1 equivalency, or 13/20 for 2:2 equivalency.

Students with a good four year honours degree from a recognised university will be considered for postgraduate study at the University of Birmingham. PhD applications will be considered on an individual basis.

Holders of a Bachelors (Honours) degree of four years duration from a recognised university in Nepal will be considered for postgraduate taught study. Students with a Bachelors degree of at least three years duration plus a Masters degree may also be considered for postgraduate study. Degrees must be from a recognised institution in Nepal.

Holders of Bachelors degree will normally be expected to have achieved a GPA of 3.2/4.0 or 65%-79% average or higher for 2:1 equivalency, or a GPA of 3.0/4.0 or 60%-65% for 2:2 equivalency depending on the awarding institution.  

Holders of a Bachelors degree from a recognised Dutch university, or Bachelors degree from a recognised Hogeschool (University of Professional Education), or a good Doctoraal from a recognised Dutch university, with a minimum overall grade of 7 out of 10 for 2:1 equivalence, or 6 out of 10 for 2:2 equivalence, will be considered for entry to taught postgraduate programmes. 

Students who hold a Bachelor degree (minimum 4 years and/or level 400) from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees.  Most taught Masters programmes require a minimum of an upper second class degree (2.1) with a minimum GPA of at least 3.0/4.0 or 3.5/5.0

Holders of a good three-six-year Bachelorgrad, Candidatus Magisterii, Sivilingeniø (siv. Ing. - Engineering), "Siviløkonom" (siv. Øk. - Economics) degree from a recognised Norwegian education institution with a minimum GPA of B/Very Good or 1.6-2.5 for a 2.1 equivalency, or a GPA of C/Good or 2.6-3.2 for a 2.2 equivalency; will be considered for entry to taught postgraduate programmes.

Holders of a Bachelors degree of four years duration from a recognised university in Oman will be considered for postgraduate study. Holders of Bachelors degree will normally be expected to have achieved a GPA of 3.0/4, 3.75/5 or 75% for 2:1 equivalency or 2.8/4, 3.5/5 or 70% for 2:2 equivalency.  

Holders of a Bachelors degree of four years in duration from a recognised university in Pakistan will be considered for postgraduate taught study. Students with a Bachelors degree of at least three years duration followed by a Masters degree of one or two years duration, or holders of a two year Bachelors degree and a two year Masters degree in the same subject, may also be considered for postgraduate study.

Holders of Bachelors degree will normally be expected to have achieved a GPA of 2.8-3.0/4.0 or 65% or above for 2:1 equivalency, or a GPA of 2.6/4.0 or 60% or above for 2:2 equivalency depending on the awarding institution.  

A two-year degree followed by a three-year LLB will count as a full Bachelors degree.

All qualifications must be from recognised institutions. For further details on recognised institutions, please refer to Pakistan’s Higher Education Commission

Holders of a Bachelors degree from a recognised university in the Palestinian Territories will be considered for postgraduate study. Holders of Bachelors degree will normally be expected to have achieved a GPA of 3/4 or 80% for 2:1 equivalency or a GPA of 2.5/4 or 70% for 2:2 equivalency.    

Holders of the Título de Licenciado /Título de (4-6 years) or an equivalent professional title from a recognised Paraguayan university may be considered for entry to a postgraduate degree programme. Grades of 4/5 or higher can be considered as UK 2.1 equivalent.  The Título Intermedio is a 2-3 year degree and is equivalent to a HNC, it is not suitable for postgraduate entry but holders of this award could be considered for second year undergraduate entry or pre-Masters.  Applicants for PhD level study will preferably hold a Título de Maestría / Magister or equivalent qualification, but holders of the Título/Grado de Licenciado/a with excellent grades can be considered.

Holders of the Bachiller, Licenciado, or Título Profesional with at least 13/20 may be considered as UK 2.1 equivalent.  Applicants for PhD level study will preferably hold a Título de Maestría or equivalent qualification.

Holders of a good post-2001 Licencjat / Inzynier (Bachelors degree), or a pre-2001 Magister, from a recognised Polish university, with a minimum overall grade of 4.5/4+ out of 5, dobry plus ‘better than good’ for 2:1 equivalence, or 4 out of 5, dobry 'good' for 2:2 equivalence, will be considered for entry to taught postgraduate programmes. 

Holders of a good Licenciado from a recognised university, or a Diploma de Estudos Superiores Especializados (DESE) from a recognised Polytechnic Institution, with a minimum overall grade of 16 out of 20, bom com distinção ‘good with distinction’, for 2:1 equivalence, or 14 out of 20, bom ‘good’, for 2:2 equivalence, will be considered for entry to taught postgraduate programmes. 

Holders of a Bachelors degree of four years duration from a recognised university in Qatar will be considered for postgraduate study. Holders of a Bachelors degree will normally be expected to have achieved a GPA of 3.0/4, 3.75/5 or 75% for 2:1 equivalency or 2.8/4, 3.5/5 or 70% for 2:2 equivalency.  

Holders of a good Diplomă de Licenţă, Diplomă de Inginer, Diplomă de Urbanist Diplomat, Diplomă de Arhitect, Diplomă de Farmacist or Diplomã de Doctor-Medic Arhitect (Bachelors degree) from a recognised Romanian Higher Education institution with a minimum overall grade of 8 out of 10 for 2:1 equivalence, or 7 out of 10 for 2:2 equivalence, will be considered for entry to taught postgraduate programmes.

Holders of a good Диплом Бакалавра (Bakalavr) degree with a minimum grade point average (GPA) of 4.0 from recognised universities in Russia may be considered for entry to taught postgraduate programmes/MPhil degrees. 

Students who hold a 4-year Bachelor degree with at least 16/20 or 70% will be considered for Postgraduate Diplomas and Masters degrees.   

Holders of a Bachelors degree of four years duration from a recognised university in the Saudi Arabia will be considered for postgraduate study. Holders of Bachelors degree will normally be expected to have achieved a GPA of 3.0/4, 3.75/5 or 75% for 2:1 equivalency or 2.8/4, 3.5/5 or 70% for 2:2 equivalency.  

Students who hold a Maitrise, Diplome d'Etude Approfondies,Diplome d'Etude Superieures or Diplome d'Etude Superieures Specialisees will be considered for Postgraduate Diplomas and Masters degrees. A score of 14-15/20 or Bien from a well ranked institution is considered comparable to a UK 2.1, while a score of 12-13/20 or Assez Bien is considered comparable to a UK 2.2

Students who hold a Bachelor (Honours) degree from a recognised institution with a minimum GPA of 3.0/4.0 or 3.5/5.0 (or a score of 60-69% or B+) from a well ranked institution will be considered for most our Postgraduate Diplomas and Masters degrees with a 2:1 requirement.

Students holding a good Bachelors Honours degree will be considered for postgraduate study at Diploma or Masters level.

Holders of a good three-year Bakalár or pre-2002 Magister from a recognised Slovakian Higher Education institution with a minimum overall grade of 1.5, B, Vel’mi dobrý ‘very good’ for 2:1 equivalence, or 2, C, Dobrý ‘good’ for 2:2 equivalence, will be considered for entry to taught postgraduate programmes. 

Holders of a good Diploma o pridobljeni univerzitetni izobrazbi (Bachelors degree), Diplomant (Professionally oriented first degree), Univerzitetni diplomant (Academically oriented first degree) or Visoko Obrazovanja (until 1999) from a recognised Slovenian Higher Education institution with a minimum overall grade of 8.0 out of 10 for 2:1 equivalence, or 7.0 out of 10 for 2:2 equivalence, will be considered for entry to taught postgraduate programmes. 

Students who hold a Bachelor Honours degree (also known as Baccalaureus Honores / Baccalaureus Cum Honoribus) from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees. Most Masters programmes will require a second class upper (70%) or a distinction (75%).

Holders of a Masters degree will be considered for entry to postgraduate research programmes.

Holders of a Bachelor degree from a recognised South Korean institution (usually with the equivalent of a second class upper or a grade point average 3.0/4.0 or 3.2/4.5) will be considered for Masters programmes.

Holders of a good Masters degree from a recognised institution will be considered for PhD study on an individual basis.

Holders of a good Título de Licenciado / Título Universitario Oficial de Graduado (Grado) /Título de Ingeniero / Título de Arquitecto from a recognised Spanish university with a minimum overall grade of 7 out of 10 for 2:1 equivalence, or 6 out of 10 for 2:2 equivalence, will be considered for entry to taught postgraduate programmes.

Holders of a Special or Professional Bachelors degree of four years duration from a recognised university in Sri Lanka will be considered for postgraduate taught study.

Holders of Bachelors degree will normally be expected to have achieved 60-74% or a CGPA 3.30/4.0 or B+ for 2:1 equivalency, or 55-59% or a CGPA 3.0/4.0 or B for 2:2 equivalency depending on the awarding institution.  

Holders of a good Kandidatexamen (Bachelors degree) or Yrkesexamen (Professional Bachelors degree) from a recognised Swedish Higher Education institution with the majority of subjects with a grade of VG (Val godkänd) for 2:1 equivalency, or G (godkänd) for 2:2 equivalency, will be considered for entry to taught postgraduate programmes. Holders of a good Kandidatexamen (Bachelors degree) or Yrkesexamen (Professional Bachelors degree) from a recognised Swedish Higher Education institution with the majority of subjects with a grade of VG (Val godkänd), and/or a good Magisterexamen (Masters degree), International Masters degree or Licentiatexamen (comparable to a UK Mphil), will be considered for entry to postgraduate research programmes.

Holders of a good " Baccalauréat universitaire/ Diplom / Diplôme; Lizentiat / Licence; Staatsdiplom / Diplôme d'Etat" degree from a recognised Swiss higher education institution (with a minimum GPA of 5/6 or 8/10 or 2/5 (gut-bien-bene/good) for a 2.1 equivalence) will be considered for entry to taught postgraduate programmes.

Holders of a Bachelors degree from a recognised university in Syria will be considered for postgraduate study. Holders of Bachelors degree will normally be expected to have achieved score of 70%, or ‘very good’ for 2:1 equivalency or 60%, or ‘good’ for 2:2 equivalency.  

Holders of a good Bachelor degree (from 75% to 85% depending upon the university in Taiwan) from a recognised institution will be considered for postgraduate Masters study. Holders of a good Masters degree from a recognised institution will be considered for PhD study.

Students who hold a Bachelor degree from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees.  Most taught Masters programmes require a minimum of an upper second class degree (2.1) Students who have completed a Masters degree from a recognised institution will be considered for PhD study.

Holders of a good Bachelors degree from a recognised institution will be considered for postgraduate study at Diploma or Masters level. Holders of Bachelors degree from prestigious institutions (see list below) will normally be expected to have achieved a GPA of 3.0/4.0 for 2:1 equivalency or 2.7 for 2:2 equivalency. Applicants with grades slightly below these requirements may also be considered for an offer if they have a relevant Bachelors degree, good scores in relevant modules, or relevant work experience.

Holders of a Bachelors degree from all other institutions will normally be expected to have achieved a GPA of 3.2/4.0 for 2:1 equivalency, or 2.8 for 2:2 equivalency.

Prestigious institutions: Assumption University Chiang Mai University Chulalongkorn University Kasetsart University Khon Kaen University King Mongkut University of Technology - Thonburi (known as KMUTT or KMUT) Mahidol University Prince of Songla University Srinakharinwirot University Thammasat University

Holders of a bachelor degree with honours from a recognised Caribbean and West Indies university may be considered for entry to a postgraduate degree programme. 

Grade Requirements:

First (1st)	3.5 GPA, B+, 1st, First Class Honours degree
Upper Second (2:1)	3.0 GPA, B, 2.1, Class II Upper Division Honours degree
Lower Second (2:2)	2.5 GPA, B-, 2.2, Class II Lower Division Honours degree

Students with a Bachelors degree from the following universities may be considered for entry to postgraduate programmes:

• Ateneo de Manila University - Quezon City
• De La Salle University - Manila
• University of Santo Tomas
• University of the Philippines - Diliman

Students from all other institutions with a Bachelors and a Masters degree or relevant work experience may be considered for postgraduate programmes.

Grading Schemes

1-5 where 1 is the highest 2.1 = 1.75 2.2 = 2.25 

Out of 4.0 where 4 is the highest 2.1 = 3.0 2.2 = 2.5

Letter grades and percentages 2.1 = B / 3.00 / 83% 2.2 = C+ / 2.5 / 77%

Holders of a postdoctoral qualification from a recognised institution will be considered for PhD study.  Students may be considered for PhD study if they have a Masters from one of the above listed universities.

Holders of a Lisans Diplomasi with a minimum grade point average (GPA) of 3.0/4.0 from a recognised university will be considered for postgraduate study at Diploma or Masters level.

Holders of a Yuksek Diplomasi from a recognised university will be considered for PhD study.

Holders of a Bachelors degree of four years duration from a recognised university in the UAE will be considered for postgraduate study. Holders of a Bachelors degree will normally be expected to have achieved a GPA of 3.0/4, 3.75/5 or 75% for 2:1 equivalency or 2.8/4, 3.5/5 or 70% for 2:2 equivalency.  

Students who hold a Bachelor degree from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees. Most Masters programmes will require a second class upper (2.1) or GPA of 3.5/5.0

Holders of a good four-year Bachelors degree/ Диплом бакалавра (Dyplom Bakalavra), Диплом спеціаліста (Specialist Diploma) or a Dyplom Magistra from a recognised institution, with a minimum GPA of 4.0/5.0, 3.5/4, 8/12 or 80% or higher for 2:1 equivalence, or a GPA of 3.5/5.0, 3.0/4, 6/12 or 70% for 2:2 equivalence, depending on the awarding institution, will be considered for entry to taught postgraduate programmes.

The University will consider students who hold an Honours degree from a recognised institution in the USA with a GPA of:

• 2.8 GPA (on a 4.0 scale) for entry to programmes with a 2:2 requirement 
• 3.2 GPA (on a 4.0 scale) for entry to programmes with a 2:1 requirement 

Please note that some subjects which are studied at postgraduate level in the USA, eg. Medicine and Law, are traditionally studied at undergraduate level in the UK.

Holders of the Magistr Diplomi (Master's degree) or Diplomi (Specialist Diploma), awarded by prestigious universities, who have attained high grades in their studies will be considered for postgraduate study.  Holders of the Fanlari Nomzodi (Candidate of Science), where appropriate, will be considered for PhD study.

Holders of the Licenciatura/Título or an equivalent professional title from a recognised Venezuelan university may be considered for entry to a postgraduate degree programme. Scales of 1-5, 1-10 and 1-20 are used, an overall score of 70% or equivalent can be considered equivalent to a UK 2.1.  Applicants for PhD level study will preferably hold a Maestria or equivalent qualification

Holders of a Bachelors degree from a recognised Vietnamese institution (usually achieved with the equivalent of a second class upper or a grade point average minimum GPA of 7.0 and above) will be considered for postgraduate study at Diploma or Masters level.  Holders of a Masters degree (thac si) will be considered for entry to PhD programmes.

Students who hold a Masters degree with a minimum GPA of 3.5/5.0 or a mark of 2.0/2.5 (A) will be considered for Postgraduate Diplomas and Masters degrees.   

Students who hold a good Bachelor Honours degree will be considered for Postgraduate Diplomas and Masters degrees. 

Most modules include a substantial workshop element, directly focussing on student work. 

Course delivery

We have three terms per year, the autumn, spring and summer terms semester. Term dates can be found on our website.

The programme is made up of two 40-credit modules (Writer's Workshop, Creative Writing Masterclass) and two 20-credit modules (Intertextuality; Poem as Story). As a full-time student, you will take one 20-credit module and one 40-credit module in the first two terms, followed by your dissertation. You can typically expect six hours of classroom time per week, two for a 20-credit module and four for a 40-credit module. If you are a part-time student, we advise that you complete the 40-credit modules in your first year and the 20-credit modules in your second year, allowing you more time to focus on your dissertation in year two.

Each module represents a total of 200 hours of study time, including preparatory reading, homework and assignment preparation.

Support with academic writing

As a postgraduate student in the College of Arts and Law, you have access to the  Academic Writing Advisory Service (AWAS)  which aims to help your transition from undergraduate to taught Masters level, or back into academia after time away. The service offers guidance on writing assignments and dissertations for your MA/MSc programme with individual support from an academic writing advisor via tutorials, email and the provision of online materials.

International students can access support for English Language development and skills through the  Birmingham International Academy (BIA) .

Teaching year

We have three teaching terms per year, the autumn, spring and summer terms. Term dates can be found on our website .

As a full-time student, you will typically take three modules in each of the first two terms, followed by your dissertation. If you are a part-time student, you will typically take three modules across each year, followed by your dissertation.

As a postgraduate student in the College of Arts and Law, you have access to the Academic Writing Advisory Service (AWAS) which aims to help your transition from undergraduate to taught Masters level, or back into academia after time away. The service offers guidance on writing assignments and dissertations for your MA/MSc programme with individual support from an academic writing advisor via tutorials, email and the provision of online materials.

International students can access support for English Language development and skills through the Birmingham International Academy (BIA) .

The University of Birmingham is the top choice for the UK's major employers searching for graduate recruits, according to The Graduate Market 2024 report .

Your degree will provide excellent preparation for your future career, but this can also be enhanced by a range of employability support services offered by the University and the College of Arts and Law.

The University's Careers Network  provides expert guidance and activities especially for postgraduates, which will help you achieve your career goals. The College of Arts and Law also has a dedicated  careers and employability team  who offer tailored advice and a programme of College-specific careers events.

You will be encouraged to make the most of your postgraduate experience and will have the opportunity to:

• Receive one-to-one careers advice, including guidance on your job applications, writing your CV and improving your interview technique, whether you are looking for a career inside or outside of academia
• Meet employers face-to-face at on-campus recruitment fairs and employer presentations
• Attend an annual programme of careers fairs, skills workshops and conferences, including bespoke events for postgraduates in the College of Arts and Law
• Take part in a range of activities to demonstrate your knowledge and skills to potential employers and enhance your CV

What’s more, you will be able to access our full range of careers support for up to 2 years after graduation.

Postgraduate employability: Film and Creative Writing

Postgraduates in the Department of Film and Creative Writing develop a range of skills including the ability to lead and participate in discussions; critical thinking, and an appreciation of different theoretical contexts; the ability to develop opinions and new ideas; and an aptitude for thinking and working creatively with others. While some graduates go on to careers in related industries, such as writing, media and television, others have used their transferable skills to pursue roles such as advertising, teaching, and in the heritage and cultural sectors.

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• Master of Fine Arts in Creative Writing (MFA)
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Go to programs search

Creative Writers are at the heart of our cultural industries. Poets, novelists, screenwriters, playwrights, graphic novelists, magazine writers: they entertain, inform and inspire. For more than 50 years, UBC’s Creative Writing program has been producing writers who’ve shaped Canadian and international culture. A studio program with the writing workshop at its heart, the MFA focuses on the work created by students as the primary text. Through intensive peer critique and craft discussion, faculty and students work together with the same goal: literary excellence. 

For specific program requirements, please refer to the departmental program website

What makes the program unique?

UBC’s Creative Writing program was the first writing program in Canada, and is the largest and most comprehensive in the country. It is highly ranked internationally, and draws students from around the world for its multi-genre approach to writing instruction. Students are required to work in multiple genres during the course of the degree. As a fine arts program rather than an English program, students focus on the practice of writing rather than the study of literature.

Small, intensive workshops characterize the program, as does our breadth of offerings: with 12 genres of writing available for study there are more opportunities for learning than at any other writing program in the world.

Faculty are distinguished, working writers. We have 12 professors, an additional 9 permanent instructors and regularly bring in a wide variety of writers in residence and adjunct instructors from the writing community.

The School of Creative Writing’s quality of professors was the biggest draw for me. I also want the teaching experience TA’ing for undergraduate students can bring me. I want to ultimately teach creative writing at a post-secondary level and learning how to do so at UBC will be rigorous and rewarding.

Brandi Bird

Quick Facts

Program enquiries, admission information & requirements, program instructions.

The residency MFA program only has a September intake.

1) Check Eligibility

Minimum academic requirements.

The Faculty of Graduate and Postdoctoral Studies establishes the minimum admission requirements common to all applicants, usually a minimum overall average in the B+ range (76% at UBC). The graduate program that you are applying to may have additional requirements. Please review the specific requirements for applicants with credentials from institutions in:

• Canada or the United States
• International countries other than the United States

Each program may set higher academic minimum requirements. Please review the program website carefully to understand the program requirements. Meeting the minimum requirements does not guarantee admission as it is a competitive process.

English Language Test

Applicants from a university outside Canada in which English is not the primary language of instruction must provide results of an English language proficiency examination as part of their application. Tests must have been taken within the last 24 months at the time of submission of your application.

Minimum requirements for the two most common English language proficiency tests to apply to this program are listed below:

TOEFL: Test of English as a Foreign Language - internet-based

Overall score requirement : 90

IELTS: International English Language Testing System

Overall score requirement : 6.5

Other Test Scores

Some programs require additional test scores such as the Graduate Record Examination (GRE) or the Graduate Management Test (GMAT). The requirements for this program are:

The GRE is not required.

2) Meet Deadlines

3) prepare application, transcripts.

All applicants have to submit transcripts from all past post-secondary study. Document submission requirements depend on whether your institution of study is within Canada or outside of Canada.

Letters of Reference

A minimum of three references are required for application to graduate programs at UBC. References should be requested from individuals who are prepared to provide a report on your academic ability and qualifications.

Statement of Interest

Many programs require a statement of interest , sometimes called a "statement of intent", "description of research interests" or something similar.

• Supervision

Students in research-based programs usually require a faculty member to function as their thesis supervisor. Please follow the instructions provided by each program whether applicants should contact faculty members.

Instructions regarding thesis supervisor contact for Master of Fine Arts in Creative Writing (MFA)

Citizenship verification.

Permanent Residents of Canada must provide a clear photocopy of both sides of the Permanent Resident card.

4) Apply Online

All applicants must complete an online application form and pay the application fee to be considered for admission to UBC.

Tuition & Financial Support

Fees	Canadian Citizen / Permanent Resident / Refugee / Diplomat	International
	$114.00	$168.25
Tuition *
Installments per year	3	3
Tuition	$1,838.57	$3,230.06
Tuition (plus annual increase, usually 2%-5%)	$5,515.71	$9,690.18
Int. Tuition Award (ITA) per year ( )		$3,200.00 (-)
Other Fees and Costs
(yearly)	$1,116.60 (approx.)
	Estimate your with our interactive tool in order to start developing a financial plan for your graduate studies.

Financial Support

Applicants to UBC have access to a variety of funding options, including merit-based (i.e. based on your academic performance) and need-based (i.e. based on your financial situation) opportunities.

Scholarships & awards (merit-based funding)

All applicants are encouraged to review the awards listing to identify potential opportunities to fund their graduate education. The database lists merit-based scholarships and awards and allows for filtering by various criteria, such as domestic vs. international or degree level.

Graduate Research Assistantships (GRA)

Many professors are able to provide Research Assistantships (GRA) from their research grants to support full-time graduate students studying under their supervision. The duties constitute part of the student's graduate degree requirements. A Graduate Research Assistantship is considered a form of fellowship for a period of graduate study and is therefore not covered by a collective agreement. Stipends vary widely, and are dependent on the field of study and the type of research grant from which the assistantship is being funded.

Graduate Teaching Assistantships (GTA)

Graduate programs may have Teaching Assistantships available for registered full-time graduate students. Full teaching assistantships involve 12 hours work per week in preparation, lecturing, or laboratory instruction although many graduate programs offer partial TA appointments at less than 12 hours per week. Teaching assistantship rates are set by collective bargaining between the University and the Teaching Assistants' Union .

Graduate Academic Assistantships (GAA)

Academic Assistantships are employment opportunities to perform work that is relevant to the university or to an individual faculty member, but not to support the student’s graduate research and thesis. Wages are considered regular earnings and when paid monthly, include vacation pay.

Financial aid (need-based funding)

Canadian and US applicants may qualify for governmental loans to finance their studies. Please review eligibility and types of loans .

All students may be able to access private sector or bank loans.

Foreign government scholarships

Many foreign governments provide support to their citizens in pursuing education abroad. International applicants should check the various governmental resources in their home country, such as the Department of Education, for available scholarships.

Working while studying

The possibility to pursue work to supplement income may depend on the demands the program has on students. It should be carefully weighed if work leads to prolonged program durations or whether work placements can be meaningfully embedded into a program.

International students enrolled as full-time students with a valid study permit can work on campus for unlimited hours and work off-campus for no more than 20 hours a week.

A good starting point to explore student jobs is the UBC Work Learn program or a Co-Op placement .

Tax credits and RRSP withdrawals

Students with taxable income in Canada may be able to claim federal or provincial tax credits.

Canadian residents with RRSP accounts may be able to use the Lifelong Learning Plan (LLP) which allows students to withdraw amounts from their registered retirement savings plan (RRSPs) to finance full-time training or education for themselves or their partner.

Please review Filing taxes in Canada on the student services website for more information.

Cost Estimator

Applicants have access to the cost estimator to develop a financial plan that takes into account various income sources and expenses.

Career Options

Graduates of the MFA program have found success in varied fields related to writing and communication. The MFA qualifies graduates for teaching at the university level and many graduates have gone on to teach at colleges and universities in Canada, the United States and overseas as well as holding writing residencies. Many publish books and win literary awards. Others go on to work in publishing, and graduates have become book and magazine editors.

Although the MFA is a terminal degree, some graduates go on to further study in PhD programs in the US, UK and Australia. 

Enrolment, Duration & Other Stats

These statistics show data for the Master of Fine Arts in Creative Writing (MFA). Data are separated for each degree program combination. You may view data for other degree options in the respective program profile.

ENROLMENT DATA

	2023	2022	2021	2020	2019
Applications	264	302	368	233	248
Offers	39	41	43	44	52
New Registrations	29	24	27	29	31
Total Enrolment	118	131	140	160	175

Completion Rates & Times

• Research Supervisors

This list shows faculty members with full supervisory privileges who are affiliated with this program. It is not a comprehensive list of all potential supervisors as faculty from other programs or faculty members without full supervisory privileges can request approvals to supervise graduate students in this program.

• Belcourt, Billy-Ray (Fiction; Nonfiction; Poetry)
• French, Whitney (memory, loss, technology, and nature)
• Hopkinson, Nalo (Creative writing, n.e.c.; Humanities and the arts; Creative Writing: Speculative Ficton, Fantasy, Science Fiction, especially Other Voices)
• Irani, Anosh
• Koncan, Frances
• Leavitt, Sarah (Autobiographical comics; Formal experimentation in comics; Comics pedagogy)
• Lee, Nancy (Fiction; Creative Writing)
• Lyon, Annabel (Novels, stories and news)
• Maillard, Keith (Fiction, poetry)
• Marzano-Lesnevich, Alex (Nonfiction)
• McGowan, Sharon (Planning of film productions from concept to completion)
• Medved, Maureen (Fiction, writing for screen)
• Nicholson, Cecily (Languages and literature; Poetry)
• Ohlin, Alix (Fiction; Screenwriting; Environmental writing)
• Pohl-Weary, Emily (Fiction; Writing for Youth)
• Svendsen, Linda (Script development; Novels, stories and news; Writing for Television; Fiction)
• Taylor, Timothy (fiction and nonfiction)
• Vigna, John (Novels, stories and news; Fiction, Literary Non-Fiction, Creative Writing)

Related Programs

Same specialization.

• Master of Fine Arts in Creative Writing (Distance) (MFA)

Same Academic Unit

• Master of Fine Arts in Creative Writing and Theatre (MFA)
• Master of Fine Arts in Film Production and Creative Writing (MFA)

At the UBC Okanagan Campus

• Master of Fine Arts (MFA)

Further Information

Specialization.

Creative Writing combines the best of traditional workshop and leading-edge pedagogy. Literary cross-training offers opportunities in a broad range of genres including fiction, poetry, screenplay, podcasting, video game writing and graphic novel.

UBC Calendar

Program website, faculty overview, academic unit, program identifier, classification, social media channels, supervisor search.

Departments/Programs may update graduate degree program details through the Faculty & Staff portal. To update contact details for application inquiries, please use this form .

Vivian (Xiao Wen) Li

I really liked what the program would be offering, and I love the mountains as well as nature—I find a lot of peace and inspiration from water, wind, and clouds. While I was at an Explore Program for a month at the University of Victoria (I wanted to explore the West Coast), I managed to visit UBC...

Fiona Revill

I have studied abroad in Australia, and at several local post-secondary institutions, but UBC has always felt like my academic home. The Creative Writing program is one of the best programs in the country, and I was really honoured to be accepted, as the competition is rigorous.

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Find out how Vancouver enhances your graduate student experience—from the beautiful mountains and city landscapes, to the arts and culture scene, we have it all. Study-life balance at its best!

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Creative Writing MA

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Course overview

Take a tour of our School

Get a taste for life in the School of English as Masters student Alex takes you on a tour of the School building as well as some campus highlights.

The MA in Creative Writing offers the opportunity to develop your skills in creative writing within the context of a School of English with a long and distinguished history in creative writing. The course appeals both to those who wish to deepen and broaden their creative writing practice, and to those who are working towards a single publishable piece of work.

With expert guidance from teaching staff who are actively engaged in producing and publishing creative writing, you will engage with a wide variety of literary genres, including poetry, fiction and creative nonfiction. You will also have the chance to develop your literary and critical skills more broadly.

Throughout the course, you will be able to explore areas of personal interest and participate in workshops to hone your skills in diverse forms of writing.

You will also produce an independent research project, which can be dedicated to a single creative idea, or which might comprise a portfolio of your creative writing, according to your interests.

Our expertise

The School of English has a long and prestigious history in creative writing. Creative Writing at Leeds has a great history of alumni and former staff, including Wole Soyinka, Geoffrey Hill, JRR Tolkien, Ngugi wa Thiong’o, Hannah Copley, Luiza Sauma, literary agent Caroline Hardman, and our recent Douglas Caster Poetry Fellows Helen Mort, Anthony Vahni Capildeo and Malika Booker.

Our current staff includes Poet Laureate Simon Armitage, JR Carpenter, Kimberly Campanello, Campbell Edinborough, Zaffar Kunial, Alison Peirse, Sarah K. Perry, Jay Prosser, Jess Richards, Ross Raisin, Caitlin Stobie and John Whale. Our practices and passions run across creative and critical writing. They include: visual and experimental poetry; eco poetics; the contemporary novel and contemporary lyric poem; literature and medicine; disability studies; autofiction; and transgender memoir.

We are home to the University of Leeds Poetry Centre, which brings together the University’s strength and heritage in creative writing. It hosts regular poetry readings by visiting international poets and supports a poetry reading group.

Our creative writing community benefits from partnerships with llkley Literature Festival, Leeds Playhouse and Leeds Grand Theatre. We also support a thriving range of events and workshops with visiting writers.

Specialist resources

The University of Leeds Library is one of the UK's major academic research libraries. It has extensive holdings to support your studies, including English Literature Collections that have been designated of national and international importance.

Our Special Collections offer a huge range of rare books, manuscripts and art, as well as the archives of poets like Tony Harrison, Geoffrey Hill and Simon Armitage, and literary publications such as Stand and The London Magazine.

Other highlights include materials relating to novelists like Arthur Ransome, Angela Thirkell, Melvyn Bragg and Sophie Hannah, and critics like George Wilson-Knight and Bonamy Dobrée. The library also holds original manuscripts by the Brontë family.

Take a 360 tour around our libraries:

Brotherton Library Laidlaw Library Edward Boyle Library

Course details

The MA in Creative Writing covers a range of literary forms, including poetry, fiction and creative nonfiction genres.

The course develops your skills as a creative practitioner. It also explores the history, generic conventions and experimental possibilities of creative literary forms. Through the Creative Writing core module you will learn about key practices in and approaches to creative writing, which you will then expand on through optional modules that allow you to tailor your studies to suit your interests and career ambitions. Optional modules include offerings in Creative Writing and English Literature, alongside modules in digital media and performance in the School of Performance and Creative Industries. Your research project will apply and expand upon what you have learned in these core and option modules.

Through your research project you will gain experience of creative practice as research. You will write a creative research project on a subject of your choice with support from a specialist supervisor and with access to the outstanding research resources of the University's Brotherton Library.

Hear from our students

In this student panel our current Masters students discuss why they chose Leeds and what it's like to study a Masters in the School of English.

The list shown below represents typical modules/components studied and may change from time to time. Read more in our terms and conditions .

Most courses consist of compulsory and optional modules. There may be some optional modules omitted below. This is because they are currently being refreshed to make sure students have the best possible experience. Before you enter each year, full details of all modules for that year will be provided.

For more information and a list of typical modules available on this course, please read MA Creative Writing (Full Time) in the course catalogue.

For more information and a list of typical modules available on this course, please read MA Creative Writing (Part Time) in the course catalogue.

Year 1 compulsory modules

Module Name	Credits
Approaches to Creative Writing	30
Creative Writing Research Project	60

Year 1 optional modules (selection of typical options shown below)

Module Name	Credits
The Long Poem: Self, Land, Witness	30
So Where do you come from? Selves, Families, Stories	30
Writing Poetry	30
Writing Prose Fiction	30
Caribbean and Black British Writing	30
Romantic Identities: Literary Constructions of the Self, 1789-1821	30
Writing Places and Identities	30
Medical Humanities: Representing Illness, Disability, and Care	30
The Digital & English Studies	30
Postcolonialism, Animals and the Environment	30
Shakespeare's Tyrants	30
Planetary Aesthetics: Animism, Mimesis and Indigeneity	30
Digital and Intermedial Storytelling	30
Script Development for Film and Television	30

For more information please read MA Creative Writing (full time) or MA Creative Writing (part time) in the course catalogue.

Learning and teaching

You’ll have weekly seminars or workshops in each module where you discuss the themes and issues arising from your reading and writing. You’ll have the opportunity to share your writing and receive feedback on work-in-progress. You’ll be able to enhance your learning by attending the wide range of seminars and talks by visiting speakers and creative writers that we arrange throughout the year.

Independent study is a vital part of the degree, as it allows you to build your skills and explore your own ideas as an academic researcher and a creative writer.

On this course you’ll be taught by our expert academics, from lecturers through to professors. You may also be taught by industry professionals with years of experience, as well as trained postgraduate researchers, connecting you to some of the brightest minds on campus.

Assessment for this programme includes both creative and critical reflection on your creative practice. Modules are assessed either by a combination of these equivalent to 4,000 words, or by a single essay of around 4,000 words. While formal assessment tends to take place at the end of the module, during term you may also be expected to submit work in progress in order to gain feedback, or give presentations in your seminars.

The research project is typically a 9,000-word (or poetry equivalent) creative writing project with a 3,000-word critical reflection.

Entry requirements

A bachelor degree with a 2:1 (hons) in English literature or Creative Writing, or a degree scheme that includes a significant proportion of English Literature or Creative Writing content, or a related subject. You will also submit a Creative Writing sample comprising approximately 1,000 words of prose or 3 pages of poetry (or a portfolio combining both genres). This gives us a chance to get to know some of the writing you have produced so far to help us determine suitability for this course.

Applications from those with degrees in other subjects may be considered on an individual basis, along with the sample you will submit.

We accept a range of international equivalent qualifications. Contact the Postgraduate Admissions Office for more information.

English language requirements

IELTS 6.5 overall, with no less than 6.0 in each component. For other English qualifications, read English language equivalent qualifications .

Improve your English

International students who do not meet the English language requirements for this programme may be able to study our postgraduate pre-sessional English course, to help improve your English language level.

This pre-sessional course is designed with a progression route to your degree programme and you’ll learn academic English in the context of your subject area. To find out more, read Language for Arts and Humanities (6 weeks) and Language for Social Science and Arts: Arts and Humanities (10 weeks) .

We also offer online pre-sessionals alongside our on-campus pre-sessionals.  Find out more about our six week online pre-sessional .

You can also study pre-sessionals for longer periods – read about our postgraduate pre-sessional English courses .

How to apply

Please see our How to Apply page for information about application deadlines.

You will need to apply for a place before applying for any scholarships, so check the deadlines for available scholarships on our website .

The ‘Apply’ link at the top of this page takes you to information on applying for taught programmes and to the University's online application system.

If you're unsure about the application process, contact the admissions team for help.

Documents and information you need

You’ll need to upload the following documents when completing the online application form:

A transcript of your completed BA degree or grades to date

A personal statement of around 500 words in response to the questions asked in the supporting statement section of the application form. It is important that you consider and respond to these questions.

A Creative Writing sample comprising approximately 1,000 words of prose or 3 pages of poetry (or a portfolio combining both genres)

If English is not your first language, you’ll need to submit proof of your English language results (eg IELTS).

We do not generally request references, unless further information is required to support the assessment of your application.

We will decide whether to offer you a place based on your application form, personal statement, transcripts, predicted or actual degree results and, where appropriate, any additional documentation requested.

The Faculty of Arts, Humanities and Cultures receives very large numbers of high-quality applications and regrets that it cannot make offers to all of its applicants. Some particularly popular schools may have to reject many that hold the necessary academic qualifications.

Read about visas, immigration and other information in International students . We recommend that international students apply as early as possible to ensure that they have time to apply for their visa.

Admissions policy

University of Leeds Admissions Policy 2025

This course is taught by

School of English

Postgraduate Administrator

Email: [email protected] Telephone:

UK: £12,000 (Total)

International: £25,250 (Total)

For fees information for international taught postgraduate students, read Masters fees .

Read more about paying fees and charges .

Part-time fees Fees for part-time courses are normally calculated based on the number of credits you study in a year compared to the equivalent full-time course. For example, if you study half the course credits in a year, you will pay half the full-time course fees for that year.

Additional cost information

There may be additional costs related to your course or programme of study, or related to being a student at the University of Leeds. Read more on our living costs and budgeting page .

Scholarships and financial support

If you have the talent and drive, we want you to be able to study with us, whatever your financial circumstances. There may be help for students in the form of loans and non-repayable grants from the University and from the government.  Find out more at Masters funding overview .

The School of English also offers a range of scholarships for taught postgraduate study. Find out more on our Scholarships page .

Career opportunities

This course will equip you with advanced transferable skills which are valuable in a wide range of careers.

You’ll be a confident researcher who can work independently as well as within a team. You’ll be a strong communicator, both verbally and in writing, and be able to think critically and analytically. In addition, you’ll have a strong level of cultural and critical awareness, and you’ll be able to look at a situation from different points of view.

All of these qualities are attractive to employers across sectors, and you’ll be well equipped to pursue a career in a wide range of fields depending on your interests. These could include teaching, journalism, publishing, advertising, broadcasting and law. Many of our graduates also progress to PhD-level study and you’ll be in a good position to develop a career in academia. Students from our programmes have gone on to have successful careers as literary agents, journalists and researchers, as well as to become published novelists and award-winning poets.

Careers support

Leeds for Life is our unique approach to helping you make the most of University by supporting your academic and personal development. Find out more at the Leeds for Life website .

We encourage you to prepare for your career from day one. That’s one of the reasons Leeds graduates are so sought after by employers.

The Careers Centre and staff in your faculty provide a range of help and advice to help you plan your career and make well-informed decisions along the way, even after you graduate. Find out more about Careers support .

Whether you're looking to pursue further study, change career, or stand out in the competitive graduate job market, you'll receive expert support in applying the skills you've developed in your chosen career.

Watch: Careers support at Leeds

Find out more about the careers and employability support that you'll receive as a student in the School of English.

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• Credits measure the student workload required for the successful completion of a module or qualification.
• One credit represents about 10 hours of study over the duration of the course.
• You are awarded credits after you have successfully completed a module.
• For example, if you study a 60-credit module and successfully pass it, you will be awarded 60 credits.
• MA in Creative Writing

This qualification is an opportunity to develop your skills as a writer in fiction, poetry, creative nonfiction and scriptwriting for film, radio and the stage. You'll be able to write in a genre of your choice and experiment with at least one other through practical and inspiring activities. You’ll work towards producing a substantial piece of your own creative writing to a professional standard. You'll also hone your practice through sharing, reading and critiquing the writing of your peers in online forums. You’ll work towards producing a substantial piece of your own creative writing to a professional standard.

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• Develop writing skills and awareness of approaches to writing
• Progress and hone sophisticated writing skills in at least one genre
• Gain a sound knowledge of, and ability in, a secondary genre
• Engage in sharing, critiquing and reviewing a variety of writing by your peers.

Study for free We’ve a limited number of scholarships available to UK students for the 2023/24 academic year. If you’re passionate about creative writing, you could be eligible for an Open Futures Scholarship. To apply, visit our Creative Writing Scholarship page. Applications close on 24 July 2023.

How to register

Select the module you will study first, read the full description, and follow the instructions to register.

To gain the 180 credits you require for this qualification, you must study the modules in the order shown below and pass part 1 before progressing to part 2:

Compulsory modules	Credits	Next start
	60	05 Oct 2024
	120	05 Oct 2024

Please note that MA Creative Writing part 2 (A803) is worth 120 credits. Module fees for postgraduate modules are based on the number of credits you study. Therefore the fee for this 120-credit postgraduate module will be double that for the 60-credit module MA Creative Writing part 1 (A802).

You should note that the University’s unique study rule applies to this qualification. This means that you must include at least 60 credits from OU modules that have not been counted in any other OU qualification that has previously been awarded to you.

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• Knowledge and understanding
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• Practical and professional skills

If you’ve successfully completed some relevant postgraduate study elsewhere, you might be able to count it towards this qualification, reducing the number of modules you need to study. You should apply for credit transfer as soon as possible, before you register for your first module. For more details and an application form, visit our Credit Transfer  website.

On completion

On successful completion of the required modules you can be awarded the Master of Arts in Creative Writing, entitling you to use the letters MA (CW) (Open) after your name. You will have the opportunity of being presented at a degree ceremony.

If you leave the programme before you qualify for a degree you can qualify for a  Postgraduate Certificate in Humanities (C20)  after successfully completing 60 credits.

Regulations

As a student of The Open University, you should be aware of the content of the qualification-specific regulations below and the academic regulations that are available on our Student Policies and Regulations  website. 

We regularly review our curriculum; therefore, the qualification described on this page – including its availability, its structure, and available modules – may change over time. If we make changes to this qualification, we’ll update this page as soon as possible. Once you’ve registered or are studying this qualification, where practicable, we’ll inform you in good time of any upcoming changes. If you’d like to know more about the circumstances in which the University might make changes to the curriculum, see our Academic Regulations or contact us . This description was last updated on 19 March 2024.

You must hold a UK honours degree (or equivalent), preferably with at least a 2:1 classification. Although your degree does not need to be in Creative Writing or a closely related subject, you will need some knowledge of the subject to successfully complete this qualification, as the MA in Creative Writing assumes all candidates have the knowledge and skills usually acquired by pursuing the subject at undergraduate level. Please note that this is not a qualification for those who are just starting to write creatively

If your degree is not in Creative Writing or a closely related subject, we strongly recommend that you read the preparatory work indicated on the MA Creative Writing part 1 . Alternatively, you could undertake our open-access creative writing courses on OpenLearn  and FutureLearn to ensure your skills (writing, reading, editorial, reflective, analytical) are at an appropriate standard.

If you don’t have a Creative Writing degree, please also make sure that you provide evidence of your experience of writing when you apply – whether through short courses, workshops, or publications.

How long it takes

Most students study the MA in Creative Writing part-time, completing 90 credits a year over two years. Typically, this means 20–25 study hours each week.

You must complete the MA in Creative Writing within 10 years.

Career relevance

If you wish to pursue a freelance writing career this Masters degree will equip you with necessary writing and editorial skills, as well as equipping you with a raft of highly valued transferable communication and collaborative skills necessary to the modern writer’s usual portfolio of occupations.

If you are aiming for an academic career in higher education, this qualification will provide a route towards a higher level research or writing practice degree (e.g. PhD), which is essential for such a career. A Masters degree can help to enhance your career prospects as a teacher in secondary and higher education (HE); most HE creative writing teaching now demands an MA in the subject.

If your aim is to enter professions associated with the media, culture, creative or knowledge industries, or if you already have a career in one of these areas and are seeking a further qualification as a means of career development, then a Masters degree, supplemented by relevant skills and experience, can prove invaluable. This degree is pertinent to those careers that directly call upon knowledge of the craft of writing, editing and critiquing (for instance, journalism, publishing, copywriting). It may also be relevant for careers that demand skills in the creative use and analysis of texts of various sorts, critical thinking and organisation, and understanding of culture in a broad sense.

Careers and Employability Services have more information on how OU study can improve your employability.

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MA Creative Writing and Education

Content navigation menu, why study ma creative writing and education at goldsmiths.

You might be a teacher who writes; a writer interested in education; a poet, a novelist or a short story writer. Whatever your background, this Masters will help you develop your creative writing skills and learn how to teach them.

• This is an MA in Creative Writing like no other. If you want to thrive as a creative writer and are passionate about learning, then this unique postgraduate programme is for you. You’ll not only progress exponentially as a writer, but also learn how to research and teach writing in a wide range of contexts.
• This pioneering Masters degree gives you a unique combination of creative writing and pedagogical skills that are highly sought after in today’s competitive workplace. You’ll grow as a writer, and gain skills and experience that could open doors to creative professions such as publishing and arts management, as well as roles in educational and non-profit organisations.
• You’ll have the opportunity to apply for innovative work placement programmes with our partners First Story and the Ministry of Stories, which have been developed exclusively for Goldsmiths. Recent placement students have gone on to be employed with these organisations after graduation.
• As well as providing professional skills, this degree will give you an invaluable toolbox of writing, teaching, and research strategies that will contribute to your personal and artistic growth.
• You’ll have plenty of opportunities to explore how creative writing can be used as a research methodology, and bring a unique contribution to many different forms of learning.
• You’ll have the opportunity to learn from some of the leading academics in the field of creative writing. Our staff are pioneers in the use of creative writing for research. The head of programme, Francis Gilbert , has taught creative writing to all ages, and is the author of best-selling memoirs, novels and educational guides.
• This degree is interdisciplinary, and you’ll work with experts in education, creative writing, and psychology. You will gain insights into the areas of race, action research, ethnography, queer theory and many others to further enrich your studies.
• You’ll learn how writing can be used in dynamic, real-world settings such as charities, prisons, schools, creative and mental health organisations, and the cultural/corporate sector.
• Alumni include some of the most significant writers to emerge in recent years such as  Raymond Antrobus ,  Dean Atta ,  S.K. Perry  and  Sara Hirsch – read what our students and graduates had to say below.
• You’ll benefit from our many partnerships with high-profile creative and educational organisations including  First Story ,  Apples and Snakes , the  British Library ,  Ministry of Stories , and the  Poetry Society . Our students have previously taken part in performances, poetry and writing workshops, drama productions, and creative research projects for these institutions, as well as getting paid to work in schools, hospitals, and charities.

You can read some of the amazing work written by previous MA Creative Writing and Education graduates in the Story Makers Dialogue magazine .

Contact the department

If you have specific questions about the degree, contact Dr Francis Gilbert (Educational Studies) .

1 year full-time or 2 years part-time

Entry requirements

You should have (or expect to be awarded) an undergraduate degree of at least second class standard in a relevant/related subject. You will need to submit a portfolio of your creative or life writing when you apply.

Home - full-time: £10350 Home - part-time: £5175 International - full-time: £18560

Departments

Educational Studies English and Creative Writing

Watch videos about this programme

What you'll study.

Teaching on this degree is active. You’ll learn through a series of lectures, seminars and workshops, as well as a vibrant series of events and conferences.

You'll take the following compulsory modules:

-->

Module title	Credits
Workshop in Creative and Life Writing Presentations of their work to each other, with an account of their aims and approach, forms one important element. The students meet a range of practices, concerns and, techniques. The workshop is also the place where the issues raised in the Contemporary Contexts module are further debated in relation to the students’ own practice. -->	30 credits
The Publishing Industry -->	30 credits
Teaching and Researching Creative Writing -->	30 Credits

Optional modules

Additionally, you'll choose 30 credits of optional modules from an annually approved list.

Dissertation or portfolio

You'll also undertake a project-based portfolio or dissertation based in either the Department of Educational Studies or the Department of English and Creative Writing. This is worth 60 credits. 

Note about optional modules (if available): The above is indicative of the typical modules offered, but is not intended to be construed or relied on as a definitive list of what might be available in any given year. The module content and availability is subject to change.

The assessments for the modules are creative and tailored to highlight your strengths. You can choose from a menu of options, and submit podcasts/webpages/videos for some of your final assignments, or you can write more formal academic essays.

You should have (or expect to be awarded) an undergraduate degree of at least second class standard in a relevant/related subject.

You will need to submit a portfolio of your creative or life writing when you apply. Your portfolio should include one item, or a combination of items, from the following list (up to a maximum of 6,000 words):

• One or two short stories
• 10-15 poems
• Two or three extracts from a novel
• Two or three extracts from non-fiction writing

International qualifications

We accept a wide range of international qualifications. Find out more about  the qualifications we accept from around the world.

If English isn’t your first language, you will need an IELTS score (or  equivalent English language qualification ) of  7.0 with a 7.0 in writing and no element lower than 6.5  to study this programme. If you need assistance with your English language, we offer a range of  courses that can help prepare you for postgraduate-level study .

What our students say

Carrie Sweeney

Studying at Goldsmiths has been such an important step in my vocational and educational formation.

View profile

Gabriel Troiano

At Goldsmiths, people are pioneers, they are curious, so expect to be and live in that mentality.

Siamak Khezrian

At Goldsmiths, originality is encouraged.

How to apply

Apply directly to Goldsmiths using our online application system

Before submitting your application you’ll need to have:

• Details of  your academic qualifications
• The  email address of your referee  who we can request a reference from, or alternatively a copy of your academic reference
• Copies of  your educational transcripts   or certificates
• A  personal statement  – this can either be uploaded as a Word Document or PDF, or completed online.  Please see our guidance on writing a postgraduate statement
• A  portfolio of your creative or life writing  (see entry requirements for details)

You'll be able to save your progress at any point and return to your application by logging in using your username/email and password.

When to apply

We accept applications from October for students wanting to start the following September. 

We encourage you to complete your application as early as possible, even if you haven't finished your current programme of study. It's very common to be offered a place that is conditional on you achieving a particular qualification. 

Late applications will only be considered if there are spaces available.

If you're applying for funding, you may be subject to an earlier application deadline.

Selection process

Admission to many programmes is by interview, unless you live outside the UK. Occasionally, we'll make candidates an offer of a place on the basis of their application and qualifications alone.

Find out  more about applying .

Fees and funding

Annual tuition fees.

These are the PG fees for students starting their programme in the 2024/2025 academic year.

• Home - full-time: £10350
• Home - part-time: £5175
• International - full-time: £18560

If your fees are not listed here, please check our postgraduate fees guidance or contact the Fees Office , who can also advise you about how to pay your fees.

It’s not currently possible for international students to study part-time under a student visa. If you think you might be eligible to study part-time while being on another visa type, please contact our Admissions Team for more information.

If you are looking to pay your fees please see our guide to making a payment .

Funding opportunities

Explore the Goldsmiths scholarships finder to find out what funding you may be eligible for.

Paying your fees

Find out about paying your tuition fees .

If you are a UK student you may be eligible for a  postgraduate loan .

Meanwhile our Careers Service  can also offer advice on finding work during your studies.

Additional costs

In addition to your tuition fees, you'll be responsible for any additional costs associated with your course, such as buying stationery and paying for photocopying. You can find out more about what you need to budget for on our study costs page .

There may also be specific additional costs associated with your programme. This can include things like paying for field trips or specialist materials for your assignments. Please check the programme specification for more information.

Where this degree can take you

The MA Creative Writing and Education enables you to develop strong writing skills to a potentially publishable level and engage in sustained practical and theoretical research into writing practices.

The programme aims to provide a transformative experience, generating knowledge and stimulating self-discovery through creative, radical and intellectually rigorous thinking and practice.

It will develop particular Goldsmiths graduate attributes and is underpinned by the following values, styles and skills:

• Creative and artistic thinking that enables freedom of thought and expression and develops articulacy
• Independent and radical thought that encourages students to think differently and challenge the norms
• Passion and engagement which leads to students becoming more socially aware, flexible, and able to work in a team
• Confidence in communicating with others and developing critical and analytical skills to enable excellent research and practice.

We have forged important links with local cultural institutions that can lead to new job opportunities and experiences working in a range of educational contexts.

• Raymond Antrobus , winner of the Ted Hughes award, PBS Winter Choice, A Sunday Times Young Writer of the year award & The Guardian Poetry Book Of The Year 2018;
• Dean Atta, Young Adult author of  The Black Flamingo ; Niall Bourke, who won the 2015 Costa Short Story Award,
• Joshua Seighal, who was shortlisted for the National Literacy Trust Award 2015

A number of students have also published their academic research in prestigious scholarly journals.

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This programme gives artists, practitioners and educators the opportunity to enrich and consolidate theories of contemporary art and learning. Engage with practice and theory, develop innovative research approaches, and critically debate the changing nature of contemporary art.

MA Children's Literature

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What is a Creative Writer and What Do They Do?

Understanding the Numbers When reviewing job growth and salary information, it’s important to remember that actual numbers can vary due to many different factors — like years of experience in the role, industry of employment, geographic location, worker skill and economic conditions. Cited projections do not guarantee actual salary or job growth.

Many of life’s great stories that are told in the form of literature, film, short stories and poetry, among many other outlets, first get their start in the minds and on the pages of creative writers.

Creative writing is a professional discipline that is unique in many ways and has the potential to take your career in a vast array of different directions.

If creative writing is a field you’re interested in pursuing, it’s important to keep in mind that while it can be a challenging and competitive profession, it also offers a number of distinctive benefits.

What Are the Different Types of Creative Writing?

“Creative writing” is a broad term that, when it comes to professional careers, encapsulates many different forms of writing.

“There are so many genres,” said Melissa Hart , an instructor in the online Master of Fine Arts (MFA) program in Creative Writing  at Southern New Hampshire University (SNHU).

Hart, who has a Bachelor of Arts in Literature and an MFA in Creative Writing, has authored seven fiction and nonfiction books and published articles and essays in The New York Times, Smithsonian, CNN, The Washington Post, Slate and The Los Angeles Times, among others.

She said the career pathways for creative writers are virtually unlimited.

“Creative writers can be poets and screenwriters, personal essayists, novelists, short story writers,” Hart said, explaining that even within the world of creative writing , there are a number of creative avenues you can take. Some of these include:

• Flash fiction
• Hybrid forms
• Researched nonfiction
• Writing that embraces audio and video

What Are the Main Duties of a Creative Writer?

Much like their earning potential, the daily duties of a creative writer can vary greatly depending on what projects they’re working on at any given time, Hart said.

“I think duties differ writer to writer,” she said. “In my work, I practice writing almost every day — usually rough drafts, and then revisions, of novel chapters and nonfiction book chapters, magazine and newspaper articles and essays and newsletter posts.”

According to the BLS , how you spend your days as a creative writer depends largely on what type of writer you are, some of which include:

• Biographer – writing about the accounts of an individual’s life.
• Copywriter – working in advertising and marketing writing persuasive ad copy.
• Novelist – authoring books of fiction based on imaginary plots and characters.
• Screenwriter – creating scripts for movies and television.
• Speechwriter – developing orations for government leaders, political candidates and business leaders.

And in today’s digital world, another form of writing that continues to thrive is blogging , which is defined by global website development leader Wix as articles posted to a website focused on a specific area of interest.

Social media writing , too, continues to emerge with many large organizations like Mailchimp establishing specific standards for its social media writing.

What Credentials Do You Need to Become a Creative Writer?

Hart pointed out that creative writing is a unique profession in that it doesn’t require a degree or academic credential of any kind in order to succeed.

“You don't need any credentials," she said. "You just need an open mind and a willingness to learn your craft in the genre that most interests you.”

However, high-quality college programs in creative writing can be an excellent way for writers who have natural talent and abilities to further develop their skills, Hart said. For instance, in the SNHU online Bachelor of Arts (BA) program in Creative Writing and English, students develop and sharpen their skills in a number of areas, including:

• Writing and editing techniques
• Literary form, genre, structure, style, analysis and critical thinking
• Application of storytelling elements
• Use of genre conventions  and techniques
• Professional portfolio building

There is also an abundance of resources you can look into on your own to better position yourself for a career as a creative writer .

“There are piles of books, for instance, on how to write children's fiction,” Hart said. “Ditto poetry, screenplays, creative nonfiction... and there are so many resources online, as well.”

Is Creative Writing a Skill or a Talent?

Another aspect of creative writing that makes it a unique professional field, Hart said, is that it involves both natural talent and skills that can be learned.

“Perhaps a person is born with an innate talent for storytelling, but reading and practicing and studying creative writing for years will give you the skills you need to write fiction and nonfiction and poetry that appeals to readers,” she said.

Hart said that she’s had a love of language since the age of five, which is when she started writing short stories. It was her passion for writing and storytelling that inspired her to work hard developing her skills.

“All that practice gave me skills as a creative writer,” she said. “I believe I developed a talent for writing in particular genres because I studied them so deeply.”

Is it Hard to Learn Creative Writing?

While for many, learning to be a creative writer could be characterized as hard, Hart explained that “time consuming” is probably a better way of putting it.

“For instance, I just spent three years learning to cross-country ski when I’d never been on skis before,” she said. “I think it generally takes people at least three years to grow adept at creative writing in a particular genre because you’re constantly reading and deconstructing literature and thinking about it and writing and rewriting and rewriting some more.”

That said, among the many benefits of a career in creative writing is the flexibility and freedom it provides, Hart said.

“Creative writers can work anywhere they want,” she said. “I've written novel chapters in my car outside my daughter's dance studio, on airplanes, on the bank of a local river while my kid looked for newts.”

According to Hart, many of her students work in a corner of their house with noise-canceling headphones, while others write on their lunch breaks or in bed late at night.

“You can train yourself to get into a creative writing space the moment you open your laptop,” she said. “It just takes a while.”

Find Your Program

Is creative writing a good career.

What determines if writing is a “good” career will vary person to person, but there are a lot of considerations to keep in mind if it’s a path you’re interested in following, Hart said.

“It’s a good career for me, because I get to write about topics and issues which interest me,” she said. "However, it's my husband who has the great health insurance. If I didn't have health insurance, it might not be a viable career option because freelance writers and authors don't get subsidized health insurance — we must pay for our own."

While freelance writers and authors typically do find and fund their own health insurance, there is a growing number of writer unions and guilds that can assist with health insurance plans, according to Find the Plan , an online hub for freelance writers. And non-freelance copywriters, social media writers and blog writers usually get health benefits through the organization for which they work.

Does Creative Writing Pay Well?

Unlike other professional fields — in areas like business, engineering, education, medicine and law, among others — that typically have a salary range based on experience and the level of your degree, there is a vast disparity in what creative writers earn.

While high-profile, bestselling authors can command six-figure advances for their work, they comprise just a small fraction of those earning a living as creative writers, Hart said.*

“Most of us are midlist writers, earning modest advances and royalty checks,” she said. “It's interesting to note that I can earn as much off of two 4,000-word researched essays for magazines as I can for one of my young adult novels.”

Hart said that it’s common for creative writers to generate their income from a combination of different forms of writing for a variety of outlets, along with other professional activities where they’re paid for their professional expertise. For example, Hart said she earns her living through a combination of:

• Fiction writing
• Nonfiction writing
• Private teaching and instruction through her website
• Teaching college-level creative writing

According to the U.S. Bureau of Labor Statistics (BLS), the mean annual wage for writers and authors in 2023 was $87,590.*

“But creative writing isn't about the money, for me,” she said. “It's about getting to join the conversation and put something beautiful and inspiring out into the world.”

Discover more about SNHU's online bachelor’s in creative writing : Find out what courses you'll take, skills you'll learn and how to request information about the program.

*Cited job growth projections may not reflect local and/or short-term economic or job conditions and do not guarantee actual job growth. Actual salaries and/or earning potential may be the result of a combination of factors including, but not limited to: years of experience, industry of employment, geographic location, and worker skill.

Cary Jordan is an Iowa-based writer with more than 20 years of writing and editing experience on a wide range of issues related to higher education. Cary has held administrative and cabinet-level positions at multiple colleges and universities, and his writing has spanned topics related to undergraduate education as well as graduate education in the areas of business, law, medicine and engineering, among others.

Explore more content like this article

What Does a Technical Writer Do?

Is a Liberal Arts Degree Worth It?

What is a Liberal Arts Degree And What Can You Do With It?

About southern new hampshire university.

SNHU is a nonprofit, accredited university with a mission to make high-quality education more accessible and affordable for everyone.

Founded in 1932, and online since 1995, we’ve helped countless students reach their goals with flexible, career-focused programs . Our 300-acre campus in Manchester, NH is home to over 3,000 students, and we serve over 135,000 students online. Visit our about SNHU  page to learn more about our mission, accreditations, leadership team, national recognitions and awards.

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English and Creative Writing

The Franklin College Department of English and Creative Writing is committed to the careful study of the individual expression and cultural values found in English, American, and world literature.

The department is one of Franklin College’s most exciting intellectual communities. Our faculty of dedicated teacher-scholars share with students their expertise in, and enthusiasm for, literature from a variety of genres, periods, and cultures—works drawn from the traditional canon to the works of emerging artists, from Greek tragedy to graphic novels, from Shakespearean sonnets to postmodern poetry. Small class sizes mean professors get to know their students and can engage with them in intense debates and deep analyses of literary works that continue outside the classroom.

Our dedicated faculty of practicing writers and scholars guide students in small classes and workshops that cover a variety of genres, as well as provide students with frequent out-of-class opportunities to exercise and hone their craft. Creative writing students can expect a rigorous yet collegial environment that allows for engaged learning, collaboration and experimentation.

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• Why English and Creative Writing?
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Meet Our People

Why english and creative writing at franklin college.

Dynamic classroom experiences.

Our professors use a variety of approaches that focus on how language and literary forms recreate both individual experiences and the large, impersonal forces that shape cultures and historical periods. In so doing, we seek in our classes to understand the many varieties of the human condition. In addition to taking courses with our award-winning faculty, our creative writing students benefit from the creative writing program’s reading series, which brings talented poets, fiction writers, memoirists, and playwrights to teach and study with them each year.

Experiences beyond the classroom.

Not only do English and creative writing majors learn a great deal in the classroom, they also take part in activities related to the disciplines. Such activities regularly include working on the editorial board of the college literary journal, the   Apogee  (founded in 1961); attending performances and creative-writing readings; and participating in other events in and around Franklin, Indianapolis, Bloomington, Louisville, and elsewhere in the region.

Global engagement.

With opportunities to study abroad during entire semesters, during the college’s four-week Immersive Term, or over the summer, English majors have recently taken courses in England, France, Spain, Costa Rica, Germany, Uganda, Japan, and elsewhere.

Interdisciplinary commitment.

In keeping with the college’s strong interdisciplinary character, English and Creative Writing majors frequently choose to pursue a second major or a minor in disciplines such as  elementary education ,  French ,  history ,  multimedia journalism ,  political science ,  philosophy ,  psychology ,  religious studies,  or  Spanish . Recent English courses have been cross-listed in  theatre  and the liberal arts program, and students may count an upper-level course in  French  or  Spanish  literature toward their English degree.

Connecting passion with work.

Our faculty advisers are committed to helping students find careers in fields that excite them. Recent graduates have used their English degrees to pursue rewarding careers in teaching, publishing, health care, marketing, business, the performing and creative arts, communications, technical writing, and non-profit management. Others have gone on to graduate programs in English, law, divinity, library science, and counseling.

Spark your imagination.

Program handouts.

• English Major Handout
• Creative Writing Major Handout

Courses of Study

Students who choose to study english and creative writing at franklin college can pursue two different majors — english and creative writing. both are also available as a minor. in addition, we offer an additional minor in professional writing..

Immerse yourself in literature, history and the human condition as a Franklin College English major.

Experiment with language and style, developing a unique voice.

Creative Writing

Carlson-stauffer visiting writers’ series.

The English and Creative Writing department is proud to sponsor the Carlson-Stauffer Visiting Writers’ Series, which brings nationally recognized authors to campus. All events are free and open to the public.

Series Background

The series is named for two beloved professors emerita, Kathy Carlson and Emily Stauffer, both of whom retired in spring 2015. Together, their combined service at Franklin College spanned close to 70 years. The series began in 2015 and has allowed the department to host dozens of writers from across the country. Writers hold a publicly open reading. Typically, they also interact with creative writing students at a meal, visit creative writing classes to conduct a masterclass in their genre, and/or offer feedback on students’ writing.

Participating Writers

Visiting writers have been poets, fiction writers, YA authors, writers of non-fiction, and multi-genre writers. Some notable names include:

• Marcus Wicker, 2015
• Maggie Messitt, 2016
• Jamaal May, 2017
• David Tomas Martinez, 2018
• Terrance Hayes, 2019
• Nafissa Thompson-Spires, 2019
• Ross Gay, 2019
• Adrian Matejka, 2020 (and 2023)
• Brooke Lauren Davis (’15) — YA novelist and alumna
• Samantha Fain (’20) — poet and alumna
• Eugene Gloria, 2021
• Dan Chaon, 2022
• Saundra Mitchell, 2023
• Angela Jackson-Brown, 2023
• Matthew Minnicucci, 2023
• Brittany Means, 2024
• Monica McClure, 2024

This fall (2024), the department will welcome back Samantha Fain (’20) to celebrate the release of her latest poetry collection,  Are You There .

On Nov. 28, 2023, the department welcomed poet Matthew Minicucci for his second visit in our series. Matthew read from his fourth poetry collection, Dual, which was released by Acre Books. The event was held at 7 p.m. Tuesday, Nov. 28, 2023 in the B.F. Hamilton Auditorium. A book signing followed the reading.

“I believe that you get a sense of belonging and that you matter. Personally, I enjoy the conversations with professors and other faculty members and getting to know them.”

Emmarae Arensdorff ’22

Express your creativity through apogee, our annual literary journal., apogee is franklin college’s student-run literary magazine that accepts previously unpublished work in poetry, fiction, creative nonfiction, drama, and visual art. apogee is an annual publication published in late spring. submissions are open during the summer and fall..

Questions about  Apogee ? Contact our Faculty Advisor.

Learn more about English and Creative Writing at Franklin College

Our mission.

By honing a diverse set of reading and writing skills, the English and creative writing department’s majors and minors recognize the artistic achievements, insights, and possibilities inherent in literature to create their own meaningful work as they prepare for professional positions, graduate study, and civic engagement.

Student Learning Outcomes

Students in English and Creative Writing will be able to:

•     Read and communicate effectively through creative and expository writing.
•     Make arguments about texts using literary terms, techniques, history and movements.
•     Access, analyze and synthesize complex information, using diverse perspectives.
•     Solve unstructured problems individually as well as collaboratively.

Our Faculty

In addition to their commitment to the classroom, faculty in the English and creative writing department maintain active scholarly agendas, publishing their research and presenting at major national and international conferences on a wide variety of topics, including the intersections of narrative theory and gender theory; the limitations of humanity in Shakespeare’s  Richard II ; modernist irony as a response to colonial exhibitions; flipped classroom pedagogy; landscape and medieval gender roles; feminist readings of global modernism; and deforestation in contemporary Anglophone Caribbean literature. In addition, our creative writing faculty have won awards and national attention for their work.

Requirements

Introductory courses provide students with an understanding of different creative genres, as well as the fundamentals of creative writing processes, literary citizenship and the contemporary literary landscape. Students learn to read like writers, engaging in literary analysis to appreciate the nuances of text construction. In later courses, students perform genre-specific studies, closely studying, deploying and sharpening particular writing techniques, and engaging in significant revision and experimentation as they hone their unique voices and join ongoing literary conversations.

As creative writers, we untangle texts and cultural contexts to discover new strategies for reading and writing, with students interrogating both the worlds of the texts they read and write, and their own world, understanding how texts communicate, shape and move all of us. Through guided practice, students gain confidence, empathy, and practical critical writing and thinking skills that allow them to make powerful contributions to the world.

Meet the talented professionals who will help guide you on your creative journey.

Emily Banks, MFA, Ph.D.

Katie Burpo, M.F.A.

Susan Crisafulli, Ph.D.

Richard Erable, Ph.D.

Anna James, Ph.D.

George Phillips, Ph.D.

Department of english and creative writing.

101 Branigin Blvd. Franklin, IN 46131 Johnson Center for Fine Arts

317.738.8271

Monday - Thursday, 8 a.m. to 5 p.m. Fridfay, 8 a.m. to 4 p.m.

Olympic Breakdancer Raygun Has PhD in Breakdancing?

Rachael gunn earned a zero in breakdancing at the paris 2024 olympic games., aleksandra wrona, published aug. 13, 2024.

About this rating

Gunn's Ph.D. thesis, titled "Deterritorializing Gender in Sydney's Breakdancing Scene: a B-girl's Experience of B-boying," did cover the topic of breakdancing. However ...

... Gunn earned her Ph.D. in cultural studies. Moreover, a "PhD in breakdancing" does not exist as an academic discipline.

On Aug. 10, 2024, a rumor spread on social media that Rachael Gunn (also known as "Raygun"), an Australian breakdancer who competed in the 2024 Paris Olympics, had a Ph.D. in breakdancing. "This australian breakdancer has a PhD in breakdancing and dance culture and was a ballroom dancer before taking up breaking. I don't even know what to say," one X post on the topic read .

"Australian Olympic breakdancer Rachael Gunn has a PhD in breakdancing and dance culture," one X user wrote , while another asked, "Who did we send? Raygun, a 36-year-old full-time lecturer at Sydney's Macquarie University, completed a PhD in breaking culture and is a lecturer in media, creative arts, literature and language," another X user wrote .

The claim also spread on other social media platforms, such as Reddit and Instagram . 

"Is she the best break dancer? No. But I have so much respect for going on an international stage to do something you love even if you're not very skilled at it," one Instagram user commented , adding that, "And, I'm pretty sure she's using this as a research endeavor and will be writing about all our reactions to her performance. Can't wait to read it!"

In short, Gunn's Ph.D. thesis, titled "Deterritorializing Gender in Sydney's Breakdancing Scene: A B-girl's Experience of B-boying," indeed focused on the topic of breakdancing. However, Gunn earned her Ph.D. in cultural studies, not in breakdancing. Furthermore, it's important to note that a "PhD in breakdancing" does not exist as an academic discipline. 

Since Gunn's research focused on the breakdancing community, but her degree is actually in the broader field of cultural studies, we have rated this claim as a "Mixture" of truths.

Gunn "secured Australia's first ever Olympic spot in the B-Girl competition at Paris 2024 by winning the QMS Oceania Championships in Sydney, NSW, Australia," the Olympics official website informed . 

Gunn earned a zero in breakdancing at the Paris 2024 Olympic Games and clips of her routine went viral on social media, with numerous users creating memes or mocking dancer's moves. "As well as criticising her attire, social media users mocked the Australian's routine as she bounced around on stage like a kangaroo and stood on her head at times," BBC article on the topic read . 

The website of the Macquarie University informed Gunn "is an interdisciplinary and practice-based researcher interested in the cultural politics of breaking" and holds a Ph.D. in cultural studies, as well as a bachelor of arts degree (Hons) in contemporary music: 

Rachael Gunn is an interdisciplinary and practice-based researcher interested in the cultural politics of breaking. She holds a PhD in Cultural Studies (2017) and a BA (Hons) in Contemporary Music (2009) from Macquarie University. Her work draws on cultural theory, dance studies, popular music studies, media, and ethnography. Rachael is a practising breaker and goes by the name of 'Raygun'. She was the Australian Breaking Association top ranked bgirl in 2020 and 2021, and represented Australia at the World Breaking Championships in Paris in 2021, in Seoul in 2022, and in Leuven (Belgium) in 2023. She won the Oceania Breaking Championships in 2023.

Gunn's biography further revealed that she is a member of the Macquarie University Performance and Expertise Reasearch Centre, and has a range of teaching experience at undergraduate and postgraduate levels "across the areas of media, creative industries, music, dance, cultural studies, and work-integrated learning." 

Moreover, it informed her research interests included, "Breaking, street dance, and hip-hop culture; youth cultures/scenes; constructions of the dancing body; politics of gender and gender performance; ethnography; the methodological dynamics between theory and practice."

Gunn earned her Ph.D. from the Department of Media, Music, Communications, and Cultural Studies within the Faculty of Arts at Macquarie University. Below, you can find the abstract of her paper, shared by the official website of Macquarie University:

This thesis critically interrogates how masculinist practices of breakdancing offers a site for the transgression of gendered norms. Drawing on my own experiences as a female within the male-dominated breakdancing scene in Sydney, first as a spectator, then as an active crew member, this thesis questions why so few female participants engage in this creative space, and how breakdancing might be the space to displace and deterritorialise gender. I use analytic autoetthnography and interviews with scene members in collaboration with theoretical frameworks offered by Deleuze and Guttari, Butler, Bourdieu and other feminist and post-structuralist philosophers, to critically examine how the capacities of bodies are constituted and shaped in Sydney's breakdancing scene, and to also locate the potentiality for moments of transgression. In other words, I conceptualize the breaking body as not a 'body' constituted through regulations and assumptions, but as an assemblage open to new rhizomatic connections. Breaking is a space that embraces difference, whereby the rituals of the dance not only augment its capacity to deterritorialize the body, but also facilitate new possibilities for performativities beyond the confines of dominant modes of thought and normative gender construction. Consequently, this thesis attempts to contribute to what I perceive as a significant gap in scholarship on hip-hop, breakdancing, and autoethnographic explorations of Deleuze-Guattarian theory.

In a response to online criticism of her Olympics performance, Gunn wrote on her Instagram profile: "Don't be afraid to be different, go out there and represent yourself, you never know where that's gonna take you":

We have recently investigated other 2024 Paris Olympics' -related rumors, such as:

• Lifeguards Are Present at Olympic Swimming Competitions?
• Hobby Lobby Pulled $50M in Ads from 2024 Paris Olympics?
• 2024 Paris Olympics Are 'Lowest-Rated' Games in Modern History?

Gunn, Rachael Louise. Deterritorializing Gender in Sydney's Breakdancing Scene: A B-Girl's Experience of B-Boying. 2022. Macquarie University, thesis. figshare.mq.edu.au, https://doi.org/10.25949/19433291.v1.

---. Deterritorializing Gender in Sydney's Breakdancing Scene: A B-Girl's Experience of B-Boying. 2022. Macquarie University, thesis. figshare.mq.edu.au, https://doi.org/10.25949/19433291.v1.

Ibrahim, Nur. "Lifeguards Are Present at Olympic Swimming Competitions?" Snopes, 8 Aug. 2024, https://www.snopes.com//fact-check/lifeguards-paris-olympics-swimming/.

"Olympic Breaking: Criticism of Viral Breakdancer Rachael Gunn - Raygun - Condemned by Australia Team." BBC Sport, 10 Aug. 2024, https://www.bbc.com/sport/olympics/articles/c2dgxp5n3rlo.

ORCID. https://orcid.org/0000-0002-1069-4021. Accessed 12 Aug. 2024.

Paris 2024. https://olympics.com/en/paris-2024/athlete/-raygun_1940107. Accessed 12 Aug. 2024.

Saunders, Grant Leigh, and Rachael Gunn. "Australia." Global Hip Hop Studies, vol. 3, no. 1–2, Dec. 2023, pp. 23–32. Macquarie University, https://doi.org/10.1386/ghhs_00060_1.

Wazer, Caroline. "2024 Paris Olympics Are 'Lowest-Rated' Games in Modern History?" Snopes, 1 Aug. 2024, https://www.snopes.com//fact-check/paris-olympics-lowest-rated-games/.

---. "Hobby Lobby Pulled $50M in Ads from 2024 Paris Olympics?" Snopes, 8 Aug. 2024, https://www.snopes.com//fact-check/olympics-hobby-lobby-ads/.

By Aleksandra Wrona

Aleksandra Wrona is a reporting fellow for Snopes, based in the Warsaw, Poland, area.

Article Tags

How did Raygun qualify for the Olympics? Is she really the best Australia has to offer?

Since Australian breaker Rachael "Raygun" Gunn failed to score a single point in any of her Olympic bouts, many have asked how she qualified for the Games.

Fellow breaker and anthropologist Lucas Marie says she won her qualification "fair and square" last year, but African American man Malik Dixon has criticised the Olympic body for letting her in.

What's next?

Breaking will not be an event at the 2028 Los Angeles Olympic Games — a decision made before Raygun's performance.

The 2024 Paris Olympics marked breaking's debut as a sport at the global event, with 36-year-old lecturer and breaker Rachael "Raygun" Gunn representing Australia for the first time.

Having failed to win a single point in any of her Olympic bouts, Raygun quickly became a viral sensation.

The question on many people's minds now is: How did she even qualify?

Lucas Marie is a breaker who has competed, performed, taught and judged breaking competitions over the past 25 years. He's also an anthropologist who recently co-authored an article with Gunn.

He says the answer to that question is simple.

"There was an Oceania qualifier in which any B-boy or B-girl from Australia [or] New Zealand could enter, and that was in Sydney in October 2023," he told ABC News.

"And leading up to that, there were a lot of other events in which breakers were competing.

"She won those battles fair and square and won the qualification in Sydney.

"And it wasn't really a surprise to anyone. 

"She's been fairly consistent, winning or coming second or third at a lot of breaking events in Australia for the last five to 10 years."

Marie said there was nothing out of the ordinary about Raygun's performance.

"It's not like gymnastics where there's this kind of agreed-upon standard," he said.

"It's always had a rawness to it. It's always had an improvisational kind of quality. And I think looking different and trying different stuff has always been celebrated.

"And I think Raygun, in a way, was just expressing a core kind of hip hop trait in a way a lot of breakers do."

He described her efforts as bold.

"I thought — and this is how I judge a lot of breaking events — I thought, 'Oh, she's making some really interesting choices to mimic Australian animals.' And you can kind of see the choices that she's making in the moment."

Is she the best Australia has to offer?

Team Australia chef de mission Anna Meares insisted after Raygun's performance that she was the best breaker the country had to offer. But is this true?

"It's sometimes just who's performing better on the day," Marie said.

"And at the qualification event in which she won, and other events in which she's won, she performed better on that day and won the ticket.

"That doesn't mean she's the best. It doesn't really work like that.

"I think she's a great breaker. She won the qualification. She's won other events in the past, and she was a good representative for Australia at that competition."

Asked whether there were B-girls in Perth, regional Victoria or rural Brisbane who might have qualified but could not afford to travel to Sydney for the tryouts, Marie agreed this was possible.

"Of course, there's breakers all over the country that maybe should have been in that event, but they weren't."

Breaking will not carry over to the 2028 Olympics in Los Angeles, a decision made before Raygun's battle.

Marie described this as sad.

"Maybe, based on the ratings, they'll reassess that and maybe allocate some medals to breaking," he said.

"I really hope that's the case, and I hope that for other breakers who want to compete in it as a dance sport."

Marie said that at the end of the day people should remember they were dealing with a human.

"As a friend of Rachael's, there's a human being who's getting a lot of negative attention," he said.

"I think people kind of miss that sometimes and forget the human aspect of all this."

'Toying with the culture'

Malik Dixon is an African American who has been living in Australia for more than a decade and is a Sydney University graduate.

He said Raygun made a total "mockery" out of breaking at the Olympics.

"She was dressed like a member of the cricket team or an Australian PE teacher, and from that point it just seemed like satire," Mr Dixon told ABC News.

"It just looked like somebody who was toying with the culture and didn't know how culturally significant it was being the first time in the Olympics and just how important it was to people who really cherish hip hop and one of the elements of hip hop, which is breakdancing.

"It made me think, was Borat her breakdancing coach?"

Mr Dixon said too many people felt entitled to African American culture.

"The African American space has been one where we've shared our community so much and without any restraints, any barriers, roadblocks, obstacles, any gatekeepers, that essentially what should have been African American cultural capital is just shared, which is cool," he said. 

"We like to share, right? 

"We shared 400 years of free labour.

"To see Rachael in her attempt to be a part of the culture just be grossly underwhelming made it seem like she didn't take it seriously."

Olympics body criticised for Raygun qualification

Mr Dixon criticised the body that qualified Raygun, saying she devalued breaking with her performance.

"Whatever governing body nominated her as Australia's entrant into the Olympics either did not understand the assignment or didn't really believe in the integrity or significance of breakdancing, because if they did they would just say, rather than disrespect the culture, we're just not ready to send an applicant this year."

He said Raygun was extremely audacious and not self-aware.

"You've got to know your role, know your position, know your limitation," he said. 

"And I think that part of privilege is saying that there are no limits to what I can do. 

"Part of privilege is having the authority to say that there are no limits and there are no requirements, there are no prerequisites to what I can do."

Raygun's degrees do not hold much water with Mr Dixon.

"Due to consumerism, this Foundational Black American product, which is hip hop, is global," he said.

"And even people who have no connection to any African Americans or any local or regional things that come out in these songs, they have become a part of the whole experience now.

"If I came in and said that I was an authority on Greek music and I was going against the grain of what the mainstream Greek musicians thought, or the school of thought, and I've said that I was the authority, people would check me on that.

"If I had a PhD in sprinting, does that qualify me to go against Noah Lyles? No, it doesn't."

He also doubts Raygun was the best breaker Australia had to offer.

"[There's] got to be somebody out here that's better than that! The kangaroo! The sprinkler! She did the sprinkler out there, man!" he said.

Should everybody just lighten up?

Should we lighten up? Mr Dixon does not believe so.

"Larrikinism is used as a get-out-of-jail-free card and to escape responsibility of how words or actions impact a hurt person," he said.

"But when the majority culture is offended, there's no playing around.

"This is a part of my culture, and I don't think Australians are in a place to tell me how I should feel about breakdancing being mocked on an international stage.

"People who don't have any or limited access to black people or hip hop culture now may see Rachael and her buffoonery as a representation of hip hop and black culture.

"People who were already side-eyeing breakdancing as an Olympic sport, Rachael Gunn has put the nail in that coffin.

"This might be the most viral clip of the whole Olympics. From a comedy standpoint, she's got it, but from an Olympics perspective, its regressive."

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Home > ETD > Masters > 1189

Masters Theses

Are you really qualified overcoming the challenges of authentic voice in characterization across race and gender.

James B. Myers , Liberty University Follow

College of Arts and Sciences

Master of Fine Arts in Creative Writing

Authentic Voice, Historical Fiction, Christian Fiction

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Creative Writing

Recommended Citation

Myers, James B., "Are You Really Qualified? Overcoming the Challenges of Authentic Voice in Characterization Across Race and Gender" (2024). Masters Theses . 1189. https://digitalcommons.liberty.edu/masters/1189

This thesis challenges the idea that writers lack the qualifications to write in authentic voice across race and gender. The artist’s statement explains the origin of the novel and the driving forces that contributed to the creative manuscript. The desire to develop a piece of historical fiction with characters of different races and genders necessitated an in-depth critical analysis. In the analysis of the obstacles associated with writing across race and gender, the thesis identifies challenges, the psychological aspects of character development, and the solutions to overcoming inherent problems. God’s Word and unwavering love is woven throughout the work to emphasize His role in everyday life. Finally, the first ten chapters of Bonnie Buckshire, a historical fiction novel, demonstrate the ideas shared in the critical analysis.

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