essays book review

How to Write a Book Review: The Complete Guide

by Sue Weems | 23 comments

If you've ever loved (or hated) a book, you may have been tempted to review it. Here's a complete guide to how to write a book review, so you can share your literary adventures with other readers more often! 

You finally reach the last page of a book that kept you up all night and close it with the afterglow of satisfaction and a tinge of regret that it’s over. If you enjoyed the book enough to stay up reading it way past your bedtime, consider writing a review. It is one of the best gifts you can give an author.

Regardless of how much you know about how to write a book review, the author will appreciate hearing how their words touched you.

But as you face the five shaded stars and empty box, a blank mind strikes. What do I say? I mean, is this a book really deserving of five stars? How did it compare to Dostoevsky or Angelou or Dickens?

Maybe there’s an easier way to write a book review.

Want to learn how to write a book from start to finish? Check out How to Write a Book: The Complete Guide .

The Fallacy of Book Reviews

Once you’ve decided to give a review, you are faced with the task of deciding how many stars to give a book.

When I first started writing book reviews, I made the mistake of trying to compare a book to ALL BOOKS OF ALL TIME. (Sorry for the all caps, but that’s how it felt, like a James Earl Jones voice was asking me where to put this book in the queue of all books.)

Other readers find themselves comparing new titles to their favorite books. It's a natural comparison. But is it fair?

This is honestly why I didn’t give reviews of books for a long time. How can I compare a modern romance or historical fiction war novel with Dostoevsky? I can’t, and I shouldn’t.

I realized my mistake one day as I was watching (of all things) a dog show. In the final round, they trotted out dogs of all shapes, colors, and sizes. I thought, “How can a Yorkshire Terrier compete with a Basset Hound?” As if he'd read my mind, the announcer explained that each is judged by the standards for its breed.

This was my “Aha!” moment. I have to take a book on its own terms. The question is not, “How does this book compare to all books I’ve read?” but “How well did this book deliver what it promised for the intended audience?”

A review is going to reflect my personal experience with the book, but I can help potential readers by taking a minute to consider what the author intended. Let me explain what I mean. 

How to Write a Book Review: Consider a Book’s Promise

A book makes a promise with its cover, blurb, and first pages. It begins to set expectations the minute a reader views the thumbnail or cover. Those things indicate the genre, tone, and likely the major themes.

If a book cover includes a lip-locked couple in flowing linen on a beach, and I open to the first page to read about a pimpled vampire in a trench coat speaking like Mr. Knightly about his plan for revenge on the entire human race, there’s been a breach of contract before I even get to page two. These are the books we put down immediately (unless a mixed-message beachy cover combined with an Austen vampire story is your thing).

But what if the cover, blurb, and first pages are cohesive and perk our interest enough to keep reading? Then we have to think about what the book has promised us, which revolves around one key idea: What is the core story question and how well is it resolved?

Sometimes genre expectations help us answer this question: a romance will end with a couple who finds their way, a murder mystery ends with a solved case, a thriller’s protagonist beats the clock and saves the country or planet.

The stories we love most do those expected things in a fresh or surprising way with characters we root for from the first page. Even (and especially!) when a book doesn’t fit neatly in a genre category, we need to consider what the book promises on those first pages and decide how well it succeeds on the terms it sets for itself.

When I Don’t Know What to Write

About a month ago, I realized I was overthinking how to write a book review. Here at the Write Practice we have a longstanding tradition of giving critiques using the Oreo method : point out something that was a strength, then something we wondered about or that confused us, followed by another positive.

We can use this same structure to write a simple review when we finish books. Consider this book review format: 

[Book Title] by [book author] is about ___[plot summary in a sentence—no spoilers!]___. I chose this book based on ________. I really enjoyed ________. I wondered how ___________. Anyone who likes ____ will love this book.

Following this basic template can help you write an honest review about most any book, and it will give the author or publisher good information about what worked (and possibly what didn’t). You might write about the characters, the conflict, the setting, or anything else that captured you and kept you reading.

As an added bonus, you will be a stronger reader when you are able to express why you enjoyed parts of a book (just like when you critique!). After you complete a few, you’ll find it gets easier, and you won’t need the template anymore.

What if I Didn’t Like It?

Like professional book reviewers, you will have to make the call about when to leave a negative review. If I can’t give a book at least three stars, I usually don’t review it. Why? If I don’t like a book after a couple chapters, I put it down. I don’t review anything that I haven’t read the entire book.

Also, it may be that I’m not the target audience. The book might be well-written and well-reviewed with a great cover, and it just doesn’t capture me. Or maybe it's a book that just isn't hitting me right now for reasons that have nothing to do with the book and everything to do with my own reading life and needs. Every book is not meant for every reader.

If a book kept me reading all the way to the end and I didn’t like the ending? I would probably still review it, since there had to be enough good things going on to keep me reading to the end. I might mention in my review that the ending was less satisfying than I hoped, but I would still end with a positive.

How to Write a Book Review: Your Turn

As writers, we know how difficult it is to put down the words day after day. We are typically voracious readers. Let’s send some love back out to our fellow writers this week and review the most recent title we enjoyed.

What was the last book you read or reviewed? Do you ever find it hard to review a book? Share in the comments .

Now it's your turn. Think of the last book you read. Then, take fifteen minutes to write a review of it based on the template above. When you're done, share your review in the Pro Practice Workshop . For bonus points, post it on the book's page on Amazon and Goodreads, too!

Don't forget to leave feedback for your fellow writers! What new reads will you discover in the comments?

Sue Weems is a writer, teacher, and traveler with an advanced degree in (mostly fictional) revenge. When she’s not rationalizing her love for parentheses (and dramatic asides), she follows a sailor around the globe with their four children, two dogs, and an impossibly tall stack of books to read. You can read more of her writing tips on her website .

23 Comments

The Ice Dragon by George R.R. Martin is about a girl that shows no emotion befriending a ice dragon.

I chose this book based on the cover that had a little girl riding a ice dragon, and wondered what is about.

I really enjoyed the interaction the little girl had with the dragon.

I wondered how how the girl’s bond with the dragon.

Anyone who likes a coming of age story set in a fantasy will love this book.

Thanks for sharing your practice, Azure!

You’re welcome.

A interesting, at times perplexing, subject! And one on my mind lately,as I’ve agreed to do a few. I do enjoy giving reviews and am delighted when I can say, “This was a great book!” Or even, “I enjoyed this book.” It gets perplexing when I agree to review a book — and simply don’t like it. Then what to say? I hate to disappoint the writer but I’ve promised to give my honest opinion.

I’ve found some books mediocre and yet I see a dozen other reviewers saying “A great story!” Tastes do vary. But when there are obvious flaws I tend to skip all the best-friend-and-cousin reviewers and find the first person who says, “This writer has a problem with…” Usually there’ll be a number of reviewers who spot the same problems I do.

I like upbeat main characters, but not aggressive, belligerent, and/or self-centered ones. I like to meet in a story the kind of people I’d like to meet in real life— not people I’d avoid if possible. I recently read a book where the main character came across as insipid and the story only mildly interesting. Other reviewers said it was great and I know for this specific audience — readers who want a certain slant to a story — it was quite suitable. So I tried to cut the book some slack. Everyone has their limit as to how much blood and gore, smooching and snuggling, they are willing to read about.

Once I agreed to review a book and would have tossed it after the first chapter — for several reasons. A lot of “writer inserting facts for reader’s benefit”; teach/preach paragraphs; excess of description; attitudes of MCs. Once it’s live on seller’s sites like Amazon, what can you say? The one thing good it had going for it was the story line or theme. With a pro editor’s help it could have been a great story.

As for a review, one book I read lately was “A Clue for the Puzzle Lady” by Parnell Hall. It’s one of those “Stayed up half the night to finish it” books; I think anyone who likes a compelling cozy mystery would probably like it. Downside: I didn’t care for the “Puzzle Lady.” She’s a lush, hangs out at the bar getting sloshed. The upside: her sensible niece has a starring role —trying to keep her aunt on the straight-and-narrow and the mystery keeps you guessing until the end.

Christine, Thanks for sharing your insight! It sounds like you are approached often to review new books. It does make it tricky if it’s a request, especially outside your own preferences. Thanks for chiming in about your process, as I’m sure others will appreciate the perspective too. I’ll have to take a look at the Puzzle Lady– I do enjoy cozy mysteries. Sue

Here’s another cozy mystery book review in case you’re interested. I’m not approached by writers that often, but there are the Story Cartel, Book Bub and Goodreads, all sites where authors ask for review volunteers.

Reel Estate Ripoff by Renee Pawlish

The detective Reed Ferguson is a fan of Humphry Bogart, movie memorabilia of that era, and fancies himself a bit of a Sam Slade. Though not your super-sleuth, rather inept at times, he’s a likeable character. Told in first person, the story has a Philip Marlowe tone to it, but much tamer. Dialogue and story line are well done, the story well plotted and believable. I’d gladly read more stories about this particular gumshoe.

If you like cozy mystery books, I’ll send you a list later, Sue. Love them too and I’ve met many authors who write in this genre. Back on topic– you inspire me again to add some reviews to my Blog. I have been reading and writing many middle grade mysteries for a project! My latest favorite: “The World’s Greatest Detective” by Caroline Carson (who I hope to meet tomorrow in Arlington, VA!) My 12 year old grandson borrowed it and finished it before I could. “It’s the best mystery I ever read, Grandma! You’ ll never guess the ending with unpredictable twists!” What better review could we read. The target audience and I both highly recommend this 2017 mystery.

Adding it to my stack, Beth. Thanks!

Not wanting to sound life an idiot, but willing to risk it here among friends: What exactly is a cozy mystery?

Glad you asked! It’s a subgenre of mystery. The best examples of cozy mysteries are those by Agatha Christie. They usually avoid profanity, excessive gore/ violence, and sex. They focus more on the puzzle, sleuth, and their smaller world. Hope that helps!

Thanks, Sue.

Wonderful article. The first I have read by you. It especially gets those of us who don’t feel we have the formula down for review writing to be introduced to a form we can build upon with experience. You’ve kept it simple but you have given us the main ingredients needed for a good review. I printed this one off to look at the next few times I write reviews. Thank you.

Glad you found it helpful. Thanks for reading and commenting!

I haven’t gone into all this. It’s a matter of time, Joe. I gad about all over the place, not knowing where I am or where I’m going. Within weeks, I’ll be 87. I’ve books of my own that I’d like to see reviewed. Even sorting them out, however, even finding where any of them are, would be a time burden. You see the fix?

Hi Dave, You aren’t alone in feeling the press of time for getting your stories out into the world. May I gently offer this: start with finding and sorting one. If you can’t find it, write it anew. You’ve probably grown in time and perspective since you wrote the first draft, which will make for a stronger story. Good luck. I’m cheering you on!

This is an article for me, because I am happy to receive a rating. I haven’t sold many books. But, at least some thinks that it was worth the time to read. That was refreshing. And, I think I wrote two reviews, so far. It was on Amazon.com. Thank you.

You’re welcome!

Hi, Sue. Thanks for the helpful advice. I did a review on Amazon for the first of a 7-part thriller titled ‘Mosh Pit (The Rose Garden Incident)’ by Michael Hiebert. [Here it is.]

“5.0 out of 5 stars Advance copy review. By A fellow author on September 18, 2016 Format: Kindle Edition I Recommend This Book Strongly

I enjoyed reading this first part of the thriller. The author’s opening chapter/prologue was fast paced, and set me in the middle of the inciting incident along with two of the main characters. After that thrilling opening, I felt the ensuing chapters moved at a more leisurely pace, and was about to grade them as less praiseworthy when I watched a lecture by Brandon Sanderson on YouTube about building three dimensional characters and realised Michael Hiebert had done exactly that by introducing the reader to the minutiae of other characters who had parts to play in the development of the story. So, instead of cardboard cutouts of bland stock characters, the author shows us real people with real concerns that the reader can relate to.and actually care about. I look forward to reading the rest of this intriguing thriller, and highly recommend it to all lovers of well-written, and well-crafted thrillers.”

I also reviewed Part 2 of the series, but that review is too long to post here.

Footnote: The author, Michael Hiebert, was so pleased with my reviews, he recently asked me to beta-read a short story collection he plans to publish in November.

Great review, John! I like how you shared a bit of your process as a reader too, in recognizing what the writer was doing with their characterization. Thanks!

Thank you, Sue.

Five out of five stars When I picked up a copy of “The Girl with All the Gifts,” by M R Carey, at the used book store, I somehow had it in my head that it was a YA dystopian novel along the lines of “Divergent” or “The Hunger Games.” While I would definitely say that I was not right about that, I wouldn’t say that I was completely wrong. I was, however, completely unprepared for a zombie novel–which is a good thing, cause I wouldn’t have read it, and I’m glad I did. Think “The Walking Dead” meets (why do I want to say ‘The Curious Incident of the Dog in the Night”?) “Peter Pan.” I really enjoyed seeing things from, the main character, Melanie’s point of view. Her limited knowledge of her own situation was intriguing, to say the least (and probably why I thought of “The Curious Incident”). I was a bit disappointed when the POV changed to another character’s, but, as the novel progressed, I found myself sympathizing with nearly all the characters–with one exception, and I’ll leave that for you to ponder when you read it. I wondered how much of the science was real, but not enough for me to research it myself. Although, based on other reviews, I guess most of the science about the fungus is real. I also wondered about the fate of the remaining ‘lost boys’ of the cities. If you liked…. well, I don’t know. I’m not typically a fan of things zombie, so I don’t have a comparison, but the book was somewhat similar to “Divergent” and “The Hunger Games” in that the main character goes through a hellluva time and comes out the other side with a plan for her future.

“Tuesdays with Morrie” by Mitch Albom is a true story about how one man found meaning in life when his doctors gave him a death sentence. Morrie was a college professor who passed on his new found wisdom in the last year of his life to a favorite student, the author, who chronicled his professor’s perspectives on death and dying.

I chose this book because of its philosophical topic, and because it is so well written that the words just jump off the page.

Knowing we are all mortal beings, I especially liked the insights, the tidbits of wisdom imparted by the dying man. Death is a subject that few, if any of us, ever talk about seriously with friends and family. The subject of death is verboten. We deny its existence. And, if we are religious, we pretend we will not really die, but we deceive ourselves and think we will live on in some afterlife existence for all eternity. But the professor, Morrie, learns some valuable life lessons from his impending death, and Mitch Albom was gracious enough to capture them in this short but eminently readable book.

I really liked the book because it is timeless. This true story will impart serious life lessons for all future generations, and will help us gain perspectives on our lives and the relationships with those we love the most.

R. Allan Worrell

Sue, I’ve been meaning to come back since this was first posted to tell you thanks for a great article. I seldom review books for alllllll the reasons you listed. This is a perfect tool and I’ll surely use it. Cathy

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How to Write a Book Review: A Comprehensive Tutorial With Examples

You don’t need to be a literary expert to craft captivating book reviews. With one in every three readers selecting books based on insightful reviews, your opinions can guide fellow bibliophiles toward their next literary adventure.

Learning how to write a book review will not only help you excel at your assigned tasks, but you’ll also contribute valuable insights to the book-loving community and turn your passion into a professional pursuit.

In this comprehensive guide,  PaperPerk  will walk you through a few simple steps to master the art of writing book reviews so you can confidently embark on this rewarding journey.

What is a Book Review?

A book review is a critical evaluation of a book, offering insights into its content, quality, and impact. It helps readers make informed decisions about whether to read the book.

Writing a book review as an assignment benefits students in multiple ways. Firstly, it teaches them how to write a book review by developing their analytical skills as they evaluate the content, themes, and writing style .

Secondly, it enhances their ability to express opinions and provide constructive criticism. Additionally, book review assignments expose students to various publications and genres, broadening their knowledge.

Furthermore, these tasks foster essential skills for academic success, like critical thinking and the ability to synthesize information. By now, we’re sure you want to learn how to write a book review, so let’s look at the book review template first.

Table of Contents

Book Review Template

How to Write a Book Review- A Step-by-Step Guide

Check out these 5 straightforward steps for composing the best book review.

Step 1: Planning Your Book Review – The Art of Getting Started

You’ve decided to take the plunge and share your thoughts on a book that has captivated (or perhaps disappointed) you. Before you start book reviewing, let’s take a step back and plan your approach. Knowing how to write a book review that’s both informative and engaging is an art in itself.

Choosing Your Literature

First things first, pick the book you want to review. This might seem like a no-brainer, but selecting a book that genuinely interests you will make the review process more enjoyable and your insights more authentic.

Crafting the Master Plan

Next, create an  outline  that covers all the essential points you want to discuss in your review. This will serve as the roadmap for your writing journey.

The Devil is in the Details

As you read, note any information that stands out, whether it overwhelms, underwhelms, or simply intrigues you. Pay attention to:

• The characters and their development
• The plot and its intricacies
• Any themes, symbols, or motifs you find noteworthy

Remember to reserve a body paragraph for each point you want to discuss.

The Key Questions to Ponder

When planning your book review, consider the following questions:

• What’s the plot (if any)? Understanding the driving force behind the book will help you craft a more effective review.
• Is the plot interesting? Did the book hold your attention and keep you turning the pages?
• Are the writing techniques effective? Does the author’s style captivate you, making you want to read (or reread) the text?
• Are the characters or the information believable? Do the characters/plot/information feel real, and can you relate to them?
• Would you recommend the book to anyone? Consider if the book is worthy of being recommended, whether to impress someone or to support a point in a literature class.
• What could be improved? Always keep an eye out for areas that could be improved. Providing constructive criticism can enhance the quality of literature.

Step 2 – Crafting the Perfect Introduction to Write a Book Review

In this second step of “how to write a book review,” we’re focusing on the art of creating a powerful opening that will hook your audience and set the stage for your analysis.

Identify Your Book and Author

Begin by mentioning the book you’ve chosen, including its  title  and the author’s name. This informs your readers and establishes the subject of your review.

Ponder the Title

Next, discuss the mental images or emotions the book’s title evokes in your mind . This helps your readers understand your initial feelings and expectations before diving into the book.

Judge the Book by Its Cover (Just a Little)

Take a moment to talk about the book’s cover. Did it intrigue you? Did it hint at what to expect from the story or the author’s writing style? Sharing your thoughts on the cover can offer a unique perspective on how the book presents itself to potential readers.

Present Your Thesis

Now it’s time to introduce your thesis. This statement should be a concise and insightful summary of your opinion of the book. For example:

“Normal People” by Sally Rooney is a captivating portrayal of the complexities of human relationships, exploring themes of love, class, and self-discovery with exceptional depth and authenticity.

Ensure that your thesis is relevant to the points or quotes you plan to discuss throughout your review.

Incorporating these elements into your introduction will create a strong foundation for your book review. Your readers will be eager to learn more about your thoughts and insights on the book, setting the stage for a compelling and thought-provoking analysis.

How to Write a Book Review: Step 3 – Building Brilliant Body Paragraphs

You’ve planned your review and written an attention-grabbing introduction. Now it’s time for the main event: crafting the body paragraphs of your book review. In this step of “how to write a book review,” we’ll explore the art of constructing engaging and insightful body paragraphs that will keep your readers hooked.

Summarize Without Spoilers

Begin by summarizing a specific section of the book, not revealing any major plot twists or spoilers. Your goal is to give your readers a taste of the story without ruining surprises.

Support Your Viewpoint with Quotes

Next, choose three quotes from the book that support your viewpoint or opinion. These quotes should be relevant to the section you’re summarizing and help illustrate your thoughts on the book.

Analyze the Quotes

Write a summary of each quote in your own words, explaining how it made you feel or what it led you to think about the book or the author’s writing. This analysis should provide insight into your perspective and demonstrate your understanding of the text.

Structure Your Body Paragraphs

Dedicate one body paragraph to each quote, ensuring your writing is well-connected, coherent, and easy to understand.

For example:

• In  Jane Eyre , Charlotte Brontë writes, “I am no bird; and no net ensnares me.” This powerful statement highlights Jane’s fierce independence and refusal to be trapped by societal expectations.
• In  Normal People , Sally Rooney explores the complexities of love and friendship when she writes, “It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys.” This quote reveals the author’s astute observations on the role of culture and class in shaping personal relationships.
• In  Wuthering Heights , Emily Brontë captures the tumultuous nature of love with the quote, “He’s more myself than I am. Whatever our souls are made of, his and mine are the same.” This poignant line emphasizes the deep, unbreakable bond between the story’s central characters.

By following these guidelines, you’ll create body paragraphs that are both captivating and insightful, enhancing your book review and providing your readers with a deeper understanding of the literary work. 

How to Write a Book Review: Step 4 – Crafting a Captivating Conclusion

You’ve navigated through planning, introductions, and body paragraphs with finesse. Now it’s time to wrap up your book review with a  conclusion that leaves a lasting impression . In this final step of “How to write a Book Review,” we’ll explore the art of writing a memorable and persuasive conclusion.

Summarize Your Analysis

Begin by summarizing the key points you’ve presented in the body paragraphs. This helps to remind your readers of the insights and arguments you’ve shared throughout your review.

Offer Your Final Conclusion

Next, provide a conclusion that reflects your overall feelings about the book. This is your chance to leave a lasting impression and persuade your readers to consider your perspective.

Address the Book’s Appeal

Now, answer the question: Is this book worth reading? Be clear about who would enjoy the book and who might not. Discuss the taste preferences and circumstances that make the book more appealing to some readers than others.

For example:  The Alchemist is a book that can enchant a young teen, but those who are already well-versed in classic literature might find it less engaging.

Be Subtle and Balanced

Avoid simply stating whether you “liked” or “disliked” the book. Instead, use nuanced language to convey your message. Highlight the pros and cons of reading the type of literature you’ve reviewed, offering a balanced perspective.

Bringing It All Together

By following these guidelines, you’ll craft a conclusion that leaves your readers with a clear understanding of your thoughts and opinions on the book. Your review will be a valuable resource for those considering whether to pick up the book, and your witty and insightful analysis will make your review a pleasure to read. So conquer the world of book reviews, one captivating conclusion at a time!

How to Write a Book Review: Step 5 – Rating the Book (Optional)

You’ve masterfully crafted your book review, from the introduction to the conclusion. But wait, there’s one more step you might consider before calling it a day: rating the book. In this optional step of “how to write a book review,” we’ll explore the benefits and methods of assigning a rating to the book you’ve reviewed.

Why Rate the Book?

Sometimes, when writing a professional book review, it may not be appropriate to state whether you liked or disliked the book. In such cases, assigning a rating can be an effective way to get your message across without explicitly sharing your personal opinion.

How to Rate the Book

There are various rating systems you can use to evaluate the book, such as:

• A star rating (e.g., 1 to 5 stars)
• A numerical score (e.g., 1 to 10)
• A letter grade (e.g., A+ to F)

Choose a rating system that best suits your style and the format of your review. Be consistent in your rating criteria, considering writing quality, character development, plot, and overall enjoyment.

Tips for Rating the Book

Here are some tips for rating the book effectively:

• Be honest: Your rating should reflect your true feelings about the book. Don’t inflate or deflate your rating based on external factors, such as the book’s popularity or the author’s reputation.
• Be fair: Consider the book’s merits and shortcomings when rating. Even if you didn’t enjoy the book, recognize its strengths and acknowledge them in your rating.
• Be clear: Explain the rationale behind your rating so your readers understand the factors that influenced your evaluation.

Wrapping Up

By including a rating in your book review, you provide your readers with additional insight into your thoughts on the book. While this step is optional, it can be a valuable tool for conveying your message subtly yet effectively. So, rate those books confidently, adding a touch of wit and wisdom to your book reviews.

Additional Tips on How to Write a Book Review: A Guide

In this segment, we’ll explore additional tips on how to write a book review. Get ready to captivate your readers and make your review a memorable one!

Hook ’em with an Intriguing Introduction

Keep your introduction precise and to the point. Readers have the attention span of a goldfish these days, so don’t let them swim away in boredom. Start with a bang and keep them hooked!

Embrace the World of Fiction

When learning how to write a book review, remember that reviewing fiction is often more engaging and effective. If your professor hasn’t assigned you a specific book, dive into the realm of fiction and select a novel that piques your interest.

Opinionated with Gusto

Don’t shy away from adding your own opinion to your review. A good book review always features the writer’s viewpoint and constructive criticism. After all, your readers want to know what  you  think!

Express Your Love (or Lack Thereof)

If you adored the book, let your readers know! Use phrases like “I’ll definitely return to this book again” to convey your enthusiasm. Conversely, be honest but respectful even if the book wasn’t your cup of tea.

Templates and Examples and Expert Help: Your Trusty Sidekicks

Feeling lost? You can always get help from formats, book review examples or online  college paper writing service  platforms. These trusty sidekicks will help you navigate the world of book reviews with ease. 

Be a Champion for New Writers and Literature

Remember to uplift new writers and pieces of literature. If you want to suggest improvements, do so kindly and constructively. There’s no need to be mean about anyone’s books – we’re all in this literary adventure together!

Criticize with Clarity, Not Cruelty

When adding criticism to your review, be clear but not mean. Remember, there’s a fine line between constructive criticism and cruelty. Tread lightly and keep your reader’s feelings in mind.

Avoid the Comparison Trap

Resist the urge to compare one writer’s book with another. Every book holds its worth, and comparing them will only confuse your reader. Stick to discussing the book at hand, and let it shine in its own light.

Top 7 Mistakes and How to Avoid Them

Writing a book review can be a delightful and rewarding experience, especially when you balance analysis, wit, and personal insights. However, some common mistakes can kill the brilliance of your review. 

In this section of “How to write a book review,” we’ll explore the top 7 blunders writers commit and how to steer clear of them, with a dash of  modernist literature  examples and tips for students writing book reviews as assignments.

Succumbing to the Lure of Plot Summaries

Mistake: Diving headfirst into a plot summary instead of dissecting the book’s themes, characters, and writing style.

Example: “The Bell Jar chronicles the life of a young woman who experiences a mental breakdown.”

How to Avoid: Delve into the book’s deeper aspects, such as its portrayal of mental health, societal expectations, and the author’s distinctive narrative voice. Offer thoughtful insights and reflections, making your review a treasure trove of analysis.

Unleashing the Spoiler Kraken

Mistake: Spilling major plot twists or the ending without providing a spoiler warning, effectively ruining the reading experience for potential readers.

Example: “In Metamorphosis, the protagonist’s transformation into a monstrous insect leads to…”

How to Avoid: Tread carefully when discussing significant plot developments, and consider using spoiler warnings. Focus on the impact of these plot points on the overall narrative, character growth, or thematic resonance.

Riding the Personal Bias Express

Mistake: Allowing personal bias to hijack the review without providing sufficient evidence or reasoning to support opinions.

Example: “I detest books about existential crises, so The Sun Also Rises was a snoozefest.”

How to Avoid: While personal opinions are valid, it’s crucial to back them up with specific examples from the book. Discuss aspects like writing style, character development, or pacing to support your evaluation and provide a more balanced perspective.

Wielding the Vague Language Saber

Mistake: Resorting to generic, vague language that fails to capture the nuances of the book and can come across as clichéd.

Example: “This book was mind-blowing. It’s a must-read for everyone.”

How to Avoid: Use precise and descriptive language to express your thoughts. Employ specific examples and quotations to highlight memorable scenes, the author’s unique writing style, or the impact of the book’s themes on readers.

Ignoring the Contextualization Compass

Mistake: Neglecting to provide context about the author, genre, or cultural relevance of the book, leaving readers without a proper frame of reference.

Example: “This book is dull and unoriginal.”

How to Avoid: Offer readers a broader understanding by discussing the author’s background, the genre conventions the book adheres to or subverts, and any societal or historical contexts that inform the narrative. This helps readers appreciate the book’s uniqueness and relevance.

Overindulging in Personal Preferences

Mistake: Letting personal preferences overshadow an objective assessment of the book’s merits.

Example: “I don’t like stream-of-consciousness writing, so this book is automatically bad.”

How to Avoid: Acknowledge personal preferences but strive to evaluate the book objectively. Focus on the book’s strengths and weaknesses, considering how well it achieves its goals within its genre or intended audience.

Forgetting the Target Audience Telescope

Mistake: Failing to mention the book’s target audience or who might enjoy it, leading to confusion for potential readers.

Example: “This book is great for everyone.”

How to Avoid: Contemplate the book’s intended audience, genre, and themes. Mention who might particularly enjoy the book based on these factors, whether it’s fans of a specific genre, readers interested in character-driven stories, or those seeking thought-provoking narratives.

By dodging these common pitfalls, writers can craft insightful, balanced, and engaging book reviews that help readers make informed decisions about their reading choices.

These tips are particularly beneficial for students writing book reviews as assignments, as they ensure a well-rounded and thoughtful analysis.!

Many students requested us to cover how to write a book review. This thorough guide is sure to help you. At Paperperk, professionals are dedicated to helping students find their balance. We understand the importance of good grades, so we offer the finest writing service , ensuring students stay ahead of the curve. So seek expert help because only Paperperk is your perfect solution!

What is the difference between a book review and a report?

Who is the target audience for book reviews and book reports, how do book reviews and reports differ in length and content, can i write professional book reviews, what are the key aspects of writing professional book reviews, how can i enhance my book-reviewing skills to write professional reviews, what should be included in a good book review.

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Want to write a perfect book review that readers enjoy? Discover how to pen a book review in 6 easy steps. To help you understand, we’ve included amazing examples of book reviews. 

We’ve also answered many questions you might have such as: How long should a book review be? How to start a book review? How to conclude a book review? For beginners, we’ve also mentioned the basic book review format. So without further delay, let’s begin! 

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What is a book review? 

A book review is the critical analysis of the book’s content and significance. It includes an evaluation of the plot, character development, and writing style. A good book review highlights the book’s strengths and weaknesses. Reviewers often include quotes to support the opinions mentioned in the book review. A book review is different from a book report which objectively describes the book’s main content. 

Now that we know what is a book review, let’s understand their length. 

How long is a book review? 

The length of a book review can vary, depending on the purpose and the medium used. Book reviews in newspapers, magazines, and journals can range from 500-2000 words. In contrast, book reviews by readers on platforms like Goodreads, Amazon, Facebook, or Google can range from 50-500 words. 

Now let us see the 6 easy steps to write book reviews. Whether you’re writing book reviews for your assignment or book promotion, these steps will help! 

How to write a book review

• Note down the key points- This is an important step before writing a book review. Jot down your analysis about the characters, themes, plot, and your personal view. Also, note down the book title, author’s name, and any relevant information about the book. 
• Start with a strong introduction- Mention the author’s name, book title, themes, and main characters in the introduction. The introduction should give a very brief book summary without giving spoilers. 
• Analyze the book- Discuss the book’s strong points and weaknesses. This can include your opinion on the narrative pacing, writing style, character development , and structure. You can also compare it with books belonging to a similar genre. To enhance the review, you can also use relevant quotes to support your perspective. 
• Reflect on your experience- Describe how the book makes you feel. Did you find it engaging or was it slow-paced? Were you happy with the climax or did you expect more? 
• Conclude the review- Summarize the important points and end the review with a final evaluative statement about the book. This is where you can state whether you will recommend the book to readers or not. This is an important step in writing a book review. 
• Rate the book (Optional)- Depending on the platform requirements, you can rate the book out of 5 or 10. 

Now that we’ve seen how to write a book review, let’s see five amazing tips to create the perfect book review.

Top 5 tips to create an amazing book review 

Here are the top 5 tips to create the perfect book review: 

• Start with an attractive hook- Begin the review with an intriguing question or statement, capturing the book’s essence. For example, “In ‘The Enchanted Labyrinth’, every page takes you into a magical world of intrigue and wonder. 
• Discuss originality- Write what makes the book unique as compared to other books in the same genre. If the book highlights an unexplored theme or gives a unique take on a common theme, you can mention it in the book review. 
• Analyze worldbuilding- Review the fictional world created by the author (Its depth, complexity and detail). You can discuss how the setting of the story affected your experience as a reader. This is a good practice, especially while reviewing fantasy and science fiction novels. 
• Evaluate key themes- Discuss how the central themes of the story are seamlessly woven into the narrative. You can do this by highlighting how the characters’ relationships and choices reflect the themes. Describe how themes add depth to the story. 
• Edit and proofread- Once you’ve completed your book review, thoroughly check it. Correct any grammatical mistakes , spelling, and word choice errors. 

Book review examples

1. a thousand splendid suns by khaled hosseini .

“A Thousand Splendid Suns,” by Khaled Hosseini, is a profoundly moving story set against the backdrop of Afghan history. This novel tells the tale of two women, Mariam and Laila, whose lives become entwined in a harrowing journey of friendship, suffering, and redemption.

Mariam, an illegitimate child, suffers from stigma and rejection from an early age. Her tragic story evolves when she is forced into an abusive marriage with Rasheed, a brutish shoemaker. Laila, born generations later, is initially a symbol of the new Afghanistan – hopeful and educated. Their shared struggles against the backdrop of Afghanistan crumbling under Taliban rule form the novel’s heart.

Hosseini’s writing is evocative, capturing the stark realities in Afghanistan while also highlighting the profound resilience of his characters. The author masterfully portrays the emotional landscapes of Mariam and Laila, making them vividly relatable.

“A Thousand Splendid Suns” is more than a story of survival; it is a testament to the unyielding strength of human connection and endurance. This book is a must-read, not only for its storytelling brilliance but for its deep exploration of the often-unheard voices of Afghan women. It’s a heartbreaking, yet ultimately hopeful novel that stays with you long after the last page.

Now let’s see another example of a book review. 

2. A Man Called Ove by Fredrik Backman 

“A Man Called Ove ” by Fredrik Backman is a heartwarming novel that takes readers on an emotional journey of its titular character, Ove. At first glance, Ove appears to be nothing more than a grumpy old man. However, as the story unfolds, we discover that there is so much more to Ove than meets the eye.

The novel skillfully explores themes of loss, grief, and the human capacity for change. Ove’s journey is one of rediscovery and redemption, as he learns to open his heart to the people around him. Backman’s writing is both poignant and humorous, capturing the essence of human relationships and the power of community.

Ove is a character who is easy to relate to, with his quirks making him all the more endearing. As we delve into his past through flashbacks, we understand the events that shaped him. These glimpses provide depth and complexity to his character, making him incredibly three-dimensional.

The supporting characters are equally charming and well-developed. Parvaneh, the pregnant neighbor, and her family are a refreshing contrast to Ove’s gruff exterior. Their interactions with Ove are both heartwarming and hilarious, playing an important role in his transformation.

What makes “A Man Called Ove” truly exceptional is its ability to elicit a wide range of emotions from its readers. It can make you laugh out loud on one page and bring tears to your eyes on the next. The story is a testament to the importance of human connection.

In conclusion, “A Man Called Ove” is a beautifully written novel that explores the themes of love, friendship, and the capacity for change. Fredrik Backman’s storytelling is both touching and humorous, and his characters are unforgettable. For those who appreciate heartwarming stories that inspire the soul, this book is a must-read.”

After seeing these book review examples, let’s see a simple book review template you can use. 

Book review template

The following template highlights a basic book review format and book review outline. You can use this template for reference. 

We hope this book review template and book review examples have inspired you to start writing. Now that you’ve understood how to write a good book review, you can begin brainstorming. Want to get a polished, professional book review? At PaperTrue, our team of experts can help you craft the perfect review for your book. Get in touch with us and forget all stress about how to do a book review. 

You can also take advantage of our self-publishing services like editing, book cover design, securing an ISBN, and creating a copyright page. This ensures that your book is ready for publication. Whether you want a simple edit or an end-to-end service package, we’re here to help! 

Here are some other articles that you might find interesting: 

• Top 10 Best Print-on-Demand Book Companies in 2024
• Top 10 Book Formatting Software for Authors in 2024
• What Is a Blurb? Meaning, Examples & 10 Expert Tips

Frequently Asked Questions

What is the purpose of a book review, what makes a good book review, how to end a book review, how to structure a book review, where to write a book review.

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How to Write a Book Review Tips

Book reviews are like guiding lights in the world of literature, helping readers navigate through countless stories. But writing a good review isn't just about summarizing a book – it's about making your thoughts resonate with the audience. 

Whether you're a writer, a critic, or someone who loves books, knowing how to prepare a book review can enrich your reading experience and contribute to the literary community. 

In this article, experts of our book review writing service break down the key elements and tips for compelling book reviews that spark conversation and excitement.

What Is a Book Review

A book review is a critical evaluation of a book, where the reviewer discusses its content, themes, and overall impact. It typically includes a summary of the book's main points, the reviewer's analysis and opinions, and a recommendation for potential readers. The goal is to inform others about the book's strengths and weaknesses, helping them decide if it’s worth reading.

Later in the article, you’ll find a quality book review example for your inspiration and motivation. If you’re in a hurry, try our cheap essay writing service that covers all types of academic papers.

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How to Write a Book Review: Step-By-Step

Writing a book review might seem complex, but in reality, the process can be divided into only three steps:

Summarize the Book's Content

Book reviews summarize the source's content by providing a brief and clear overview of the main plot, key characters, and central themes without giving away any spoilers. This helps readers understand the essence of the book and sets the stage for your analysis and evaluation.

Actionable Tips:

• Read the Book Thoroughly: Ensure you grasp the full story, including subplots and character development.
• Highlight Key Points: Note down significant events, character arcs, and main themes as you read.
• Be Concise: Keep your summary short and to the point, focusing on the most important aspects.
• Avoid Spoilers: Do not reveal major plot twists or the book’s ending.
• Use Your Own Words: Write the summary in your own language to maintain originality and avoid plagiarism.
• Provide Context: Include the book’s genre, setting, and relevant background information to help readers understand the summary.
• Focus on Clarity: Ensure your summary is easy to read and understand, avoiding complex language or unnecessary details.

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Analyze and Evaluate

You’re always halfway through writing a book review! Next, you have to critically examine its elements, such as the writing style, character development, plot structure, and thematic depth. This step is where you share your personal insights and opinions, providing evidence from the text to support your views.

Conclude with a Recommendation

We’re almost reached the finishing line of the how to write a book review race. Conclude your review of a book with either a summary, recommendation, or addressing readers directly. This step provides a clear and concise verdict based on your analysis, helping potential readers decide if the book is right for them.

Dive into literary analysis with EssayPro . Our experts can help you craft insightful book reviews that delve deep into the themes, characters, and narratives of your chosen books. Enhance your understanding and appreciation of literature with us.

Book Review Structure

A book review outline usually follows a structured format with an introduction, main body, and conclusion.

Introduction

This section introduces the book, mentioning its title, author, genre, and publication details. It gives a brief overview of the book's premise and main themes to provide context for the reader.

The main body offers a detailed analysis and critique of the book. It's divided into paragraphs focusing on specific aspects such as plot, characters, and writing style. Each paragraph provides evidence from the book to support the reviewer's analysis.

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The conclusion summarizes the reviewer's overall thoughts and impressions of the book, restating key points and the main argument. It often includes a recommendation for potential readers and may provide final reflections or insights about the book's significance.

Book Review Template

Here's a basic structure you can follow every time you’re tasked with such an assignment:

Extra Tips for Writing Better Book Reviews

Here are 11 extra tips for writing better book reviews:

• Look for essay topics that are interesting personally for you.
• Consider your audience and what they might want to know about the book.
• Be mindful not to give away major plot twists or endings that could ruin the reading experience for others.
• Use quotes or examples from the book to support your analysis and critique.
• Express your opinions openly, but respect the author and their work.
• Think about the book's historical, cultural, or social context when evaluating its themes and messages.
• Paint a vivid picture of the book's qualities using descriptive language to engage your readers.
• Acknowledge the book's strengths and weaknesses to provide a balanced review.
• Aim to be concise and to the point, focusing on the most important aspects of the book.
• Let your enthusiasm for the book shine through in your review to captivate your readers.
• Gain insights from reading other reviews to see different perspectives and approaches to reviewing books.

Book Review Example

As promised at the beginning of the article, we’d like to share a good example of a book review as it should be done by students either in school or college:

Final Thoughts

Book reviews empower students to become active participants in the literary conversation. They learn to contribute their unique perspectives and interpretations to the broader discourse. With a custom term paper writing service , learners can become true educational powerhouses who never miss deadlines.

Through critical engagement with literary sources, students develop a deeper understanding of complex themes and issues, honing their ability to think analytically and empathetically. At the end of the day, aren’t these two skills that every educated individual should possess? 

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How To Write A Book Review?

What to include in a book review, what is a book review.

is an expert in nursing and healthcare, with a strong background in history, law, and literature. Holding advanced degrees in nursing and public health, his analytical approach and comprehensive knowledge help students navigate complex topics. On EssayPro blog, Adam provides insightful articles on everything from historical analysis to the intricacies of healthcare policies. In his downtime, he enjoys historical documentaries and volunteering at local clinics.

• Added new infographics.
• Updated writing tips.
• Added new example.
• How to write a book review | BookTrust. (n.d.-b). https://www.booktrust.org.uk/books-and-reading/tips-and-advice/writing-tips/writing-tips-for-teens/how-to-write-a-book-review/
• Book Reviews – The Writing Center • University of North Carolina at Chapel Hill. (2024, May 14). The Writing Center • University of North Carolina at Chapel Hill. https://writingcenter.unc.edu/tips-and-tools/book-reviews/
• Research Guides: Organizing Your Social Sciences Research Assignments: Writing a Book Review. (n.d.). https://libguides.usc.edu/writingguide/assignments/bookreview  

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A book review is a thorough description, critical analysis, and/or evaluation of the quality, meaning, and significance of a book, often written in relation to prior research on the topic. Reviews generally range from 500-2000 words, but may be longer or shorter depends on several factors: the length and complexity of the book being reviewed, the overall purpose of the review, and whether the review examines two or more books that focus on the same topic. Professors assign book reviews as practice in carefully analyzing complex scholarly texts and to assess your ability to effectively synthesize research so that you reach an informed perspective about the topic being covered.

There are two general approaches to reviewing a book:

• Descriptive review: Presents the content and structure of a book as objectively as possible, describing essential information about a book's purpose and authority. This is done by stating the perceived aims and purposes of the study, often incorporating passages quoted from the text that highlight key elements of the work. Additionally, there may be some indication of the reading level and anticipated audience.
• Critical review: Describes and evaluates the book in relation to accepted literary and historical standards and supports this evaluation with evidence from the text and, in most cases, in contrast to and in comparison with the research of others. It should include a statement about what the author has tried to do, evaluates how well you believe the author has succeeded in meeting the objectives of the study, and presents evidence to support this assessment. For most course assignments, your professor will want you to write this type of review.

Book Reviews. Writing Center. University of New Hampshire; Book Reviews: How to Write a Book Review. Writing and Style Guides. Libraries. Dalhousie University; Kindle, Peter A. "Teaching Students to Write Book Reviews." Contemporary Rural Social Work 7 (2015): 135-141; Erwin, R. W. “Reviewing Books for Scholarly Journals.” In Writing and Publishing for Academic Authors . Joseph M. Moxley and Todd Taylor. 2 nd edition. (Lanham, MD: Rowan and Littlefield, 1997), pp. 83-90.

How to Approach Writing Your Review

NOTE:   Since most course assignments require that you write a critical rather than descriptive book review, the following information about preparing to write and developing the structure and style of reviews focuses on this approach.

I.  Common Features

While book reviews vary in tone, subject, and style, they share some common features. These include:

• A review gives the reader a concise summary of the content . This includes a description of the research topic and scope of analysis as well as an overview of the book's overall perspective, argument, and purpose.
• A review offers a critical assessment of the content in relation to other studies on the same topic . This involves documenting your reactions to the work under review--what strikes you as noteworthy or important, whether or not the arguments made by the author(s) were effective or persuasive, and how the work enhanced your understanding of the research problem under investigation.
• In addition to analyzing a book's strengths and weaknesses, a scholarly review often recommends whether or not readers would value the work for its authenticity and overall quality . This measure of quality includes both the author's ideas and arguments and covers practical issues, such as, readability and language, organization and layout, indexing, and, if needed, the use of non-textual elements .

To maintain your focus, always keep in mind that most assignments ask you to discuss a book's treatment of its topic, not the topic itself . Your key sentences should say, "This book shows...,” "The study demonstrates...," or “The author argues...," rather than "This happened...” or “This is the case....”

II.  Developing a Critical Assessment Strategy

There is no definitive methodological approach to writing a book review in the social sciences, although it is necessary that you think critically about the research problem under investigation before you begin to write. Therefore, writing a book review is a three-step process: 1) carefully taking notes as you read the text; 2) developing an argument about the value of the work under consideration; and, 3) clearly articulating that argument as you write an organized and well-supported assessment of the work.

A useful strategy in preparing to write a review is to list a set of questions that should be answered as you read the book [remember to note the page numbers so you can refer back to the text!]. The specific questions to ask yourself will depend upon the type of book you are reviewing. For example, a book that is presenting original research about a topic may require a different set of questions to ask yourself than a work where the author is offering a personal critique of an existing policy or issue.

Here are some sample questions that can help you think critically about the book:

• Thesis or Argument . What is the central thesis—or main argument—of the book? If the author wanted you to get one main idea from the book, what would it be? How does it compare or contrast to the world that you know or have experienced? What has the book accomplished? Is the argument clearly stated and does the research support this?
• Topic . What exactly is the subject or topic of the book? Is it clearly articulated? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? Can you detect any biases? What type of approach has the author adopted to explore the research problem [e.g., topical, analytical, chronological, descriptive]?
• Evidence . How does the author support their argument? What evidence does the author use to prove their point? Is the evidence based on an appropriate application of the method chosen to gather information? Do you find that evidence convincing? Why or why not? Does any of the author's information [or conclusions] conflict with other books you've read, courses you've taken, or just previous assumptions you had about the research problem?
• Structure . How does the author structure their argument? Does it follow a logical order of analysis? What are the parts that make up the whole? Does the argument make sense to you? Does it persuade you? Why or why not?
• Take-aways . How has this book helped you understand the research problem? Would you recommend the book to others? Why or why not?

Beyond the content of the book, you may also consider some information about the author and the general presentation of information. Question to ask may include:

• The Author: Who is the author? The nationality, political persuasion, education, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the author is affiliated with a particular organization? What difference would it make if the author participated in the events they wrote about? What other topics has the author written about? Does this work build on prior research or does it represent a new or unique area of research?
• The Presentation: What is the book's genre? Out of what discipline does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or other contextual standard upon which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know this. Keep in mind, though, that declarative statements about being the “first,” the "best," or the "only" book of its kind can be a risky unless you're absolutely certain because your professor [presumably] has a much better understanding of the overall research literature.

NOTE: Most critical book reviews examine a topic in relation to prior research. A good strategy for identifying this prior research is to examine sources the author(s) cited in the chapters introducing the research problem and, of course, any review of the literature. However, you should not assume that the author's references to prior research is authoritative or complete. If any works related to the topic have been excluded, your assessment of the book should note this . Be sure to consult with a librarian to ensure that any additional studies are located beyond what has been cited by the author(s).

Book Reviews. Writing@CSU. Colorado State University; Book Reviews. The Writing Center. University of North Carolina; Hartley, James. "Reading and Writing Book Reviews Across the Disciplines." Journal of the American Society for Information Science and Technology 57 (July 2006): 1194–1207;   Motta-Roth, D. “Discourse Analysis and Academic Book Reviews: A Study of Text and Disciplinary Cultures.”  In Genre Studies in English for Academic Purposes . Fortanet Gómez, Inmaculada  et  al., editors. (Castellò de la Plana: Publicacions de la Universitat Jaume I, 1998), pp. 29-45. Writing a Book Review. The Writing Lab and The OWL. Purdue University; Writing Book Reviews. Writing Tutorial Services, Center for Innovative Teaching and Learning. Indiana University; Suárez, Lorena and Ana I. Moreno. “The Rhetorical Structure of Academic Journal Book Reviews: A Cross-linguistic and Cross-disciplinary Approach .” In Asociación Europea de Lenguas para Fines Específicos, María del Carmen Pérez Llantada Auría, Ramón Plo Alastrué, and Claus Peter Neumann. Actas del V Congreso Internacional AELFE/Proceedings of the 5th International AELFE Conference . Zaragoza: Universidad de Zaragoza, 2006.

Structure and Writing Style

I.  Bibliographic Information

Bibliographic information refers to the essential elements of a work if you were to cite it in a paper [i.e., author, title, date of publication, etc.]. Provide the essential information about the book using the writing style [e.g., APA, MLA, Chicago] preferred by your professor or used by the discipline of your major . Depending on how your professor wants you to organize your review, the bibliographic information represents the heading of your review. In general, it would look like this:

[Complete title of book. Author or authors. Place of publication. Publisher. Date of publication. Number of pages before first chapter, often in Roman numerals. Total number of pages]. The Whites of Their Eyes: The Tea Party's Revolution and the Battle over American History . By Jill Lepore. (Princeton, NJ: Princeton University Press, 2010. xii, 207 pp.)

Reviewed by [your full name].

II.  Scope/Purpose/Content

Begin your review by telling the reader not only the overarching concern of the book in its entirety [the subject area] but also what the author's particular point of view is on that subject [the thesis statement]. If you cannot find an adequate statement in the author's own words or if you find that the thesis statement is not well-developed, then you will have to compose your own introductory thesis statement that does cover all the material. This statement should be no more than one paragraph and must be succinctly stated, accurate, and unbiased.

If you find it difficult to discern the overall aims and objectives of the book [and, be sure to point this out in your review if you determine that this is a deficiency], you may arrive at an understanding of the book's overall purpose by assessing the following:

• Scan the table of contents because it can help you understand how the book was organized and will aid in determining the author's main ideas and how they were developed [e.g., chronologically, topically, historically, etc.].
• Why did the author write on this subject rather than on some other subject?
• From what point of view is the work written?
• Was the author trying to give information, to explain something technical, or to convince the reader of a belief’s validity by dramatizing it in action?
• What is the general field or genre, and how does the book fit into it? If necessary, review related literature from other books and journal articles to familiarize yourself with the field.
• Who is the intended audience?
• What is the author's style? Is it formal or informal? You can evaluate the quality of the writing style by noting some of the following standards: coherence, clarity, originality, forcefulness, accurate use of technical words, conciseness, fullness of development, and fluidity [i.e., quality of the narrative flow].
• How did the book affect you? Were there any prior assumptions you had about the subject that were changed, abandoned, or reinforced after reading the book? How is the book related to your own personal beliefs or assumptions? What personal experiences have you had related to the subject that affirm or challenge underlying assumptions?
• How well has the book achieved the goal(s) set forth in the preface, introduction, and/or foreword?
• Would you recommend this book to others? Why or why not?

III.  Note the Method

Support your remarks with specific references to text and quotations that help to illustrate the literary method used to state the research problem, describe the research design, and analyze the findings. In general, authors tend to use the following literary methods, exclusively or in combination.

• Description : The author depicts scenes and events by giving specific details that appeal to the five senses, or to the reader’s imagination. The description presents background and setting. Its primary purpose is to help the reader realize, through as many details as possible, the way persons, places, and things are situated within the phenomenon being described.
• Narration : The author tells the story of a series of events, usually thematically or in chronological order. In general, the emphasis in scholarly books is on narration of the events. Narration tells what has happened and, in some cases, using this method to forecast what could happen in the future. Its primary purpose is to draw the reader into a story and create a contextual framework for understanding the research problem.
• Exposition : The author uses explanation and analysis to present a subject or to clarify an idea. Exposition presents the facts about a subject or an issue clearly and as impartially as possible. Its primary purpose is to describe and explain, to document for the historical record an event or phenomenon.
• Argument : The author uses techniques of persuasion to establish understanding of a particular truth, often in the form of addressing a research question, or to convince the reader of its falsity. The overall aim is to persuade the reader to believe something and perhaps to act on that belief. Argument takes sides on an issue and aims to convince the reader that the author's position is valid, logical, and/or reasonable.

IV.  Critically Evaluate the Contents

Critical comments should form the bulk of your book review . State whether or not you feel the author's treatment of the subject matter is appropriate for the intended audience. Ask yourself:

• Has the purpose of the book been achieved?
• What contributions does the book make to the field?
• Is the treatment of the subject matter objective or at least balanced in describing all sides of a debate?
• Are there facts and evidence that have been omitted?
• What kinds of data, if any, are used to support the author's thesis statement?
• Can the same data be interpreted to explain alternate outcomes?
• Is the writing style clear and effective?
• Does the book raise important or provocative issues or topics for discussion?
• Does the book bring attention to the need for further research?
• What has been left out?

Support your evaluation with evidence from the text and, when possible, state the book's quality in relation to other scholarly sources. If relevant, note of the book's format, such as, layout, binding, typography, etc. Are there tables, charts, maps, illustrations, text boxes, photographs, or other non-textual elements? Do they aid in understanding the text? Describing this is particularly important in books that contain a lot of non-textual elements.

NOTE:   It is important to carefully distinguish your views from those of the author so as not to confuse your reader. Be clear when you are describing an author's point of view versus expressing your own.

V.  Examine the Front Matter and Back Matter

Front matter refers to any content before the first chapter of the book. Back matter refers to any information included after the final chapter of the book . Front matter is most often numbered separately from the rest of the text in lower case Roman numerals [i.e. i - xi ]. Critical commentary about front or back matter is generally only necessary if you believe there is something that diminishes the overall quality of the work [e.g., the indexing is poor] or there is something that is particularly helpful in understanding the book's contents [e.g., foreword places the book in an important context].

Front matter that may be considered for evaluation when reviewing its overall quality:

• Table of contents -- is it clear? Is it detailed or general? Does it reflect the true contents of the book? Does it help in understanding a logical sequence of content?
• Author biography -- also found as back matter, the biography of author(s) can be useful in determining the authority of the writer and whether the book builds on prior research or represents new research. In scholarly reviews, noting the author's affiliation and prior publications can be a factor in helping the reader determine the overall validity of the work [i.e., are they associated with a research center devoted to studying the problem under investigation].
• Foreword -- the purpose of a foreword is to introduce the reader to the author and the content of the book, and to help establish credibility for both. A foreword may not contribute any additional information about the book's subject matter, but rather, serves as a means of validating the book's existence. In these cases, the foreword is often written by a leading scholar or expert who endorses the book's contributions to advancing research about the topic. Later editions of a book sometimes have a new foreword prepended [appearing before an older foreword, if there was one], which may be included to explain how the latest edition differs from previous editions. These are most often written by the author.
• Acknowledgements -- scholarly studies in the social sciences often take many years to write, so authors frequently acknowledge the help and support of others in getting their research published. This can be as innocuous as acknowledging the author's family or the publisher. However, an author may acknowledge prominent scholars or subject experts, staff at key research centers, people who curate important archival collections, or organizations that funded the research. In these particular cases, it may be worth noting these sources of support in your review, particularly if the funding organization is biased or its mission is to promote a particular agenda.
• Preface -- generally describes the genesis, purpose, limitations, and scope of the book and may include acknowledgments of indebtedness to people who have helped the author complete the study. Is the preface helpful in understanding the study? Does it provide an effective framework for understanding what's to follow?
• Chronology -- also may be found as back matter, a chronology is generally included to highlight key events related to the subject of the book. Do the entries contribute to the overall work? Is it detailed or very general?
• List of non-textual elements -- a book that contains numerous charts, photographs, maps, tables, etc. will often list these items after the table of contents in the order that they appear in the text. Is this useful?

Back matter that may be considered for evaluation when reviewing its overall quality:

• Afterword -- this is a short, reflective piece written by the author that takes the form of a concluding section, final commentary, or closing statement. It is worth mentioning in a review if it contributes information about the purpose of the book, gives a call to action, summarizes key recommendations or next steps, or asks the reader to consider key points made in the book.
• Appendix -- is the supplementary material in the appendix or appendices well organized? Do they relate to the contents or appear superfluous? Does it contain any essential information that would have been more appropriately integrated into the text?
• Index -- are there separate indexes for names and subjects or one integrated index. Is the indexing thorough and accurate? Are elements used, such as, bold or italic fonts to help identify specific places in the book? Does the index include "see also" references to direct you to related topics?
• Glossary of Terms -- are the definitions clearly written? Is the glossary comprehensive or are there key terms missing? Are any terms or concepts mentioned in the text not included that should have been?
• Endnotes -- examine any endnotes as you read from chapter to chapter. Do they provide important additional information? Do they clarify or extend points made in the body of the text? Should any notes have been better integrated into the text rather than separated? Do the same if the author uses footnotes.
• Bibliography/References/Further Readings -- review any bibliography, list of references to sources, and/or further readings the author may have included. What kinds of sources appear [e.g., primary or secondary, recent or old, scholarly or popular, etc.]? How does the author make use of them? Be sure to note important omissions of sources that you believe should have been utilized, including important digital resources or archival collections.

VI.  Summarize and Comment

State your general conclusions briefly and succinctly. Pay particular attention to the author's concluding chapter and/or afterword. Is the summary convincing? List the principal topics, and briefly summarize the author’s ideas about these topics, main points, and conclusions. If appropriate and to help clarify your overall evaluation, use specific references to text and quotations to support your statements. If your thesis has been well argued, the conclusion should follow naturally. It can include a final assessment or simply restate your thesis. Do not introduce new information in the conclusion. If you've compared the book to any other works or used other sources in writing the review, be sure to cite them at the end of your book review in the same writing style as your bibliographic heading of the book.

Book Reviews. Writing@CSU. Colorado State University; Book Reviews. The Writing Center. University of North Carolina; Gastel, Barbara. "Special Books Section: A Strategy for Reviewing Books for Journals." BioScience 41 (October 1991): 635-637; Hartley, James. "Reading and Writing Book Reviews Across the Disciplines." Journal of the American Society for Information Science and Technology 57 (July 2006): 1194–1207; Lee, Alexander D., Bart N. Green, Claire D. Johnson, and Julie Nyquist. "How to Write a Scholarly Book Review for Publication in a Peer-reviewed Journal: A Review of the Literature." Journal of Chiropractic Education 24 (2010): 57-69; Nicolaisen, Jeppe. "The Scholarliness of Published Peer Reviews: A Bibliometric Study of Book Reviews in Selected Social Science Fields." Research Evaluation 11 (2002): 129-140;.Procter, Margaret. The Book Review or Article Critique. The Lab Report. University College Writing Centre. University of Toronto; Reading a Book to Review It. The Writer’s Handbook. Writing Center. University of Wisconsin, Madison; Scarnecchia, David L. "Writing Book Reviews for the Journal Of Range Management and Rangelands." Rangeland Ecology and Management 57 (2004): 418-421; Simon, Linda. "The Pleasures of Book Reviewing." Journal of Scholarly Publishing 27 (1996): 240-241; Writing a Book Review. The Writing Lab and The OWL. Purdue University; Writing Book Reviews. Writing Tutorial Services, Center for Innovative Teaching and Learning. Indiana University.

Writing Tip

Always Read the Foreword and/or the Preface

If they are included in the front matter, a good place for understanding a book's overall purpose, organization, contributions to further understanding of the research problem, and relationship to other studies is to read the preface and the foreword. The foreword may be written by someone other than the author or editor and can be a person who is famous or who has name recognition within the discipline. A foreword is often included to add credibility to the work.

The preface is usually an introductory essay written by the author or editor. It is intended to describe the book's overall purpose, arrangement, scope, and overall contributions to the literature. When reviewing the book, it can be useful to critically evaluate whether the goals set forth in the foreword and/or preface were actually achieved. At the very least, they can establish a foundation for understanding a study's scope and purpose as well as its significance in contributing new knowledge.

Distinguishing between a Foreword, a Preface, and an Introduction . Book Creation Learning Center. Greenleaf Book Group, 2019.

Locating Book Reviews

There are several databases the USC Libraries subscribes to that include the full-text or citations to book reviews. Short, descriptive reviews can also be found at book-related online sites such as Amazon , although it's not always obvious who has written them and may actually be created by the publisher. The following databases provide comprehensive access to scholarly, full-text book reviews:

• ProQuest [1983-present]
• Book Review Digest Retrospective [1905-1982]

Some Language for Evaluating Texts

It can be challenging to find the proper vocabulary from which to discuss and evaluate a book. Here is a list of some active verbs for referring to texts and ideas that you might find useful:

• account for
• demonstrate
• distinguish
• investigate

Examples of usage

• "The evidence indicates that..."
• "This work assesses the effect of..."
• "The author identifies three key reasons for..."
• "This book questions the view that..."
• "This work challenges assumptions about...."

Paquot, Magali. Academic Keyword List. Centre for English Corpus Linguistics. Université Catholique de Louvain.

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How to Write a Book Review: The Ultimate Guide

WHAT IS A BOOK REVIEW?

Traditionally, book reviews are evaluations of a recently published book in any genre. Usually, around the 500 to 700-word mark, they briefly describe a text’s main elements while appraising the work’s strengths and weaknesses. Published book reviews can appear in newspapers, magazines, and academic journals. They provide the reader with an overview of the book itself and indicate whether or not the reviewer would recommend the book to the reader.

WHAT IS THE PURPOSE OF A BOOK REVIEW?

There was a time when book reviews were a regular appearance in every quality newspaper and many periodicals. They were essential elements in whether or not a book would sell well. A review from a heavyweight critic could often be the deciding factor in whether a book became a bestseller or a damp squib. In the last few decades, however, the book review’s influence has waned considerably, with many potential book buyers preferring to consult customer reviews on Amazon, or sites like Goodreads, before buying. As a result, book review’s appearance in newspapers, journals, and digital media has become less frequent.

WHY BOTHER TEACHING STUDENTS TO WRITE BOOK REVIEWS AT ALL?

Even in the heyday of the book review’s influence, few students who learned the craft of writing a book review became literary critics! The real value of crafting a well-written book review for a student does not lie in their ability to impact book sales. Understanding how to produce a well-written book review helps students to:

●     Engage critically with a text

●     Critically evaluate a text

●     Respond personally to a range of different writing genres

●     Improve their own reading, writing, and thinking skills.

Not to Be Confused with a Book Report!

WHAT’S THE DIFFERENCE BETWEEN A BOOK REVIEW AND A BOOK REPORT?

While the terms are often used interchangeably, there are clear differences in both the purpose and the format of the two genres. Generally speaking, book reports aim to give a more detailed outline of what occurs in a book. A book report on a work of fiction will tend to give a comprehensive account of the characters, major plot lines, and themes in the book. Book reports are usually written around the K-12 age range, while book reviews tend not to be undertaken by those at the younger end of this age range due to the need for the higher-level critical skills required in writing them. At their highest expression, book reviews are written at the college level and by professional critics.

Learn how to write a book review step by step with our complete guide for students and teachers by familiarizing yourself with the structure and features.

BOOK REVIEW STRUCTURE

ANALYZE Evaluate the book with a critical mind.

THOROUGHNESS The whole is greater than the sum of all its parts. Review the book as a WHOLE.

COMPARE Where appropriate compare to similar texts and genres.

THUMBS UP OR DOWN? You are going to have to inevitably recommend or reject this book to potential readers.

BE CONSISTENT Take a stance and stick with it throughout your review.

FEATURES OF A BOOK REVIEW

PAST TENSE You are writing about a book you have already read.

EMOTIVE LANGUAGE Whatever your stance or opinion be passionate about it. Your audience will thank you for it.

VOICE Both active and passive voice are used in recounts.

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ELEMENTS OF A BOOK REVIEW

As with any of the writing genres we teach our students, a book review can be helpfully explained in terms of criteria. While there is much to the ‘art’ of writing, there is also, thankfully, a lot of the nuts and bolts that can be listed too. Have students consider the following elements before writing:

●     Title: Often, the title of the book review will correspond to the title of the text itself, but there may also be some examination of the title’s relevance. How does it fit into the purpose of the work as a whole? Does it convey a message or reveal larger themes explored within the work?

●     Author: Within the book review, there may be some discussion of who the author is and what they have written before, especially if it relates to the current work being reviewed. There may be some mention of the author’s style and what they are best known for. If the author has received any awards or prizes, this may also be mentioned within the body of the review.

●     Genre: A book review will identify the genre that the book belongs to, whether fiction or nonfiction, poetry, romance, science-fiction, history etc. The genre will likely tie in, too with who the intended audience for the book is and what the overall purpose of the work is.

●     Book Jacket / Cover: Often, a book’s cover will contain artwork that is worthy of comment. It may contain interesting details related to the text that contribute to, or detract from, the work as a whole.

●     Structure: The book’s structure will often be heavily informed by its genre. Have students examine how the book is organized before writing their review. Does it contain a preface from a guest editor, for example? Is it written in sections or chapters? Does it have a table of contents, index, glossary etc.? While all these details may not make it into the review itself, looking at how the book is structured may reveal some interesting aspects.

●     Publisher and Price: A book review will usually contain details of who publishes the book and its cost. A review will often provide details of where the book is available too.

BOOK REVIEW KEY ELEMENTS

As students read and engage with the work they will review, they will develop a sense of the shape their review will take. This will begin with the summary. Encourage students to take notes during the reading of the work that will help them in writing the summary that will form an essential part of their review. Aspects of the book they may wish to take notes on in a work of fiction may include:

●     Characters: Who are the main characters? What are their motivations? Are they convincingly drawn? Or are they empathetic characters?

●     Themes: What are the main themes of the work? Are there recurring motifs in the work? Is the exploration of the themes deep or surface only?

●     Style: What are the key aspects of the writer’s style? How does it fit into the wider literary world?

●     Plot: What is the story’s main catalyst? What happens in the rising action? What are the story’s subplots? 

A book review will generally begin with a short summary of the work itself. However, it is important not to give too much away, remind students – no spoilers, please! For nonfiction works, this may be a summary of the main arguments of the work, again, without giving too much detail away. In a work of fiction, a book review will often summarise up to the rising action of the piece without going beyond to reveal too much!

The summary should also provide some orientation for the reader. Given the nature of the purpose of a review, it is important that students’ consider their intended audience in the writing of their review. Readers will most likely not have read the book in question and will require some orientation. This is often achieved through introductions to the main characters, themes, primary arguments etc. This will help the reader to gauge whether or not the book is of interest to them.

Once your student has summarized the work, it is time to ‘review’ in earnest. At this point, the student should begin to detail their own opinion of the book. To do this well they should:

i. Make It Personal

Often when teaching essay writing we will talk to our students about the importance of climbing up and down the ladder of abstraction. Just as it is helpful to explore large, more abstract concepts in an essay by bringing it down to Earth, in a book review, it is important that students can relate the characters, themes, ideas etc to their own lives.

Book reviews are meant to be subjective. They are opinion pieces, and opinions grow out of our experiences of life. Encourage students to link the work they are writing about to their own personal life within the body of the review. By making this personal connection to the work, students contextualize their opinions for the readers and help them to understand whether the book will be of interest to them or not in the process.

ii. Make It Universal

Just as it is important to climb down the ladder of abstraction to show how the work relates to individual life, it is important to climb upwards on the ladder too. Students should endeavor to show how the ideas explored in the book relate to the wider world. The may be in the form of the universality of the underlying themes in a work of fiction or, for example, the international implications for arguments expressed in a work of nonfiction.

iii. Support Opinions with Evidence

A book review is a subjective piece of writing by its very nature. However, just because it is subjective does not mean that opinions do not need to be justified. Make sure students understand how to back up their opinions with various forms of evidence, for example, quotations, statistics, and the use of primary and secondary sources.

EDIT AND REVISE YOUR BOOK REVIEW

As with any writing genre, encourage students to polish things up with review and revision at the end. Encourage them to proofread and check for accurate spelling throughout, with particular attention to the author’s name, character names, publisher etc. 

It is good practice too for students to double-check their use of evidence. Are statements supported? Are the statistics used correctly? Are the quotations from the text accurate? Mistakes such as these uncorrected can do great damage to the value of a book review as they can undermine the reader’s confidence in the writer’s judgement.

The discipline of writing book reviews offers students opportunities to develop their writing skills and exercise their critical faculties. Book reviews can be valuable standalone activities or serve as a part of a series of activities engaging with a central text. They can also serve as an effective springboard into later discussion work based on the ideas and issues explored in a particular book. Though the book review does not hold the sway it once did in the mind’s of the reading public, it still serves as an effective teaching tool in our classrooms today.

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

BOOK REVIEW GRAPHIC ORGANIZER (TEMPLATE)

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Book and Movie review writing examples (Student Writing Samples)

Below are a collection of student writing samples of book reviews.  Click on the image to enlarge and explore them in greater detail.  Please take a moment to both read the movie or book review in detail but also the teacher and student guides which highlight some of the key elements of writing a text review

Please understand these student writing samples are not intended to be perfect examples for each age or grade level but a piece of writing for students and teachers to explore together to critically analyze to improve student writing skills and deepen their understanding of book review writing.

We would recommend reading the example either a year above and below, as well as the grade you are currently working with to gain a broader appreciation of this text type .

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Writing Academic Book Reviews: A Comprehensive Guide

(Last updated: 29 May 2024)

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Academic book reviews serve as critical assessments of scholarly works, offering insights into their content, relevance, and contributions to the field. They play a pivotal role in academia, aiding readers in navigating the vast landscape of published literature and informing scholarly discourse. Crafting an effective academic book review demands precision, analytical skills, and clarity of expression. In this comprehensive guide, we delve into the intricacies of writing a compelling academic book review, equipping you with the tools to accomplish this task.

Understanding the Purpose

Academic book reviews serve multiple functions within scholarly discourse:

Evaluation : They provide a critical evaluation of the book's arguments, methodology, and contribution to the field. Contextualisation : Book reviews contextualise the work within the broader scholarly conversation, highlighting its relevance and significance. Guidance : They offer guidance to potential readers, aiding them in determining the book's suitability for their research or interests.

Structure of an Academic Book Review

A well-structured academic book review follows a coherent framework, comprising several essential elements:

Introduction

The introduction sets the stage for the review, providing essential details about the book, including its title, author, publication information, and the overarching theme or argument.

Summary of the Book

A concise summary of the book's content, focusing on its central arguments, key themes, and methodology. Avoid delving into excessive detail; instead, offer a broad overview to orient the reader.

Critical Analysis

This forms the crux of the review, where you engage critically with the book's content. Consider the following aspects in your analysis:

a. Strengths and Weaknesses : Identify the book's strengths, such as its originality, analytical rigour, or theoretical framework. Similarly, pinpoint any weaknesses or limitations in its argumentation or evidence. b. Methodological Approach : Assess the book's methodology, evaluating its effectiveness in addressing the research questions and supporting the overarching argument. c. Contribution to the Field : Analyse the book's contribution to existing scholarship, considering its novelty, relevance, and potential impact on the field of study. d. Comparative Analysis : Situate the book within the broader scholarly context, comparing it with relevant works and highlighting its distinctive contributions or divergences.

The conclusion provides a succinct synthesis of your evaluation, summarising your key observations and offering final reflections on the book's significance and implications for future research.

Writing Style and Tone

When writing an academic book review, adopt a formal and scholarly tone and avoid overly casual language or personal opinions. Maintain clarity and precision in your writing, articulating your arguments cogently and providing evidence to support your claims. Additionally, adhere to the conventions of academic writing, including accurate referencing and citation of sources.

Tips for Writing an Effective Academic Book Review:

To enhance the effectiveness of your academic book review, consider the following tips:

Read the Book Thoroughly : Engage with the book attentively, taking note of its key arguments, evidence, and structure.

Take Notes : Maintain detailed notes as you read, jotting down key points, quotations, and observations that will inform your review.

Maintain Objectivity : Approach the review with objectivity, focusing on the merits of the book's arguments rather than personal biases or preconceptions.

Provide Evidence : Substantiate your claims with evidence from the book, citing specific passages or examples to bolster your arguments.

Revise and Edit : Review your draft meticulously, ensuring clarity, coherence, and adherence to academic conventions. Pay attention to grammar, syntax, and style, refining your prose for maximum impact.

Elevating Academic Discourse Through Insightful Book Reviews

Crafting academic book reviews demands diligence, critical thinking, and effective communication skills. By adhering to the principles outlined in this guide, you can produce insightful and compelling reviews that contribute to the current scholarly discourse. Through rigorous evaluation and thoughtful analysis, your reviews have the potential to shape academic dialogue, enriching our understanding of complex topics and fostering deeper engagement with scholarly literature.

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How to Write a Book Review: Everything You Need to Know

When we read a good and interesting book, we want to share our thoughts about it with someone else. The best way to do that is to write a book review. For students, it’s hard to evaluate great literary masterpieces without any guidelines. Analyzing the text, composing an outline, and structuring your thoughts is a challenging task, especially if your writing skills are not professional.

But, there is nothing impossible with well-written and simple instructions. Below, you’ll find a comprehensive guide on how to write a book review. We’ll describe every stage of the writing process and give you a wide range of useful tips. On our blog, we also have numerous book review examples that you may find using the list of links at the end of our article. Don’t hesitate to start reading and learning!

What is a book review?

A book review is a critical evaluation and analysis of a book presented in written form. Book reviews can be classified both as academic and creative papers, as it depends on the purpose of writing. At university or school, professors often assign students with writing a book review in order to evaluate their writing skills and critical thinking on a particular subject. However, book reviews are frequently written by expert literary critics, as it is a part of their professional activities. Finally, anybody who wants to present his or her opinion about the book in written form may write a book review.

As a rule, the book review format depends on the requirements specified by your instructor or your own preferences. The structure type varies, but we highly recommend you to choose a standard essay format that includes an introduction, main body, and conclusion.

How long is a book review?

The length of the book review depends on professors’ requirements. According to our statistics, on average, student’s are required to write from 600 to 1,000 words. It typically takes up to two weeks to complete the paper, including reading the original, planning section, additional research, and the writing itself.

5 common book review formats: make your choice

If your instructor always specifies all the details of the assignment, you have nothing to worry about. However, sometimes, you have to make a choice by yourself. Below, we’ll describe five popular book review formats to try. As a rule, you may pick any of them no matter what book you analyze. But choose wisely!

General impression

This type of book review may seem the easiest, but the first impression can be deceptive. If you miss a crucial aspect, your review will be superficial and insufficient. We recommend you to choose this format of writing a book review for short stories, as there is not so much material to analyze. A general impression includes a brief plot summary, analysis of the main aspects, and your overall evaluation.

Issue development

Every book focuses on one or two main issues, but there can also be a few additional themes. Such book reviews can be useful both for studying a particular book and for analyzing a concrete social, psychological, or moral problem. Thus, this format of a book review can be assigned to students who study not only English literature but also a wide range of other disciplines.

Character portrayal

This type of book review can be extremely interesting for those who study psychology. Literary characters are similar to human creatures. In high-quality books, authors create lifelike heroes who behave and evolve, just like real people do. This book review format might seem similar to a character analysis essay. However, in a good review, you don’t simply analyze a chosen character. You also have to evaluate how the writer managed to make the character realistic and vivid.

Aspect analysis

This type of book review will be perfect for novels where the author develops many various topics, describes lots of characters, and addresses different problems. You can pick any aspect and provide a deep and detailed analysis. Before writing a review, make sure that the chosen element is presented in the book at a sufficient level, and not in one short dialogue.

Comparative review

If you enjoy writing compare and contrast essays, you should certainly choose this book review format. You may compare various aspects in the books of the same or different authors: writing style, issue development, an opinion on a particular topic presented in the novel, etc. As in essays, you may analyze both similarities and differences in your book review.

Finally, you know what options you have when you need to compose a review. We also want to mention that you may combine different formats if you want and create totally unique types of papers. Your creativity should have no limits, especially when it comes to creative book reviews!

Let’s take a closer look at the writing process itself!

10 simple steps to writing a book review

Planning makes any task much easier. You feel confident when you know what exactly you have to do at every stage.

Learn how to write a book review step by step and start working immediately!

1. Read a book

This step is so obvious that it isn’t worth explanation, is it? Did you think you could get a good grade without reading the primary source? Actually, you may try. But we don’t recommend you to take this risk. Moreover, if your book is short, you can read it twice to get a better impression.

2. Make notes

Sometimes, your instructor may ask you to attach your notes and drafts to the final version of your book review in order to evaluate your writing process. Even when it is not necessary, the notes will be utterly helpful for you to memorize small details. You can also write down a few quotations that will help you to prove your point of view in the review.

3. Read critical articles

You don’t have to use additional materials in your writing if it isn’t specified by the instructions. Anyway, you may read a few articles in order to get inspiration or some ideas for your review. Please, avoid plagiarism! If you like the critic’s idea, don’t copy it thoughtlessly! Use paraphrasing or direct citation to use someone else’s opinion in your writing. Don’t forget that you should use only reliable sources like reputable newspapers, scientific journals, online encyclopedias, etc.

4. Choose a book review format

Pick an appropriate option from the list above. Take into account your instructions, personal preferences, word limit, and book genre.

5. Specify your topic and thesis statement

Without a clear understanding of your purpose, you won’t be able to compose a high-quality book review sample. Choose a particular problem and define your viewpoint on it, you can use our writing prompt generator to do this. Do you agree or disagree with the author’s position? Did the author manage to develop a theme or not? Remember that you can change your thesis statement later if it is not relevant to your review. However, you need a starting point to begin with.

6. Brainstorm

Time for creativity! Look at your topic from different perspectives to get a full picture. Use various brainstorming techniques to achieve the best result: associations, questions, rolestorming, mind mapping, etc. Unfortunately, you may not use group brainstorming for individual assignments, but we are sure that your excellent mind will be more than enough for a book review.

7. Create an outline

Now, you have a collection of great ideas. The next step is structuring. Imagine how your book review will look and what parts it will have. Then, choose one main idea or a keyword for each section and write it down. For each point, select suitable expressions and quotations. In such a manner, you’ll get a solid foundation for your writing.

8. Write the first draft

You have everything you need to do this, believe us. Overcome your fear of writing the first sentence! You don’t have to make it perfect on the first try. But you need something to start from, okay? The first draft is always filled with inspiration and your personal voice. You can correct grammatical mistakes later, so don’t worry!

9. Proofread

And this is the less inspirational part of the writing process. Unfortunately, you can’t write a book review without proofreading. We’re sure that your paper will be great, but even the smallest mistakes can spoil the general impression. Before you start the editing process, have some rest. Your brain needs a restart to be on the appropriate level of concentration.

10. Add finishing touches

Bring it to perfection! If possible, get feedback from your friends or family members. A fresh perspective never hurts. Check your logic, argumentation, and wording. If you really like your book review sample, other people will like it too.

At this moment, you have a proper plan on how to write a review of a book. You’re ready to find out what the most common mistakes in reviews are. We’ll also explain to you how to avoid them efficiently!

6 mistakes to avoid while writing a book review template

Maybe you’ve already heard about these mistakes, but it is our duty to remind you of them one more time. We want to be sure that we’ve done everything possible to improve your writing.

• Don’t write a summary

Book reviews are not summaries. A short summary can be included in the text of your review in order to inform your readers about the main plot events and characters. Don’t focus on details if they aren’t important for your topic. Unnecessary information will make your book review boring and wordy.

• Express your evaluation

Along with a short summary, an assessment is an indispensable part of a good review. Don’t be afraid of expressing your personal opinion directly! Avoid words like “rather,” “enough,” and “almost,” as they will make your statements vague and uncertain. On the other hand, a bold statement without any arguments won’t be taken seriously. Always provide your readers with examples and other strong pieces of evidence.

• Avoid a superficial manner

This mistake is the most common for novel reviews. The author can’t focus on one particular aspect or character and must write a few sentences about everything. Such a review won’t be useful or interesting for the general public. If you’ve decided to provide a general overview of the whole book, you have to make sure that your review is long enough to cover all the essential topics of the novel. Otherwise, you won’t be able to present the book in a proper way.

• Stick to the writing style

Have you ever read formal letters that end with “XOXO” or “With love”? We doubt it. Before writing a book review example, define your purpose. If you compose a review as your academic assignment, stick to the formal writing style. If you create a review for your personal blog or just to share your thoughts with the general public, you don’t have to follow strict rules or formatting style. Sure, we still recommend you to avoid jargon, but you can freely use first-person pronouns and expressions like “In my opinion,” “I believe,” “My first impression,” etc.

• Provide strong arguments

As in any other type of paper, argumentation is essential for a well-written book review. Each of your statements and ideas should be proven by one or several arguments. For book reviews, we recommend using examples, quotation, and comparisons as the best pieces of evidence. Remember that you can’t just say “I like/don’t like this book.” You have to be consistent and follow certain argumentation logic in your writing.

• Don’t be a plagiarist

We will never tire of repeating this rule. We refuse to believe that you have no personal opinion or original thoughts! No doubt, you may look for inspiration in the articles written by professional critics, but you should never underestimate your writing skills. We believe that you’re able to create a fantastic text and avoid plagiarism.

Okay, that’s enough about mistakes for now! We’re sure that you’ll avoid them in the most elegant manner. If you need more tips for writing a book review, you can always check our amazing books for academic writing!

Our guide on how to write a book review is almost completed! The last thing you should learn about this type of paper is its structure. We’ll describe the essay-type structure for a review that will be appropriate for academic writing. If you choose a creative book review, you can break all the rules and compose the most extraordinary book review sample.

How to write a book review: simple structure

We have told you everything you need to know about writing a book review. However, we have one more thing to surprise you with! Awesome book review samples from our talented writers are waiting for you below! Follow the links and find your inspiration in our texts!

Book review examples and how to use them

As we promised, we will share all these book review samples with you! Please, don’t copy them thoughtlessly to present as your own work. This will be considered as plagiarism, or in other words, theft of intellectual property. However, you have many legal opportunities to use our samples. They will teach you how to make a book review better than any theoretical guides. So, there are four ways to use our texts and make the writing process easier:

• Source of information

Our writers use only reliable sources of data when they look for information about the topic. They avoid Wikipedia articles, personal blogs, and magazines to provide you only with valid facts and expert opinions. Thus, you can use our samples as a source of information without any fear of being misinformed.

This is an important technique to avoid plagiarism. Create a proper citation according to the required formatting style, and you’ll get a good piece of evidence for your argumentation! Don’t forget to list all your sources in your reference list!

• Paraphrasing

This method is a bit more difficult in comparison to citing, as every college has its own rules of proper paraphrasing. Before writing a book review, ask your instructor to specify his or her requirements with regard to paraphrasing. Formatting mistakes will negatively influence your grade!

• Inspiration

Finally, well-written samples may help you to overcome writer’s block and the fear of the first sentence. Inspiration and motivation are an indispensable part of the writing process. So, let the Muse be with you!

The Hound of the Baskervilles Book Review Sample

This example of a book review demonstrates how the writer can look from a fresh perspective even with the pieces of classical literature. The review is focused on the issue of guilt and its nature developed by Arthur Conan Doyle in his crime novel “The Hound of the Baskervilles.” A well-written sample will surprise you with an in-depth psychological approach.

Book Review Sample on Canadian History

If you have to write a book review about a history book, this sample will be a great help for you. The writer provided a detailed and well-structured analysis of the book “Alliance and Illusion: Canada and the World, 1945-1984” by Robert Bothwell. The review is a balanced combination of a summary, analysis, and critical evaluation.

The Book Thief Review Sample: Liesel Character

Here, we’ve placed an example of a different format of a book review. The writer is focused mostly on the main character of the novel, Liesel Meminger. The review analyzes her character and attitude. The writer examines how the character changes through the book and what causes these changes.

Little Women Book Review

This text is a short book review example about the novel “Little Women” by Louisa May Alcott. Although this book was written in the 19th century, it still develops feminist views and other social issues. This sample will be a good template for your own writing.

Uncle Tom’s Cabin Book Review

The author of the review sample examines how the novel written by Harriet Beecher Stowe pictures the social issue of slavery. The release of this book had both positive and negative consequences for the image of African Americans in the 19th century. If you’re going to create a book review about “Uncle Tom’s Cabin,” our sample will be a great starting point for you.

Flowers for Algernon Book Review Sample

“Flowers for Algernon” is an amazing novel written by Daniel Keyes. It deserves thousands of reviews, and you won’t be disappointed if you decide to write another one. In our sample, the writer focuses on the theme of intelligence developed in the book. You can pick another aspect or follow the steps of our expert. It depends on you.

Now, we’re finally done. It has been a long path, but you can call yourself a real “book review guru”! Writing a book review is not as hard as you imagine. You just need to find a book that you’ll like and a good guide like the one above! Of course, you’ll also need inspiration, time, and energy. If you’re limited in one of these resources, there is always a way out!

Book review writing assistance from our writers

Apply to our EssayShark team to get immediate expert assistance! Our talented authors will solve any writing problem flawlessly. We work 24/7, so you may contact us anytime whenever you need a helping hand. Affordable prices and a user-friendly system are also waiting for you on our website. Forget about your deadlines with our EssayShark writing service, or even engineering coursework writing service !

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Writing a Book Review

View in pdf format.

A critical book review is a thoughtful discussion of a text’s contents, strengths, and limitations. A book review should reflect your capacity to read critically and to evaluate an author’s arguments and evidence. Compose your review as you would any essay, with an argument supported by evidence, and a clear, logical structure.  

Initial Steps

• Read the book carefully, taking notes on material that you think may be relevant or quotable and on your impressions of the author's ideas and arguments.
• Determine the author’s principal argument, the chief themes of the text, the kinds of evidence used, and the way in which the author uses them.

Organizing the Review

• All reviews begin with bibliographic information: the author’s name, the book’s full title, place of publication, publisher, edition, date, pagination, and cost, if known.
• In no more than two paragraphs, introduce the book. Give your initial appraisal of the work, including your key observation on the text. This key observation will be your thesis. Try not to begin with a flat statement such as “This book is interesting.” Begin with an anecdote, a challenging quotation, or a key observation.
• clearly set out the author’s purpose in writing the book, and whether or not you think the author has succeeded.
• describe the author’s arguments and the themes of the book, and give your appraisal of their validity and effectiveness.
• describe the sources and evidence the author uses to prove his case, and evaluate their appropriateness and sufficiency. What are the author's sources? Should the author have used more, or different, sources?
• Comment on the author's organization and writing style.
• Conclude. Here you may make more general remarks about the text and the ideas presented in it. If you have not already done so, indicate whether you feel the book is worthwhile, and for what audience. Is the book outstanding? Will it make a lasting contribution to its field, or is it less satisfactory?  

Questions to Consider

Although you should not use the following questions as some sort of laundry list of “things to include” (dull for us all), you may wish to consider them as you prepare and write your review.  

Analysis of Content

• What is the author’s principal argument? What are her/his conclusions?
• What does the author choose to emphasize?
• Does the author’s presentation contradict or refute alternative interpretations?
• What methods of analysis does the author employ?
• What sorts of evidence does the author employ?
• Who is the author? Is he/she qualified to write this work?
• When was the work written? How relevant is it today?  

Evaluation of Content

• Is the book convincing in style and substance? Why or why not?
• Does the author accomplish her/his purpose?
• Is the author fair to his/her subjects, or is the author overly biased? Is the book accurate or misleading?
• Does the author describe but not analyze?
• Does the author treat all available data equally well?
• Are all arguments in the book equally well supported? Is the book marred by generalizations or speculations?
• Is the author's use of evidence adequate and convincing?
• Does the author omit possible alternative interpretations? Is the author's approach flexible, or is it dogmatic?
• Is the book well-organized? Are all parts of the book equally well reasoned and developed?
• Is the book well written, or is it in some way repetitive, obscure, or confusing?
• To whom would the book appeal? What audience did the author intend?

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How To Write A Book Review: 6 Steps To Take

Whether you’re a student, a novice blogger, or just on Goodreads, these are 6 steps for how to write a book review for school and beyond.

Adiba Jaigirdar

Adiba Jaigirdar is an Irish-Bangladeshi writer, poet, and teacher. She resides in Dublin, Ireland and has an MA in postcolonial studies. She is currently working on her own postcolonial novel and hopes that someday it will see the light of day outside of her computer screen. Twitter:  @adiba_j

View All posts by Adiba Jaigirdar

Whether you’re a student, a novice blogger, or just someone looking to become a more active user of Goodreads, writing a book review is an important skill to have! Here are six steps for how to write a book review for school and beyond. 

1. Begin with a brief summary of the book

This is probably the best way to introduce any review because it gives context. But make sure to not go into too much detail. Keep it short and sweet since an official summary can be found through a quick google search!

2. Pick out the most important aspects of the book

I usually break this down with character, world-building, themes, and plot. But this might vary between books, genres, and your tastes!

Dedicate a paragraph to each of these important aspects, discussing how well the author dealt with it, along with what you enjoyed and what you didn’t enjoy.

3. Include brief quotes as examples

Including quotes is always a great idea, because it gives examples for everything that you’re saying! If your review talks about a character being particularly witty, a witty line from the character lets your readers see exactly what kind of witty character you’re dealing with here.

But be careful: lengthy quotes can take up big chunks of space and overpower your review. Short quotes will usually get your points across while letting your work shine through.

4. Write a conclusion that summarises everything

Like your introduction, keep your conclusion short and sweet! It should bring up the main points of your review, along with your overall opinion of the book.

5. Find similar books

A great way to wrap up a review is to find similar books to the one you’re reviewing. So you can say, “if you were a fan of X book, I think you’ll definitely like this one!”

You can also be more specific, looking at the exact things that might make two books similar. So you can suggest something like…“if you liked that the main character in X book was a kick-ass superhero, then you’ll love the main character of this book!”

6. Give it a star rating

A star rating is obviously encouraged in a lot of review sites, but they’re not necessary! If you do want to give a star rating, you can go the conventional “out of five/ten” route. You could also try something slightly less conventional, and break down your star-rating into different categories for character/plot/world-building, etc.

Now go forth and review! And share any tips you have for how to write a book review in the comments.

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Home » Writing » How to Write a Good Book Review

Tips for Writing a Good Book Review 

Now that you’ve prepped what you want to say, how you want to say it, and who you want to say it to, it’s time to start writing. Below we’ve gathered our favorite tips to help you write a good book review. Wait… make that a GREAT book review.

1. Include general information

Make sure to include all the relevant book information for your audience , including the title, author, genre, and publisher in your review. While not necessary, it is also helpful to include the number of pages, list price, and ISBN number.

2. Provide a brief plot summary

After the hook, you can then move on to the brief plot summary. This summary shouldn’t be too long, but it can be a paragraph that explains the basic plot so that the reader better understands if it’s a topic of interest. One pitfall to avoid is to give away spoilers in the plot summary. Don’t give away any plot twists, and err on the side of caution if you feel that the information is too much. For example, tell the reader that the plot has unexpected twists rather than explain any surprises in the summary.

3. Focus on the book, not the author

Keep in mind that your main job as a reviewer is to share your opinion on the book, not to critique the author. Keep the focus on the story. Avoid referencing pitfalls in any of the author’s past books or what you about them as a writer. You can provide a brief introduction to the story mentioning the author and past books, but don’t spend too much time focused on the author. The review should focus on the content of the book and its characters.

4. Be clear and specific

It is not enough to just say that you did or didn’t like the book. Let your readers know why. Make your thoughts clear as early as possible and explain the reasons why you liked or disliked specific storyline components and characters. Be specific about what you loved about the writing, what drew you to the characters, or what left you feeling lukewarm about the plot. You don’t need to explain every aspect of the book, but the reader should walk away with a sense that they understand the basic plot and determine from the review if they want to read the book for themselves.

5. Remain subjective

Not all book reviews have to be glowing, but they should be subjective. Rather than just saying you didn’t like something, support it by letting your readers know why. We all gravitate towards different things, so what may not appeal to you may appeal to someone else. If you remain subjective, then you can explain to the reader the basic story and let them decide for themselves. The review can include your likes and dislikes, but they should focus on what you felt the story did well and what parts of the story you didn’t like. However, the main focus of the review should be to explain the story so that readers can determine if they want to read the book further.

6. Avoid spoilers

We know it can be tempting, but do your best not to let any spoilers slip in your book review. Have you ever been excited to see the latest blockbuster hit (or watch the season cliffhanger to your favorite TV show) and then someone spoils the end before you even have time to watch? That is exactly what you don’t want to do to your reader. As you explain the book in your summary, ask yourself if what you are explaining ruins any surprises or twists. As you write the review, keep it vague. For example, explain that there is a major plot twist but don’t go into the specifics.

7. Be transparent

Always share if you received an incentive to review the book, got an advance copy, or have any connection to the author. Your readers will appreciate your honesty. Plus, it helps you avoid the negative impact on your credibility if they find out later. Getting paid for a review is a perfectly reasonable excuse to read a book, but it does allow readers to determine if you’re being unbiased. By specifying if you have any relationship with the author, the reader can better trust your opinion, even if they feel you’re being more biased.

8. Keep it short

While book reviews can be any length, it is always best to keep it short and succinct. Pull in your reader with a strong first sentence that sets the tone of the review and end with your recommendation. Remember, most people start to scan when something gets too long. A book review is a short summary, so writing a novel-length review loses reader interests. Keeping it short will ensure that your readers will dive into your likes and dislikes and use your reviews to determine if they have an interest in the books.

9. Proofread before posting

The quickest way to lose credibility is to post a review filled with typos. Make sure to give your final book review a thorough read before posting it and double check the spelling of any character names or places that you mention. Even better, ask someone else to read it over. It is always good to have a fresh pair of eyes proof to catch any typos. If you don’t have a family or friend who will help with proofreader, you can join a writing community where members offer test reads and proofreading. Make sure that you don’t post the review publicly, because search engines will index it and the review will no longer be unique content.

Also, keep in mind that you will want to write different book reviews for different sites. Don’t just copy and paste the same review. Google search engines scan for duplicate content and if flagged, your review won’t appear.

10. Add a hook

The hook is one or two sentences that grab the reader and convince them to keep going. It should be interesting, but it should also stick with the topic without misleading readers. The hook could be a simple statement that explains the main character of the book, or it could ask a question that resonates with the reader. Don’t make the hook too sensational to avoid sounding like a sales pitch. It should simply provide an introduction that grabs reader interests.

11. Explain what you liked about the book

Writing your own book review is a way to explain what you liked about it, and what you liked could be of interest to another reader. This section allows you to personalize the review. You can explain what you liked about the characters, who was your favorite character, what part of the book was your favorite, and if the book invoked any personal feelings (e.g., you laughed or cried).

12. Explain what you disliked about the book

You likely have something that you disliked about the book, and this section explains what you wish would have been different about the storyline or the characters. Just like the other sections, make sure that you do not reveal too much and give away important plot lines that could be considered spoilers for the rest of the story.

13. Include brief quotes as examples

Brief quotes provide readers with better insight into characters. Using quotes from characters will help the reader follow the plot summary and determine if the characters are people they can relate to. Avoid using excessively long quotes. Since the reader hasn’t read the book, a long quote could ruin plot twists or overpower the review.

14. Reference similar books

A great way to introduce readers to a specific book is to compare your book review with other books. For example, you can explain to the reader that they will like the current book you’re reviewing if they like another similar book. Alternatively, you can also compare characters between books to provide better insight into the story’s characters and the dynamic between individual characters.

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How to Write Critical Reviews

When you are asked to write a critical review of a book or article, you will need to identify, summarize, and evaluate the ideas and information the author has presented. In other words, you will be examining another person’s thoughts on a topic from your point of view.

Your stand must go beyond your “gut reaction” to the work and be based on your knowledge (readings, lecture, experience) of the topic as well as on factors such as criteria stated in your assignment or discussed by you and your instructor.

Make your stand clear at the beginning of your review, in your evaluations of specific parts, and in your concluding commentary.

Remember that your goal should be to make a few key points about the book or article, not to discuss everything the author writes.

Understanding the Assignment

To write a good critical review, you will have to engage in the mental processes of analyzing (taking apart) the work–deciding what its major components are and determining how these parts (i.e., paragraphs, sections, or chapters) contribute to the work as a whole.

Analyzing the work will help you focus on how and why the author makes certain points and prevent you from merely summarizing what the author says. Assuming the role of an analytical reader will also help you to determine whether or not the author fulfills the stated purpose of the book or article and enhances your understanding or knowledge of a particular topic.

Be sure to read your assignment thoroughly before you read the article or book. Your instructor may have included specific guidelines for you to follow. Keeping these guidelines in mind as you read the article or book can really help you write your paper!

Also, note where the work connects with what you’ve studied in the course. You can make the most efficient use of your reading and notetaking time if you are an active reader; that is, keep relevant questions in mind and jot down page numbers as well as your responses to ideas that appear to be significant as you read.

Please note: The length of your introduction and overview, the number of points you choose to review, and the length of your conclusion should be proportionate to the page limit stated in your assignment and should reflect the complexity of the material being reviewed as well as the expectations of your reader.

Write the introduction

Below are a few guidelines to help you write the introduction to your critical review.

Introduce your review appropriately

Begin your review with an introduction appropriate to your assignment.

If your assignment asks you to review only one book and not to use outside sources, your introduction will focus on identifying the author, the title, the main topic or issue presented in the book, and the author’s purpose in writing the book.

If your assignment asks you to review the book as it relates to issues or themes discussed in the course, or to review two or more books on the same topic, your introduction must also encompass those expectations.

Explain relationships

For example, before you can review two books on a topic, you must explain to your reader in your introduction how they are related to one another.

Within this shared context (or under this “umbrella”) you can then review comparable aspects of both books, pointing out where the authors agree and differ.

In other words, the more complicated your assignment is, the more your introduction must accomplish.

Finally, the introduction to a book review is always the place for you to establish your position as the reviewer (your thesis about the author’s thesis).

As you write, consider the following questions:

• Is the book a memoir, a treatise, a collection of facts, an extended argument, etc.? Is the article a documentary, a write-up of primary research, a position paper, etc.?
• Who is the author? What does the preface or foreword tell you about the author’s purpose, background, and credentials? What is the author’s approach to the topic (as a journalist? a historian? a researcher?)?
• What is the main topic or problem addressed? How does the work relate to a discipline, to a profession, to a particular audience, or to other works on the topic?
• What is your critical evaluation of the work (your thesis)? Why have you taken that position? What criteria are you basing your position on?

Provide an overview

In your introduction, you will also want to provide an overview. An overview supplies your reader with certain general information not appropriate for including in the introduction but necessary to understanding the body of the review.

Generally, an overview describes your book’s division into chapters, sections, or points of discussion. An overview may also include background information about the topic, about your stand, or about the criteria you will use for evaluation.

The overview and the introduction work together to provide a comprehensive beginning for (a “springboard” into) your review.

• What are the author’s basic premises? What issues are raised, or what themes emerge? What situation (i.e., racism on college campuses) provides a basis for the author’s assertions?
• How informed is my reader? What background information is relevant to the entire book and should be placed here rather than in a body paragraph?

Write the body

The body is the center of your paper, where you draw out your main arguments. Below are some guidelines to help you write it.

Organize using a logical plan

Organize the body of your review according to a logical plan. Here are two options:

• First, summarize, in a series of paragraphs, those major points from the book that you plan to discuss; incorporating each major point into a topic sentence for a paragraph is an effective organizational strategy. Second, discuss and evaluate these points in a following group of paragraphs. (There are two dangers lurking in this pattern–you may allot too many paragraphs to summary and too few to evaluation, or you may re-summarize too many points from the book in your evaluation section.)
• Alternatively, you can summarize and evaluate the major points you have chosen from the book in a point-by-point schema. That means you will discuss and evaluate point one within the same paragraph (or in several if the point is significant and warrants extended discussion) before you summarize and evaluate point two, point three, etc., moving in a logical sequence from point to point to point. Here again, it is effective to use the topic sentence of each paragraph to identify the point from the book that you plan to summarize or evaluate.

Questions to keep in mind as you write

With either organizational pattern, consider the following questions:

• What are the author’s most important points? How do these relate to one another? (Make relationships clear by using transitions: “In contrast,” an equally strong argument,” “moreover,” “a final conclusion,” etc.).
• What types of evidence or information does the author present to support his or her points? Is this evidence convincing, controversial, factual, one-sided, etc.? (Consider the use of primary historical material, case studies, narratives, recent scientific findings, statistics.)
• Where does the author do a good job of conveying factual material as well as personal perspective? Where does the author fail to do so? If solutions to a problem are offered, are they believable, misguided, or promising?
• Which parts of the work (particular arguments, descriptions, chapters, etc.) are most effective and which parts are least effective? Why?
• Where (if at all) does the author convey personal prejudice, support illogical relationships, or present evidence out of its appropriate context?

Keep your opinions distinct and cite your sources

Remember, as you discuss the author’s major points, be sure to distinguish consistently between the author’s opinions and your own.

Keep the summary portions of your discussion concise, remembering that your task as a reviewer is to re-see the author’s work, not to re-tell it.

And, importantly, if you refer to ideas from other books and articles or from lecture and course materials, always document your sources, or else you might wander into the realm of plagiarism.

Include only that material which has relevance for your review and use direct quotations sparingly. The Writing Center has other handouts to help you paraphrase text and introduce quotations.

Write the conclusion

You will want to use the conclusion to state your overall critical evaluation.

You have already discussed the major points the author makes, examined how the author supports arguments, and evaluated the quality or effectiveness of specific aspects of the book or article.

Now you must make an evaluation of the work as a whole, determining such things as whether or not the author achieves the stated or implied purpose and if the work makes a significant contribution to an existing body of knowledge.

Consider the following questions:

• Is the work appropriately subjective or objective according to the author’s purpose?
• How well does the work maintain its stated or implied focus? Does the author present extraneous material? Does the author exclude or ignore relevant information?
• How well has the author achieved the overall purpose of the book or article? What contribution does the work make to an existing body of knowledge or to a specific group of readers? Can you justify the use of this work in a particular course?
• What is the most important final comment you wish to make about the book or article? Do you have any suggestions for the direction of future research in the area? What has reading this work done for you or demonstrated to you?

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Writing book reviews.

A book review tells not only what a book is about, but also how successful it is at what it is trying to do. Professors often assign book reviews as practice in careful analytical reading.

As a reviewer, you bring together the two strands of accurate, analytical reading and strong, personal response when you indicate what the book is about and what it might mean to a reader (by explaining what it meant to you). In other words, reviewers answer not only the WHAT but the SO WHAT question about a book. Thus, in writing a review, you combine the skills of describing what is on the page, analyzing how the book tried to achieve its purpose, and expressing your own reactions.

READING THE BOOK

As you're reading or preparing to write the review, ask yourself these questions:

What are the author's viewpoint and purpose? The viewpoint or purpose may be implied rather than stated, but often a good place to look for what the author says about his or her purpose and viewpoint is the introduction or preface. What are the author's main points? Again, these will often be stated in the introduction. What kind of evidence does the author use to prove his or her points? Is the evidence convincing? Why or why not? Does the author support his or her points adequately? How does this book relate to other books on the same topic? Is the book unique? Does it add new information? What group of readers, if any, would find this book most useful? Does the author have the necessary expertise to write the book? What are the most appropriate criteria by which to judge the book? How successful do you think the author was in carrying out the overall purposes of the book? Depending on your book's purpose, you should select appropriate criteria by which to judge its success. Use any criteria your instructor has given you in lecture or on your assignment sheet. Otherwise, here are some criteria to consider. For example, if an author says his or her purpose is to argue for a particular solution to a public problem, such as school reform or international relations, then the review should judge whether the author has defined the problem, identified causes, planned points of attack, provided necessary background information and offered specific solutions. A review should also indicate the author's professional expertise. In other books, however, authors may argue for their theory about a particular phenomenon. Reviews of these books should evaluate what kind of theory the book is arguing for, how much and what kind of evidence the author uses to support his/her scholarly claims, how valid the evidence seems, how expert the author is, and how much the book contributes to the knowledge of the field.

WRITING THE BOOK REVIEW

Although you should include what you feel is appropriate for explaining your assessment of a book, reviews generally include the following kinds of information.

Most reviews start off with a heading that includes all the bibliographic information about the book. If your assignment sheet does not indicate which form you should use, you can use the following:

Title . Author. Place of publication: publisher, date of publication. Number of pages.

Like most pieces of writing, the review itself usually begins with an introduction that lets your readers know what the review will say. The first paragraph usually includes the author and title again, so your readers don't have to look up to find the title. You should also include a very brief overview of the contents of the book, the purpose or audience for the book, and your reaction and evaluation.

Reviews then generally move into a section of background information that helps place the book in context and discusses criteria for judging the book.

Next, the review gives a summary of the main points of the book, quoting and paraphrasing key phrases from the author.

Finally, reviewers get to the heart of their writing—their evaluation of the book. In this section, reviewers discuss a variety of issues:

• how well the book has achieved its goal,
• what possibilities are suggested by the book,
• what the book has left out,
• how the book compares to others on the subject,
• what specific points are not convincing, and
• what personal experiences you've had related to the subject.

It is important to carefully distinguish your views from the author's, so that you don't confuse your reader.

Like other essays, book reviews usually end with a conclusion which ties together issues raised in the review and provides a concise comment on the book.

There is, of course, no set formula, but a general rule of thumb is that the first one-half to two-thirds of the review should summarize the author's main ideas and at least one-third should evaluate the book. Check with your instructor.

Below is a review of Taking Soaps Seriously by Michael Intintoli written by Ruth Rosen in the Journal of Communication . Note that Rosen begins with a context for Intintoli's book, showing how it is different from other books about soap operas. She finds a strength in the kind of details that his methodology enables him to see. However, she disagrees with his choice of case study. All in all, Rosen finds Intintoli's book most useful for novices, but not one that advances our ability to critique soap operas very much.

Taking Soaps Seriously: The World of Guiding Light . Michael Intintoli. New York: Praeger, 1984. 248 pp. Ever since the U.S. public began listening to radio soaps in the 1930s, cultural critics have explored the content, form, and popularity of daytime serials. Today, media critics take a variety of approaches. Some explore audience response and find that, depending on sex, race, or even nationality, people "decode" the same story in different ways. Others regard soaps as a kind of subversive form of popular culture that supports women's deepest grievances. Still others view the soap as a "text" and attempt to "deconstruct" it, much as a literary critic dissects a work of literature. Michael Intintoli's project is somewhat different. For him, the soap is a cultural product mediated and created by corporate interests. It is the production of soaps, then, that is at the center of his Taking Soaps Seriously . To understand the creation of soap operas, Intintoli adopted an ethnographic methodology that required a rather long siege on the set of "Guiding Light." Like a good anthropologist, he picked up a great deal about the concerns and problems that drive the production of a daily soap opera. For the novice there is much to be learned here. . . . But the book stops short of where it should ideally begin. In many ways, "Guiding Light" was simply the wrong soap to study. First broadcast in 1937, "Guiding Light" is the oldest soap opera in the United States, owned and produced by Procter and Gamble, which sells it to CBS. It is therefore the perfect soap to study for a history of the changing daytime serial. But that is not Intintoli's project. . . . Taking Soaps Seriously is a good introduction to the production of the daily soap opera. It analyzes soap conventions, reveals the hierarchy of soap production, and describes a slice of the corporate production of mass culture. Regrettably, it reads like an unrevised dissertation and misses an important opportunity to probe the changing nature of soap production and the unarticulated ideological framework in which soaps are created.

POLISHING THE BOOK REVIEW

After you've completed your review, be sure to proofread it carefully for errors and typos. Double-check your bibliographic heading—title, author, publisher, and pages—for accuracy and correct spelling as well.

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Book reviews typically evaluate recently-written works. They offer a brief description of the text’s key points and often provide a short appraisal of the strengths and weaknesses of the work.

Readers sometimes confuse book reviews with book reports, but the two are not identical. Book reports commonly describe what happens in a work; their focus is primarily on giving an account of the major plot, characters, and/or main idea of the work. Most often, book reports are a K-12 assignment and range from 250 to 500 words. If you are looking to write a book report, please see the OWL resource, Writing a Book Report.

By contrast, book reviews are most often a college assignment, but they also appear in many professional works: magazines, newspapers, and academic journals. They typically range from 500-750 words, but may be longer or shorter. A book review gives readers a sneak peek at what a book is like, whether or not the reviewer enjoyed it, and details on purchasing the book.

Before You Read

Before you begin to read, consider the elements you will need to included in your review. The following items may help:

• Author: Who is the author? What else has s/he written? Has this author won any awards? What is the author’s typical style?
• Genre: What type of book is this: fiction, nonfiction, romance, poetry, youth fiction, etc.? Who is the intended audience for this work? What is the purpose of the work?
• Title: Where does the title fit in? How is it applied in the work? Does it adequately encapsulate the message of the text? Is it interesting? Uninteresting?
• Preface/Introduction/Table of Contents: Does the author provide any revealing information about the text in the preface/introduction? Does a “guest author” provide the introduction? What judgments or preconceptions do the author and/or “guest author” provide? How is the book arranged: sections, chapters?
• Book Jacket/Cover/Printing: Book jackets are like mini-reviews. Does the book jacket provide any interesting details or spark your interest in some way? Are there pictures, maps, or graphs? Do the binding, page cut, or typescript contribute or take away from the work?

As You Read

As you read, determine how you will structure the summary portion or background structure of your review. Be ready to take notes on the book’s key points, characters, and/or themes.

• Characters: Are there characters in the work? Who are the principal characters? How do they affect the story? Do you empathize with them?
• Themes/Motifs/Style: What themes or motifs stand out? How do they contribute to the work? Are they effective or not? How would you describe this author’s particular style? Is it accessible to all readers or just some?
• Argument: How is the work’s argument set up? What support does the author give for her/findings? Does the work fulfill its purpose/support its argument?
• Key Ideas: What is the main idea of the work? What makes it good, different, or groundbreaking?
• Quotes: What quotes stand out? How can you demonstrate the author’s talent or the feel of the book through a quote?

When You Are Ready to Write

Begin with a short summary or background of the work, but do not give too much away. Many reviews limit themselves only to the first couple of chapters or lead the reader up to the rising action of the work. Reviewers of nonfiction texts will provide the basic idea of the book’s argument without too much detailed.

The final portion of your review will detail your opinion of the work. When you are ready to begin your review, consider the following:

• Establish a Background, Remember your Audience: Remember that your audience has not read the work; with this in mind, be sure to introduce characters and principles carefully and deliberately. What kind of summary can you provide of the main points or main characters that will help your readers gauge their interest? Does the author’s text adequately reach the intended audience? Will some readers be lost or find the text too easy?
• Minor principles/characters: Deal only with the most pressing issues in the book. You will not be able to cover every character or idea. What principles/characters did you agree or disagree with? What other things might the author have researched or considered?
• Organize: The purpose of the review is to critically evaluate the text, not just inform the readers about it. Leave plenty room for your evaluation by ensuring that your summary is brief. Determine what kind of balance to strike between your summary information and your evaluation. If you are writing your review for a class, ask your instructor. Often the ratio is half and half.
• Your Evaluation: Choose one or a few points to discuss about the book. What worked well for you? How does this work compare with others by the same author or other books in the same genre? What major themes, motifs, or terms does the book introduce, and how effective are they? Did the book appeal to you on an emotional or logical way?
• Publisher/Price: Most book reviews include the publisher and price of the book at the end of the article. Some reviews also include the year published and ISBN.

When making the final touches to your review, carefully verify the following:

• Double-check the spelling of the author name(s), character names, special terms, and publisher.
• Try to read from the vantage point of your audience. Is there too much/enough summary? Does your argument about the text make sense?
• Should you include direct quotes from the reading? Do they help support your arguments? Double-check your quotes for accuracy.

How To Write A Good Book Review: 11 Tips + Examples! 📖

Writing is one of the most lucrative skills these days. The growth of the content marketing industry has given rise to writing jobs all over the world. In the book industry, book reviews are a great way to grow the audience for the works produced by a publishing house. Readers love to go through book reviews before picking a book, as it helps them know more about a book and select the right books. If you want a book review example, then you can check out our The Bell Jar by Sylvia Plath review article.

How To Write A Good Book Review?

Academic book reviews, it doesn’t matter if you are in high school or college, are also a great way to explore your writing and literary skills. Writing such reviews helps you to understand the book better and experience the characters closely. It’s been more than three years since I started reviewing books. Over time, I have managed to work on my book-reviewing skills to polish them. So, if you are looking for some tips on how to write a book review, then I am sure you will find this helpful.  

1. Bring Out Your Personality

First things first, book reviews are incredibly personal. Unlike literary essays, book reviews are all about what you feel about the book and how it touched you. It’s a highly opinionated form of writing. Hence, you must bring out your personality while writing a book review. Adding your character also helps the reader to connect with the review. Talk to your reader like they are your friend. Be witty, funny, humorous, blunt, straightforward, or whatever you want to be. The bottom line is, just be yourself and let the magic happen.

2. Make It Personal

How did you come across this book that you are reviewing? Did someone recommend it to you? Or were you window shopping books online, and one thing led to another, and in no time, you ended up ordering a bunch of books? Share your story! Establish a relationship with the reader through your account and personal anecdotes. If the book helped you get through a significant life crisis, then make sure that you mention that. People want to know what a book is capable of doing to a person. When you create a picture of your relationship trajectory with the book in your review, people find it easy to connect with both you and the book. Try it out and allow your reflection to brighten up your book review. 

3. Summarize The Plot Of The Book

I find summarizing a book rather tricky. It’s a thin line, and you wouldn’t want to blur it. Often, people end up writing the entire story of the book and call it a summary. As a writer, you cannot afford to fill up your whole article with the book’s plot because that’s up to the reader to find out when they read the book. You wouldn’t want to spoil the book for them with too much information.

Summarizing is less about what to include and more about what to exclude. So, figure out what elements of the plot you need to omit. If you are writing a spoiler-filled review, make sure you provide a spoiler alert right at the beginning of your article. However, providing a spoiler is not an excuse to write down the entire story. Include only those spoilers necessary to amp up your review that the reader will appreciate.   

4. Let The Characters Do The Talking

Characters are an essential part of a fiction book. A poorly written book may end up performing great if it has fantastic characters. And I think we have seen many such examples in the book industry in the past few years. People connect with stories through characters. Talk about the quirks of the characters. Explore the relationships between those characters and share your commentary on the same. Don’t just write what’s already there in the book. Add your perspective too. As I said in the previous point, make it personal. Write about how you resonated with a particular character. Did you find any similarity between you and that character’s quirks?

What is it about that character that made you fall in love with them? Writing about the characters in detail helps the reader understand what to expect from the book. If a reader is looking forward to reading a book with a specific kind of character, such as possessive, sensitive, or reserved, your detailed review will help them pick better. Give as much information and value as possible. By the end of your review, a reader should have a proper and vivid outline of the book. They should also connect with your writing to come back and share their views with you after finishing the book. You would want to create that space and leave it open for the reader. 

5. Insert Quotations

Who doesn’t like quotations? I am a massive fan of quotations, and I love collecting them too. And isn’t it the same case for every book lover? Quotations quickly transport you to specific moments in the story, and it’s mesmerizing. Inserting quotations in your review helps the readers get a quick glimpse of the book. From a quote, you can also figure out the writing style of the author. As a reader, I have picked many books by reading a couple of quotations from those books. A quotation gives you an idea about the whole vibe of the book.

If the quote is relatable and people can resonate with it, then they would be more likely to continue to read your review and may as well order the book. Especially with non-fiction self-help books, you must insert some quotations from the text. You can even start your review with a quote from the book and then follow up with your commentary on the same. Try to share your personal story of how the quotation helped you or touched you. This will make your book review more intimate and authentic for the reader, and they will easily connect with it.   

6. Make Use Of Your Annotations

This is very basic, but I still want to cover it here. Making annotations while reading is essential when you are supposed to write a book review. Adding notes in your books will help you later when you sit down to write the article. Putting sticky tabs on essential parts, highlighting quotations, and using paper prompts to write down your thought on characters or scenarios will help you to make use of them in your review at the right place. It’s your unique observation that will make your review stand out and shine bright amongst a sea of reviews. A lot of readers look up for reviews after finishing the book to know what others think. They would love to know your thoughts and observation on little things. 

7. Be Honest (Unbiased) About The Flaws

Honesty truly is the best policy. But what if you never intended to be dishonest and ended up hiding your honest thoughts? When I just started reviewing books, I always thought I should write good things about them. I was not getting paid by the publishing house or the author to write only good things; instead, it was something from within that stopped me from exposing a book’s flaws. Especially with those books that I enjoyed reading a lot, I could never reveal their flaws. But soon, I realized my mistake and corrected it.

Writing a book review encompasses everything about that book. And just like humans, books aren’t perfect either because humans write them. Hence, it’s okay to write about the flaws as honestly as you can manage. Being honest also means keeping aside your prejudice. Honesty can very quickly come across as arrogance and rudeness. I am sure you wouldn’t want to give that vibe. No matter how much you hate a book or some elements in it, try to be gracefully eloquent. Your criticism shouldn’t come across as bashing. Stick to constructive criticism, and you will be good to go.   

8. Don’t Ignore The Writing Style

This is imperative. Make sure you leave significant room in your review to mention your thoughts on the writing style. Every author has a distinct type of telling a story and presenting their characters. This is where your annotations will come bearing utility. While reading, keep making notes about the writing style. A lot of times, authors switch between different styles. Make sure you mention all these aspects of the book. Beginners would want to know if the book is beginner-friendly or not. Thus, make sure you provide enough information on that. If a book is specifically tricky, for example – Infinite Jest, mention that in the article. 

9. Discuss Important Literary Devices

Authors use various literary devices for smooth storytelling. Using literary devices helps the author to make their story more vibrant and unique. It equips them to kill monotony and make the writing intriguing. Therefore, covering these literary devices will make your review wholesome and exciting. I love covering imagery in my reviews. I love visually descriptive writing, and when I find such imageries in a book, I make sure I mention them in my reviews. You can follow some of these literary devices while writing your book review: Personification, Metaphor, Symbolism, Foreshadowing, Allegory, Colloquialism, Euphemism, Juxtaposition, etc. 

10. Try To Add Photographs

Photographs are a great way to communicate with your audience. Especially when reviewing a book, if you add its pictures, the audience will appreciate it a lot as it helps them figure out the size and thickness of the book. They also get a closer look at the book’s cover. A lot of people consider a book’s cover when buying a book. You can click simple flat-lay pictures of the book and some side shots to reveal the spine and thickness of the book.

If you want to make it even more interesting, try adding some additional props such as candles, pens, highlighters, coffee mugs, chocolate, cupcakes, pearls, feathers, torn pages, etc. There are endless ways to make your pictures beautiful and aesthetic. You can also click themed images. So, if you are reviewing a horror book, you can add props that give horror vibes, for example, a skull toy. If you want to add a personal touch to your pictures, then you can click your images while holding the book.

You can pose with the book on different backgrounds. Set a timer in your camera and play around with the book. Editing is also essential as it makes the pictures more vibrant and fun. Themes such as orange and teal, grey and orange, rose gold, and muted green are trending. Therefore, you can play around with these editing styles and let the photographs do the talking! 

11. The Conclusion Is The Highlight

Just like a book’s climax, the conclusion of a book review is essential. You can share your final thoughts here. But make sure you write it very briefly. Just a sentence or two that represents your complete opinion of the book. You can also choose to rate the book in this part. If you are using a WordPress.org blog, we recommend Rank Math SEO plugin ⭐ to add ratings for your reviews.

We are using it for our blog right now. If you are not sure about giving an overall rating following the book’s complexity, you can break down the book into different elements and rate them respectively. You can also mention the book’s difficulty level here if you have not talked about that earlier. Often, people directly skip to the conclusion to catch on to the final thoughts and the rating. So, that’s why you must give extra attention to your book review’s conclusion. 

Alright, so these were some essential tips I had regarding a book review. We recommend using Grammarly (Free!) 🔍 for proofreading your reviews before you submit them to your client or publish them on your blog. It’s important to know that there is no substitute for practice. So, the more you will practice writing book reviews, the better you will get at them. You can also read other book reviews to get the hang of it. Let us know in the comments if these tips helped you to get started. We are excited to hear from you! 

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Book Review

Book Review Examples

Last updated on: Nov 20, 2023

Good Book Review Examples to Help you Write a Great Review

By: Nova A.

Reviewed By: Chris H.

Published on: Mar 30, 2021

A book review is a common assignment that allows the students to demonstrate the author’s intentions in the book. It also provides them with the chance not only to criticize but also to give constructive criticism on how they can make improvements.

The purpose of writing a book review is to come up with your opinion about the author’s ideas presented in the book. On the other hand, a book analysis is completely based on opinions that are relevant to the book.

Writing a review is something that can be done with any book that you read. However, some genres are harder to write. But with a proper plan, you can easily write a great review on any book.

Read some short book review examples in this guide. They will help you understand the key elements of writing a great review in no time.

On this Page

Academic Book Review Examples

If you are assigned to write a book review, referring to some examples will be of great help. In addition, reading examples before starting the writing process will help you understand what elements are needed for a great book review. There are also many review sites online you can get help from.

Academic book reviews follow a fairly simple structure. It usually includes an introduction, middle paragraphs, and a conclusion that sums up all the ideas.

For a great book review, here are the things you need to focus on during the writing process.

• The main argument presented by the author
• Author’s methodologyAppropriateness for the audience
• Relationship to the real world

Have a look at the following book review examples for kids before beginning the writing process.

Book Review Examples for Middle School Students

Book Review Example For Kids

Book Review Examples for High School Students

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Book Review Examples for College Students

Book Review Examples for University Students

How to Write a Book Review - Examples

If you don’t know how to write a book review, look at the following steps.

The first step is to plan and create an outline that includes all the points that you will have to cover in the review. Don’t forget to include all the information about the characters, plot information, and some other parts of the chosen book.

The three parts of a book review are:

1. Provide a Summary

What is the book about? Write about the main characters and what is the conflict that is discussed in the book.

2. Provide Your Evaluation

Share your thoughts about the book and what elements work best.

3. Rate the Book

Rate and recommend the book to others who will enjoy reading this book.

If you need to submit a book review soon, we suggest you start reading some book reviews online. Here you can also find some good book review writing examples to understand how to craft each section of a book review.

Book Review Introduction Examples

Thesis Statement Book Review Examples

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Book Review Conclusion Examples

Critical Book Review Examples

A book review is a critical evaluation of the book, movie, or any other literary work. It has two goals: the first is to inform the readers about the content of the book, and the second is to evaluate your judgment about the book.

A book review is more than a book report. A review is basically a critical essay that evaluates the merits of a literary work. The purpose of writing a book review is not to prove that you have read a book but to show that you think critically about the chosen book.

When you are asked to write a critical book review, you need to identify, summarize and evaluate the ideas of the author. In simpler words, you will be examining and evaluating another person’s work from your point of view.

Science Book Review Examples

A scientific book review will contain the same elements as writing a review for a fiction book; some elements might vary. When you are reviewing a scientific text, you need to pay attention to the writing style and the validity of the content.

Most students turn to non-fictional sources of information. It is important to make sure the information you provide in your review is factual and scientific.

Book review writing can be difficult if you don’t know how to follow the standard protocols. That’s where our reliable book review writing service aims to provide the necessary help.

No matter what your academic level is, we can provide you with the best book review writing help. This type of writing assignment can be tricky and time-consuming. So, if you don’t know how to crack this task, better get professional help.

We at 5StarEssays.com provide exceptional book review writing help. Not only book reviews, but we also provide the best ‘ write an essay for me ’ help to students. Moreover, we also have an AI essay writer to help you with tight deadlines, give it a try now!

Frequently Asked Questions

How do you write a book review example.

Here are some steps that will help you to write a book review example.

• Start writing with few sentences and describe what the book is all about
• Focus on your thoughts
• Mention things that you dont like about the book.
• Summarize your thoughts.
• Give rating to the book.

Thesis, Law

As a Digital Content Strategist, Nova Allison has eight years of experience in writing both technical and scientific content. With a focus on developing online content plans that engage audiences, Nova strives to write pieces that are not only informative but captivating as well.

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Blog – Posted on Thursday, Nov 11

The only book review templates you'll ever need.

Whether you’re trying to become a book reviewer , writing a book report for school, or analyzing a book, it’s nice to follow a book review template to make sure that your thoughts are clearly presented. 

A quality template provides guidance to keep your mind sharp and your thoughts organized so that you can write the best book review possible. On Reedsy Discovery , we read and share a lot of book reviews, which helps us develop quite a clear idea what makes up a good one. With that in mind, we’ve put together some trustworthy book review templates that you can download, along with a quick run-through of all the parts that make up an outstanding review — all in this post! 

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

Should you become a book reviewer?

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Book review templates for every type of review

With the rapid growth of the book community on Instagram, Youtube, and even TikTok, the world of book commentary has evolved far beyond your classic review. There are now many ways you can structure a book review. Some popular formats include:

• Book reports — often done for school assignments; 
• Commentary articles — think in-depth reviews in magazines and newspapers; 
• Book blog reviews — short personal essays about the book; and
• Instagram reviews — one or two-paragraph reviews captioned under a nice photo. 

But while the text in all these review styles can be organized in different ways, there are certain boxes that all good book reviews tick. So, instead of giving you various templates to use for different occasions, we’ve condensed it down to just two book review templates (one for fiction and one for nonfiction) that can guide your thoughts and help you nail just about any review. 

⭐ Download our free fiction book review template  

⭐ Download our free nonfiction book review template  

All you need to do is answer the questions in the template regarding the book you’re reading and you’ve got the content of your review covered. Once that’s done, you can easily put this content into its appropriate format. 

Now, if you’re curious about what constitutes a good book review template, we’ll explain it in the following section! 

Elements of a book review template

Say you want to build your own book review template, or you want to customize our templates — here are the elements you’ll want to consider. 

We’ve divided our breakdown of the elements into two categories: the essentials and the fun additions that’ll add some color to your book reviews.

What are the three main parts of a book review?

We covered this in detail (with the help of some stellar examples) in our post on how to write a book review , but basically, these are the three crucial elements you should know: 

The summary covers the premise of the book and its main theme, so readers are able to understand what you’re referring to in the rest of your review. This means that, if a person hasn’t read the book, they can go through the summary to get a quick idea of what it’s about. (As such, there should be no spoilers!) 

The analysis is where, if it’s a fiction book, you talk more about the book, its plot, theme, and characters. If it’s nonfiction, you have to consider whether the book effectively achieves what it set out to do. 

The recommendation is where your personal opinion comes in the strongest, and you give a verdict as to who you think might enjoy this book. 

You can choose to be brief or detailed, depending on the kind of review you’re writing, but you should always aim to cover these three points. If you’re needing some inspiration, check out these 17 book review examples as seen in magazines, blogs, and review communities like Reedsy Discovery for a little variation. 

Which review community should you join?

Find out which review community is best for your style. Takes 30 seconds!

Which additional details can you include?

Once you’ve nailed down the basics, you can jazz things up a little and add some personal flavor to your book review by considering some of these elements:

• A star-rating (the default is five stars but you can create your own scales); 
• A bullet-point pros and cons list; 
• Your favorite quotation from the book; 
• Commentary on the format you read (i.e., ebook, print, or audiobook);
• Fun facts about the book or author; 
• Other titles you think are similar.

This is where you can really be creative and tailor your review to suit your purpose and audience. A formal review written for a magazine, for instance, will likely benefit from contextual information about the author and the book, along with some comment on how that might have affected the reading (or even writing) process.

Meanwhile, if you’re reviewing a book on social media, you might find bullet points more effective at capturing the fleeting attention of Internet users. You can also make videos, take creative pictures, or even add your own illustrations for more personal touches. The floor is yours at this point, so go ahead and take the spotlight! 

That said, we hope that our templates can provide you with a strong foundation for even your most adventurous reviews. And if you’re interested in writing editorial reviews for up-and-coming indie titles, register as a reviewer on Reedsy Discovery !

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The Wandering Bibliophile

Book Review: The Wild Robot

In preparation for the movie, i decided to finally pick up book one of peter brown's illustrated first wild robot novel and i was not disappointed..

Welcome to my cozy little corner of the internet!

Looking for a star rating? Check them out on my Goodreads or StoryGraph .

All illustrations in this article are by Peter Brown.

I first discovered The Wild Robot this summer after watching the previews for its upcoming film debut in theaters. I cried through the whole trailer every time I saw it. So, I undoubtedly needed to purchase the book when my husband discovered it at Arundel Books in Seattle. 

The Wild Robot is an illustrated chapter book by Peter Brown following the life of the robot Roz. After a severe storm that results in Roz’s boat sinking, and sending its load, including Roz to a watery death. Roz is the only robot to survive after awakening on a pier after some Sea Otters press her start-up button. After awakening readers follow along through vivid descriptions and stunning imagery as Roz learns about who she is, who she wants to be, and those who matter most to her. 

The Wild Robot is an amazing story depicting what it truly means to have found family, and the lengths one will go to protect, grow, and nurture those one cares for. It’s a wonderful portrayal of how technology and nature can overlap. My favorite part of the story was following along as Roz learns to adapt her sharp and clean edges to a more rounded, dirty, and natural look that blends in with the environment. We watch as she goes from this clean, spotless, brand-new robot, to a creature of the forest, blending in with her surroundings, walking around with a wooden foot courtesy of the beavers and raccoons, and engaging with the wildlife as if she were one herself. 

“It seemed like a safe place, and safety was all the robot really wanted, so she stood there, motionless, all perfect lines and angles set against the irregular shapes of the wilderness.”

Brown’s description of wildlife, their habitats, their mannerisms, and their lifestyles in general was on point throughout the whole story. It was a perfect presentation of topics children reading Middle-aged books would learn from. I enjoyed the different takes on it and the different personalities that Brown shows readers through his writing and illustrations. 

“Sometimes a lodger wouldn’t return. Sometimes a lodger would return in the belly of another lodger. As you can imagine, that made for some awkward moments.”

As we follow Roz’s journey we see as she learns new emotions, some emotions appear to already be wired into her brain, but some feel like they are learned behaviors that she doesn’t necessarily have a name for, but for the reader's sake, Brown decided to categorize. A certain level of willing suspension of disbelief has to be held when reading this story, but considering that it’s a middle-aged novel intended for younger audiences, it isn’t that hard to do. We watch as Roz becomes a mother and trusted member of the community. We see Brightbill grow older and turn into an amazing leader. We see a family built from the ground up, made of unlikely individuals, and it's so heartfelt and amazing. I highly recommend this to anyone who will listen and I hope that you enjoy it as much as I did. 

I am very excited to see this already vivid story come to life in theatres this coming week. Catch me this weekend crying through the movie, because I most definitely will after having completed the book. Haven’t seen the trailer yet? You can watch it here !

Thanks for reading! 

Side Note: Another great review that I highly recommend giving a read is Craig Fehrman’s review Reading Sad Books is Good For Your Kids It’s a great perspective on Peter Brown’s trilogy and the impact that his emotional exploration has on children and their relationship with emotions . 

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Writer Ta-Nehisi Coates returns to nonfiction with his essay collection 'The Message'

AYESHA RASCOE, HOST:

Ta-Nehisi Coates is no stranger to tackling fraught topics. A decade ago, his article in The Atlantic titled "The Case For Reparations" spurred a national conversation about compensating African Americans. His goal, he says, was to get people to stop laughing about the idea and start talking. He followed up a year later with a book called "Between The World And Me," an exploration of his own history and the realities of being Black in the U.S. History is complicated, Ta-Nehisi Coates says, and so in his new book, "The Message," he takes on the stories that we tell and that others tell about three places - the Middle East, the American South, and Africa. His journey begins with travel to Goree Island just off the coast of Senegal, to the Door of No Return, a memorial to the victims of the Atlantic slave trade. Coates says that place and that portal, which legend says enslaved people pass through to be shipped to the new world left him speechless, and that in the end, he rejects romantic notions that Black people's worth is based on potential royal ancestry, snatched from dignity into slavery.

TA-NEHISI COATES: To base your self-worth as a people, to base your self-esteem on being Black or being part of the African diaspora or part of the Black diaspora, on the same metrics of the people that enslaved you, is a mistake. So all of this conversation about who we are the descendants of, our need to put ourselves in the shoes of people that did, quote-unquote, "great things" or made great, you know, works, is to, in fact, to repeat the mistake.

RASCOE: What is it, though? Because I think it is so complicated as a Black American born in this country to go to Africa. I haven't been, but I know people will feel a connection. And I'm sure you've heard of the diaspora wars. You know this. There are Black Americans who say, I'm not African. I've never been there. That's not me. How do you reckon with all that? And what is Africa to you?

COATES: I can't make anybody feel a certain kind of way. And I wouldn't ask anybody. If you don't know feel a connection in Africa, that's certainly, you know, your right. I didn't go there looking for acceptance necessarily from Africans...

RASCOE: Or like a kinship.

COATES: Well, maybe kinship, but not necessarily acceptance.

RASCOE: (Laughter).

COATES: But, you know, I didn't show up, you know, like, break out the drums for me and say, welcome home, brother. You know, I didn't need that. This is the site of my creation as an African American. My great-great-great-great-great-great-great-great-great-great-grandmothers were taken from this place on the water, and then in the plantations of this country here, we were genocided and created into a new people. But the process begins there. The great epic that I rooted myself in, the great Black American epic, the great Black diasporic epic - I was at the origin point. That was deeply moving.

RASCOE: You also go to South Carolina. You talk about a teacher who risked her job to keep teaching your book "Between The World And Me." And this is where you get into book bans and censorship. But you say in one passage that much of the hoopla about book bans and censorship gets it wrong. What do we get wrong?

COATES: I think the first thing I would say off the top is that I as the writer and the author of the book, I am not the victim.

RASCOE: You don't take it personally. It's not - you are not being victimized.

COATES: I don't. But I'm also not the person who's going to suffer. My personal offense and to make it about me misses the point. The people that are really hurt are the children and the students there. They're not necessarily hurt because they need to be exposed to my voice or my books, or they need to adopt my politics or my particular view of the world. But I know that the seat of me as a writer is so much varied literature in terms of its type and genre, and what all of that literature had in common was to open the world for me, and to say that I was free to find my own politics, my own views, my own future, I did not necessarily have to even believe everything that was said within my own house.

RASCOE: Is there a reason why you think writing catches it more than even other...

COATES: Yes.

RASCOE: ...Forms of media? Because...

RASCOE: ...You would think with the internet and all these things, that would be much more dangerous...

COATES: No, no, no.

RASCOE: ...Than the writing.

COATES: Absolutely not.

RASCOE: No, the writing is extremely dangerous. And the books in particular are very dangerous. In fact, I think the people who are in favor of book bans understand the power of books much, much better than those that oppose them. Books are intimate. It's a one-on-one connection. So that kid in South Carolina, that 15-year-old, 16-year-old kid is taking "Between The World And Me" or whatever other book they're reading - they're taking it into their bedroom, and they're having a connection with them that nobody else can actually perceive. Even if you took the book from the kid and read it yourself, you would still not have the same interaction because the way books work is they are necessarily a union between the imagination of the reader and the words that are on the page.

RASCOE: The longest essay in the book is on the Israeli-Palestinian conflict. Why did you choose to delve into this topic, which is one of the most, if not the most, fraught topic of public discourse today?

COATES: Well, the fact was probably my most celebrated work of journalism is "The Case For Reparations." That essay has a section in which it talks about reparations from the state of Germany to the state of Israel as recompense for the survivors of the Holocaust or those fleeing the Holocaust, in fact, fleeing Nazi Germany's existential violence to Israel. And I was roundly and sometimes loudly critiqued for using that as an example.

RASCOE: What was the criticism that you faced for that?

COATES: The criticism was that German reparations had been paid to build a project that necessarily was taking the land from other people, and itself was perpetrating another atrocity. What I wanted to do was I wanted to see that firsthand myself. I wanted to read as much as I could about it within the time I had to get this book done. I wanted to spend as much time as I could out of the three chapters in the book. One of the reasons why that's as long as it is because it's the place that I spent the most time. It's the place I talked to the most people. I felt the responsibility to take that criticism as seriously as I could.

RASCOE: In the essay, you draw parallels to the Jim Crow South with the treatment of Palestinians. And you also say that people say this issue is so complicated, and you say it is not complicated.

COATES: Well, the first thing I will say is history is always complicated. Stories are always complicated. What I saw over there was not especially complicated. It was not any more complicated than American history. Look, I am the descendant and the child of people born into Jim Crow America. When I step into a city like old Hebron, and a man stops me, a man young enough to be my son, with a gun that looks like it's about half his body weight - if I'm walking with a guy whose family has lived in that old city from time immemorial, for generation after generation, and that soldier tells me, I can walk down the street, but he can't, that evokes certain things in me. When I'm around a group of people who have been denied any real ability to determine their fate because of who they are, by which I mean the ability to vote, I can't look at that and say, that's complicated. That's not complicated to me, not with my background.

RASCOE: It doesn't sound like it, but did you have any pause about taking this on? You could have looked at this and said, this is not my conflict. This is not my fight.

COATES: I did. I did, I did. But every single fighter jet that drops a bomb in Gaza is of American providence. This is ours. You know, I think it's irresponsible as an American to say that this isn't really my struggle while your tax dollars undergird this war. I don't think that's an option.

RASCOE: In a review of your book in The Atlantic...

COATES: "My Old Home."

RASCOE: Yes. It criticizes you for, quote, "refusing to countenance conversations with Jews who don't share his opinions and don't denounce their nation." How would you respond to that?

COATES: I would respond to that by pointing out that I've spent the vast majority of my career around people, be they Jewish or not, who were very much believers in the dream and the idea of Israel and the Israeli project. That is the waters of journalism that I swam in. That's how that example ended up in "The Case For Reparations" in the first place.

RASCOE: Some may hear that and think, like, is the contention that Jewish people control the media or things of that nature - can you clarify what you meant by the representation?

COATES: I meant exactly what I said. I would like to know the number of Palestinians that are working at a major bureau for a major outlet, be that TV, newspaper, magazines. I would like to know the number of Palestinians specifically.

RASCOE: Who are covering Jerusalem?

COATES: Who are covering the West Bank, who are covering Israel, who are covering this conflict, as we call it. I would like to know that. I don't necessarily need the numbers of anybody else. I need the numbers of Palestinians.

RASCOE: What do you think that would show?

COATES: Well, here's what I would say. I am here talking about this book as a Black writer. And I'm being interviewed by Black journalists. There is a kind of conversation that you and I can have that is very, very different than the conversation that somebody who doesn't have that experience has. That doesn't mean I'm not going to talk to anybody else. That doesn't mean I shouldn't talk to anybody else. It just means that there is a certain perspective. I think we recognize that across journalism. I think we would say if The New York Times did not have any Black people covering race in this country - I think we would say that's a problem. I am asking that we export that same standard to Israel, to Palestine, to the Jerusalem Bureau.

RASCOE: What would you say to those who I am sure listening to this, who will be concerned, who will say, look, I love "Between The World And Me." But on this, I think this could lead to antisemitism. This has gone too far. What do you say to those?

COATES: Not much.

RASCOE: Not much.

COATES: Not much. I'd say, well, if that's how you feel, that's how you feel. I can't really influence that. You have to do what you have to do. As a writer, what I have to do is I have to be able to look at myself in the mirror and be OK. I got to be able to wake up in the morning and say, I feel like I did the right thing. Folks who feel that it's doing something else and that, you know, it offends their particular politics. I'm sorry, but I have to do what I have to do, and I have to say what I have to say.

RASCOE: That's Ta-Nehisi Coates. He is the author of "The Message." Thank you so much for joining us.

COATES: Thank you for having me.

(SOUNDBITE OF BREMER/MCCOY'S "FORENET")

RASCOE: You can hear all of NPR's reporting and analysis on the conflict in the region by going to npr.org/mideastupdates. Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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Writer Ta-Nehisi Coates returns to nonfiction with his essay collection 'The Message'

AYESHA RASCOE, HOST:

Ta-Nehisi Coates is no stranger to tackling fraught topics. A decade ago, his article in The Atlantic titled "The Case For Reparations" spurred a national conversation about compensating African Americans. His goal, he says, was to get people to stop laughing about the idea and start talking. He followed up a year later with a book called "Between The World And Me," an exploration of his own history and the realities of being Black in the U.S. History is complicated, Ta-Nehisi Coates says, and so in his new book, "The Message," he takes on the stories that we tell and that others tell about three places - the Middle East, the American South, and Africa. His journey begins with travel to Goree Island just off the coast of Senegal, to the Door of No Return, a memorial to the victims of the Atlantic slave trade. Coates says that place and that portal, which legend says enslaved people pass through to be shipped to the new world left him speechless, and that in the end, he rejects romantic notions that Black people's worth is based on potential royal ancestry, snatched from dignity into slavery.

TA-NEHISI COATES: To base your self-worth as a people, to base your self-esteem on being Black or being part of the African diaspora or part of the Black diaspora, on the same metrics of the people that enslaved you, is a mistake. So all of this conversation about who we are the descendants of, our need to put ourselves in the shoes of people that did, quote-unquote, "great things" or made great, you know, works, is to, in fact, to repeat the mistake.

RASCOE: What is it, though? Because I think it is so complicated as a Black American born in this country to go to Africa. I haven't been, but I know people will feel a connection. And I'm sure you've heard of the diaspora wars. You know this. There are Black Americans who say, I'm not African. I've never been there. That's not me. How do you reckon with all that? And what is Africa to you?

COATES: I can't make anybody feel a certain kind of way. And I wouldn't ask anybody. If you don't know feel a connection in Africa, that's certainly, you know, your right. I didn't go there looking for acceptance necessarily from Africans...

RASCOE: Or like a kinship.

COATES: Well, maybe kinship, but not necessarily acceptance.

RASCOE: (Laughter).

COATES: But, you know, I didn't show up, you know, like, break out the drums for me and say, welcome home, brother. You know, I didn't need that. This is the site of my creation as an African American. My great-great-great-great-great-great-great-great-great-great-grandmothers were taken from this place on the water, and then in the plantations of this country here, we were genocided and created into a new people. But the process begins there. The great epic that I rooted myself in, the great Black American epic, the great Black diasporic epic - I was at the origin point. That was deeply moving.

RASCOE: You also go to South Carolina. You talk about a teacher who risked her job to keep teaching your book "Between The World And Me." And this is where you get into book bans and censorship. But you say in one passage that much of the hoopla about book bans and censorship gets it wrong. What do we get wrong?

COATES: I think the first thing I would say off the top is that I as the writer and the author of the book, I am not the victim.

RASCOE: You don't take it personally. It's not - you are not being victimized.

COATES: I don't. But I'm also not the person who's going to suffer. My personal offense and to make it about me misses the point. The people that are really hurt are the children and the students there. They're not necessarily hurt because they need to be exposed to my voice or my books, or they need to adopt my politics or my particular view of the world. But I know that the seat of me as a writer is so much varied literature in terms of its type and genre, and what all of that literature had in common was to open the world for me, and to say that I was free to find my own politics, my own views, my own future, I did not necessarily have to even believe everything that was said within my own house.

RASCOE: Is there a reason why you think writing catches it more than even other...

COATES: Yes.

RASCOE: ...Forms of media? Because...

RASCOE: ...You would think with the internet and all these things, that would be much more dangerous...

COATES: No, no, no.

RASCOE: ...Than the writing.

COATES: Absolutely not.

RASCOE: No, the writing is extremely dangerous. And the books in particular are very dangerous. In fact, I think the people who are in favor of book bans understand the power of books much, much better than those that oppose them. Books are intimate. It's a one-on-one connection. So that kid in South Carolina, that 15-year-old, 16-year-old kid is taking "Between The World And Me" or whatever other book they're reading - they're taking it into their bedroom, and they're having a connection with them that nobody else can actually perceive. Even if you took the book from the kid and read it yourself, you would still not have the same interaction because the way books work is they are necessarily a union between the imagination of the reader and the words that are on the page.

RASCOE: The longest essay in the book is on the Israeli-Palestinian conflict. Why did you choose to delve into this topic, which is one of the most, if not the most, fraught topic of public discourse today?

COATES: Well, the fact was probably my most celebrated work of journalism is "The Case For Reparations." That essay has a section in which it talks about reparations from the state of Germany to the state of Israel as recompense for the survivors of the Holocaust or those fleeing the Holocaust, in fact, fleeing Nazi Germany's existential violence to Israel. And I was roundly and sometimes loudly critiqued for using that as an example.

RASCOE: What was the criticism that you faced for that?

COATES: The criticism was that German reparations had been paid to build a project that necessarily was taking the land from other people, and itself was perpetrating another atrocity. What I wanted to do was I wanted to see that firsthand myself. I wanted to read as much as I could about it within the time I had to get this book done. I wanted to spend as much time as I could out of the three chapters in the book. One of the reasons why that's as long as it is because it's the place that I spent the most time. It's the place I talked to the most people. I felt the responsibility to take that criticism as seriously as I could.

RASCOE: In the essay, you draw parallels to the Jim Crow South with the treatment of Palestinians. And you also say that people say this issue is so complicated, and you say it is not complicated.

COATES: Well, the first thing I will say is history is always complicated. Stories are always complicated. What I saw over there was not especially complicated. It was not any more complicated than American history. Look, I am the descendant and the child of people born into Jim Crow America. When I step into a city like old Hebron, and a man stops me, a man young enough to be my son, with a gun that looks like it's about half his body weight - if I'm walking with a guy whose family has lived in that old city from time immemorial, for generation after generation, and that soldier tells me, I can walk down the street, but he can't, that evokes certain things in me. When I'm around a group of people who have been denied any real ability to determine their fate because of who they are, by which I mean the ability to vote, I can't look at that and say, that's complicated. That's not complicated to me, not with my background.

RASCOE: It doesn't sound like it, but did you have any pause about taking this on? You could have looked at this and said, this is not my conflict. This is not my fight.

COATES: I did. I did, I did. But every single fighter jet that drops a bomb in Gaza is of American providence. This is ours. You know, I think it's irresponsible as an American to say that this isn't really my struggle while your tax dollars undergird this war. I don't think that's an option.

RASCOE: In a review of your book in The Atlantic...

COATES: "My Old Home."

RASCOE: Yes. It criticizes you for, quote, "refusing to countenance conversations with Jews who don't share his opinions and don't denounce their nation." How would you respond to that?

COATES: I would respond to that by pointing out that I've spent the vast majority of my career around people, be they Jewish or not, who were very much believers in the dream and the idea of Israel and the Israeli project. That is the waters of journalism that I swam in. That's how that example ended up in "The Case For Reparations" in the first place.

RASCOE: Some may hear that and think, like, is the contention that Jewish people control the media or things of that nature - can you clarify what you meant by the representation?

COATES: I meant exactly what I said. I would like to know the number of Palestinians that are working at a major bureau for a major outlet, be that TV, newspaper, magazines. I would like to know the number of Palestinians specifically.

RASCOE: Who are covering Jerusalem?

COATES: Who are covering the West Bank, who are covering Israel, who are covering this conflict, as we call it. I would like to know that. I don't necessarily need the numbers of anybody else. I need the numbers of Palestinians.

RASCOE: What do you think that would show?

COATES: Well, here's what I would say. I am here talking about this book as a Black writer. And I'm being interviewed by Black journalists. There is a kind of conversation that you and I can have that is very, very different than the conversation that somebody who doesn't have that experience has. That doesn't mean I'm not going to talk to anybody else. That doesn't mean I shouldn't talk to anybody else. It just means that there is a certain perspective. I think we recognize that across journalism. I think we would say if The New York Times did not have any Black people covering race in this country - I think we would say that's a problem. I am asking that we export that same standard to Israel, to Palestine, to the Jerusalem Bureau.

RASCOE: What would you say to those who I am sure listening to this, who will be concerned, who will say, look, I love "Between The World And Me." But on this, I think this could lead to antisemitism. This has gone too far. What do you say to those?

COATES: Not much.

RASCOE: Not much.

COATES: Not much. I'd say, well, if that's how you feel, that's how you feel. I can't really influence that. You have to do what you have to do. As a writer, what I have to do is I have to be able to look at myself in the mirror and be OK. I got to be able to wake up in the morning and say, I feel like I did the right thing. Folks who feel that it's doing something else and that, you know, it offends their particular politics. I'm sorry, but I have to do what I have to do, and I have to say what I have to say.

RASCOE: That's Ta-Nehisi Coates. He is the author of "The Message." Thank you so much for joining us.

COATES: Thank you for having me.

(SOUNDBITE OF BREMER/MCCOY'S "FORENET")

RASCOE: You can hear all of NPR's reporting and analysis on the conflict in the region by going to npr.org/mideastupdates. Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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Writer Ta-Nehisi Coates returns to nonfiction with his essay collection 'The Message'

AYESHA RASCOE, HOST:

Ta-Nehisi Coates is no stranger to tackling fraught topics. A decade ago, his article in The Atlantic titled "The Case For Reparations" spurred a national conversation about compensating African Americans. His goal, he says, was to get people to stop laughing about the idea and start talking. He followed up a year later with a book called "Between The World And Me," an exploration of his own history and the realities of being Black in the U.S. History is complicated, Ta-Nehisi Coates says, and so in his new book, "The Message," he takes on the stories that we tell and that others tell about three places - the Middle East, the American South, and Africa. His journey begins with travel to Goree Island just off the coast of Senegal, to the Door of No Return, a memorial to the victims of the Atlantic slave trade. Coates says that place and that portal, which legend says enslaved people pass through to be shipped to the new world left him speechless, and that in the end, he rejects romantic notions that Black people's worth is based on potential royal ancestry, snatched from dignity into slavery.

TA-NEHISI COATES: To base your self-worth as a people, to base your self-esteem on being Black or being part of the African diaspora or part of the Black diaspora, on the same metrics of the people that enslaved you, is a mistake. So all of this conversation about who we are the descendants of, our need to put ourselves in the shoes of people that did, quote-unquote, "great things" or made great, you know, works, is to, in fact, to repeat the mistake.

RASCOE: What is it, though? Because I think it is so complicated as a Black American born in this country to go to Africa. I haven't been, but I know people will feel a connection. And I'm sure you've heard of the diaspora wars. You know this. There are Black Americans who say, I'm not African. I've never been there. That's not me. How do you reckon with all that? And what is Africa to you?

COATES: I can't make anybody feel a certain kind of way. And I wouldn't ask anybody. If you don't know feel a connection in Africa, that's certainly, you know, your right. I didn't go there looking for acceptance necessarily from Africans...

RASCOE: Or like a kinship.

COATES: Well, maybe kinship, but not necessarily acceptance.

RASCOE: (Laughter).

COATES: But, you know, I didn't show up, you know, like, break out the drums for me and say, welcome home, brother. You know, I didn't need that. This is the site of my creation as an African American. My great-great-great-great-great-great-great-great-great-great-grandmothers were taken from this place on the water, and then in the plantations of this country here, we were genocided and created into a new people. But the process begins there. The great epic that I rooted myself in, the great Black American epic, the great Black diasporic epic - I was at the origin point. That was deeply moving.

RASCOE: You also go to South Carolina. You talk about a teacher who risked her job to keep teaching your book "Between The World And Me." And this is where you get into book bans and censorship. But you say in one passage that much of the hoopla about book bans and censorship gets it wrong. What do we get wrong?

COATES: I think the first thing I would say off the top is that I as the writer and the author of the book, I am not the victim.

RASCOE: You don't take it personally. It's not - you are not being victimized.

COATES: I don't. But I'm also not the person who's going to suffer. My personal offense and to make it about me misses the point. The people that are really hurt are the children and the students there. They're not necessarily hurt because they need to be exposed to my voice or my books, or they need to adopt my politics or my particular view of the world. But I know that the seat of me as a writer is so much varied literature in terms of its type and genre, and what all of that literature had in common was to open the world for me, and to say that I was free to find my own politics, my own views, my own future, I did not necessarily have to even believe everything that was said within my own house.

RASCOE: Is there a reason why you think writing catches it more than even other...

COATES: Yes.

RASCOE: ...Forms of media? Because...

RASCOE: ...You would think with the internet and all these things, that would be much more dangerous...

COATES: No, no, no.

RASCOE: ...Than the writing.

COATES: Absolutely not.

RASCOE: No, the writing is extremely dangerous. And the books in particular are very dangerous. In fact, I think the people who are in favor of book bans understand the power of books much, much better than those that oppose them. Books are intimate. It's a one-on-one connection. So that kid in South Carolina, that 15-year-old, 16-year-old kid is taking "Between The World And Me" or whatever other book they're reading - they're taking it into their bedroom, and they're having a connection with them that nobody else can actually perceive. Even if you took the book from the kid and read it yourself, you would still not have the same interaction because the way books work is they are necessarily a union between the imagination of the reader and the words that are on the page.

RASCOE: The longest essay in the book is on the Israeli-Palestinian conflict. Why did you choose to delve into this topic, which is one of the most, if not the most, fraught topic of public discourse today?

COATES: Well, the fact was probably my most celebrated work of journalism is "The Case For Reparations." That essay has a section in which it talks about reparations from the state of Germany to the state of Israel as recompense for the survivors of the Holocaust or those fleeing the Holocaust, in fact, fleeing Nazi Germany's existential violence to Israel. And I was roundly and sometimes loudly critiqued for using that as an example.

RASCOE: What was the criticism that you faced for that?

COATES: The criticism was that German reparations had been paid to build a project that necessarily was taking the land from other people, and itself was perpetrating another atrocity. What I wanted to do was I wanted to see that firsthand myself. I wanted to read as much as I could about it within the time I had to get this book done. I wanted to spend as much time as I could out of the three chapters in the book. One of the reasons why that's as long as it is because it's the place that I spent the most time. It's the place I talked to the most people. I felt the responsibility to take that criticism as seriously as I could.

RASCOE: In the essay, you draw parallels to the Jim Crow South with the treatment of Palestinians. And you also say that people say this issue is so complicated, and you say it is not complicated.

COATES: Well, the first thing I will say is history is always complicated. Stories are always complicated. What I saw over there was not especially complicated. It was not any more complicated than American history. Look, I am the descendant and the child of people born into Jim Crow America. When I step into a city like old Hebron, and a man stops me, a man young enough to be my son, with a gun that looks like it's about half his body weight - if I'm walking with a guy whose family has lived in that old city from time immemorial, for generation after generation, and that soldier tells me, I can walk down the street, but he can't, that evokes certain things in me. When I'm around a group of people who have been denied any real ability to determine their fate because of who they are, by which I mean the ability to vote, I can't look at that and say, that's complicated. That's not complicated to me, not with my background.

RASCOE: It doesn't sound like it, but did you have any pause about taking this on? You could have looked at this and said, this is not my conflict. This is not my fight.

COATES: I did. I did, I did. But every single fighter jet that drops a bomb in Gaza is of American providence. This is ours. You know, I think it's irresponsible as an American to say that this isn't really my struggle while your tax dollars undergird this war. I don't think that's an option.

RASCOE: In a review of your book in The Atlantic...

COATES: "My Old Home."

RASCOE: Yes. It criticizes you for, quote, "refusing to countenance conversations with Jews who don't share his opinions and don't denounce their nation." How would you respond to that?

COATES: I would respond to that by pointing out that I've spent the vast majority of my career around people, be they Jewish or not, who were very much believers in the dream and the idea of Israel and the Israeli project. That is the waters of journalism that I swam in. That's how that example ended up in "The Case For Reparations" in the first place.

RASCOE: Some may hear that and think, like, is the contention that Jewish people control the media or things of that nature - can you clarify what you meant by the representation?

COATES: I meant exactly what I said. I would like to know the number of Palestinians that are working at a major bureau for a major outlet, be that TV, newspaper, magazines. I would like to know the number of Palestinians specifically.

RASCOE: Who are covering Jerusalem?

COATES: Who are covering the West Bank, who are covering Israel, who are covering this conflict, as we call it. I would like to know that. I don't necessarily need the numbers of anybody else. I need the numbers of Palestinians.

RASCOE: What do you think that would show?

COATES: Well, here's what I would say. I am here talking about this book as a Black writer. And I'm being interviewed by Black journalists. There is a kind of conversation that you and I can have that is very, very different than the conversation that somebody who doesn't have that experience has. That doesn't mean I'm not going to talk to anybody else. That doesn't mean I shouldn't talk to anybody else. It just means that there is a certain perspective. I think we recognize that across journalism. I think we would say if The New York Times did not have any Black people covering race in this country - I think we would say that's a problem. I am asking that we export that same standard to Israel, to Palestine, to the Jerusalem Bureau.

RASCOE: What would you say to those who I am sure listening to this, who will be concerned, who will say, look, I love "Between The World And Me." But on this, I think this could lead to antisemitism. This has gone too far. What do you say to those?

COATES: Not much.

RASCOE: Not much.

COATES: Not much. I'd say, well, if that's how you feel, that's how you feel. I can't really influence that. You have to do what you have to do. As a writer, what I have to do is I have to be able to look at myself in the mirror and be OK. I got to be able to wake up in the morning and say, I feel like I did the right thing. Folks who feel that it's doing something else and that, you know, it offends their particular politics. I'm sorry, but I have to do what I have to do, and I have to say what I have to say.

RASCOE: That's Ta-Nehisi Coates. He is the author of "The Message." Thank you so much for joining us.

COATES: Thank you for having me.

(SOUNDBITE OF BREMER/MCCOY'S "FORENET")

RASCOE: You can hear all of NPR's reporting and analysis on the conflict in the region by going to npr.org/mideastupdates. Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.