Third Year Option:
ENG 820 is required for third year students. Students make take up to 6 credits in electives during their third year.
Required electives must be literature or forms courses, or other graduate courses at the university.
Year One | ||
---|---|---|
First Semester | Credit Hours | |
or | Creative Writing: Fiction III | 3 |
or | Form in Poetry | 3 |
Elective | 3 | |
ENG 691 | TAs Only | 0 |
Credit Hours | 9 | |
Second Semester | ||
or | Creative Writing: Fiction III | 3 |
or | Form in Poetry | 3 |
Elective | 3 | |
Creative Writing (TAs Only) | ||
Credit Hours | 9 | |
Year Two | ||
First Semester | ||
or | Creative Writing: Fiction III | 3 |
or | Form in Poetry | 3 |
Master's Thesis | 3 | |
TAs Only | ||
Credit Hours | 9 | |
Second Semester | ||
or | Creative Writing: Fiction III | 3 |
or | Form in Poetry | 3 |
Master's Thesis | 3 | |
Creative Writing (TAs Only) | ||
Credit Hours | 9 | |
Total Credit Hours | 36 |
The MFA in Creative Writing Program provides its students with a thorough understanding of how to write publishable novels, collections of stories, and books of poetry in order to contribute to the global literary canon; a range of critical and craft-based strategies in order to attain their creative and artistic vision; the skills needed to establish their own expertise, voice and style within the literary genre of their choice; the necessary preparation for careers in the production of contemporary literatures and arts administration within and outside of the academy; and training to teaching in two- and four-year colleges and in research universities. In addition to guiding our students in the writing and revision of their creative theses, we work to assist them in publishing their books, developing a forum for the reading of these works, and obtaining appropriate employment.
Copyright 2024-2025 University of Miami. All Right Reserved. Emergency Information Privacy Statement & Legal Notices
Print this page.
The PDF will include all information unique to this page.
PDF of the entire 2024-2025 Academic Catalog.
Mentorship • Community • Professional Development • Support
Prospective Students
Current Students
English Graduate Programs [email protected]
Meghan Crowther Graduate Admissions Coordinator [email protected]
Bill Forgarty Graduate Programs Director [email protected]
Application Deadline January 1. Please review “How to Apply” in the navigation for more information.
The MFA in Creative Writing is a supportive and vibrant community for writers. Ours is a 2-year program (36 credits) with a creative thesis. Our award-winning faculty are dedicated to the growth of each writer in the program. We have between 30-40 students in the program, and we admit 15-20 new students each year. We believe that a diverse group of students creates the best learning environment. Hence, we encourage applications from marginalized groups–including people of color, women, people from working class backgrounds, and LGBTQ people.
We accept applications in fiction, poetry, creative nonfiction, and we welcome applications in hybrid and experimental/new forms.
Our innovative curriculum includes courses in professional development, workshops, editing and publishing, and a variety of craft-focused courses. We encourage students to experiment and push boundaries in their work. We offer specializations in creative nonfiction, fiction, poetry, and hybrid forms. In their second year, students work one-on-one with one faculty member on a creative thesis worthy of publication.
Fiction, Nonfiction, Poetry, Hybrid, Experimental Forms
The Florida Review, The Cypress Dome, Creative Writing Pedagogy, Professional Development, Literary Citizenship, Internships, Department of English Symposium, Parcels, Writers in the Sun, The Literary Arts Partnership, Atlantic Center for the Arts, Retreats, Conferences, Rollins College: Winter With the Writers, Burrow Press, Page 15, The Drunken Odyssey: A Podcast About the Writing Life, The Jack Kerouac Project
Our students and alumni actively publish in top journals— Passages North, Fourth Genre, Quarterly West, The Rumpus, PANK, New Yorker, Poetry, Creative Nonfiction to name just a few—and have won prestigious prizes such as the AWP Intro Award and the NEA Fellowship. Graduates of our program go on to become teachers, editors, publishers, freelance writers, lawyers, marketing professionals, nonprofit managers, and much more. Our students support each other and thrive in the literary arts activities both on and off campus.
On campus, our students are members of their own student organization, the Graduate Writers Association (GWA), which brings two visiting writers to campus each year, hosts several social and professional events, including PARCELS a monthly reading featuring MFA students, faculty, and alumni. Writers in the Sun, another reading series supported by the department, brings 2-5 nationally known writers to campus. Students are involved with The Florida Review as well as Aquifer: The Florida Review Online , UCF’s prestigious literary journal, or can volunteer with The Cypress Dome (CD), our undergraduate-run student literary magazine. Additionally, The Literary Arts Partnership trains and supports students who lead creative writing workshops for marginalized groups. We are partners with UCF’s Florida Prison Education Project .
Orlando, also called Litlando, is home to a number of literary arts activities, including Burrow Press, The Drunken Odyssey: A Podcast About the Writing Life, The Writer’s Atelier, Page 15, Loose Lips Reading Series, The Jack Kerouac Project , and many other literary arts organizations and events. We have several funding opportunities for incoming and returning students. We’d love to see your application. Here’s how to apply . If you have questions, please contact us at [email protected] or call at 407-823-5329. If you are interested in taking our MFA courses as a non-degree seeking student or as a UCF undergraduate please visit the FAQ page.
Find us on Facebook, Instagram , and Twitter . Also check out our MFA Blog and Working Title Podcast .
The University of Miami’s Creative Writing Program located in the English Department offers an intensive two year study with a third year option in the reading, writing and teaching of creative writing. Located in Miami, an international city of polyglot communities, the program offers students the opportunity to express themselves in writing, to read widely, and to work with faculty who offer critical support. As the nation's only MFA with a broad multilingual focus, faculty at UM are supportive of the linguistic and cultural differences that students bring to their writing. In addition to languages other than English, the multilingual model allows students to write from multiple linguistic modalities such as regional dialects, slang, and technical jargon, etc. Students are encouraged to dip deeper into the linguistic well of their unique culture, history and interests to produce innovative and meaningful work. Regardless of whether students write exclusively in English, or braid more than one language into their work, the University of Miami MFA program is committed to mentoring all of its students towards the publication of their work and a life in writing.
The James Michener Fellowships and Teaching Assistantships support all our graduate students. Awards include a full tuition waiver and annual stipend of $25,915. MFA candidates teach one section of Introduction to Creative Writing per semester during their second year in the program or one section each of Creative Writing and Composition.
Read more about the Michener Fellowships in Creative Writing
Students who choose the third-year option teach two sections of Composition per semester while receiving faculty mentorship towards professional development.
Graduates of the MFA in Creative Writing have gone on to publish award winning novels, books of poetry, and creative nonfiction; have been awarded Stegner Fellowships and other residencies; and have gone on to find employment in teaching and publishing.
The MFA in Creative Writing is a terminal degree. Candidates for the MFA degree must complete between 36-42 credits. 18 of these are taken in the area of writing specialization. These include workshop courses (12 credits) and thesis (6 credits). The remaining credits are taken in forms/craft classes (12 credits), electives (6 credits), and, for those with a teaching assistantship, a creative writing teaching practicum and the option of taking a second teaching practicum in preparation for teaching composition. Among the variety of electives, graduate students have taken courses in literature, interactive media, screenwriting, and photography. Teaching assistants have the option to take one section of workshop or forms either within their concentration or in the other during the third year.
The final thesis must be a book-length manuscript in the student's field of interest. In fiction an approximate one hundred fifty pages are expected; in poetry, fifty. A portfolio is due at the end of the final semester. It consists of a critical paper, a sample of creative work, a self-assessment, and an annotated bibliography.
Copyright: 2024 University of Miami. All Rights Reserved. Emergency Information Privacy Statement & Legal Notices
Individuals with disabilities who experience any technology-based barriers accessing the University’s websites or services can visit the Office of Workplace Equity and Inclusion .
University of South Florida
TAMPA | ST. PETERSBURG | SARASOTA-MANATEE
Creative writing mfa, all applications are due january 1st..
All application materials should be submitted to the Office of Graduate Admissions via the online Graduate Application . Use the graduate admission checklist to get started.
For additional requirements, consult the Graduate Catalog .
Apply Now
Jump to navigation Skip to content
Find details about every creative writing competition—including poetry contests, short story competitions, essay contests, awards for novels, grants for translators, and more—that we’ve published in the Grants & Awards section of Poets & Writers Magazine during the past year. We carefully review the practices and policies of each contest before including it in the Writing Contests database, the most trusted resource for legitimate writing contests available anywhere.
Find a home for your poems, stories, essays, and reviews by researching the publications vetted by our editorial staff. In the Literary Magazines database you’ll find editorial policies, submission guidelines, contact information—everything you need to know before submitting your work to the publications that share your vision for your work.
Whether you’re pursuing the publication of your first book or your fifth, use the Small Presses database to research potential publishers, including submission guidelines, tips from the editors, contact information, and more.
Research more than one hundred agents who represent poets, fiction writers, and creative nonfiction writers, plus details about the kinds of books they’re interested in representing, their clients, and the best way to contact them.
Every week a new publishing professional shares advice, anecdotes, insights, and new ways of thinking about writing and the business of books.
Find publishers ready to read your work now with our Open Reading Periods page, a continually updated resource listing all the literary magazines and small presses currently open for submissions.
Since our founding in 1970, Poets & Writers has served as an information clearinghouse of all matters related to writing. While the range of inquiries has been broad, common themes have emerged over time. Our Top Topics for Writers addresses the most popular and pressing issues, including literary agents, copyright, MFA programs, and self-publishing.
Our series of subject-based handbooks (PDF format; $4.99 each) provide information and advice from authors, literary agents, editors, and publishers. Now available: The Poets & Writers Guide to Publicity and Promotion, The Poets & Writers Guide to the Book Deal, The Poets & Writers Guide to Literary Agents, The Poets & Writers Guide to MFA Programs, and The Poets & Writers Guide to Writing Contests.
Find a home for your work by consulting our searchable databases of writing contests, literary magazines, small presses, literary agents, and more.
Poets & Writers lists readings, workshops, and other literary events held in cities across the country. Whether you are an author on book tour or the curator of a reading series, the Literary Events Calendar can help you find your audience.
Get the Word Out is a new publicity incubator for debut fiction writers and poets.
Research newspapers, magazines, websites, and other publications that consistently publish book reviews using the Review Outlets database, which includes information about publishing schedules, submission guidelines, fees, and more.
Well over ten thousand poets and writers maintain listings in this essential resource for writers interested in connecting with their peers, as well as editors, agents, and reading series coordinators looking for authors. Apply today to join the growing community of writers who stay in touch and informed using the Poets & Writers Directory.
Let the world know about your work by posting your events on our literary events calendar, apply to be included in our directory of writers, and more.
Find a writers group to join or create your own with Poets & Writers Groups. Everything you need to connect, communicate, and collaborate with other poets and writers—all in one place.
Find information about more than two hundred full- and low-residency programs in creative writing in our MFA Programs database, which includes details about deadlines, funding, class size, core faculty, and more. Also included is information about more than fifty MA and PhD programs.
Whether you are looking to meet up with fellow writers, agents, and editors, or trying to find the perfect environment to fuel your writing practice, the Conferences & Residencies is the essential resource for information about well over three hundred writing conferences, writers residencies, and literary festivals around the world.
Discover historical sites, independent bookstores, literary archives, writing centers, and writers spaces in cities across the country using the Literary Places database—the best starting point for any literary journey, whether it’s for research or inspiration.
Search for jobs in education, publishing, the arts, and more within our free, frequently updated job listings for writers and poets.
Establish new connections and enjoy the company of your peers using our searchable databases of MFA programs and writers retreats, apply to be included in our directory of writers, and more.
Each year the Readings & Workshops program provides support to hundreds of writers participating in literary readings and conducting writing workshops. Learn more about this program, our special events, projects, and supporters, and how to contact us.
The Maureen Egen Writers Exchange Award introduces emerging writers to the New York City literary community, providing them with a network for professional advancement.
Find information about how Poets & Writers provides support to hundreds of writers participating in literary readings and conducting writing workshops.
Bring the literary world to your door—at half the newsstand price. Available in print and digital editions, Poets & Writers Magazine is a must-have for writers who are serious about their craft.
View the contents and read select essays, articles, interviews, and profiles from the current issue of the award-winning Poets & Writers Magazine .
Read essays, articles, interviews, profiles, and other select content from Poets & Writers Magazine as well as Online Exclusives.
View the covers and contents of every issue of Poets & Writers Magazine , from the current edition all the way back to the first black-and-white issue in 1987.
Every day the editors of Poets & Writers Magazine scan the headlines—publishing reports, literary dispatches, academic announcements, and more—for all the news that creative writers need to know.
In our weekly series of craft essays, some of the best and brightest minds in contemporary literature explore their craft in compact form, articulating their thoughts about creative obsessions and curiosities in a working notebook of lessons about the art of writing.
The Time Is Now offers weekly writing prompts in poetry, fiction, and creative nonfiction to help you stay committed to your writing practice throughout the year. Sign up to get The Time Is Now, as well as a weekly book recommendation for guidance and inspiration, delivered to your inbox.
Every week a new author shares books, art, music, writing prompts, films—anything and everything—that has inspired and shaped the creative process.
Listen to original audio recordings of authors featured in Poets & Writers Magazine . Browse the archive of more than 400 author readings.
Ads in Poets & Writers Magazine and on pw.org are the best ways to reach a readership of serious poets and literary prose writers. Our audience trusts our editorial content and looks to it, and to relevant advertising, for information and guidance.
Start, renew, or give a subscription to Poets & Writers Magazine ; change your address; check your account; pay your bill; report a missed issue; contact us.
Peruse paid listings of writing contests, conferences, workshops, editing services, calls for submissions, and more.
Poets & Writers is pleased to provide free subscriptions to Poets & Writers Magazine to award-winning young writers and to high school creative writing teachers for use in their classrooms.
Read select articles from the award-winning magazine and consult the most comprehensive listing of literary grants and awards, deadlines, and prizewinners available in print.
Help us keep this database current. If you have updated information on one of the programs listed in the MFA database, let us know.
Our MFA database includes essential information about low- and full-residency graduate creative writing programs in the United States and other English-speaking countries to help you decide where to apply.
Poetry: Jan-Henry Gray, Maya Marshall Prose: Katherine Hill, René Steinke, Igor Webb
Poetry: Paul Robichaud Fiction: Sarah Harris Wallman Nonfiction: Eric Schoeck
Poetry: Leslie Contreras Schwartz, Jim Daniels, Benjamin Garcia Fiction: Karen E. Bender, Shonda Buchanan, Dhonielle Clayton, S. Kirk Walsh Creative Nonfiction: Anna Clark, Matthew Gavin Frank, Donald Quist, Robert Vivian
Poetry: Kyle Dargan, David Keplinger Fiction: Dolen Perkins-Valdez, Stephanie Grant, Patricia Park Nonfiction: Rachel Louise Snyder
Poetry: Cathy Linh Che Prose: Lisa Locascio Nighthawk
Poetry: Genevieve Betts, Michelle Reale Fiction: Stephanie Feldman, Joshua Isard, Tracey Levine, Eric Smith Literature: Matthew Heitzman, Christopher Varlack, Elizabeth Vogel, Jo Ann Weiner
Poetry: Genevieve Betts, Michelle Reale Fiction: Stephanie Feldman, Joshua Isard, Tracey Levine, Eric Smith
Poetry: Sally Ball, Natalie Diaz, Alberto Álvaro Ríos, Safiya Sinclair Fiction: Matt Bell, Jenny Irish, Tara Ison, Mitchell Jackson, T. M. McNally Creative Nonfiction: Sarah Viren
Poetry: Dexter Booth, Marcelo Hernandez Castillo, Adam Gellings, Tess Taylor, Vanessa Angélica Villareal Fiction: Kirstin Chen, Edan Lepucki, Sarah Monette, Nayomi Munaweera, Vi Khi Nao, Naomi J. Williams, Kyle Winkler Nonfiction: Cass Donish, Kate Hopper, Lauren Markham, Thomas Mira y Lopez, Lisa Nikolidakis, Terese Mailhot
Poetry: Michael Kleber-Diggs Fiction: Stephan Eirik Clark, Lindsay Starck Nonfiction: Anika Fajardo Playwriting: Carson Kreitzer, TyLie Shider, Sarah Myers Screenwriting: Stephan Eirik Clark, Andy Froemke
Poetry: Katy Didden, Mark Neely Fiction: Cathy Day, Sean Lovelace Nonfiction: Jill Christman, Silas Hansen Screenwriting: Rani Deighe Crowe, Matt Mullins
Jess Arndt, Shiv Kotecha, Mirene Arsanios, Hannah Black, Trisha Low, Christoper Perez, Julian Talamantez Brolaski, Simone White
Poetry: Lucy English, Tim Liardet, John Strachan, Samantha Walton, Gerard Woodward Fiction: Gavin James Bower, Celia Brayfield, Alexia Casale, Anne-Marie Crowhurst, Lucy English, Nathan Filer, Aminatta Forna, Samantha Harvey, Philip Hensher, Steve Hollyman, Emma Hooper, Claire Kendal, Natasha Pulley, Kate Pullinger, C.J. Skuse, Gerard Woodward Nonfiction: Celia Brayfield, Lily Dunn, Richard Kerridge Scriptwriting: Robin Mukherjee
Poetry: Lucy English, Tim Liardet, Gerard Woodward Fiction: Gavin James Bower, Celia Brayfield, Anne-Marie Crowhurst, Nathan Filer, Aminatta Forna, Samantha Harvey, Philip Hensher, Claire Kendal, Natasha Pulley, Kate Pullinger, Gerard Woodward Nonfiction: Lily Dunn, Richard Kerridge
Mel Allen, Leanna James Blackwell, Jennifer Baker, Melanie Brooks, María Luisa Arroyo Cruzado, Shahnaz Habib, Susan Ito, Karol Jackowski, Yi Shun Lai, Anna Mantzaris, Meredith O’Brien, Mick Powell, Suzanne Strempek Shea, Tommy Shea, Kate Whouley
Poetry: Jennifer Chang, Michael Dumanis, Randall Mann, Craig Morgan Teicher, Mark Wunderlich Fiction: Peter Cameron, Jai Chakrabarti, Stacey D’Erasmo, Monica Ferrell, Rebecca Makkai, Stuart Nadler, Téa Obreht, Moriel Rothman-Zecher, Katy Simpson Smith, Taymour Soomro Nonfiction: Garrard Conley, Sabrina Orah Mark, Spencer Reece, Lance Richardson, Shawna Kay Rodenberg, Hugh Ryan, Greg Wrenn
Poetry: Tina Chang, Joseph Weil Fiction: Amir Ahmdi Arian, Thomas Glave, Leslie L. Heywood, Claire Luchette, Liz Rosenberg, Jaimee Wriston-Colbert, Alexi Zentner Nonfiction: Amir Ahmdi Arian, Leslie L. Heywood
Poetry: Julie Hensley, Young Smith Fiction: Julie Hensley, Robert Dean Johnson Nonfiction: Robert Dean Johnson, Evan J. Massey Playwriting: Young Smith
Poetry: Martin Corless-Smith, Sara Nicholson, Taryn Schwilling Fiction: Mitch Wieland (Director), Anna Caritj Creative Nonfiction: Chris Violet Eaton, Clyde Moneyhun
Poetry: Andrea Cohen, Karl Kirchwey, Robert Pinsky Fiction: Leslie Epstein, Jennifer Haigh, Ha Jin
Odile Cazenave, Yuri Corrigan, Margaret Litvin, Christopher Maurer, Roberta Micaleff, Robert Pinsky (advising), Stephen Scully, Sassan Tabatabai, J. Keith Vincent, William Waters, Dennis Wuerthner, Cathy Yeh, Anna Zielinska-Elliott
Poetry: Abigail Cloud, Amorak Huey, Sharona Muir, F. Dan Rzicznek, Larissa Szporluk, Jessica Zinz-Cheresnick Fiction: Joe Celizic, Lawrence Coates, Reema Rajbanshi, Michael Schulz
Poetry: Kimberly Johnson, Lance Larsen, Michael Lavers, John Talbot Fiction: Chris Crowe, Ann Dee Ellis, Spencer Hyde, Stephen Tuttle Nonfiction: Joey Franklin, Patrick Madden
Poetry: Julie Agoos, Ben Lerner Fiction: Joshua Henkin, Madeleine Thien Playwriting: Dennis A. Allen II, Elana Greenfield
The talent is there.
But the next generation of great American writers needs a collegial place to hone their craft.
They need a place to explore the writer’s role in a wider community.
They really need guidance about how and when to publish.
All these things can be found in a solid Master of Fine Arts in Creative Writing degree program. This degree offers access to mentors, to colleagues, and to a future in the writing world.
A good MFA program gives new writers a precious few years to focus completely on their work, an ideal space away from the noise and pressure of the fast-paced modern world.
We’ve found ten of the best ones, all of which provide the support, the creative stimulation, and the tranquility necessary to foster a mature writer.
We looked at graduate departments from all regions, public and private, all sizes, searching for the ten most inspiring Creative Writing MFA programs.
Each of these ten institutions has assembled stellar faculties, developed student-focused paths of study, and provide robust support for writers accepted into their degree programs.
To be considered for inclusion in this list, these MFA programs all must be fully-funded degrees, as recognized by Read The Workshop .
Creative Writing education has broadened and expanded over recent years, and no single method or plan fits for all students.
Today, MFA programs across the country give budding short story writers and poets a variety of options for study. For future novelists, screenwriters – even viral bloggers – the search for the perfect setting for their next phase of development starts with these outstanding institutions, all of which have developed thoughtful and particular approaches to study.
So where will the next Salinger scribble his stories on the steps of the student center, or the next Angelou reading her poems in the local bookstore’s student-run poetry night? At one of these ten programs.
Here are 10 of the best creative writing MFA programs in the US.
Starting off the list is one of the oldest and most venerated Creative Writing programs in the country, the MFA at the University of Oregon.
Longtime mentor, teacher, and award-winning poet Garrett Hongo directs the program, modeling its studio-based approach to one-on-one instruction in the English college system.
Oregon’s MFA embraces its reputation for rigor. Besides attending workshops and tutorials, students take classes in more formal poetics and literature.
A classic college town, Eugene provides an ideal backdrop for the writers’ community within Oregon’s MFA students and faculty.
Tsunami Books , a local bookseller with national caché, hosts student-run readings featuring writers from the program.
Graduates garner an impressive range of critical acclaim; Yale Younger Poet winner Brigit Pegeen Kelly, Cave Canem Prize winner and Guggenheim fellow Major Jackson, and PEN-Hemingway Award winner Chang-Rae Lee are noteworthy alumni.
With its appealing setting and impressive reputation, Oregon’s MFA program attracts top writers as visiting faculty, including recent guests Elizabeth McCracken, David Mura, and Li-young Lee.
The individual approach defines the Oregon MFA experience; a key feature of the program’s first year is the customized reading list each MFA student creates with their faculty guide.
Weekly meetings focus not only on the student’s writing, but also on the extended discovery of voice through directed reading.
Accepting only ten new students a year—five in poetry and five in fiction— the University of Oregon’s MFA ensures a close-knit community with plenty of individual coaching and guidance.
Cornell University’s MFA program takes the long view on life as a writer, incorporating practical editorial training and teaching experience into its two-year program.
Incoming MFA students choose their own faculty committee of at least two faculty members, providing consistent advice as they move through a mixture of workshop and literature classes.
Students in the program’s first year benefit from editorial training as readers and editors for Epoch , the program’s prestigious literary journal.
Teaching experience grounds the Cornell program. MFA students design and teach writing-centered undergraduate seminars on a variety of topics, and they remain in Ithaca during the summer to teach in programs for undergraduates.
Cornell even allows MFA graduates to stay on as lecturers at Cornell for a period of time while they are on the job search. Cornell also offers a joint MFA/Ph.D. program through the Creative Writing and English departments.
Endowments fund several acclaimed reading series, drawing internationally known authors to campus for workshops and work sessions with MFA students.
Recent visiting readers include Salman Rushdie, Sandra Cisneros, Billy Collins, Margaret Atwood, Ada Limón, and others.
Arizona State’s MFA in Creative Writing spans three years, giving students ample time to practice their craft, develop a voice, and begin to find a place in the post-graduation literary world.
Coursework balances writing and literature classes equally, with courses in craft and one-on-one mentoring alongside courses in literature, theory, or even electives in topics like fine press printing, bookmaking, or publishing.
While students follow a path in either poetry or fiction, they are encouraged to take courses across the genres.
Teaching is also a focus in Arizona State’s MFA program, with funding coming from teaching assistantships in the school’s English department. Other exciting teaching opportunities include teaching abroad in locations around the world, funded through grants and internships.
The Virginia C. Piper Center for Creative Writing, affiliated with the program, offers Arizona State MFA students professional development in formal and informal ways.
The Distinguished Writers Series and Desert Nights, Rising Stars Conference bring world-class writers to campus, allowing students to interact with some of the greatest in the profession. Acclaimed writer and poet Alberto Ríos directs the Piper Center.
Arizona State transitions students to the world after graduation through internships with publishers like Four Way Books.
Its commitment to the student experience and its history of producing acclaimed writers—recent examples include Tayari Jones (Oprah’s Book Club, 2018; Women’s Prize for Fiction, 2019), Venita Blackburn ( Prairie Schooner Book Prize, 2018), and Hugh Martin ( Iowa Review Jeff Sharlet Award for Veterans)—make Arizona State University’s MFA a consistent leader among degree programs.
The University of Texas at Austin’s MFA program, the Michener Center for Writers, maintains one of the most vibrant, exciting, active literary faculties of any MFA program.
Denis Johnson D.A. Powell, Geoff Dyer, Natasha Trethewey, Margot Livesey, Ben Fountain: the list of recent guest faculty boasts some of the biggest names in current literature.
This three-year program fully funds candidates without teaching fellowships or assistantships; the goal is for students to focus entirely on their writing.
More genre tracks at the Michener Center mean students can choose two focus areas, a primary and secondary, from Fiction, Poetry, Screenwriting, and Playwriting.
The Michener Center for Writers plays a prominent role in contemporary writing of all kinds.
The hip, student-edited Bat City Review accepts work of all genres, visual art, cross genres, collaborative, and experimental pieces.
Recent events for illustrious alumni include New Yorker publications, an Oprah Book Club selection, a screenwriting prize, and a 2021 Pulitzer (for visiting faculty member Mitchell Jackson).
In this program, students are right in the middle of all the action of contemporary American literature.
The MFA in Creative Writing at Washington University in St. Louis is a program on the move: applicants have almost doubled here in the last five years.
Maybe this sudden growth of interest comes from recent rising star alumni on the literary scene, like Paul Tran, Miranda Popkey, and National Book Award winner Justin Phillip Reed.
Or maybe it’s the high profile Washington University’s MFA program commands, with its rotating faculty post through the Hurst Visiting Professor program and its active distinguished reader series.
Superstar figures like Alison Bechdel and George Saunders have recently held visiting professorships, maintaining an energetic atmosphere program-wide.
Washington University’s MFA program sustains a reputation for the quality of the mentorship experience.
With only five new students in each genre annually, MFA candidates form close cohorts among their peers and enjoy attentive support and mentorship from an engaged and vigorous faculty.
Three genre tracks are available to students: fiction, poetry, and the increasingly relevant and popular creative nonfiction.
Another attractive feature of this program: first-year students are fully funded, but not expected to take on a teaching role until their second year.
A generous stipend, coupled with St. Louis’s low cost of living, gives MFA candidates at Washington University the space to develop in a low-stress but stimulating creative environment.
It’s one of the first and biggest choices students face when choosing an MFA program: two-year or three-year?
Indiana University makes a compelling case for its three-year program, in which the third year of support allows students an extended period of time to focus on the thesis, usually a novel or book-length collection.
One of the older programs on the list, Indiana’s MFA dates back to 1948.
Its past instructors and alumni read like the index to an American Literature textbook.
How many places can you take classes in the same place Robert Frost once taught, not to mention the program that granted its first creative writing Master’s degree to David Wagoner? Even today, the program’s integrity and reputation draw faculty like Ross Gay and Kevin Young.
Indiana’s Creative Writing program houses two more literary institutions, the Indiana Review, and the Indiana University Writers’ Conference.
Students make up the editorial staff of this lauded literary magazine, in some cases for course credit or a stipend. An MFA candidate serves each year as assistant director of the much-celebrated and highly attended conference .
These two facets of Indiana’s program give graduate students access to visiting writers, professional experience, and a taste of the writing life beyond academia.
The University of Michigan’s Helen Zell Writers’ Program cultivates its students with a combination of workshop-driven course work and vigorous programming on and off-campus. Inventive new voices in fiction and poetry consistently emerge from this two-year program.
The campus hosts multiple readings, events, and contests, anchored by the Zell Visiting Writers Series. The Hopgood Awards offer annual prize money to Michigan creative writing students .
The department cultivates relationships with organizations and events around Detroit, so whether it’s introducing writers at Literati bookstore or organizing writing retreats in conjunction with local arts organizations, MFA candidates find opportunities to cultivate a community role and public persona as a writer.
What happens after graduation tells the big story of this program. Michigan produces heavy hitters in the literary world, like Celeste Ng, Jesmyn Ward, Elizabeth Kostova, Nate Marshall, Paisley Rekdal, and Laura Kasischke.
Their alumni place their works with venerable houses like Penguin and Harper Collins, longtime literary favorites Graywolf and Copper Canyon, and the new vanguard like McSweeney’s, Fence, and Ugly Duckling Presse.
Structure combined with personal attention and mentorship characterizes the University of Minnesota’s Creative Writing MFA, starting with its unique program requirements.
In addition to course work and a final thesis, Minnesota’s MFA candidates assemble a book list of personally significant works on literary craft, compose a long-form essay on their writing process, and defend their thesis works with reading in front of an audience.
Literary journal Great River Review and events like the First Book reading series and Mill City Reading series do their part to expand the student experience beyond the focus on the internal.
The Edelstein-Keller Visiting Writer Series draws exceptional, culturally relevant writers like Chuck Klosterman and Claudia Rankine for readings and student conversations.
Writer and retired University of Minnesota instructor Charles Baxter established the program’s Hunger Relief benefit , aiding Minnesota’s Second Harvest Heartland organization.
Emblematic of the program’s vision of the writer in service to humanity, this annual contest and reading bring together distinguished writers, students, faculty, and community members in favor of a greater goal.
One of the top institutions on any list, Brown University features an elegantly-constructed Literary Arts Program, with students choosing one workshop and one elective per semester.
The electives can be taken from any department at Brown; especially popular choices include Studio Art and other coursework through the affiliated Rhode Island School of Design. The final semester consists of thesis construction under the supervision of the candidate’s faculty advisor.
Brown is the only MFA program to feature, in addition to poetry and fiction tracks, the Digital/Cross Disciplinary track .
This track attracts multidisciplinary writers who need the support offered by Brown’s collaboration among music, visual art, computer science, theater and performance studies, and other departments.
The interaction with the Rhode Island School of Design also allows those artists interested in new forms of media to explore and develop their practice, inventing new forms of art and communication.
Brown’s Literary Arts Program focuses on creating an atmosphere where students can refine their artistic visions, supported by like-minded faculty who provide the time and materials necessary to innovate.
Not only has the program produced trailblazing writers like Percival Everett and Otessa Moshfegh, but works composed by alumni incorporating dance, music, media, and theater have been performed around the world, from the stage at Kennedy Center to National Public Radio.
When most people hear “MFA in Creative Writing,” it’s the Iowa Writers’ Workshop they imagine.
The informal name of the University of Iowa’s Program in Creative Writing, the Iowa Writers’ Workshop was the first to offer an MFA, back in 1936.
One of the first diplomas went to renowned writer Wallace Stegner, who later founded the MFA program at Stanford.
It’s hard to argue with seventeen Pulitzer Prize winners and six U.S. Poets Laureate. The Iowa Writers’ Workshop is the root system of the MFA tree.
The two-year program balances writing courses with coursework in other graduate departments at the university. In addition to the book-length thesis, a written exam is part of the student’s last semester.
Because the program represents the quintessential idea of a writing program, it attracts its faculty positions, reading series, events, and workshops the brightest lights of the literary world.
The program’s flagship literary magazine, the Iowa Review , is a lofty goal for writers at all stages of their career.
At the Writers’ Workshop, tracks include not only fiction, poetry, playwriting, and nonfiction, but also Spanish creative writing and literary translation. Their reading series in association with Prairie Lights bookstore streams online and is heard around the world.
Iowa’s program came into being in answer to the central question posed to each one of these schools: can writing be taught?
The answer for a group of intrepid, creative souls in 1936 was, actually, “maybe not.”
But they believed it could be cultivated; each one of these institutions proves it can be, in many ways, for those willing to commit the time and imagination.
Dental hygiene has become a popular profession for students wanting to enter the health profession.…
Ranked as the #1 healthcare job, physician assistants enjoy an exciting and fulfilling career. PAs…
In 2019 there were over 130,000 phlebotomists nationwide. These medical professionals are responsible for drawing…
Popular category.
Florida atlantic university.
The Florida Atlantic University located in Boca Raton, FL offers a three-year fully funded MFA in creative writing. During the Master of Fine Arts in creative writing program, students take writing workshops in fiction, creative nonfiction, and poetry, as well as literature courses. Students can take additional coursework in Literary Translation, Bookarts, and Creative Writing Pedagogy. GTA positions offer a stipend of $9,000 per year for teaching two courses each term, with a tuition waiver. A limited number of Lawrence Sanders Fellowships (Stipends of $12,000 to 15,000) are also available on a competitive basis.
Please create a free ProFellow account or log in to view listings in our database.
ProFellow is the go-to source for information on professional and academic fellowships, created by fellows for aspiring fellows.
©2011-2024 ProFellow, LLC. All rights reserved.
IMAGES
VIDEO
COMMENTS
The Creative Writing MFA at Florida Atlantic University is home to an engaged and lively literary community. During the three-year (48-credit) program students take writing workshops in fiction, creative nonfiction, and poetry, as well as literature courses. Students can take additional coursework in Literary Translation, Bookarts, and Creative ...
On November 5th, 2021, MFA@FLA welcomed authors Adam Ehrlich Sachs (Organs of Sense, Inherited Disorders) and Paisley Rekdal (Appropriate: A Provocation, Nightingale)—to deliver a reading at Ulster Hall. New York, My Village, by Uwem Akpan (faculty), has been named Fiction Pick of the Month by the Strand, a December selection for Greenlight ...
The Master of Fine Arts in Creative Writing at the University of South Florida is a funded three-year degree. MFA students receive a full tuition waiver and the teaching assistantship comes with a stipend and health insurance. Each year we accept an average of nine students who write comics, creative nonfiction, fiction, and poetry.
405 Williams Building. Tallahassee, Florida 32306-1580. Phone: 850 644 4231. Fax: 850 644 0811. Director, Skip Horack. [email protected]. Creative Writing Consistently ranked among the top writing programs in the country, Florida State University's Creative Writing Program has an internationally recognized reputation of excellence.
The Creative Writing MFA offers a workshop-intensive program in fiction, nonfiction, and poetry, emphasizing the art and craft of creative writing and concentrating on the student's written work. The program encourages hybrid and experimental forms. ... 4000 Central Florida Blvd. Orlando, Florida, 32816 | 407.823.2000
Mission. The MFA in Creative Writing Program provides its students with a thorough understanding of how to write publishable novels, collections of stories, and books of poetry in order to contribute to the global literary canon; a range of critical and craft-based strategies in order to attain their creative and artistic vision; the skills needed to establish their own expertise, voice and ...
The MFA in Creative Writing is a supportive and vibrant community for writers. Ours is a 2-year program (36 credits) with a creative thesis. Our award-winning faculty are dedicated to the growth of each writer in the program. ... The Florida Review Online, UCF's prestigious literary journal, or can volunteer with The Cypress Dome (CD), our ...
The MFA takes three years to complete, and requires 54 credit hours of the following: 4 workshops in genre (fiction or poetry) 3 seminars. 1 forms course. 1 reading tutorial. 3 electives. 12 research/thesis hours. 6 flexible hours (research/ thesis or electives) The thesis.
Degree Requirements. The MFA in Creative Writing is a terminal degree. Candidates for the MFA degree must complete between 36-42 credits. 18 of these are taken in the area of writing specialization. These include workshop courses (12 credits) and thesis (6 credits). The remaining credits are taken in forms/craft classes (12 credits), electives ...
You may also send an official paper copy of your transcript to UF at Office of Admissions, 201 Criser Hall, PO Box 114000, Gainesville, FL, 32611-4000. Please do not send your transcripts directly to the Creative Writing or English Departments. International students must send transcripts in the native language and an English translation, along ...
Professor; Director and Founder of the Creative Writing Program. 305-919-5965. [email protected]. AC1 344. Nicholas Garnett. Program Assistant (Clerical) 305-348-2874. [email protected]. AC1 339.
Program Information. In the first year, students are required to take the Introduction to Graduate Studies and the teaching practicums. Every effort is made to enroll students in the workshop and craft courses of their choice. Thesis committees are formed in the fall of the second year. In the third year, students submit their thesis in March.
Information on how to apply to the Creative Writing MFA program with the Department of English at the University of South Florida
Nine semester hours of undergraduate work in creative writing from an accredited college/university; One writing sample in either poetry (up to 20 pages), fiction/non-fiction (up to 25 pages), or screenplay (first 30 pages plus a synopsis). The writing sample must be submitted directly to [email protected] *The GRE is not required. However, an ...
Our list of 255 MFA programs for creative writers includes essential information about low-residency and full-residency graduate creative writing programs in the United States and other English-speaking countries to help you decide where to apply. It also includes MA programs and PhD programs.
The English Department has two graduate programs: the MFA degree in Creative Writing (MFA@FLA) and the PhD program. The PhD program is a "direct-admission" program that accepts students with either a Master's degree or a Bachelor's degree. MFA@FLA. PhD program. 4008 Turlington Hall.
Here is the list of 53 universities that offer fully-funded MFA programs (Master's of Fine Arts) in Creative Writing. University of Alabama (Tuscaloosa, AL): Students admitted to the MFA Program are guaranteed full financial support for up to 4-years. Assistantships include a stipend paid over nine months (currently $14,125), and full payment ...
About Us. We are one of the country's oldest writing programs, begun in 1949 by Andrew Lytle, later to edit The Sewanee Review. Among the writers who have taught here are John Ciardi, Harry Crews, James Dickey, Debora Greger, Amy Hempel, Donald Justice, Maxine Kumin, Padgett Powell, Nancy Reisman, Mary Robison, Josh Russell, Stephen Spender ...
Creative Writing Program Faculty. Florida Atlantic University at Boca Raton, a diverse community with all of the cultural advantages of a major metropolitan setting, is located three miles from the Atlantic Ocean, halfway between Palm Beach and Fort Lauderdale. Students in the MA and MFA programs specialize in fiction, poetry, or creative ...
University of Oregon (Eugene, OR) Visitor7, Knight Library, CC BY-SA 3.0. Starting off the list is one of the oldest and most venerated Creative Writing programs in the country, the MFA at the University of Oregon. Longtime mentor, teacher, and award-winning poet Garrett Hongo directs the program, modeling its studio-based approach to one-on ...
MFA Creative Writing Program at FIU, North Miami, Florida. 779 likes · 19 talking about this · 7 were here. Info about the students, faculty, and alumni of the MFA Program in Creative Writing at...
At UF he co-directs MFA@FLA, the English department's program in Creative Writing, ... She taught workshops in Poetry and Translation at the University of Florida's MFA@FLA program for 23 years, and she has served as President of AWP and Secretary/Treasurer of ALTA. Her translation with Efe Murad of selected poems of Melih Cevdet Anday won ...
A limited number of Lawrence Sanders Fellowships (Stipends of $12,000 to 15,000) are also available on a competitive basis. Sign up to search 2,800+ fellowships & fully funded graduate programs. The Florida Atlantic University offers a three-year fully funded MFA in creative writing. Take writing workshops in fiction, creative nonfiction, and ...