getting an mfa in creative writing

• College of Liberal Arts
• Creative Writing
• Academic Programs
• undergraduate

| The MFA | Overview  | Planning and Research | Assembling Your Application | Creating Your Timeline | Additional Tips | Additional Resources |

The MFA in Creative Writing

Many writers interested in continuing their study of Creative Writing beyond their bachelor's degree  pursue a Master of Fine Arts degree (MFA) in Creative Writing. MFA programs are designed to provide writers with theoretical framework, practical skills, and critical community support to help them further hone their craft and develop the expertise needed to become published writers.   

MFA programs, however, are very competitive, with only a small percentage of applicants getting into the programs of their choice each year. As such, putting together a successful application takes considerable planning, research, focus, and time. From conducting research on which program is right for you, to preparing the materials you need, to perfecting your creative writing sample and statement of purpose, to obtaining letters of recommendation from your favorite professors, to actually sending in your applications: all this can take from six months to a year from start to finish.

If gaining a Master of Fine Arts degree is of interest to you, then this guide is a great place to start.  Below are some tips on how to succeed in that process. 

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In total, you can expect to do the following as part of the process of applying to MFA programs:

• Plan the overall process and create a timeline
• Research MFA programs / Decide where to apply
• Creative Writing sample (10-20 pages of fiction, poetry, creative nonfiction, etc.)
• Statement of Purpose
• Letters of Recommendation from current or past professors (3 total)
• Undergraduate transcripts
• Curriculum Vitae or Resumé
• GRE test scores (if required by any of the programs to which you plan to apply)
• Application fees
• Submit your applications and required materials by the appropriate deadlines (see above)

Planning and Research

Your Application Timeline.  The very first thing you'll want to do is create a timeline for your application process. (See " Creating Your Timeline " below for some more specific info.) Knowing that most application deadlines are between December 1st and February 1st (for students who want to begin in the fall semester), you will want to get started on everything AT LEAST six months prior to the earliest deadlines: i.e. you'll want to start the process in the spring of your Junior year (assuming you plan to start an MFA in the fall after graduating. If you think you might take a year off after graduation then you can begin in the spring of your Senior year.)

As part of your timeline, figure out when you need to start the various pieces of your completed application packet, and when you want to have them completed. For instance, knowing that it will take time to revise the stories or poems you want to include as your Creative Writing Sample, and that as part of this process you'll want to get feedback toward revision from a trusted friend and/or a willing (and generous) professor, you should plan to complete your first drafts of these no later than September, and possibly earlier. (Your friend or professor will need time to read and provide feedback for you. And then you will need time to revise, etc.) Similarly, knowing that your professors will need time to write your letters of recommendation, and that there's no guarantee that every professor you ask will agree to do this, you should start asking your favorite professors for letters early in your process, perhaps in the spring semester of your Junior year.

All this is to say: make yourself a timeline, give yourself deadlines, and do your best to stick to these deadlines!

Research. After completing your timeline, your next step in some ways is the most difficult: doing research to decide where you want to apply. Maybe you already have a program or two in mind. If so, that's great. If not, our best advice is to start with a resource right here at UTEP: Your Creative Writing professors.

Who are your favorite current or past Creative Writing professors ? Send each an email, or drop by their office hours. Simply let them know that you're interested in applying to MFA programs, and that you would like their advice. All of your professors here will have great advice, and can point you to programs that they admire, and/or in which they think you would be a good fit. 

Of course there are other factors you should think about aside from your professors' recommendations. Here are a few things to consider as you're looking at various MFA programs:

• Genres.  Does the program offer courses in all genres, or specialize in a limited number of genres (poetry, fiction, cre ative non-fiction, children's lit, screenwriting , gaming, etc)? Does it offer a variety of courses in the genre you're interested in? Does the program have faculty who specialize in and/or publish in the genre(s) you want to study?
• Faculty.  Are you interested in writing by one or more members of the faculty in the program? (You may need to do some research to find and read some work by the program's faculty. Each Faculty member's bio or Faculty page will list their most prominent or most recent work.) If you're really intrigued, a sk t o be connected  with faculty, if possible, to sit in on a class or for a one-on-one conversation about the program.  Conversely, are there writers (perhaps that you've encountered through your Creative Writing classes, or by reading contemporary poetry/fiction journals) that you really admire? Look them up and find out where they teach! 
• Location.  Consider where the school is located . Is it somewhere you'd like to live?  Is it affordable to live there? Is there a literary arts scene (or music scene, or performance scene, or visual arts scene)? Do you have connections to anyone in this location, or will you need to form new community upon joining the program? (Keep in mind that an MFA program is a great and easy place to form a new community!)  Is the program online or in person?  Do you want to move to a new city and start over, or would you like to be close to family and friends?
• Finances.  Does the program offer Teaching Assistantships or Fellowships (or some other kind of yearly stipend) to its MFA students? (It should.) Does the program (and/or the University) offer grants/scholarships/tuition wavers to help defer the costs of graduate school? How much is not covered by all the above, and what is the remaining amount, considering tuition, fees, and cost of living, that you would have to cover out of pocket? Are you willing to take out loans to cover the rest? How much aid will you receive from FAFSA? Contact the school’s Financial Aid office for more information and to learn about additional resources.
• Program Specifics. Every student will have their own unique wants and needs from an MFA program, so consider what you value and are looking for.  Some of the things you might consider: the reputation of the university and/or the program; the size of the program; the culture of the program and the competitiveness among classmates; what the graduates of the program do after completing the program; access to faculty; class size; opportunities to take part in reading series or in the production of a literary magazine; etc.     
• Get in Touch.  Talk to MFA students currently in that program to get a sense of what their experience has been, the strengths and weaknesses of the program, what they like and don't like about the program and/or the location, about the camaraderie among fellow students, why they chose that program, etc. (To get in touch with current students, you can usually e-mail the program, tell them you're considering applying, and that you'd like to be put in touch with current students.) 
• Visit.  If you have the time and resources, visit the programs you're most interested in (in person or virtually) to get a feel for the campus, the people, the program, and the town/city where it's located. If visiting in person, let the program know ahead of time that you're coming, make sure it's a good time to visit (you don't want to visit while they're on break!), and ask if you can sit in on a class and/or meet with current students etc. This is a great way to get a sense of whether or not you would fit in and feel comfortable there.

In the end you'll want to apply to at least three, and up to eight programs, depending on your resources. (The more MFA programs you apply to, the greater chance you have of being admitted to one. At the same time, the more MFA programs you apply to, the more you'll be paying in application fees, which can be quite expensive.)

Recent alumni from UTEP's Creative Writing Department have had success getting into a number of MFA programs that you might want to consider as well: University of Arizona, University of New Mexico, the New School, the Art Institute of Chicago, University of Pittsburgh, Emerson College, Simmons University, NMSU.

Assembling Your Application

Once you've made your selections and you know where you want to apply, you'll need to start assembling your application materials. The following is a list of materials commonly requested as part of an application to an MFA program in Creative Wriitng.

• Three Letters of Recommendation.   I t is best to  ask for  letters of recommendation from current/previous professors who can speak to your writing abilities, your growth as a student, your participation and contributions to the classroom, and why they believe you are the right candidate for an MFA program .  It is important to ask professors whom you know and in whose classes you did well.  Also, consider your audience. Since you're applying to Creative Writing programs, you'll want letters primarily from Creative Writing professors. (One letter from a professor in a related field, such as Literature, would be okay, as long as the others are in the field you're applying to.) If you've done a special project with a professor, like an Honors Thesis, or If you've taken multiple classes with a particular professor you like and admire, and whose classes have been important to you, then she or he or they should be on the top of your list. Think ahead. C onnecting with professors during your experience as an undergraduate Creative Writing major--through class participation ,  attending office  hours , and staying in touch even after your class with them ends--will help you build relationships with them and thus provide your recommenders with a deeper understanding of you and your writing as they  prepare their letters.   Always ask for letters at least two to three months prior to your earliest application deadline.  (It never hurts to ask earlier rather than later.) Your professors are very busy, and while they always want to help if they can, good letters of recommendation require a lot of time and effort to prepare. You do not want to rush them. Make sure you provide for them the names of each school/program you're applying to and the deadlines for each. 
• Statement of Purpose (or Statement of Intent). Precisely what any particular program asks for here can   vary, but  most programs   request  a  writer’s  statement and/or a statement of purpose (of approximately 500-1000 words) that speaks  about  your  writing  influences  and goals ; what makes you distinctive as a writer; your academic and literary interests ; why you think their program is right for you; and your further professional goals beyond the MFA program . While the Creative Writing Sample (see below) is often the most important document you submit as part of your MFA application, the Statement of Purpose is still crucial, as it can often sway an admissions committee (who are weighing your application against many others), who may realize from your statement that you are truly interested in their program and what their program has to offer, and that you will therefore be a good fit there. What this means, however, is that you shouldn't simply send the exact same Statement of Purpose to each program you're applying to. Rather, you should tailor each Statement of Purpose to the program you're sending it to. Make sure you address the topics the program asks you to address, of course, but also make sure you talk about the specific aspects of their program that excite you: particular courses that are offered; faculty members you're excited to work with and why; specialty tracks or sub-programs within the program (such as screenwriting, literary translation, children's literature, etc.). All this is to say that you want to let the admissions committee know that you know something about their program, and that you know why you want to be there.
• Creative Writing Sample. A Creative Writing Sample will be 10-20 pages of your best poems, short stories, excerpts from novels, etc. In an MFA application, this is often the most important document you submit , and an admissions committee will often start by looking at this sample of your work. If they like it, they'll move you forward and look at the rest of your application. If they don't, that'll be the end. As such: do not simply dust off the work that got you an "A" in your recent Creative Writing classes and send it in. You'll want to work on these, revise, and work on them some more. Get feedback from a trusted friend or CRW classmate, or from a professor (who has agreed ahead of time to give you feedback). Take their constructive criticism seriously (they're trying to help! They want you to succeed!) and revise, revise, revise. Make your creative writing sample the absolute best you can.  Once you've decided on the stories or poems you want to submit, have revised it all to the point where you (and your trusted readers) think it's ready, and you're ready to put the sample together, you'll want to think about how to order the work you've chosen for your writing sample. It's often best to lead with the strongest works first,  the next strongest samples last, and the least strong samples in the middle.  Finally, keep in mind that quality is more important than quantity (as long as you provide the minimum number of pages they request).
• Transcripts.  Official Transcripts are official legal documents listing among other things the courses you took at the University and the grades you received, and these  are  issued by the university or college where you completed your undergraduate coursework, usually by the University Registrar's office.  Unofficial transcripts show the same information, but do not have official legal standing. Most programs you're applying to will require official transcripts. To request your official transcripts from UTEP, contact the Division of Student Affairs Office of Registration and Records . 
• Application Fees. Most programs charge an application fee to apply to their program. These fees cover the time and effort needed to process and review applications. These are typically between $50-$100 per application, and sometimes more. So, the more programs you apply to, the more you'll be spending on application fees. You'll need to think about this ahead of time, and start saving if necessary.

  Some less commonly requested materials :  

• Curriculum Vitae or Resume. A curriculum Vitae (CV) is a complete list of education, jobs, volunteer work, professional experiences, publications, public performances, awards, etc. Whereas a resume is usually a brief, one-page snapshot of all the above, highlighting your skills and past job responsibilities. You can find examples of both online.
• Critical Writing Samples.  A 10-20 page sample of critical/analytical/research writing. Such a writing sample would be more commonly requested for applications to MA or PhD programs in more traditionally academic programs, like Literature, History, Communications, or Sociology. But, you never know. If you happen to be applying to a PhD program in Creative Writing, however, you will likely be asked for both a creative writing sample AND a critical writing sample.
• GRE Test Scores. The Graduate Record Exam (GRE) is similar to the SAT test (which you may have taken in preparation to apply to college), but is for those who want to study at the masters level or beyond after finishing their bachelor's degree. The "general" GRE test is supposed to measure your aptitude for graduate-level study, while specific GRE tests for specific disciplines (such as Literature or History) measure your preparation for advanced study in that discipline. In either case, though, one can dramatically improve their performance on these tests by studying for them with a test-prep book or app. Important to note is that few MFA programs require GRE scores, but some do. Best to do your research ahead of time here and figure out if any of the programs you're interested in require the GRE. If they do, and if you still want to apply to them, you'll need to schedule a GRE test time far in advance of those application deadlines. You can get more info on taking the GRE at the GRE website:  https://www.ets.org/gre On the other hand, you may decide that you don't want to apply to any programs requiring the GRE, and therefore eliminate programs that require it from your list.

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Creating Your Timeline

Below is a general guideline for putting together your own application timeline. Make sure you check with the programs you're applying to for specific dates for everything below.

• 12 months before  applying (winter of Junior year)  – Begin  researching MFA programs    
• 2 months before  applying  – Ask  for Letters of Recommendation    
• September 1 st  - May 15 th  –  Applications Due  (see MFA programs for exact deadline e s)
• Many programs have deadlines the first few weeks of January (for students intending to begin in the fall of that year). However, some of the most competitive programs have deadlines as early as September, and others have deadlines as late as May. Start researching early so that you don’t miss these crucial deadlines.  
• October 1 st  – June 30 th  – FAFSA   (Free Application for Federal Student Aid– see schools for exact deadlines) FASFA opens for applications October 1 st  and closes June 30 th .  Submit your FAFSA as soon as possible – some  schools have priority deadlines or hard deadlines before  June 30 th , or  give a wards until funds are depleted. Check with your school to see when their deadlines are.  A pply  for FAFSA   HERE .   
• Rolling – Applying  for scholarships   Scholarships have deadlines throughout the year. It is recommended to  start  research ing  and applying for scholarships in the fall  prior  to the year  you are seeking funding.  Check with the programs you are applying to  to  learn of additional scholarships and funding they may have. Contact the UTEP Office of Fellowships and Awards for assistance.
• March – July – Accept Offer   (see schools for exact deadlines) You will get letters of acceptance or rejection anytime between March and July. Hopefully you'll have received an acceptance or two (or more). Review offer letters and notify  program s of decisions.  Some  programs require a non-refundable deposit upon acceptance, while others do not.    (If you are not successful in getting into the programs you applied to, it is okay to call and ask to speak to (or email) the chair of the admissions committee simply to thank them for their time and consideration, and to (politely) ask what was lacking in your application. This can help should you decide to try again next year.)
• Remember to say "Thank You" Send a follow up “thank you” card to the professors who wrote you letters of recommendation. And, don't forget to keep your recommenders in the loop as you make decisions – share with them when you are accepted into programs, and what your ultimate decisions are so that they can celebrate with you or provide support if you decide to apply to additional programs in the future.  

Additional Application Tips

• Build time into your application timeline to h ave  all of  your materials reviewed by  trusted  classmates, fellow writers,  and/or  UTEP's  University W riting  C enter .  Receiving feedback on (and then revising!)  your  creative/ critical  writing  samples and statement of purpose  is  crucial to the process of assembling quality application materials.
• Carefully proofread  everything you submit. You are applying to a writing program, after all. You don't want to send writing that is riddled with typos and grammatical errors.
• Apply to multiple programs. While you may have an ideal program in mind, it is   good   to have several options  available in case you are not admitted into your first choice;  circumstances change your priorities; or  so that you can compare the various offers in the event you are accepted to multiple programs. 

Additional Online Resources

• MFA Programs Database (Poets & Writers):  https://www.pw.org/mfa  
• Guide to Writing Programs (AWP):  https://www.awpwriter.org/guide/guide_writing_programs  
• UTEP University Writing Center:  https://www.utep.edu/uwc/  
• 6 Tips for Getting Successfully Accepted into an MFA Program (UTEP):  https://www.utep.edu/extendeduniversity/utepconnect/blog/march-2019/6-tips-for-getting-successfully-accepted-into-an-mfa-program.html  
• " So You're Thinking About Applying to Grad School in Creative Writing " -- from the University of Arizona MFA in Creative Writing Program.
• Spanish:  [email protected]
• English:  [email protected]

Thanks to UTEP Creative Writing MFA candidate Sarah Hobin for assembling, organizing, and writing most of the material on this page! 

Connect With Us

The University of Texas at El Paso Department of Creative Writing University Towers, Room 520 Additional Emails English: [email protected] Español: [email protected] MFA Online: [email protected] Undergrad: [email protected] 500 W University Ave El Paso, Texas 79968

E: [email protected] P: (915) 747-5713

3 Myths About the MFA in Creative Writing

Today’s guest post is an excerpt from DIY MFA by Gabriela Pereira ( @DIYMFA ), just released from Writer’s Digest Books.

Most writers want an MFA for one of three reasons: They want to teach writing, they want to get published, or they want to make room in their life for writing. It turns out these reasons for doing an MFA are actually based on myths.

Myth 1: You Need an MFA to Teach Writing

Many writers get the MFA because they think it will allow them to teach writing at the college or graduate level. Once upon a time this might have been the case, but these days so many MFA graduates are looking for jobs and so few teaching positions exist, that it’s a challenge to get a teaching job with a PhD, much less with a terminal master’s degree. The writers who do manage to snag a coveted teaching position are often so overwhelmed with their responsibilities that they have to put their own writing on the back burner. While in the past an MFA may have served as a steppingstone to becoming a professor, it’s not the case anymore.

More important, many teachers in MFA programs do not have that degree themselves. Some professors are successful authors with prominent careers, while others are publishing professionals who bring the industry perspective to the courses they teach. This goes to show that the MFA has little impact on a writer’s ability to teach writing. Being a successful author or publishing professional is much more important.

Myth 2: The MFA Is a Shortcut to Getting Published

No agent will sign you and no editor will publish your book based on a credential alone. You have to write something beautiful. If you attend an MFA program and work hard, you will become a better writer. And if you become a better writer, you will eventually write a beautiful book. An MFA might help you on your quest for publication, but it’s certainly not required. After all, many writers perfect their craft and produce great books without ever getting a degree.

Ultimately getting published is a matter of putting your backside in the chair and writing the best book possible. For that, you don’t need an MFA.

Myth 3: An MFA Program Will Force You to Make Writing a Priority

If you can find time to write only by putting your life on hold and plunging into a graduate program, then your writing career isn’t going to last very long. Only a small percentage of writers can support themselves and their loved ones through writing alone. This means you must find a balance between your writing and the rest of your life.

Even within your writing career, you must become a master juggler. Forget that glamorous image of the secluded writer working at his typewriter. These days, writing is only a small piece of the writer’s job. In addition to writing, you must promote your books, manage your online presence, update your social media … and likely schedule these tasks around a day job, a family, and other responsibilities.

The danger with MFA programs is that they train you to write in isolation but don’t always teach you how to fit writing into your real life, or even how to juggle writing with all the other aspects of your writing career. Not only that, but external motivators like class assignments or thesis deadlines don’t teach you to pace yourself and build up the internal motivation you need to succeed in the long-term.

Genre Writing in MFA Programs

Most MFA programs focus on literary fiction, creative nonfiction, and poetry. While these are noble areas of literature, they cover only a tiny slice of the wide and diverse world of writing. Heaven forbid a writer in a traditional MFA program produces something commercial—or worse, genre fiction. While a handful of MFA programs allow writers to study genre fiction or children’s literature, the majority still focus on literary work alone. If you want to write genre fiction, commercial nonfiction, or children’s books, you likely will not learn much about them in your MFA courses.

Writers of genre and commercial fiction are among the most dedicated, driven writers I know. They take their craft seriously and work hard to understand the business side of the publishing industry. In addition, a vast number of associations, conferences, and guilds are dedicated to specific genres or commercial writing. Literary writers are not the only ones who crave knowledge and community. Commercial and genre writers want it, too.

This is why I created DIY MFA : to offer an alternative for writers who do not fit the strict literary mold of the traditional MFA system.

Should You Pursue an MFA?

MFA programs are not a bad thing. In fact, they are exceptional at serving a small and very specific group of writers. If you write literary fiction, creative nonfiction, or poetry, and if you thrive in a formal academic environment, then the traditional MFA is a great option. If you can afford the tuition without taking out loans, and if you have the time to make the most of the experience, then you are one of those ideal candidates for graduate school.

One reason I am extremely grateful for my own MFA is that it gave me the opportunity to work with several phenomenal teachers. I studied YA and middle-grade literature with the brilliant David Levithan. The legendary Hettie Jones was my first workshop teacher. I worked closely with Abrams publisher Susan Van Metre, who served as my thesis advisor and mentor. These experiences were invaluable, and at the time I didn’t think I could make connections with such literary luminaries any other way. Now I know, however, that you can make connections and find great mentors without attending an MFA program.

The “Do It Yourself” MFA

As an MFA student, I discovered the magic equation that sums up just about every traditional MFA. The Master in Fine Arts degree in Creative Writing is nothing more than a lot of writing, reading, and building community. In the workshops, you exchange critiques with other writers and work toward a manuscript that becomes your thesis project. Most programs also require you to take literature courses both in and outside your chosen area of literature. Finally, you are asked to attend readings or talks by other writers—to build your personal writing community. To create a personalized, do-it-yourself MFA, you have to find a way to combine these three elements.

Write with focus. You have to commit to a project and finish it. In traditional MFA terms, this project is your thesis, and it’s a crucial part of your development as a writer. But you don’t need to complete a thesis to get this experience; you just need to finish and polish a manuscript. While you can feel free to play and explore early on, you must eventually choose a project and see it through from beginning to end. When you write with focus, you write with a goal in mind.

Read with purpose.  This means reading with a writer’s eye. If you’re like me, you were a bookworm long before you could hold a pencil in your hand. Writers love books. In fact, many of us become writers so we can create the very books we love to read.

Reading for pleasure is wonderful, and it certainly has its place. Reading with purpose is different: It is reading in a way that serves our writing. It’s not just about finding out what happens in the story; it’s about learning how the author pulls it off. Reading this way isn’t just an intellectual exercise. When we read with purpose, we examine how an author crafts a story so we can emulate those techniques in our own work.

Build your community.  In the traditional MFA, building a community happens organically. You meet fellow writers in your workshops and literature courses. You go to readings and conferences to connect with authors. You attend a publishing panel and learn about the industry. The community element is baked into the MFA experience.

To learn more about crafting your own customized MFA experience, sign up for the DIY MFA newsletter , and check out the new book, DIY MFA .

Gabriela Pereira is the Creative Director at DIY MFA , the do-it-yourself alternative to a master’s degree in writing. She develops tools and techniques for the serious writer, to help you get the knowledge without the college. With an MFA in creative writing, Gabriela is also a freelance writing teacher, and has led workshops throughout New York City via writing programs like: 826NYC, East Harlem Tutorial Program and Everybody Wins. When she’s not working on DIY MFA, she loves writing middle grade and teen fiction, with a few short stories for “grown-ups” thrown in for good measure.

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[…] Today’s guest post is an excerpt from DIY MFA by Gabriela Pereira (@DIYMFA), just released from Writer’s Digest Books. Most writers want an MFA for one of three reasons: They want to teach writing, they want to get published, or they want to make room in their life for writing. It turns out these reasons …  […]

I find screenwriting programs to be more honest with respect to story telling.

So true, I did a screen writing module in my degree. It was easy, fun and clear to write a script. So weird!

THANK YOU! I needed this. I occasionally doubt myself and my future success possibilities because of my lack of an MFA. I’ve been gradually letting that notion go, and this helps!

Also, I’m not interested in social media with exception of using Twitter as a news aggregator. From my perspective it’s an unwanted hassle. I write fiction and have neither the time nor inclination for blog posts or podcasts, but I do understand the nature of the disadvantage this might impose. And I think reality reliably informs us a social media presence is not necessarily mandatory to find success.

[…] view post at https://janefriedman.com/mfa-creative-writing-3-myths/ […]

[…] 3 Myths About the MFA in Creative Writing (Jane Friedman) Most writers want an MFA for one of three reasons: They want to teach writing, they want to get published, or they want to make room in their life for writing. It turns out these reasons for doing an MFA are actually based on myths. […]

[…] to the rest at Jane Friedman and thanks to Matthew for the […]

[…] the program could help build contacts, at the very least. Here is an article by Jane Friedman with 3 Myths About the MFA in Creative Writing to help answer some of the […]

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MFA in Creative Writing Program Guide

Whether focusing on poetry, fiction, or nonfiction, a creative writing degree prepares students for a multitude of career options. Spanning two years, a master of fine arts (MFA) program trains you to become a skilled writer, communicator, and editor who can receive and apply feedback effectively. This adaptable skill set enables you to work in industries like education, publishing, and journalism. Professionals in these fields flourish in business, where they can apply their skills to promote products, reach consumers, and maintain a company’s brand. A creative writing degree can also bolster a student’s chances of obtaining a publishing deal.

The U.S. Bureau of Labor Statistics (BLS) projects growth for master’s in writing careers through 2033, including an 5% increase for writers and authors , a 6% increase for public relation specialists , and an 4% increase for technical writers . This guide provides prospective students with the academic and career information necessary to find the MFA program that best suits their needs.

What are the best MFA programs? Here are our top 5:

Popular online master’s in writing programs.

Learn about start dates, transferring credits, availability of financial aid, and more by contacting the universities below.

Should I Get an MFA in Creative Writing?

Creative writing degrees are highly versatile. Students of all academic and professional backgrounds may enroll in an MFA program to strengthen their writing, develop editing skills, and cultivate professional relationships. In addition to gaining in-depth knowledge of literary genres, students benefit from classes in technical, journalistic, and business-oriented writing. Regardless of what areas they specialize in, writers learn to articulate complex and artistic ideas persuasively, which enables them to pursue occupations with nearly any company or organization.

Master’s in writing programs also incorporate experiential learning and professional development opportunities into their curricula. Students attend writing conferences, writers’ retreats, and guest speaker sessions. These events allow them to meet other writers and professionals in the field. It also exposes them to career opportunities. Additionally, MFA candidates benefit from university fellowships and internships, which typically center on editing, publishing, and teaching.

Creative writing degrees represent one of the fastest growing university programs in the U.S. According to the Association of Writers and Writing Programs (AWP) 2015 report, 30% of MFA full-residency programs enjoyed an enrollment increase. Distance education represents a viable option for students, especially low-residency programs that allow working professionals to earn their degrees while maintaining career and family responsibilities.

On the other hand, campus-based options offer opportunities for students to directly collaborate with a community of artists. This camaraderie empowers students and cultivates creative and professional relationships that last long after graduation. Traditional MFA programs especially suit learners who transition into graduate-level academics immediately after earning their bachelor’s.

What Can I Do With an MFA in Creative Writing?

Through MFA programs, students develop creative writing, editing, critical-thinking, and professional leadership skills. Though common perceptions of writers paint them as loners, creative writing degrees necessitate collaboration. Students discuss famous literary works and each other’s writing in workshops that help them become better orators and listeners. Even the thesis process requires communication because candidates must work with their advisers to revise their projects and prepare them for publication. Therefore, MFA graduates become exceptional team members, who give, take, and apply criticism effectively. These writers also possess strong grammatical and rhetorical skills, which they apply to diverse genres, including poetry, memoir, search engine optimization, and grant writing.

These writers create content for blogs, journals, magazines, films, video games, and television series. They can also sell their own fiction, nonfiction, and poetry through either a publishing firm or a self-publishing platform. Depending on their specific position, authors can work independently or in project teams with technicians, designers, and managers. Median Annual Salary: $73,690*

Technical Writer

Also referred to as technical communicators , these writers craft how-to manuals and instruction guides for companies and organizations. Technical writers ensure that these materials are standardized and dispersed across all of a company’s channels. Though students can pursue this career with a bachelor’s, an MFA opens more doors through advanced skill and leadership training. Median Annual Salary: $80,050*

Postsecondary Teacher

As a terminal degree, the MFA prepares students for work as college and university instructors . Professors teach courses in their own genre, such as conventional literature classes or writing-intensive workshops. They also pursue creative projects, research, and publication. Like other educators, postsecondary teachers develop curricula, assess testing standards, and support university administration. Median Annual Salary: $84,380*

Public Relations Specialist

These professionals work in teams to cultivate and maintain a positive public image for their business or organization. Their work involves creating and implementing promotional and social media branding campaigns. Public relations specialists also handle press releases, field requests from news outlets, and write speeches for the company’s top executives. MFA graduates typically need additional training to obtain this position, either through on-the-job experience or a certificate program. Median Annual Salary: $66,750*

Marketing Manager

These leaders work with teams of writers , graphic designers, sales agents, and advertisers to create and actualize promotional campaigns. They also negotiate marketing contracts, maintain budgets, and train employees. Additionally, marketing managers analyze brand effectiveness using data-analytical methods. As a high-level career, these professionals need a graduate degree, extensive continuing education, and at least five years of relevant work experience. Median Annual Salary: $157,620*

Source: Bureau of Labor Statistics

How to Choose an MFA in Creative Writing Program

When researching prospective master’s in writing programs, students need to consider cost, length, and location. In general, graduate students can secure substantial funding through scholarships, grants, and fellowships. The most competitive MFA programs boast full tuition coverage and stipends. However, students should look at their financial situation practically, discerning how much they can afford without resorting to loans. They should also seek out private scholarships through local companies and professional organizations.

Most universities follow a two-year timeline as established by the Iowa Writers’ Workshop, the first accredited MFA program in the U.S. However, creative writing represents a highly malleable field with different pedagogical philosophies and curricular design choices. Certain programs last three years, while others last up to five. Relatedly, prospective students should consider whether they want to enroll part or full time. Online and low-residency MFA programs often facilitate part-time enrollment, while traditional programs often require full-time participation.

Distance learners should note that remote creative writing degrees typically use a hybrid format, requiring them to attend conferences and summer retreats. Coursework and specializations reflect other important considerations. These factors fluctuate based on faculty interests and the school’s overall direction. Some master’s in writing programs highlight the American literary canon, while others focus on works from writers who occupy marginalized identities. And still others break with tradition altogether, emphasizing experimental writing styles and multimedia forms.

Finally, MFA applicants need to factor in location. For traditional students, this includes heightened tuition prices due to out-of-state residency status. Learners should also look into job prospects and cost of living. Many of the most popular programs are located in cities where rent is high and employment is competitive.

Programmatic Accreditation for MFA in Creative Writing Programs

To confer valid degrees, colleges and universities need to earn accreditation at the national, regional, and/or programmatic level. Schools with a religious or vocational focus typically seek out national accreditation. Schools may also earn the more prestigious regional accreditation from one of six organizations depending on their location. Students should look for nonprofit higher education institutions with national or regional accreditation. Students should confirm a school’s accreditation status before starting the admission process.

In addition to national and regional backing, colleges and universities may also receive programmatic accreditation. For example, teaching programs usually need to earn the support of the Council for the Accreditation of Educator Preparation if they want to uphold state licensure standards. Creative writing degrees stand out because they do not subscribe to formal programmatic accreditation. However, many MFA programs are AWP institutional members . Students who enroll at participating schools benefit from scholarship opportunities, writer-to-writer membership programs, and conference discounts.

MFA in Creative Writing Program Admissions

Creative writing degrees generally require standard admission materials. These comprise academic transcripts, resume/CV, recommendation letters, personal statement, and standardized test scores. Candidates should consult their prospective schools’ websites for details, including the admissions deadline.

Conventional requirements aside, the most important part of an MFA candidate’s application is their writing sample. Programs typically require students to declare genre specialization in fiction, poetry, or creative nonfiction. A student’s choice dictates the bulk of classes they take and their thesis requirement. Specifics vary by program, but poets can expect to submit around 10-15 pages worth of poetry. Fiction and nonfiction writers usually turn in 25-30 pages of prose. Crafting an effective writing sample requires time, so students should plan accordingly. They should also look into the program’s guiding aesthetic. Some MFA programs prefer traditional works, while others find experimental narratives more engaging and indicative of a writer’s potential.

Prerequisites

Bachelor’s degree, professional experience, minimum gpa, admission materials, application:, transcripts:, letters of recommendation:, test scores:, application fee:, what else can i expect from an mfa in creative writing program.

Graduate creative writing degrees center on three specializations: poetry, fiction, and creative nonfiction. However, MFA programs aim for a holistic approach to the writing craft. This means that a poet must also take fiction and nonfiction classes, whether they be literature seminars or intensive writing workshops. Students also pursue coursework outside the three genres. Beyond some core classes, topics vary greatly based on faculty specializations.

Courses in an MFA in Creative Writing Program

While coursework differs based on the individual program, an MFA degree plan typically breaks down into four parts: literature courses, writing workshops, independent study, and thesis hours. Students can expect literature classes to encompass both classic and modern works. Independent study allows students to take classes outside the three main genres. Possible topics include journalism, gender studies, technical writing, and grant writing.

Reading Across Genres

MFA programs operate under the philosophy that experimenting across genres builds better writers. In this class, students learn how to effectively interact with works in fiction, poetry, and creative nonfiction. Learners also develop the skills to analyze how such fundamental ideas, like plot, character, and point of view, operate in each genre to achieve desired effects.

Poetic Forms

This class provides students who already write poetry with the knowledge and practice to advance their art. Unlike the workshop, this craft class emphasizes literary analysis that enables writers to break down a poem into component parts. Topics include meter, rhyme, rhythm, stanza pattern, and lineation. Students also delve into traditional and experimental poetic forms.

As one of the most popular creative nonfiction forms, the memoir tells the personal story of an individual or a community. In this course, writers learn the art of memoir through ideas like tone, voice, structure, and subtext. They also develop knowledge of subgenres, including the autobiographical memoir and those that deal with food, travel, family, addiction, and grief.

The Short Story

This narrative form represents the premier learning tool for MFA fiction students due to its relative brevity and popularity with literary magazines. This course provides writers with an in-depth study of the short story form, focusing on narrative arc, pacing, characterization, and internal/external action. Students also learn about short story history by reading the works of famous authors, such as Donald Barthelme, Alice Munro, and Octavia E. Butler.

Writing Workshop

While the structure of the workshop varies by MFA program and individual professors, this course always focuses on providing students with the feedback needed to improve their writing. Workshops also help students develop skills as editors and book reviewers. In addition to submitting creative work, students need to turn in written analyses of other students’ writing.

How Long Does It Take to Get an MFA in Creative Writing?

Like other master’s programs, creative writing degrees typically take two years, or 36 credits. Some schools follow a three-year curriculum. A student’s enrollment status affects the timeline. Online and low-residency MFA programs provide more flexibility, allowing students to accommodate busy schedules by taking courses part-time. They may also offer accelerated degree plans that let students finish seminars and workshops in as few as 12 months.

Full-residency programs prefer a structured approach, similar to cohort learning, in which all students in the program take the same classes every semester, advancing through their degree work at a communal pace. Relatedly, MFA candidates who receive fellowships may not take more than the standard course allotment each term due to how university tuition waivers work.

Finally, the nature of a student’s capstone project also affects their degree timeline. Many writers want their MFA thesis to be publishable manuscript, so they often take additional semesters to polish their work before submission and defense.

How Much Is an MFA in Creative Writing?

According to Peterson’s , a higher education organization, graduate students who attend a public university pay $30,000 in average annual tuition, while those who attend private institutions pay $40,000 each year. However, prices vary with individual schools. The University of New Orleans and Columbia University offer two popular creative writing degrees. UNO’s yearly graduate tuition is $8,892 for Louisiana residents and $13,462 for non-residents. Columbia charges $28,230 per semester.

MFA programs operate under the jurisdiction of the college of liberal arts or arts and sciences. This means they usually charge rates that match other graduate programs in that area. The most renowned and competitive creative writing degrees offer every student a full tuition waiver and monthly stipends. Other MFA programs provide institutional and departmental scholarships. Students should also seek out awards from professional organizations and businesses.

Beyond tuition and related fees, students need to consider cost of living, particularly housing. Websites like Payscale and Numbeo allow students to calculate living expenses using city-specific data. They can also compare prices between locations. MFA students should set aside money from conference attendance because these events represent important professional development opportunities for new writers. Research and technology costs also warrant consideration. Fortunately for writers, their field does not require expensive machinery or software. However, they should prepare to face high printing costs.

Certifications and Licenses an MFA in Creative Writing Prepares For

American grant writers’ association (agwa) certified grant writer.

Organizations highly value grant writing, making it one of the most lucrative professions for freelancers. AGWA’s certification series offers courses on proposal writing, program development, and review. Candidates take the exam in person, which comprises handwritten and computer-based sections. Candidates must hold a bachelor’s degree to qualify for the program.

American Medical Writers Association (AMWA) Medical Writer Certified

AMWA operates an intensive, exam-based certification program that enables writers to demonstrate their knowledge and improve their marketability. The in-person test consists of 125 multiple-choice questions and takes 2.5 hours. To be eligible, applicants need to possess at least a bachelor’s degree in any field and two years of paid medical communication experience.

Society for Technical Communication (STC) Certified Professional Technical Communicator

Operated by STC, this program offers technical writers three certification levels: foundation, practitioner, and expert. The foundation certification exam covers such topics as project planning, analysis, content management, organizational design, and written and visual communication. The exam costs $250 for STC members and $495 for nonmembers.

American Writers & Artists Inc. (AWAI) Copywriting Certifications

AWAI offers multiple training and certification options for copywriters. These include an accelerated foundation program, a master’s program, and an advanced training program for seasoned professionals. Copywriters can also pursue training in specialized topics, such as web/online content, business-to-business copywriting, grant writing, resume writing, and event travel writing. Furthermore, AWAI offers membership that comes with benefits like discounts and a career database.

American Copy Editors Society (ACES) Certificate in Editing

Through ACES , writers can enroll in fundamental and advanced certification programs. Fundamental level classes cover topics like clarity, accuracy, and search engine optimization. The advanced program comprises courses in copyright/fair use, fact-checking, and numeracy. To obtain the certificate, students need to pass individual assessments that come after every module.

Resources for MFA in Creative Writing Students

Duotrope provides the tools writers need to locate agents and publishers. The website also operates a massive database of literary magazines and journals, which writers use to submit and track work for publication.

Poets & Writers

Poets & Writers offers the resources writers need to publish, promote, and develop their art. The organization also operates writing contests, workshops, networking events, and a database of MFA programs.

Writer’s Digest

This organization regularly publishes articles on writing tips, literary discussions, and new books. Writer’s Digest also operates numerous writing competitions, including those for poetry, fiction, and self-published books. Writers can strengthen their craft through free webinars and paid workshops.

Literary Hub

Literary Hub provides an interactive platform for writers to discuss craft, design, and literary criticism. The website also highlights relevant pop culture and political issues. Additional resources include book reviews, daily fiction, and podcasts.

Literary Marketplace

Facilitated by Information Today Inc., Literary Marketplace operates the world’s largest searchable database of publishers, literary agents, and industry events. Users benefit from 180 search terms, enabling them to find publishers by size, location, and genre.

Professional Organizations for MFA in Creative Writing Students

MFA programs offer valuable academic training and networking opportunities, which new writers can bolster through engagement with professional organizations. These organizations facilitate literary databases, award competitions, topical webinars, and in-person writing workshops. Furthermore, students can take advantage of insider information and first-hand accounts to find the master’s in writing programs that best suit them. Perhaps the greatest benefit of writer’s organizations is their networking and community-building events. These include readings, guest speaker series, and annual conferences, like the AWP Conference and Bookfair which draws over 12,000 attendees each year.

Association of Writers and Writing Programs

Individual membership provides access to the writer’s calendar, job list, and the writer to writer mentorship program. Members also enjoy career guidance and discounts on literature and conference attendance. Students can take advantage of the organization’s comprehensive guide to writing programs.

Academy of American Poets

As the largest professional organization for poets, the academy offers up-to-date publishing news, award programs, and job opportunities. Members also benefit from a variety of creative networking events.

National Writers Union

Established in 1981, the NWU advocates for the rights and economic advancements of its members, who work in diverse writing and education fields. Operating 12 regional chapters, the union provides members with legal advice and promotional support. Emerging writers benefit from a searchable talent database.

The Authors Guild

As the oldest and largest professional organization for writers, the Authors Guild offers legal assistance, online seminars, media liability insurance, and an expansive resource library. Members also gain access to discounts, conferences, and awards.

Freelancers Union

The organization supports independent workers through government policy advocacy and community engagement programming. Members benefit from health, dental, and life insurance assistance. Freelancers Union also provides retirement support. Membership is free.

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15 Best Creative Writing MFA Programs in 2024

May 15, 2024

Whether you studied at a top creative writing university or are a high school dropout who will one day become a bestselling author , you may be considering an MFA in Creative Writing. But is a writing MFA genuinely worth the time and potential costs? How do you know which program will best nurture your writing? If you’re considering an MFA, this article walks you through the best full-time, low residency, and online Creative Writing MFA programs in the United States.

What are the best Creative Writing MFA programs?

Before we get into the meat and potatoes of this article, let’s start with the basics. What is an MFA, anyway?

A Master of Fine Arts (MFA) is a graduate degree that usually takes from two to three years to complete. Applications typically require a sample portfolio, usually 10-20 pages (and sometimes up to 30-40) of your best writing. Moreover, you can receive an MFA in a particular genre, such as Fiction or Poetry, or more broadly in Creative Writing. However, if you take the latter approach, you often have the opportunity to specialize in a single genre.

Wondering what actually goes on in a creative writing MFA beyond inspiring award-winning books and internet memes ? You enroll in workshops where you get feedback on your creative writing from your peers and a faculty member. You enroll in seminars where you get a foundation of theory and techniques. Then, you finish the degree with a thesis project. Thesis projects are typically a body of polished, publishable-quality creative work in your genre—fiction, nonfiction, or poetry.

Why should I get an MFA in Creative Writing?

You don’t need an MFA to be a writer. Just look at Nobel Prize winner Toni Morrison or bestselling novelist Emily St. John Mandel.

Nonetheless, there are plenty of reasons you might still want to get a creative writing MFA. The first is, unfortunately, prestige. An MFA from a top program can help you stand out in a notoriously competitive industry to be published.

The second reason: time. Many MFA programs give you protected writing time, deadlines, and maybe even a (dainty) salary.

Third, an MFA in Creative Writing is a terminal degree. This means that this degree allows you to teach writing at the university level, especially after you publish a book.

Fourth: resources. MFA programs are often staffed by brilliant, award-winning writers; offer lecture series, volunteer opportunities, and teaching positions; and run their own (usually prestigious) literary magazines. Such resources provide you with the knowledge and insight you’ll need to navigate the literary and publishing world on your own post-graduation.

But above all, the biggest reason to pursue an MFA is the community it brings you. You get to meet other writers—and share feedback, advice, and moral support—in relationships that can last for decades.

Types of Creative Writing MFA Programs

Here are the different types of programs to consider, depending on your needs:

Fully-Funded Full-Time Programs

These programs offer full-tuition scholarships and sweeten the deal by actually paying you to attend them.

• Pros: You’re paid to write (and teach).
• Cons: Uprooting your entire life to move somewhere possibly very cold.

Full-Time MFA Programs

These programs include attending in-person classes and paying tuition (though many offer need-based and merit scholarships).

• Pros: Lots of top-notch non-funded programs have more assets to attract world-class faculty and guests.
• Cons: It’s an investment that might not pay itself back.

Low-Residency MFA Programs

Low-residency programs usually meet biannually for short sessions. They also offer one-on-one support throughout the year. These MFAs are more independent, preparing you for what the writing life is actually like.

• Pros: No major life changes required. Cons: Less time dedicated to writing and less time to build relationships.

Online MFA Programs

Held 100% online. These programs have high acceptance rates and no residency requirement. That means zero travel or moving expenses.

• Pros: No major life changes required.
• Cons: These MFAs have less name recognition.

The Top 15 Creative Writing MFA Programs Ranked by Category

The following programs are selected for their balance of high funding, impressive return on investment, stellar faculty, major journal publications , and impressive alums.

FULLY FUNDED MFA PROGRAMS

1) johns hopkins university , mfa in fiction/poetry.

This two-year program offers an incredibly generous funding package: $39,000 teaching fellowships each year. Not to mention, it offers that sweet, sweet health insurance, mind-boggling faculty, and the option to apply for a lecture position after graduation. Many grads publish their first book within three years (nice). No nonfiction MFA (boo).

• Location: Baltimore, MD
• Incoming class size: 8 students (4 per genre)
• Admissions rate: 4-8%
• Alumni: Chimamanda Adichie, Jeffrey Blitz, Wes Craven, Louise Erdrich, Porochista Khakpour, Phillis Levin, ZZ Packer, Tom Sleigh, Elizabeth Spires, Rosanna Warren

2) University of Texas, James Michener Center

The only MFA that offers full and equal funding for every writer. It’s three years long, offers a generous yearly stipend of $30k, and provides full tuition plus a health insurance stipend. Fiction, poetry, playwriting, and screenwriting concentrations are available. The Michener Center is also unique because you study a primary genre and a secondary genre, and also get $4,000 for the summer.

• Location : Austin, TX
• Incoming class size : 12 students
• Acceptance rate: a bone-chilling less-than-1% in fiction; 2-3% in other genres
• Alumni: Fiona McFarlane, Brian McGreevy, Karan Mahajan, Alix Ohlin, Kevin Powers, Lara Prescott, Roger Reeves, Maria Reva, Domenica Ruta, Sam Sax, Joseph Skibell, Dominic Smith

3) University of Iowa

The Iowa Writers’ Workshop is a 2-year program on a residency model for fiction and poetry. This means there are low requirements, and lots of time to write groundbreaking novels or play pool at the local bar. All students receive full funding, including tuition, a living stipend, and subsidized health insurance. The Translation MFA , co-founded by Gayatri Chakravorti Spivak, is also two years long but with more intensive coursework. The Nonfiction Writing Program is a prestigious three-year MFA program and is also intensive.

• Incoming class size: 25 each for poetry and fiction; 10-12 for nonfiction and translation.
• Acceptance rate: 2.7-3.7%
• Fantastic Alumni: Raymond Carver, Flannery O’Connor, Sandra Cisneros, Joy Harjo, Garth Greenwell, Kiley Reid, Brandon Taylor, Eula Biss, Yiyun Li, Jennifer Croft

Best MFA Creative Writing Programs (Continued) 

4) university of michigan.

Anne Carson famously lives in Ann Arbor, as do the MFA students in UMichigan’s Helen Zell Writers’ Program. This is a big university town, which is less damaging to your social life. Plus, there’s lots to do when you have a $25,000 stipend, summer funding, and health care.

This is a 2-3-year program in either fiction or poetry, with an impressive reputation. They also have a demonstrated commitment to “ push back against the darkness of intolerance and injustice ” and have outreach programs in the community.

• Location: Ann Arbor, MI
• Incoming class size: 18 (9 in each genre)
• Acceptance rate: 2%
• Alumni: Brit Bennett, Vievee Francis, Airea D. Matthews, Celeste Ng, Chigozie Obioma, Jia Tolentino, Jesmyn Ward

5) Brown University

Brown offers an edgy, well-funded program in a place that only occasionally dips into arctic temperatures. All students are fully funded for 2 years, which includes tuition remission and a $32k yearly stipend. Students also get summer funding and—you guessed it—that sweet, sweet health insurance.

In the Brown Literary Arts MFA, students take only one workshop and one elective per semester. It’s also the only program in the country to feature a Digital/Cross Disciplinary Track.  Fiction and Poetry Tracks are offered as well.

• Location: Providence, RI
• Incoming class size: 12-13
• Acceptance rate: “highly selective”
• Alumni: Edwidge Danticat, Jaimy Gordon, Gayl Jones, Ben Lerner, Joanna Scott, Kevin Young, Ottessa Moshfegh

6) University of Arizona

This 3-year program with fiction, poetry, and nonfiction tracks has many attractive qualities. It’s in “ the lushest desert in the world, ” and was recently ranked #4 in creative writing programs, and #2 in Nonfiction. You can take classes in multiple genres, and in fact, are encouraged to do so. Plus, Arizona’s dry heat is good for arthritis.

This notoriously supportive program is fully funded. Moreover, teaching assistantships that provide a salary, health insurance, and tuition waiver are offered to all students. Tucson is home to a hopping literary scene, so it’s also possible to volunteer at multiple literary organizations and even do supported research at the US-Mexico Border.

• Location: Tucson, AZ
• Incoming class size: usually 6
• Acceptance rate: 1.2% (a refreshingly specific number after Brown’s evasiveness)
• Alumni: Francisco Cantú, Jos Charles, Tony Hoagland, Nancy Mairs, Richard Russo, Richard Siken, Aisha Sabatini Sloan, David Foster Wallace

7) Arizona State University 

With concentrations in fiction and poetry, Arizona State is a three-year funded program in arthritis-friendly dry heat. It offers small class sizes, individual mentorships, and one of the most impressive faculty rosters in the game. Moreover, it encourages cross-genre study.

Funding-wise, everyone has the option to take on a teaching assistantship position, which provides a tuition waiver, health insurance, and a yearly stipend of $25k. Other opportunities for financial support exist as well.

• Location: Tempe, AZ
• Incoming class size: 8-10
• Acceptance rate: 3% (sigh)
• Alumni: Tayari Jones, Venita Blackburn, Dorothy Chan, Adrienne Celt, Dana Diehl, Matthew Gavin Frank, Caitlin Horrocks, Allegra Hyde, Hugh Martin, Bonnie Nadzam

FULL-RESIDENCY MFAS (UNFUNDED)

8) new york university.

This two-year program is in New York City, meaning it comes with close access to literary opportunities and hot dogs. NYU also has one of the most accomplished faculty lists anywhere. Students have large cohorts (more potential friends!) and have a penchant for winning top literary prizes. Concentrations in poetry, fiction, and creative nonfiction are available.

• Location: New York, NY
• Incoming class size: ~60; 20-30 students accepted for each genre
• Acceptance rate: 6-9%
• Alumni: Nick Flynn, Nell Freudenberger, Aracelis Girmay, Mitchell S. Jackson, Tyehimba Jess, John Keene, Raven Leilani, Robin Coste Lewis, Ada Limón, Ocean Vuong

9) Columbia University

Another 2-3 year private MFA program with drool-worthy permanent and visiting faculty. Columbia offers courses in fiction, poetry, translation, and nonfiction. Beyond the Ivy League education, Columbia offers close access to agents, and its students have a high record of bestsellers. Finally, teaching positions and fellowships are available to help offset the high tuition.

• Incoming class size: 110
• Acceptance rate: not publicized (boo)
• Alumni: Alexandra Kleeman, Rachel Kushner, Claudia Rankine, Rick Moody, Sigrid Nunez, Tracy K. Smith, Emma Cline, Adam Wilson, Marie Howe, Mary Jo Bang

10) Sarah Lawrence 

Sarah Lawrence offers a concentration in speculative fiction in addition to the average fiction, poetry, and nonfiction choices. Moreover, they encourage cross-genre exploration. With intimate class sizes, this program is unique because it offers biweekly one-on-one conferences with its stunning faculty. It also has a notoriously supportive atmosphere, and many teaching and funding opportunities are available.

• Location: Bronxville, NY
• Incoming class size: 30-40
• Acceptance rate: not publicized
• Alumni: Cynthia Cruz, Melissa Febos, T Kira Madden, Alex Dimitrov, Moncho Alvarado

LOW RESIDENCY

11) bennington college.

This two-year program boasts truly stellar faculty, and meets twice a year for ten days in January and June. It’s like a biannual vacation in beautiful Vermont, plus mentorship by a famous writer. The rest of the time, you’ll be spending approximately 25 hours per week on reading and writing assignments. Students have the option to concentrate in fiction, nonfiction, or poetry. Uniquely, they can also opt for a dual-genre focus.

The tuition is $23,468 per year, with scholarships available. Additionally, Bennington offers full-immersion teaching fellowships to MFA students, which are extremely rare in low-residency programs.

• Location: Bennington, VT
• Acceptance rate: 53%
• Incoming class: 25-35
• Alumni: Larissa Pham, Andrew Reiner, Lisa Johnson Mitchell, and others

12)  Institute for American Indian Arts

This two-year program emphasizes Native American and First Nations writing. With truly amazing faculty and visiting writers, they offer a wide range of genres, including screenwriting, poetry, fiction, and nonfiction. In addition, each student is matched with a faculty mentor who works with them one-on-one throughout the semester.

Students attend two eight-day residencies each year, in January and July, in Santa Fe, New Mexico. At $12,000 in tuition a year, it boasts being “ one of the most affordable MFA programs in the country .”

• Location: Santa Fe, NM
• Incoming class size : 21
• Alumni: Tommy Orange, Dara Yen Elerath, Kathryn Wilder

13) Vermont College of Fine Arts

VCFA is the only graduate school on this list that focuses exclusively on the fine arts. Their MFA in Writing offers concentrations in fiction, poetry, and nonfiction; they also offer an MFA in Literary Translation and one of the few MFAs in Writing for Children and Young Adults . Students meet twice a year for nine days, in January and July, either in-person or online. Here, they receive one-on-one mentorship that continues for the rest of the semester. You can also do many travel residencies in exciting (and warm) places like Cozumel.

VCFA boasts amazing faculty and visiting writers, with individualized study options and plenty of one-on-one time. Tuition for the full two-year program is approximately $54k.

• Location : Various; 2024/25 residencies are in Colorado and California
• Incoming class size: 18-25
• Acceptance rate: 63%
• Alumnx: Lauren Markham, Mary-Kim Arnold, Cassie Beasley, Kate Beasley, Julie Berry, Bridget Birdsall, Gwenda Bond, Pablo Cartaya

ONLINE MFAS

14) university of texas at el paso.

UTEP is considered the best online MFA program, and features award-winning faculty from across the globe. Accordingly, this program is geared toward serious writers who want to pursue teaching and/or publishing. Intensive workshops allow submissions in Spanish and/or English, and genres include poetry and fiction.

No residencies are required, but an optional opportunity to connect in person is available every year. This three-year program costs about $25-30k total, depending on whether you are an in-state or out-of-state resident.

• Location: El Paso, TX
• Acceptance rate: “highly competitive”
• Alumni: Watch alumni testimonies here

15) Bay Path University

This 2-year online, no-residency program is dedicated entirely to nonfiction. Featuring a supportive, diverse community, Bay Path offers small class sizes, close mentorship, and an optional yearly field trip to Ireland.

There are many tracks, including publishing, narrative medicine, and teaching creative writing. Moreover, core courses include memoir, narrative journalism, food/travel writing, and the personal essay. Tuition is approximately $31,000 for the entire program, with scholarships available.

• Location: Longmeadow, MA
• Incoming class size: 20
• Alumni: Read alumni testimonies here

Best MFA Creative Writing Programs — Final Thoughts

Whether you’re aiming for a fully funded, low residency, or completely online MFA program, there are plenty of incredible options available—all of which will sharpen your craft while immersing you in the vibrant literary arts community.

Hoping to prepare for your MFA in advance? You might consider checking out the following:

• Best English Programs
• Best Colleges for Creative Writing
• Writing Summer Programs
• Best Writing Competitions for High School Students

Inspired to start writing? Get your pencil ready:

• 100 Creative Writing Prompts 
• 1 00 Tone Words to Express Mood in Your Writing
• 60 Senior Project Ideas
• Common App Essay Prompts

Best MFA Creative Writing Programs – References:

• https://www.pw.org/mfa
• The Creative Writing MFA Handbook: A Guide for Prospective Graduate Students , by Tom Kealey (A&C Black 2005)
• Graduate School Admissions

Julia Conrad

With a Bachelor of Arts in English and Italian from Wesleyan University as well as MFAs in both Nonfiction Writing and Literary Translation from the University of Iowa, Julia is an experienced writer, editor, educator, and a former Fulbright Fellow. Julia’s work has been featured in  The Millions ,  Asymptote , and  The Massachusetts Review , among other publications. To read more of her work, visit  www.juliaconrad.net

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